"Fresco" Quotes from Famous Books
 ... photograph from the fresco by His friend Giotto, discovered under the whitewash on a watt of the Bargello palace; now in the Museo Nazionale, ...
— The World's Best Poetry Volume IV. • Bliss Carman
... of the principal temple are wretched daubs in fresco, representing the state of eternal punishment. Some of the figures are being roasted, twitched with red-hot pincers, partly baked, or forced to swallow fire. Others again, are jammed between rocks, or having pieces of flesh cut out of their bodies, etc., ...
— A Woman's Journey Round the World • Ida Pfeiffer
... conscience rose up and accused me. This was not what I had come out to do. These triflings with pearls and parrakeets, these al fresco luncheons off yams and bananas—there was no "making of history" about them, I resolved that without further dallying I would turn to and capture the French frigate, according to the original programme. So we upped ...
— Dream Days • Kenneth Grahame
... so distinctly, and provoke the observer to take pleasure in seeing how completely the workman is master of the particular material he has used, and how beautiful and desirable a substance it was, for work of that kind. In oil painting, its unctuous quality is to be delighted in; in fresco, its chalky quality; in glass, its transparency; in wood, its grain; in marble, its softness; in porphyry, its hardness; in iron, its toughness. In a flint country, one should feel the delightfulness of having flints to pick up, and fasten together into rugged walls. In a marble country, one ...
— Aratra Pentelici, Seven Lectures on the Elements of Sculpture - Given before the University of Oxford in Michaelmas Term, 1870 • John Ruskin
... gave directions about our being invited to a scientific meeting which was to be held at Pisa. We were presented to the Grand Duchess, who was very civil. We spent the summer at Siena, and had a cheerful airy apartment with a fine view of the hills of Santa Fiora, and with very pretty arabesques in fresco on the walls of all the rooms, some so very artistic that I made sketches of them. In these old cities many of the palaces and houses are decorated with that artistic taste which formerly prevailed to such an extent in ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville
... which (as well as when I was in Ireland) I made such sketches as will make you throw down your brush in despair. I wish you would ask at Molteno's or Colnaghi's for a new Lithographic print of a head of Dante, after a fresco by Giotto, lately discovered in some chapel {90b} at Florence. It is the most wonderful head that ever was seen—Dante at about twenty-seven years old: rather younger. The Edgeworths had a print in Ireland: got by great ...
— Letters of Edward FitzGerald - in two volumes, Vol. 1 • Edward FitzGerald
... old cathedral of Salamanca is a fresco of the Last Judgment, perhaps by the Castilian painter Gallegos. Over the retablo on a black ground a tremendous figure of the avenging angel brandishes a sword while behind him unrolls the scroll ...
— Rosinante to the Road Again • John Dos Passos
... climate seems to give the most wonderful results in the way of vegetables and fruit. Around Pasadena there are acres and acres of truck gardens, developed with Japanese efficiency. I love al fresco marketing. If I can find time once a week to motor up the valley and fill the machine with beautiful, crisp, fresh green things of all kinds, it makes housekeeping a pleasure. The little Japanese women ...
— The Smiling Hill-Top - And Other California Sketches • Julia M. Sloane
... itself May the 26th, as you perceive by the date; but I am writing to you by the fire-side, instead of going to Vauxhall. If we have one warm day in seven, "we bless our stars, and think it luxury." And yet we have as much water-works and fresco diversions, as if we lay ten degrees nearer warmth. Two nights ago Ranelagh-gardens were opened at Chelsea; the Prince, Princess, Duke, much nobility, and much mob besides, were there. There is a vast amphitheatre, finely gilt, painted, and illuminated, into which everybody ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... on the name of the Dominicans (Domini Canes) which was accepted by themselves, and which is pictorially represented in a fresco painted ...
— Romola • George Eliot
... into compartments by heavy panels, is profusely gilt, and painted in fresco by Venetian masters; but the gold is dulled by age, and the frescoes are but dingy patches of what once was color. The walls, ornamented with Flemish tapestry, represent the Seven Labors of Hercules—the bright colors all faded out ...
— The Italians • Frances Elliot
... western arches are exquisite in their simple proportion, and the delicate charm of the fresco of their vaulted passages. The quality of this interior decoration is enhanced by the beauty of the staff work, which throughout this court is the most successful found in the Exposition. Here this plaster is soft, rich and warm, and ...
— The Jewel City • Ben Macomber
... love is represented in the depths, in the attitude of supplicating the pity and interest of another maiden in Paradise who accepted Bastianino, and who consequently has no mercy on her that snubbed him. But I counted of far more value than this fresco the sincere old sculptures on the facade of the cathedral, in which the same subject is treated, beginning from the moment the archangel's trump has sounded. The people getting suddenly out of their graves at the summons are all admirable; but the best ...
— Italian Journeys • William Dean Howells
... hypothesis affords reason for thinking it so. In fact, the great merit of this hypothesis of mine is that it seems to explain what we know to be true. Anyone who is curious to discover why we call a Persian carpet or a fresco by Piero della Francesca a work of art, and a portrait-bust of Hadrian or a popular problem-picture rubbish, will here find satisfaction. He will find, too, that to the familiar counters of criticism—e.g. "good drawing," "magnificent ...
— Art • Clive Bell
... died, seventy-five years after Raphael was gone. The small monastery of Sant' Onofrio, where he spent the last short month of his life, used to be a lonely and beautiful place, and is remembered only for his sake, though it has treasures of its own—the one fresco painted in Rome by Lionardo da Vinci, and paintings by Domenichino and Pinturicchio in its portico and little church, as well as memories of Saint Philip Neri, the Roman-born patron saint of Rome. All these things barely sufficed to restrain the government ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford
... the spot by her outraged indignation that any one should dare speak to her thus. She found herself facing a fresco of a tall, austere figure in an enveloping white garment, an elderly woman with a thin, worn, noble face, who laid one fine old hand on a stone parapet and with divine compassion and tenderness looked out over a sleeping city. The man followed the direction ...
— The Bent Twig • Dorothy Canfield
... features of grand and imposing sublimity were prominent The day was among the peaks above them, while the shades of night still lay upon the valleys, forming a landscape like that exquisite and poetical picture of the lower world, which Guido has given in the celebrated al-fresco painting of Aurora. The ravines and glens were covered with snow, but the sides of the rugged rocks were bare in their eternal hue of ferruginous brown. The little knoll on which the Refuge stood was also nearly naked, the wind having driven ...
— The Headsman - The Abbaye des Vignerons • James Fenimore Cooper
... hearers apparently do not disapprove of these al fresco compliments, but occasionally acknowledge them by bestowing upon him a momentary smile or a graceful inclination of the head, as they do with scores of admirers, who, like Tunicu, venture to ...
— The Pearl of the Antilles, or An Artist in Cuba • Walter Goodman
... curious beyond description. Most of theses ornamentations, as well as the paintings, were the work of brothers of the order, who must have spent half a life-time in their consummation. The cloisters are surrounded by a wretched series of life-size paintings in fresco of the mystic type, also the work of brothers attached to the convent, representing Carthusians tormented by the English in the time of Henry VIII. But here and there was seen the work of an artistic ...
— Due West - or Round the World in Ten Months • Maturin Murray Ballou
... he sustains them by one suspender twisted from a solitary button in front around to another on his right side: he knows the farmer's wife has no time to take care of his clothes. But when old Mrs. Lyburn, a woman who can no more design a suit of clothes than a theatre-ceiling fresco, is commissioned to make him a coat out of an old goose-green overcoat, and a pair of trousers out of some thick, old light cloth breeches, and when she cuts the legs of those breeches off at top and bottom, leaving them broad enough for a Turk, with pockets like large bags hanging down ...
— Lippincott's Magazine, Vol. 22, September, 1878 • Various
... was rapidly effacing this romantic fresco, that filled the sides of the archway like the frontispiece of a book, causing it to scale off; but Gabriel could still see the horrible face of the judge standing at the foot of the cross, and the ferocious gesture of the man, who with his knife ...
— The Shadow of the Cathedral • Vicente Blasco Ibanez
... Hour before Aurora, In Guido's famous fresco which alone Is worth a tour to Rome, although no more a Remnant were there of the old world's sole throne. The 'tout ensemble' of his movements wore a Grace of the soft ideal, seldom shown, And ne'er ...
— Don Juan • Lord Byron
... account of affording more numerous illustrations of the private life of the Egyptians. The chamber from which our specimen was taken, was said to be very rich in such illustrations; the walls being completely covered with fresco paintings and bas-reliefs, while statues, vases, and Mosaic work of rich patterns, indicated the vast ...
— The Works of Edgar Allan Poe - Volume 5 (of 5) of the Raven Edition • Edgar Allan Poe
... if it were not his practice to vouchsafe any great warmth of greeting, except upon sure ground of observation. Soon, however, his look grew kindly and genial, (not that it had ever been in the least degree repulsive, but only reserved,) and Leutze allowed us to gaze at the cartoon of his great fresco, and talked about it unaffectedly, as only a man of true genius can speak of his own works. Meanwhile the noble design spoke for itself upon the wall. A sketch in color, which we saw afterwards, helped ...
— Atlantic Monthly, Vol. 10, No. 57, July, 1862 - A Magazine Of Literature, Art, And Politics • Various
... I found save solitude. I stood to-day before the mutilated fresco of Morone, my rapture of six years ago, and hated it with unreasoning hatred. The Madonna belied the wreath-supported inscription above her head, "Miseratrix virginum Regina nostri miserere," and greeted me with a pitiless simper. The unidentified martyr on the ...
— The Morals of Marcus Ordeyne • William J. Locke
... the Hall of the Saints, and Kennedy took Caesar in front of the fresco called, The Dispute of Saint ...
— Caesar or Nothing • Pio Baroja Baroja
... equally accustomed to either element. There are no better canoe-men on the coast. They ship only on board the Bristol ships, and they have more than once flogged a cruel skipper caught ashore. Passing King George's Town, we halted (11 A.M., January 23) opposite the river and settlement of Fresco, where two barques and a cutter were awaiting supplies. Fresco-land is beautified by perpendicular red cliffs, and the fine broad beach is feathered with cocoas which suggest kopra—the dried meat of the split kernel. ...
— To The Gold Coast for Gold, Vol. II - A Personal Narrative • Richard Francis Burton and Verney Lovett Cameron
... leading up to the principal entrance on the first floor, as in the town-hall at Heilbronn—a feature by no means Italian; and there, about midway up the shaft of the campanile, is the great, gaudy, well-remembered fresco, better meant than painted, wherein Titian, some twelve feet in height, robed and bearded, stands out against an ultramarine background, looking very like the portrait of a ...
— Seeing Europe with Famous Authors, Volume 7 - Italy, Sicily, and Greece (Part One) • Various
... of judging for himself the interior of a Roman dwelling in full working order, and with all its furniture, paintings, and utensils complete. Up to this, almost every object of value had been removed at once for safety, every fresco even of importance had been cut bodily out of its setting and placed in one of those immense halls on the ground floor of the Museum in Naples. How well do we remember those gaunt chilly chambers, filled from pavement to ceiling with painted fragments of all ...
— The Naples Riviera • Herbert M. Vaughan
... of a vast cathedral is opened before my gaze. The lofty white marble columns support a vaulted roof painted in fresco, from which are suspended a thousand lamps that emit a mild and steady effulgence. The great altar is illuminated; the priests, in glittering raiment, pace slowly to and fro. The large voice of the organ, murmuring to itself awhile, breaks forth in a shout of melody; and ...
— A Romance of Two Worlds • Marie Corelli
... Republic. Very few are the remnants that have come down to us from the time of the Bishops. An inscription, however, on a house in Via S. Luca close to S. Siro remains, telling how in the year 580 S. Siro destroyed the serpent Basilisk. In the church itself a seventeenth-century fresco commemorates this monstrous deed. ...
— Florence and Northern Tuscany with Genoa • Edward Hutton
... the brawny mob who rushed madly to the Benzine Hut. Plates and mugs were seized and portions measured out, while the diners distributed themselves on odd boxes lying about on the ice. Many who were accustomed to restaurants built tables of kerosene cases and dined al fresco. After the limited stew, the company fared on cocoa, biscuits—"hard tack"—and jam, ...
— The Home of the Blizzard • Douglas Mawson
... painter, was born at Prato about 1400. He was a Carmelite friar, a member of the Florentine community of that order, and was the friend and assistant of Filippo Lippi. The Carmelite convent of Prato which he adorned with many works in fresco has been suppressed, and the buildings have been altered to a degree involving the destruction of the paintings. He was the principal assistant of Fra Filippo in the grand frescoes which may still be seen at the east end of the ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... catastrophe of the state, the period in which any given people reach their highest power in art is precisely that in which they appear to sign the warrant of their own ruin; and that, from the moment in which a perfect statue appears in Florence, a perfect picture in Venice, or a perfect fresco in Rome, from that hour forward, probity, industry, and courage seem to be exiled from their walls, and they perish in a sculpturesque paralysis, or ...
— The Two Paths • John Ruskin
... skin-deep; frontal, discoid. extraregarding[obs3]; excentric[obs3], eccentric; outstanding; extrinsic &c. 6; ecdemic[Med], exomorphic[obs3]. Adv. externally &c. adj.; out, with out, over, outwards, ab extra, out of doors; extra muros[Lat]. in the open air; sub Jove, sub dio[Lat]; a la belle etoile[Fr], al fresco. ...
— Roget's Thesaurus
... Hour before Aurora, In Guido's famous fresco[715] (which alone Is worth a tour to Rome, although no more a Remnant were there of the old World's sole throne): The "tout ensemble" of his movements wore a Grace of the soft Ideal, seldom shown, And ne'er to be described; for to the dolour Of bards and prosers, words ...
— The Works of Lord Byron, Volume 6 • Lord Byron
... show presently. It is a city of priests, and monks, and nuns, and friars, of every order, white and gray, black and greasy. As in all Spanish-American towns, the fronts of the houses are plastered and painted in fresco; but the fresco painting has gone too long without renewing, and the town looks now, as it did two years ago, gray, streaked, and inhospitable. The unwashed houses are filled with unwashed people; and the streets swarm with filthy beggars, and monks ...
— Mexico and its Religion • Robert A. Wilson
... the Acropolis upon the Agora, Paul would distinguish a cloister or colonnade. This is the Stoa Poecile, or "Painted Porch," so called because its walls were decorated with fresco paintings of the legendary wars of Greece, and the more glorious struggle at Marathon. It was here that Zeno first opened that celebrated school which thence received the name of Stoic. The site of the garden where Epicurus taught is now unknown. It was no ...
— Christianity and Greek Philosophy • Benjamin Franklin Cocker
... bosom of some Eastern bay, And all the spray-moist rocks and waves that rolled Up the white sand-slopes flashed with ruddy gold.) Something it has—a flavor of the sea, And the sea's freedom—which reminds of thee. Its faded picture, dimly smiling down From the blurred fresco of the ancient town, I have not touched with warmer tints in vain, If, in this dark, sad year, it steals one thought ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... churches. I went in one the other day, and I was looking up at the rafters, and I saw a sort o' picture there, and I said, "Ullo—they've been advertising Pears' Soap here, or something." But when I looked again, it was only an old fresco. I was so little interested I walked out without ...
— Punch, or the London Charivari, Vol. 103, October 1, 1892 • Various
... had really gone for good, than a change came over her. She was sitting erect in a stiff-backed chair in one corner of the room, while her companion in misery sat huddled in the opposite corner, staring at the fresco of flags above her head. Both looked dreadfully woe-begone, and as if the tears were very near the surface, for punishment sat heavily upon these two light-hearted spirits, particularly as such severe measures did not seem necessary or just to them ...
— The Lilac Lady • Ruth Alberta Brown
... remain in part, and there are faint traces of a fresco painting on the east wall, which is said to have represented scenes in the life of St. ...
— Bell's Cathedrals: The Abbey Church of Tewkesbury - with some Account of the Priory Church of Deerhurst Gloucestershire • H. J. L. J. Masse
... entertainers at their domestic duties, he extracted infinite satisfaction from Foo-Yup, the Chinese servant, who was particularly detached for his service. From his invalid coign of vantage at the window he was observant of all that passed upon the veranda, that al-fresco audience-room of The Lookout, and he was good-humoredly conscious that a great many eccentric and peculiar visitors were invariably dragged thither by Miss Macy, and goaded into characteristic exhibition within sight and hearing of her guest, with a too evident view, under the ostentatious ...
— A Phyllis of the Sierras • Bret Harte
... painted in fresco, used white, red, blue, yellow and black. Natural marbles were much used in green and red and alabaster, ...
— Color Value • C. R. Clifford
... an orchestra, and Berlioz requires four orchestras to obtain a pianissimo, this strange man of genius has quietly gone back a few centuries and discovered for himself an exquisite lost world, which was disappearing like a fresco peeling off a wall. He has burrowed in libraries and found unknown manuscripts like a savant, he has worked at misunderstood notations and found out a way of reading them like a cryptogrammatist, he has first found out how to restore and then how to make over again harpsichord, and virginals, ...
— Plays, Acting and Music - A Book Of Theory • Arthur Symons
... truth of drawing; the crudeness of the material vanquished by dexterous hatching; the color not only pure, but deep—a rare virtue with Giotto; the eye soft and thoughtful, the brow nobly modeled. In the fresco of the Death of the Baptist, in Santa Croce, which we agree with Lord Lindsay in attributing to the same early period, the face of the musician is drawn with great refinement, and considerable power of rounding ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... practical purpose, of idea or of moral attitude, belongs to the succession, the evolution, the type But the defining characters of the work of art are independent of time. The temple, the fresco, and the symphony, in the moment they become objects of the critical judgment, become also qualities of beauty and transparent ...
— The Psychology of Beauty • Ethel D. Puffer
... a khaki fresco on the cab and sides of the giant commissary trucks that raise the dust along the winding white road over the hills. Snorting motorcycles with two men over the motor and an officer in the side car skim over the ground, passing all others. ...
— "And they thought we wouldn't fight" • Floyd Gibbons
... born at Albi, on August 23, 1741. His birthplace is the chief town in the Department of Tarn, lying at the centre of the fruitful province of Languedoc, in the south of France. It boasts a fine old Gothic cathedral, enriched with much noble carving and brilliant fresco painting; and its history gives it some importance in the lurid and exciting annals of France. From its name was derived that of a religious sect, the Albigeois, who professed doctrines condemned as heretical and endured severe persecution ...
— Laperouse • Ernest Scott
... is valuable as regards the subject generally, and might have been published with advantage to the public. The artist delivered also lectures on "The Beautiful and the Picturesque," as well as on "Fresco Painting." ...
— English Caricaturists and Graphic Humourists of the Nineteenth Century. - How they Illustrated and Interpreted their Times. • Graham Everitt
... be treated as a background or as a decoration in themselves. In the latter case any pictures should be set in specially arranged panels and should be pictures of importance, or fresco painting. The walls of the great periods were of this decorative order. They were treated architecturally and the feeling of absolute support which they gave was most satisfactory. The pilasters ran from base or dado to the cornice and the over-doors made the doors a dignified part of the ...
— Furnishing the Home of Good Taste • Lucy Abbot Throop
... of the dresser mirror, and the boxing gloves on the wall, and his tennis racquet with one string broken (he had always meant to have that racquet re-strung) and his track shoes, relics of high school days, flung in one corner, and his gay-colored school pennants draped to form a fresco, and the cushion that Josie Morenouse had made for him two years ago, at Christmas time, and the dainty white bedspread that he, fussed about because he said it was too sissy for a boy's room—oh, I can't tell you what he saw as he sat and stared at ...
— Buttered Side Down • Edna Ferber
... field of the early masters was fresco-painting. Unlike painting in oils, it has no resources of transparency, brilliancy, and richness of coloring, but depends for its nobility of effect upon the hardier virtues of art and the more robust genius of the artist. ...
— Atlantic Monthly Volume 6, No. 37, November, 1860 • Various
... the long college corridors, the eyes fall upon palm and statue, upon frieze and fresco, and the carbon copies of immortal paintings. Everywhere there are the inspirations of sculpture and architecture, of music, literature, and art. Beauty is in and about the place in which one thinks and works. This is the undying charm of Oxford—the gathering traditions ...
— The Warriors • Lindsay, Anna Robertson Brown
... (See Rossi, pp. 34, &c.) It is perhaps worth while mentioning that by the antro dell' Aurora was no doubt intended the room in the castle, said to have formed part of the private apartments of Leonora, still known as the sala dell' Aurora, from a wretched fresco on the ceiling by the ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... breast connected him so closely with it, and made the connection patent to all? She fused everything, and filled him with it and it with him: the mounting tones of violins and trumpets, the sparkling quincunxes of the girdling balcony-front, the wide band of fresco which ran in unison with the arches of glittering bulbs above their heads, the circling and swaying throng—all the sheen and splendor of a vast and ...
— With the Procession • Henry B. Fuller
... painting, take Michelangelo's large altar-piece in the Sistine Chapel, 'The Last Judgement'; here the figures forming the upper group, with our Lord in judgement surrounded by saints, are about four times the size, that is, about twice the height, of those at the lower part of the fresco. The figures on the ceiling of the same chapel are studied not only according to their height from the pavement, which is 60 ft., but to suit the arched form of it. For instance, the head of the figure of Jonah at the end over the altar is thrown back in the design, but owing ...
— The Theory and Practice of Perspective • George Adolphus Storey
... a great hall with a vaulted roof, and over the altar is a large painting in fresco, the subject of which I did not trouble myself to make out. More appropriate adornments of the place, dedicated as well to martial reminiscences as religious worship, are the long ranges of dusty and tattered banners that hang from their staves ...
— Atlantic Monthly, Volume 11, Issue 67, May, 1863 • Various
... in altarpieces and designs for church frescoes which were to influence thousands. Here the spirit of poetry, brooding in the mysterious lines of Dante, or echoing from past ages in the myths of the Greeks, took form and glowed on the walls in mighty cartoons to be made imperishable in fresco. Here the spirit of luxury was satisfied by beautiful designs for ornaments, dress stuffs, tapestries, vases and "cassoni," &c., which brought beauty into every life, and made each house a poem. The soul, the mind, and the body, ...
— Fra Bartolommeo • Leader Scott (Re-Edited By Horace Shipp And Flora Kendrick)
... S. Carlo Borromeo. It was over this gateway as well as over the gateway of Fenis (no. 53), that he told me there ought to be a fresco of Fortune with her Wheel (Memoir, ch. xx.) The Rocca Borromeo, Angera, and Arona are mentioned in Alps and Sanctuaries, ch. xxiv. (new edn., ch. xxiii.), and several times in the ...
— The Samuel Butler Collection - at Saint John's College Cambridge • Henry Festing Jones
... the Green Ribbon Club. Their seat was in a sort of carrefour, at Chancery-Lane end, a centre of business and company, most proper for such anglers of fools. The house was double-balconied in front, as may be yet seen, for the clubsters to issue forth, in fresco, with hats and no peruques, pipes in their mouths, merry faces, and diluted throats, for vocal encouragement of the canaglia below, at bonfires, on usual and unusual occasions. They admitted all strangers that were confidingly introduced; for, it was a main ...
— The Works Of John Dryden, Vol. 7 (of 18) - The Duke of Guise; Albion and Albanius; Don Sebastian • John Dryden
... regard to the latter, I felt that I should find out what cold meant in Venice. In addition to this, the grey-washed walls of my large room soon annoyed me, as they were so little suited to the ceiling, which was covered with a fresco which I thought was rather tasteful. I decided to have the walls of the large room covered with hangings of a dark-red shade, even if they were of quite common quality. This immediately caused much trouble; but it seemed to me that it was well worth surmounting, ...
— My Life, Volume II • Richard Wagner
... moony, tender glow which lit up the blossoms among the frail forest of stems from which they hung like little golden roses—marking, as the radiance upon an old wall still marks the place of a vanished fresco, the difference between those parts of the tree which had and those which had not been 'in bloom'—shewed me that these were petals which, before their flowering-time, the chemist's package had embalmed on warm evenings of spring. That rosy candlelight was ...
— Swann's Way - (vol. 1 of Remembrance of Things Past) • Marcel Proust
... splendor Rome owes the Farnese palace. He employed Cellini, and forced Michelangelo to paint the Last Judgment. On ascending the Papal throne he complained that this mighty genius had been too long occupied for Delia Roveres and Medici. When the fresco was finished, he set the old artist upon his last great ...
— Renaissance in Italy, Volumes 1 and 2 - The Catholic Reaction • John Addington Symonds
... halls, on the contrary, and some of the narrower chambers, were decorated on every side, first with sculptures to the height of nine or ten feet, and then with enamelled bricks, or patterns painted in fresco, to the height, probably, of seven or eight feet more. The entire height of the rooms was thus from sixteen to ...
— The Seven Great Monarchies Of The Ancient Eastern World, Vol 2. (of 7): Assyria • George Rawlinson
... sculpture that could be obtained. Stone seems to have been but sparingly used in the construction of these buildings, which were almost entirely of brick faced with stucco: this served as the ground for an elaborate series of fresco paintings. ...
— Architecture - Classic and Early Christian • Thomas Roger Smith
... so rarified that the kettle refuses to boil properly. That is why we always have cold tea at literary gatherings. My dear fellow, it's a damned world. It talks all day and does nothing all night. The ragged Italian in front of the fresco in his village church or at the back of the gallery at the opera of his town knows more essentials of painting and music than any of us. It's a hollow sham of a world filled with ...
— Septimus • William J. Locke
... suite of apartments must be arranged exclusively for them; and, besides, vast and splendid saloons, destined for grand balls, ought to have a different character from rooms in ordinary occupation: there is between the two species of apartments the same difference as between a splendid fresco ...
— The Mysteries of Paris V2 • Eugene Sue
... high-swung carriages, and young bloods dashing by in their curricles. The tables before the coffee-houses were thronged with idlers taking their chocolate and reading the gazettes; and here and there the arched doorway of a palace showed some gay party supping al fresco in ...
— The Valley of Decision • Edith Wharton
... you're picnicking, and you'll enjoy it as most people usually enjoy those horrid al fresco entertainments. I don't believe there's the slightest real necessity for it, but," she added in a lower voice, "the Irish and Chinese servants are so demoralized now, they wouldn't stay indoors with us. It's a common ...
— A Sappho of Green Springs • Bret Harte
... weather, they were still to be seen "craning" their necks as heretofore (much to the amusement of the chorister boys) though with a kind of veil upon them. Doubtless, in a future generation, when the plaster begins to blister, some antiquarian will discover this "wonderful mediaeval fresco," and call the attention ...
— From Death into Life - or, twenty years of my ministry • William Haslam
... correct and elevated taste are, on the whole, greater in Germany than in England; and that in many cities there is a profusion of exterior ornament, more especially in Munich, in the shape of the fresco paintings of the Palace Garden, on Isar Thor, and in the Basilica and churches generally, so that the eye is better educated in artistic combinations; and the same necessity does not exist for special art instruction with them ...
— A Tramp's Wallet - stored by an English goldsmith during his wanderings in Germany and France • William Duthie
... has long been the theme of the moralist in art, from Orcagna's fresco on the walls of the Campo Santo at Pisa to Holbein's great woodcuts and our own Rowlandson. In Germany especially have these macabre imaginings flourished. The phantasmagoria of decay has haunted German art, as it haunted Poe, ...
— Raemaekers' Cartoons - With Accompanying Notes by Well-known English Writers • Louis Raemaekers
... went into Wolsey's great Hall, up a most spacious staircase, the walls and ceiling of which were covered with an allegorical fresco by Verrio, wonderfully bright and well preserved; and without caring about the design or execution, I greatly liked the brilliancy of the colors. The great Hall is a most noble and beautiful room, above a hundred feet long and sixty high and broad. Most of the ...
— Passages From the English Notebooks, Complete • Nathaniel Hawthorne
... suppose the denizens of the district were used to the apparition of them. To me they looked as if they had been the originals from which Guido Reni painted those of the car in which he has placed the celebrated Aurora of his world-famous fresco. They were solidly and heavily built wheels—very barbarous an English carriage-builder would have considered them in their heavy and clumsy magnificence—but they were very gorgeous. What could be the meaning of their ...
— Lippincott's Magazine of Popular Literature and Science - February, 1876, Vol. XVII, No. 98. • Various
... Shakspeare. On the other hand, these prerogatives were at the same time problems; it requires no ordinary degree of skill to arrange, with simplicity and perspicuity, such great masses as Shakspeare uses to bring together: more of drawing and perspective are required for an extensive fresco painting, than for a small oil picture. In renouncing the intermixture of comic scenes when they no longer understood their ironical aim, they did perfectly right: Southern still attempted them in his Oroonoko, but in his hands ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... the Virgin in the fresco of the Judgment in the Strozzi Chapel, so grand and majestic in its simplicity, is again recognisable in the panels of Fra Angelico, imitated with his own especial character and spiritual feeling, full of grace and humility, the soft lines breathing beauty and lightness. The saints who appear ...
— Fra Angelico • J. B. Supino
... Brera, now called the "Palace of the Arts and Sciences," we spent some delightful hours. There is a numerous collection of pictures by Titian, Guido, Albano, Schidone, the three Carraccis, Tintoretto, Giorgione, etc. Some old paintings in fresco, by Luini and others of his age, were especially pointed out to us, which had been cut from the walls of churches now destroyed. They are preserved here, I presume, as curiosities, and specimens of the progress of the arts, for they possess no other merit—none, at ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... the subject of a fresco, painted about 1350, by the eminent Italian painter and architect, Orcagna, upon the walls of the Campo Santo at Pisa,—which some readers may be glad to be reminded was a cemetery, so called because it was covered with earth brought from the Holy Land. It is remarkable, however, ...
— Atlantic Monthly, Volume 3, Issue 17, March, 1859 • Various
... up town and presently entered the door of a ramshackle structure standing midway of a block lined by similar buildings. They walked into a darkened room, and the Wildcat saw a fresco of gleaming white ...
— Lady Luck • Hugh Wiley
... its survey—a hamlet with one long street and houses dotted about on the flanks of a hill, the summit of which is adorned by a newly-built church of red brick with bath-stone dressings. Within this church is Sir Frederick Leighton's fresco of the "Wise and Foolish Virgins." In the ponderous "Queen's House," near the church, lives the chief official of the forest, and here are held the courts. Formerly, this official was always a prince royal and known as the lord warden, but now his powers are vested ...
— England, Picturesque and Descriptive - A Reminiscence of Foreign Travel • Joel Cook
... Poets' Mount, because Mecenas having his palace on this hill, Horace, Propertius and Tibullus dwelt there also. Not far from here are the ruins of the Thermae of Titus, and of Trajan. It is believed that Raphael took the model of his arabesques from the fresco paintings of the Thermae of Titus. It is there, also, that was discovered the group of the Laocoon. The freshness of water affords such pleasure in hot countries that delight is taken in assembling together all the ...
— Corinne, Volume 1 (of 2) - Or Italy • Mme de Stael
... didn't! Ha! Ha! I was considerate enough to ask her if she was satisfied I wasn't marrying beneath the family dignity. 'Gad, she got off a rather neat one at that. Said I might marry under the family tree if I felt like it. Rather good, eh, for mother? I said I preferred a church. Nothing al fresco for me." ...
— The Hollow of Her Hand • George Barr McCutcheon
... after the title whether it is an easel-picture, fresco, statue, relief, or a part ...
— A Library Primer • John Cotton Dana
... semblance of resource avails us— Shade so finely touched, love's sense must seize it. Take these lines, look lovingly and nearly, Lines I write the first time and the last time. He who works in fresco, steals a hair-brush, Curbs the liberal hand, subservient proudly, Cramps his spirit, crowds its all in little, Makes a strange art of an art familiar, Fills his lady's missal-marge with flowerets. He who blows through bronze may breathe ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 6 • Various
... there ever a boarding-house in the world where the seemingly prosaic table had not a living fresco for its background, where you could see, if you had eyes, the smoke and fire of some upheaving sentiment, or the dreary craters of smouldering or burnt-out passions? You look on the black bombazine and high-necked decorum of your neighbor, and no ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... intrudes itself on the scene, as among other [175] things "a great disguiser," blanching the features of youth and spoiling its goodly hair, touching the fine Claudio even with its disgraceful associations. As in Orcagna's fresco at Pisa, it comes capriciously, giving many and long reprieves to Barnardine, who has been waiting for it nine years in prison, taking another thence by fever, another by mistake of judgment, embracing others in the ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... excitement reach amongst the crowd privileged to witness it, that the friars judged it prudent to bring its performances to a close by removing it from the church, and shutting it up in a press in the convent. The second madonna is a fresco in the open piazza as one approaches the church and convent. It is a recent painting, of life-size, with eyes lowered on the spectators looking at it from below, in such a manner that the movements of the pupils (if movements there be) should ...
— The Mysteries of All Nations • James Grant
... himself firmly in the land with great joy and plenty; and he gathers round him all that makes life full-toned and harmonious, from the grand timbre of draught-ale and the organ-thunder of hunting, to the piccolo and tintinnabulum of Poker and maraschino. His life is a fresco-painting, on which some Cyclopaean Raphaelite has poured his rainbows from a ...
— Twenty-One Days in India; and, the Teapot Series • George Robert Aberigh-Mackay
... completes the resemblance. The house, the rooms, are almost absolutely the same; there may be changes of detail, but they don't modify the general effect. There are the same precious pictures on the walls of the salon—the same great dusky fresco in the concave ceiling. The daughter is not rich, I suppose, any more than the mother. The furniture is worn and faded, and I was admitted by a solitary servant, who carried a twinkling taper before me up ...
— The Diary of a Man of Fifty • Henry James
... the Podesta at Florence. The fact was mentioned by Vasari, and Kirkup was enabled to remove the whitewash and uncover this inestimable treasure. Giotto, in the act of painting this portrait, is the subject of one of the finest designs of the English school—alas! not painted in any form of fresco on ...
— Mrs. Shelley • Lucy M. Rossetti
... believe me, they would not form the highest idea of Wagner from that which pleases them in him to-day. All that was only devised for convincing the masses, and people like ourselves recoil from it just as one would recoil from too garish a fresco. What concern have we with the irritating brutality of the overture to the "Tannhauser"? Or with the Walkyrie Circus? Whatever has become popular in Wagner's art, including that which has become so outside the theatre, is in bad taste and spoils taste. The "Tannhauser" March seems to me to savour ...
— The Case Of Wagner, Nietzsche Contra Wagner, and Selected Aphorisms. • Friedrich Nietzsche.
... agencies at work even under the shadow of Cape Eternity to restore the spirit to self-possession, and perhaps none turns from it wholly dismayed. Kitty, at any rate, took heart from some works of art which the cliff wall displayed near the water's edge. One of these was a lively fresco portrait of Lieutenant-General Sherman, with the insignia of his rank, and the other was an even more striking effigy of General O'Neil, of the Armies of the Irish Republic, wearing a threatening aspect, and designed in a bold conceit of his presence there as conqueror of Canada ...
— A Chance Acquaintance • W. D. Howells
... shown. Adjoining the cuadro are the sleeping-rooms, the dining-room, the nursery, &c. These apartments communicate with a second court-yard, called the Traspatio, the walls of which are often adorned with fresco paintings. This Traspatio, a portion of which is usually laid out as a little garden, communicates with the kitchen and the stable (corral). A small avenue, called the callejon, forms a communication from the first to ...
— Travels in Peru, on the Coast, in the Sierra, Across the Cordilleras and the Andes, into the Primeval Forests • J. J. von Tschudi
... St. Peter, which he practically completed, is his most enduring monument; the mural decorations in the Sistine Chapel at Rome, telling on a grandiose scale the Biblical story from Creation to the Flood, are marvels of design; and his grand fresco of the Last Judgment is probably the most famous single painting in ...
— A Political and Social History of Modern Europe V.1. • Carlton J. H. Hayes
... opened,—I saw a beautiful octagonal room, richly furnished, with the walls lined, so it appeared, from floor to ceiling with books,—one or two great stands and vases of flowers made flashes of colour among the shadows, and a quick upward glance showed me that the ceiling was painted in fresco, then my guide signed to ...
— The Life Everlasting: A Reality of Romance • Marie Corelli
... no vague hints and suggestions, no lurking shadows concealing untold horrors. The quaint dwarfs perched on Vathek's shoulders, the children chasing blue butterflies, Nouronihar and her maidens on tiptoe, with their hair floating in the breeze, stand out in clear relief, as if painted on a fresco. The imagery is so lucid that we are able to follow with effortless pleasure the intricate windings of a plot which at Beckford's whim twists and turns through scenes of wonderful variety. Amid his wild, erratic excursions he ...
— The Tale of Terror • Edith Birkhead
... face in her hands, and was sobbing as if her heart would break. It was a moment Drusus would not soon forget. The whole scene in the atrium was stamped upon his memory; the drops of the fountain seemed frozen in mid-air; the rioting satyr on the fresco appeared to be struggling against the limitations of paint and plaster to complete his bound; he saw Cornelia lift her head and begin to address him, but what she said was drowned by the buzzing and swirl which unsteadied the young man's entire faculties. Drusus felt himself turning hot ...
— A Friend of Caesar - A Tale of the Fall of the Roman Republic. Time, 50-47 B.C. • William Stearns Davis
... dignity. It is, perhaps, the most absolute bequest of past centuries which we have had, unchanged, in domestic use till the present time. You may see a loom like the Yankee one shown here in Giotto's famous fresco in the Campanile, painted in 1335; another, still the same, in Hogarth's Idle Apprentice, painted just four hundred years later. Many tribes and nations have hand-looms resembling our own; but these are exactly like ...
— Home Life in Colonial Days • Alice Morse Earle
... and the region of hell, with its monstrous torments, its wells of flames, its ocean with seven bitter waves: ice, fire, blood ... a rudimentary rendering of legends interpreted in their turn by Dante in his poem, and Giotto in his fresco.[326] The thought of Giotto especially, when reading those sermons, recurs to the memory, of Giotto with his awkward and audacious attempts, Giotto so remote and yet so modern, childish and noble at the same time, who represents devils ...
— A Literary History of the English People - From the Origins to the Renaissance • Jean Jules Jusserand
... the busiest, most bustling part of the town, its fresco and bronze and iron quaintly suggestive of mediaeval times. Within, all was cool and dim and restful, with the faintest whiff of lingering incense rising and pervading the gray arches. Yes, the Virgin would know and have pity; the ...
— The Goodness of St. Rocque and Other Stories • Alice Dunbar
... interior of the little house was just such a dainty box as the art of the eighteenth century devised for the pretty profligacy of a fine gentleman. The dining-room, on the ground floor, was painted in fresco, with garlands of flowers, admirably and marvelously executed. The staircase was charmingly decorated in monochrome. The little drawing-room, opposite the dining-room, was very much faded; but the Countess had hung it with panels of tapestry ...
— Honorine • Honore de Balzac
... half-dozen forest giants that arch overhead with such superb loftiness. But in all the world there is no cathedral whose marble or onyx columns can vie with those straight, clean, brown tree-boles that teem with the sap and blood of life. There is no fresco that can rival the delicacy of lace-work they have festooned between you and the far skies. No tiles, no mosaic or inlaid marbles, are as fascinating as the bare, russet, fragrant floor outspreading about their feet. They are the acme of Nature's ...
— Legends of Vancouver • E. Pauline Johnson
... franja f. fringe, band, border. frentico, -a frenzied, mad, furious, frantic. frente f. brow, face, head, forehead, intellect; —— a opposite, in front of, before; a su —— straight ahead. fresco, -a fresh. frescura f. coolness, luxuriant verdure, freshness. fro, -a cold, indifferent, unsympathetic, unruffled; sangre fra sang-froid, coolness, calmness. fro m. cold. frvolo, ...
— El Estudiante de Salamanca and Other Selections • George Tyler Northup
... similar representations on objects of the Mycenaean period, the most interesting of which will be presently described (see page 67). The comparison of these with one another leaves little room for doubt that the Tirynthian fresco was intended to portray the chase of a wild bull. But what does the man's position signify? Has he been tossed into the air by the infuriated animal? Has he adventurously vaulted upon the creature's back? Or did the ...
— A History Of Greek Art • F. B. Tarbell
... the finest building ever raised by the Turks. It is surrounded by a lofty colonnade of marble, of various colours, surmounted by 30 small domes: the large dome is supported by four gigantic piers, covered as well as most of the interior, with fresco paintings; it is rich in columns of verd antique, Egyptian granite, and white marble; there are also four smaller domes, similarly ornamented. Next, near the centre of the Engraving is the Mosque of Santa Sophia, a truly superb and perfect monument of antiquity, built at ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 14, Issue 387, August 28, 1829 • Various
... on the trellis are not paper roses—one guesses them quite fragrant. And that is a real lake in the distance; and those delicate pale trees around it, they too are quite real. Yes! surely this is the garden of Grisi's villa at Uxbridge; and her guests, quoting Lord Byron's 'al fresco, nothing more delicious,' have tempted her to a daring by-show of her genius. To her left there is a stone cross, which has been draped by one of the guests with a scarf bearing the legend GISELLE. It is Sunday evening, I fancy, ...
— Yet Again • Max Beerbohm
... grains of dust—all the clouds of hypocrisy dispersed in atoms before the fury of the storm of vengeance. You were, as you read, Eusebius, in honest rage. I could see you as in a picture, like the figure with the scourge in hand flying off the very ground, in Raffaelle's noble fresco, the Heliodorus; and now are you far more like a merryandrew in your mirth, and the quaint sly humour of the tale in verse has made you blind to the delinquencies of the quaffing Joan. Blind to their delinquencies! Stay your mirth a moment, Eusebius—are you not blind to your own? Now ...
— Blackwood's Edinburgh Magazine, Volume 56, Number 348 • Various
... a very beautiful goose called the Egyptian Goose, or goose of the Nile. Its feathers are very handsomely marked with black, brown, green, and white. It is the goose so often represented, in old fresco paintings of heathen temples, by the ancients. This goose is famous for its devotion to its young. The old birds will remain with their offspring during times of most imminent danger, refusing to save themselves and leave their ...
— Mamma's Stories about Birds • Anonymous (AKA the author of "Chickseed without Chickweed")
... sun, at almost Midsummer, Mr. Woodhouse was safely conveyed in his carriage, with one window down, to partake of this al-fresco party; and in one of the most comfortable rooms in the Abbey, especially prepared for him by a fire all the morning, he was happily placed, quite at his ease, ready to talk with pleasure of what had been achieved, and ...
— Persuasion • Jane Austen
... covered the floor. Inside of it was a smaller well-furnished room, called the quadro, which was the usual reception-room; and beyond it were the dining and sleeping rooms, and the nursery. They all opened into an inner court-yard, the walls of which were ornamented with fresco paintings; and part of it was laid out as a flower-garden, with a fountain in the centre. From it one door led to the kitchen, and another to the stable. The windows were mostly in the roof, as were those in Pompeii and many ancient cities; indeed it was very similar to the plan of building ...
— Manco, the Peruvian Chief - An Englishman's Adventures in the Country of the Incas • W.H.G. Kingston
... see the experiment tried. I had expected something dim and vast, like the great English cathedrals, only more vast and dim and gray; but there is as much difference as between noonday and twilight." The pictures, too, were apt in these first days to go against the grain with him. Contemplating a fresco representing scenes in purgatory, he broke forth: "I cannot speak as to the truth of the representation, but, at all events, it was purgatory to look at this poor, faded rubbish. Thank Heaven, there is such a thing as whitewash; and I shall always be glad to hear of its application to old ...
— Hawthorne and His Circle • Julian Hawthorne
... Ferdinand any thing but a gentleman, of all which the invalid heard nothing, and the lazzarone took no notice. They visited the Via dei Sepolchri, the houses of Diomedes and Cicero. At last they came to Sallust's house, in one of the rooms of which was a fresco that hit the Englishman's fancy exceedingly. He immediately sat down, took a pencil and a blank book from his pocket, and began copying it. He had scarcely made a stroke, however, when the soldier and the lazzarone approached him. The former ...
— Blackwood's Edinburgh Magazine, No. 341, March, 1844, Vol. 55 • Various
... number of six, were each ornamented by a cupola painted in fresco, and statues in marble by the greatest masters, which, after being left for some time exposed to the injuries of the air in the court looking towards the country, are at length deposited in the MUSEUM OF ...
— Paris As It Was and As It Is • Francis W. Blagdon
... our caricaturists might, he says, take a lesson in the irony of grotesque by comparing the reality and the picture. It is only in accordance with general principles of human nature that the "bloofer lady" should be the popular role at these al fresco performances. Our correspondent naively says that even Ellen Terry could not be so winningly attractive as some of these grubby-faced little children pretend, and even imagine ...
— Dracula • Bram Stoker
... the streets, each edifice, be it lordly or humble, presents to your gaze some record of prouder days. "Here an armorial device, there a saint, with his golden circlet or burning lamps, or a half-obliterated fresco, an arched balcony, a fortified gateway, or an ornamented shrine[1]." I heartily agree with the writer, from whose spirited Sketches the preceding extract has been taken, that this old and enduring character of the city is not without its importance. At a period when every political ...
— Germany, Bohemia, and Hungary, Visited in 1837. Vol. II • G. R. Gleig
... way across the bridge to Slotsholm, which was nearly covered by the immense palace of Christiansborg and its dependencies. The first building was Thorwaldsen's Museum, the outer walls of which were covered with an Etruscan fresco of the arrival and debarkation of the great sculptor and his goods, mostly works of art. The figures are about life size, and the situation in which the pictures are placed is novel and quaint. The work was ...
— Up The Baltic - Young America in Norway, Sweden, and Denmark • Oliver Optic
... left to its own devices for the summer. With the warm long days of May and June, the evening walk in the Salon begins. Europe affords no scene more original and characteristic. The whole city meets in this starlit drawing-room. It is a vast evening party al fresco, stretching from the Alcala to the Course of San Geronimo. In the wide street beside it every one in town who owns a carriage may be seen moving lazily up and down, and apparently envying the gossiping strollers on foot. On three nights in the week there is music in the ...
— Castilian Days • John Hay
... locked up. The altar on its raised platform stands upon two rude upright stones, and is marked with five small crosses incised upon its upper surface. Behind it, on the rounded wall, are faint traces of carving and of fresco. All round the walls, except at the altar and the entrance, runs a low stone seat after the true type of the Christian Catacomb. A flat projecting rib of stone divides the barrel roof of the nave from the circular ...
— The Story of Rouen • Sir Theodore Andrea Cook
... for statues and mosaics. Not very particular about the quality, they made up for it by the quantity. And when they could not treat themselves to the real thing, it was good enough to give themselves the make-believe in painting. I can imagine easily enough Verecundus' house, painted in fresco from top to bottom, inside and out, like those houses at Pompeii, or ...
— Saint Augustin • Louis Bertrand
... be bewildering, some revolting; but all is in harmony. The harmony is like that of Eastern music, not immediately conveying its charm, or even the secret of its measure, to Western ears; but a monotony coiling perpetually upon itself, after a severe law of its own. Or rather, it is like a fresco, painted gravely in hard, definite colours, firmly detached from a background of burning sky; a procession of Barbarians, each in the costume of his country, passes across the wall; there are battles, in which elephants fight with men; an army besieges a great city, or rots ...
— Figures of Several Centuries • Arthur Symons
... surpassed him in coloring. He delighted, like Dante, in the awful and the terrible. This grandeur of conception was especially seen in his Last Judgment, executed thirty years afterwards, in completion of the Sistine Chapel, the work on which had been suspended at the death of Julius. This vast fresco is nearly seventy feet in height, painted upon the wall at the end of the chapel, as an altar-piece. No subject could have been better adapted to his genius than this—the day of supernal terrors (dies irae, dies illa), when, according to the ...
— Beacon Lights of History, Volume VI • John Lord
... tesselated work, made by Minton, in England; as the tiles made in this country do not preserve their colour like the English ones. The ceilings of some of the passages are beautifully decorated; and one of the committee rooms, appropriated to agricultural matters, is remarkably well painted in fresco; all the subjects have allusion to agricultural pursuits. In the centre of the building, round the circular part, under the dome, are some very indifferent pictures, representing subjects connected with the history of America, beginning with ...
— First Impressions of the New World - On Two Travellers from the Old in the Autumn of 1858 • Isabella Strange Trotter
... Cristoforo as elsewhere, are quite original; not only in their type of beauty, which is terrestrial and peculiar to Ferrari, without a touch of Correggio's sensuality; but also in the intensity of their emotion, the realisation of their vitality. Those which hover round the Cross in the fresco of the 'Crucifixion' are as passionate as any angels of the Giottesque masters in Assisi. Those again which crowd the Stable of Bethlehem in the 'Nativity' yield no point of idyllic charm to Gozzoli's ...
— Sketches and Studies in Italy and Greece • John Addington Symonds
... one title of his majesty. God, who had not punished him, cannot, will not punish me, who have done nothing." A strange sound attracted the young man's attention. He looked round him, and saw on the mantel-shelf, just below an enormous crucifix, coarsely painted in fresco on the wall, a rat of enormous size engaged in nibbling a piece of dry bread, but fixing all the time, an intelligent and inquiring look upon the new occupant of the cell. The king could not resist a sudden impulse of fear and disgust: he moved back towards the door, uttering a loud ...
— The Man in the Iron Mask • Alexandre Dumas, Pere
... about to paint a picture of St. Augustine, as a fresco for the chapel of the Magi of the church I have named. And having seen me and heard that story of mine, he conceived the curious notion of using me as the model for the figure of the saint. I consented, and daily for a week he came to us in the afternoons to paint; ...
— The Strolling Saint • Raphael Sabatini
... islanders, and like the Wallachians, are often of colossal stature. But the classical Greeks, we are pretty certain, were a race of little men. We have more arguments than one for this belief. But one will be sufficient. The Athenian painter who recorded the battle of Marathon in fresco upon the walls of a portico, was fined for representing the Persians as conspicuously taller than the Greeks. But why?—why should any artist have ascribed such an advantage to the enemy, unless because it was a fact? What ...
— Theological Essays and Other Papers v2 • Thomas de Quincey
... nevertheless, found it very good, and admirably adapted for getting in a subject, as affording means of great rapidity of execution. We allude to the admixture of starch and oil—the less oil the more like distemper will it be; or, we should rather say, fresco, which it much more resembles; but oil may be used with it in any proportion. The starch should be made as for domestic use, with water saturated with borax, and the oil added by degrees, and the whole stirred up together while warm; and, in this medium, the colours should be ground as well as ...
— Blackwood's Edinburgh Magazine, Volume 57, No. 356, June, 1845 • Various
... of white and gilded wood, with voluptuous curves, upholstered in heavy embroidered silk. Polychrome figures of saints and Eighteenth Century hangings with mythological scenes were reflected in the deep azure mirrors above the consoles. The vaulted ceiling was painted in fresco, with an assemblage of gods and goddesses seated on clouds, whose rosy nudity and bold gestures contrasted sharply with the dolorous visage of a great Christ which seemed to preside over the salon, occupying a wide space on the wall between two doors. The Popess ...
— The Dead Command - From the Spanish Los Muertos Mandan • Vicente Blasco Ibanez
... rooms that Gypsy and I both liked best of anything. One is called the Marble Room, and the other the Fresco Room. The Marble Room is all made of marble,—walls, floor, window-sills, everything but the furniture. The marble is of different colors and patterns, and just as beautiful! The furniture is covered ...
— Gypsy's Cousin Joy • Elizabeth Stuart Phelps
... The decoration of the room was rather curious. The d'Y——s descend—like many Norman families—from William the Conqueror, and there are English coats-of-arms on some of the shields on the walls. A band which looks like fresco, but is really painted on linen—very cleverly arranged with some composition which makes it look like the wall—runs straight around the room with all sorts of curious figures: soldiers, horses, and boats, copied exactly from the famous Bayeux tapestries, ...
— Chateau and Country Life in France • Mary King Waddington
... form, a true and genuine passion suddenly showed itself. The same voluntary renunciation of outward effect, through confidence in the power of the inward conception, can be observed some years later in fresco-painting, and later still in painting of all kinds, which began to cease to rely on color for its effect, using simply a lighter or darker shade. For an age which laid so much stress on artificial form in poetry, ...
— The Civilization of the Renaissance in Italy • Jacob Burckhardt
... said that Maestro Biaggio, master of ceremonies to Paul III., having accompanied the Pope on a visit that His Holiness made to see Michael Angelo's fresco when it was about half finished, allowed himself to express his own ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... according to their years, were pictures of health and good humour, as they sate in rows at their little desks, or marched about, singing in choruses. One exercise, through which a number of them, from six to eight years old, were conducted by two of the Sisters, might have been studied from a fresco by Fra Angelico representing the heavenly choirs, and gave the most intense delight evidently to the singing children as well as to the smiling and kindly Sisters. There is a large church, too, at ...
— France and the Republic - A Record of Things Seen and Learned in the French Provinces - During the 'Centennial' Year 1889 • William Henry Hurlbert
... remarkable fact, worthy of high relief in the fresco of weird and startling events then vaguely grouping themselves, that Royson first dreamed of love, even as a fantastic idyll where Irene Fenshawe was concerned, while he was hurrying through the native quarter of Massowah ...
— The Wheel O' Fortune • Louis Tracy
... Instead of employing their art to preserve the master-pieces of antiquity, they have endeavoured to destroy and efface many of them. I have seen with my own eyes an evident proof of this at Bologna, where the greatest part of the paintings in fresco on the walls of the convent of St Michael in Bosco, done by the Carracci, and Guido Rheni, have been ruined by the painters, who, after having copied some of the finest heads, scraped them almost entirely out with ...
— Letters of the Right Honourable Lady M—y W—y M—e • Lady Mary Wortley Montague
... originally executed in tempera on a badly prepared stucco ground and began to deteriorate a very few years after its completion. As early as 1556 it was half ruined. In 1652 the monks cut away a part of the fresco including the feet of the Christ to make a doorway. In 1726 one Michelangelo Belotti, an obscure Milanese painter, received L300 for the worthless labour he bestowed on restoring it. He seems to have employed some astringent restorative which revived the colours temporarily, ...
— Leonardo da Vinci • Maurice W. Brockwell
... and significant form. A change in the mechanical methods of painting, also, had its influence on a change in the conception of the function of art. With a very few exceptions, the works of Giotto were executed in fresco as wall decorations. The principles of mural painting require that the composition shall be subordinated to the architectural conditions of the space it is to fill and that the color shall be kept flat. The fresco method meets these requirements admirably, but because ...
— The Gate of Appreciation - Studies in the Relation of Art to Life • Carleton Noyes
... principal reason for keeping Alain secluded in Bretagne was his reluctance to introduce into the world a son "as old as myself" he would say pathetically. The news of his death, which happened at Baden after a short attack of bronchitis caught in a supper 'al fresco' at the old castle, was duly transmitted to Rochebriant by the Princess; and the shock to Alain and his aunt was the greater because they had seen so little of the departed that they regarded him as a heroic myth, an impersonation ...
— The Parisians, Complete • Edward Bulwer-Lytton
... favorite ideals were drawn from youth and womanhood, it was not because he did not understand the purely masculine. The AEneas of the Borgo fresco, the Paul of the Cecilia altar-piece, and the Sixtus of the Sistine Madonna show, in three ages, what is best and most distinctive ...
— Raphael - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
... Hall during the summer of 1843. Great expectations were entertained of the effect of such patronage on painting in its higher branches. Many careful investigations were made into the best processes of fresco painting, of which the Prince had a high opinion, and this mode of decoration was ultimately adopted, unfortunately, as it proved, for in spite of every precaution, and the greatest care on the part of the painters—some ...
— Life of Her Most Gracious Majesty the Queen V.1. • Sarah Tytler
... seemed to have reached perfection in the pictures and sculptures of Greece and Rome. Yet now those master-pieces are not only equalled on canvas and in fresco, but reproduced by tens of thousands from graven sheets of copper, steel, and even blocks of wood,—or, if modelled in marble or bronze, are remodelled by hundreds, and set up in countless households as the household gods. It is the glory of to-day that ...
— Atlantic Monthly, Vol. 9, No. 55, May, 1862 • Various
... etched on iron, contains a tree tortured by the wind (see illustration), as marvellous for rhythm, power, and invention as the blast-whipped brambles and naked bushes that crest a scarped brow above the jealous husband who stabs his wife, in Titian's fresco at Padua. Again, the unspeakable tragedy of the stooping figure of Jesus, who is being dragged by His hair up the steps to Annas' throne, in the Little Passion, is rendered by lines instinct with ...
— Albert Durer • T. Sturge Moore
... sixteenth-century Raphael cartoons now at South Kensington. These tapestries are, it is to be presumed, late copies, since, of the two early sets woven at Arras, one is preserved in the Vatican and the other at the Museum at Berlin. A modern fresco of Jeanne Hachette, a local Amazon, adorns one of the choir chapels. A modern astronomical clock, with numerous dials, striking figures, and crowing cocks, is placed near the north transept. It might ...
— The Cathedrals of Northern France • Francis Miltoun
... black and white stone, not ceiled, and its beams painted, was furnished with one of those enormous sideboards with marble tops, required by the war waged in the provinces against the human stomach. The walls, painted in fresco, represented a flowery trellis. The seats were of varnished cane, and the doors of natural wood. All things about the place carried out the patriarchal air which emanated from the inside as well as the ...
— An Old Maid • Honore de Balzac
... dress, a she-devil well paid, no doubt, to guard this delicious creature.... Ah, then the duenna made me deeper in love. I grew curious. On Saturday, nobody. And here I am to-day waiting for this girl whose chimera I am, asking nothing better than to pose as the monster in the fresco." ...
— The Thirteen • Honore de Balzac
... his motions and his speech were adorned with flourishes of grace which betrayed his race. He placed a chair for Ellen with a sweep which would have been a credit to the stage. All his actions had a slight exaggeration as of fresco painting, which seemed to fit them for a stage rather than a room, and for an audience rather ...
— The Portion of Labor • Mary E. Wilkins Freeman
... son de piedra. Muchas casas en nuestro pais son de madera. El tejado de nuestra casa es plano. No son planos todos los tejados. Los tejados de las iglesias son generalmente en declive. En el verano subimos al tejado por la noche, porque alli hace mas fresco que en la casa. En frente de la casa esta un pequeno parque. Alli jugamos a la pelota en la primavera y en el verano. Jugamos tambien al tenis y en el otono jugamos ...
— A First Spanish Reader • Erwin W. Roessler and Alfred Remy
... urchin of about fifteen, who appeared to be her son. She came from Toro, a place about a day's journey from Valladolid, and celebrated for its wine. One night, as we were seated in the court of the inn enjoying the fresco, the following ...
— The Bible in Spain • George Borrow
... into the woods, fern-hunting and flower-gathering, the vicar frequently popping upon the little picnickers unawares, whilst they were watching the rabbits and rabbitikins combing out their whiskers under the fir-trees, and Jupp and Mary getting an al fresco tea ...
— Teddy - The Story of a Little Pickle • J. C. Hutcheson
... other flowers are painted on the walls of historical cubiculi. In a fresco of the crypts of Lucina, in the Catacombs of Callixtus, are painted birds, symbolizing souls who have been separated from their bodies, and are playing in fields of roses around the Tree of Life. As the word Paradeisos signifies ...
— Pagan and Christian Rome • Rodolfo Lanciani
... differential calculus, physics, descriptive geometry, botany, and physical geography. In the third year the course is extended to the theory of decoration, color, form, and proportion; conventionalism, symbolism, the decorative arts, stained glass, fresco painting, tiles, terra-cotta, original designs, specifications, integral calculus, strength of materials, dynamics, bridges and roofs, stereotomy. In the fourth year the student is turned out a finished architect, after a course of the history of ornament, the theory ...
— Scientific American Supplement, No. 446, July 19, 1884 • Various |
