"Faust" Quotes from Famous Books
 ... got back to the car, Dr. Gamble was talking spiritedly with Her Majesty about Roger Bacon. "Before my time, of course," the Queen was saying, "but I'm sure he was a most interesting man. Now when dear old Marlowe wrote his 'Faust,' he and I had several long discussions about ...
— That Sweet Little Old Lady • Gordon Randall Garrett (AKA Mark Phillips)
... Schiller. Their Lives and Works; with a commentary on "Faust." Essays on German Literature. Essays on Scandinavian Literature. A Commentary on the Writings of Henrik Ibsen. Literary and Social Silhouettes. The Story of Norway. Gunnar. Tales from Two Hemispheres. A Norseman's Pilgrimage. Falconberg. A Novel. Queen Titania. ...
— Essays on Scandinavian Literature • Hjalmar Hjorth Boyesen
... evil spirits cast at one another on the Walpurgis night, when the witches come riding hither on brooms and pitchforks, when the mad, unhallowed revelry begins, as our credulous nurses have told us, and as we may see it represented in the beautiful Faust pictures of Master Retsch. Yes, a young poet, who, while journeying from Berlin to Gottingen passed the Brocken on the first evening in May, even noticed how certain ladies who cultivated belles-lettres, were holding their esthetic ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... and twenty minutes, in spite of the Sierra Divide where the snow drifts were thirty feet deep and where the Company had to keep a drove of pack mules moving in order to keep the passageway clear. From Fort Churchill into Ruby Valley went H. J. Faust; from Ruby Valley to Shell Creek the courier was "Josh" Perkins; then came Jim Gentry who carried the mail to Deep Creek, and he was followed by "Let" Huntington who pushed on to Simpson's Springs. From Simpson's to Camp Floyd ...
— The Story of the Pony Express • Glenn D. Bradley
... Thyrsis replied in the words of the village-girl in "Faust," "'She feeds two when ...
— Love's Pilgrimage • Upton Sinclair
... Crewe noticed with curiosity that he chose the "Soldiers' Chorus" from "Faust" for the dirge to ...
— Jack O' Judgment • Edgar Wallace
... or a song can thrill us when our feeling vibrates with it; and that thrill, Faust tells us, is the best ...
— The Development of the Feeling for Nature in the Middle Ages and - Modern Times • Alfred Biese
... wild creations. Amid all the distractions of the world and of life, the author always heard a voice ringing in his ears and mockingly revealing the secrets of things at the very moment he was watching a woman as she danced, smiled, or talked. Just as Mephistopheles pointed out to Faust in that terrific assemblage at the Brocken, faces full of frightful augury, so the author was conscious in the midst of the ball of a demon who would strike him on the shoulder with a familiar air and say to him: "Do you notice ...
— Analytical Studies • Honore de Balzac
... ever hear Mephisto laugh in Faust? Cunningham is a queer duck. I don't suppose there's a corner on the globe he hasn't had a peek at. He has a vast knowledge of the arts. His real name nobody seems to know. He can make himself very likable to men and attractive to women. The sort of women he seeks do not mind his physical deformity. ...
— The Pagan Madonna • Harold MacGrath
... even when the work is that of the humorist only. We recognize this in the ease of the poet. Although Goethe has been reproached for his lack of sympathy with the liberalizing movement of his day (as if his novels were quieting social influences), it is felt by this generation that the author of "Faust" needs no apology that he did not spend his energies in the effervescing politics of the German states. I mean, that while we may like or dislike the man for his sympathy or want of sympathy, we concede to the author the right of ...
— Washington Irving • Charles Dudley Warner
... succeed it. Man falls into sin, but he cannot rest in it. It is contradictory to his nature, he cannot content himself with it, and he is driven through it. Mephistopheles promised more than he could perform, when he undertook to make Faust declare himself satisfied. There is not within the kingdom of evil what will satisfy the spirit of man, whose last law is goodness, whose nature, however obscured, ...
— Browning as a Philosophical and Religious Teacher • Henry Jones
... reminded, as I looked at him, of another black poodle, which Faust entertained for a short time with unhappy results, and I thought that a very moderate degree of incantation would be enough to bring the fiend out ...
— Stories By English Authors: London • Various
... too, that even at this early period there is a certain glorification of chicanery: the fiend fulfils his side of the contract, but God Himself breaks the other side. This becomes a regular feature in all tales that relate dealings with the Evil One: all Devil's Bridges, Devil's Dykes, and the Faust legends show that Satan may be trusted to keep his word, while the saints invariably kept the letter and broke the spirit. To so primitive a tale as that of "The Countess Cathleen" the pettifogging quibbles of later saints are utterly unknown: God saves her soul because ...
— Hero-Myths & Legends of the British Race • Maud Isabel Ebbutt
... with a short skirt attached and a voluminous lace ruffle, a curly wig too long for a man and too short for a woman, upon which sat jauntily a Faust-like hat with a long, sweeping plume. This was her idea of a medieval Maffeo Orsini. As Azucena, the mother of a forty-year-old troubadour, she got herself up as a damsel of sixteen, with a much too short dress ...
— In the Courts of Memory 1858-1875. • L. de Hegermann-Lindencrone
... quality, and the other a hunting squire. Mrs. German Reed, about 1855, appeared representing two old women, between whom an imaginary conversation was held, Mrs. Reed turning first one side of her face to the audience, and then the other. Fred Maccabe, in his "Essence of Faust," had also a similar allusion, and by many "transformation dancers" was it used. The antiquity of many other devices could be noted, but I must desist, yet I cannot help remarking that even here we have more exemplifications of ...
— A History of Pantomime • R. J. Broadbent
... of thirty, welcomed anything that would bring her back to the London Library and the British Museum. But suddenly, just as the maids had been warned, and Lord Findon's man had been sent to look out trains, his master caught a chill, going obstinately, and in a mocking spirit, to see what 'Faust' might be like, as given at the Municipal Theatre of Versailles. There was fever, and a touch of bronchitis; nothing serious; but the doctor who had been summoned from Paris would not hear of travelling. Lord ...
— Fenwick's Career • Mrs. Humphry Ward
... I knew my "Faust" pretty well, and, after reading this word of might, I was minded to chant the well-known ...
— Lay Sermons, Addresses and Reviews • Thomas Henry Huxley
... create imaginary characters, which in their own way revealed my sorrows, my weaknesses, my follies and my virtues, forming new personalities with independent life: as my dear friend Goethe created Werther, Faust, ...
— The Bride of Dreams • Frederik van Eeden
... to the scientist. His mind roamed to flying machines and submarines, but he never made one; the reason given by him in the latter case being his fear that it would be put to piratical use. He had something in him of Faust; in some respects he reminds us of William James, who also started as a {613} painter and ended as an omniverous student of outre things and ...
— The Age of the Reformation • Preserved Smith
... The well-known story of Faust reminds us of the many similar weird tales which have long held a prominent place in family traditions. But in the majority of cases the devil is cheated out of his bargain by some spell against which his influence is powerless. According to the popular notion, compacts are frequently made ...
— Strange Pages from Family Papers • T. F. Thiselton Dyer
... potent spells gathered from the lore of ages, and abjured when he mingles again as a man with his fellow men. He is as distinct a being from the necromancers and astrologers celebrated in Shakspeare's age, as can well be imagined:[46] and all the wizards of poetry and fiction, even Faust and St. Leon, sink into common-places before the princely, the philosophic, the ...
— Characteristics of Women - Moral, Poetical, and Historical • Anna Jameson
... "The Damnation of Faust" was first produced as an opera, by Raoul Gunsburg, in Monte Carlo, about 1903. Before that time it had been conducted only as a concerted piece. Later it was produced in Paris, Calve and Alvarez singing the great roles. That was in the ...
— Operas Every Child Should Know - Descriptions of the Text and Music of Some of the Most Famous Masterpieces • Mary Schell Hoke Bacon
... no instance in which he did not pay at last. The myth must have arisen from man's recognition of the inexorable sequence of cause from effect, in the moral world, which even repentance cannot avert. Goethe tries to imagine an atonement for Faust's trespass against one human soul in his benefactions to the race at large; but it ...
— Indian Summer • William D. Howells
... devotedness, in his People, a feeling of awe, as for one whose limbs are not moved by earthly life [fanciful, considerably!]. And when Goethe, himself become an old man, finished his last Drama [Second Part of FAUST], the figure of the old King again rose on him, and stept into his Poem; and his Faust got transformed into an unresting, creating, pitilessly exacting Master, forcing on his salutiferous drains and fruitful canals through the morasses of the Weichsel." ...
— History of Friedrich II. of Prussia, Vol. XXI. (of XXI.) • Thomas Carlyle
... of little people dancing in a fairy ring, which might be supposed at first sight to be an illustration of a nursery tale, but the text describing a Witch's Sabbath, rapidly dispels the idea. Nor does a version of the popular Faust legend—"Dr. John Faustus"—appear to be edifying for young people. This and "Friar Bacon" are of the class which lingered the longest—the magical and oracular literature. Even to-day it is quite possible that dream-books and prophetical pamphlets enjoy a large sale; but a few years ago many ...
— Children's Books and Their Illustrators • Gleeson White
... found, in variety of sensations, emotions and feelings; in ringing the changes on these, till vitality fails, disillusion or satiety supervenes, and old age or death closes the play. Often the appetite remains, when vitality fails, and Faust rejuvenated, would run the same gauntlet again. The pity of it is that thousands of these victims of either satiety or Tantalus seem never to dream that there are other values, or anything else, ...
— The New Avatar and The Destiny of the Soul - The Findings of Natural Science Reduced to Practical Studies - in Psychology • Jirah D. Buck
... protection. With that, and the embrasure of a remote window where I finally stationed myself, I hoped to escape further notice. The music of the celebrated band which played between the dances recalled the chorus of spirits which charmed Faust: ...
— Lemorne Versus Huell • Elizabeth Drew Stoddard
... "every time I see this play of 'Faust,' and hear Edouard De Reszke's deep bass speak for His Majesty the Devil, that His Majesty really made this world. I'd know it but for the paradox of such divine perfection before my eyes in the living reality of ...
— The One Woman • Thomas Dixon
... Faust sold his to Mephistopheles. Your Lieutenant became your master; you found it convenient to believe his version of every thing, and to justify him in every thing, and you ended in making all his devilments your own, and adopting the whole infernal spawn and brood, with ...
— The American Indian as Participant in the Civil War • Annie Heloise Abel
... and "Faust" and "Margaret" tell their story to all who have felt life's struggles and temptations, whether they have read them in Goethe's version or not. Added to this power of pathos and sentiment is the deep religious feeling which ...
— The Atlantic Monthly, Volume 4, No. 23, September, 1859 • Various
... drank that he would not be a defaulter. His first volume, Poesies, appeared in 1830, and was followed in two years by Albertus, a fantastic manufacture of strangeness and horror, amorous sorcery, love-philtres, witches' Sabbaths. The Comedie de la Mort evokes the illustrious shades of Raphael, Faust, Don Juan to testify to the vanity of knowledge and glory and art and love. Gautier's romantic enthusiasm was genuine and ardent. The Orientales was his poetic gospel; but the Orientales is precisely the volume in which Hugo is least effusive, and pursues art most exclusively for art's ...
— A History of French Literature - Short Histories of the Literatures of the World: II. • Edward Dowden
... in "Faust" is a well-known illustration of the employment of the centaury or bluebottle for testing the faith of lovers, for Margaret selects it as the floral indication whence she may learn ...
— The Folk-lore of Plants • T. F. Thiselton-Dyer
... Bates, Faust, Lancaster, Ritchie and Stranger. Mr. John W. Hershey reports the Lancaster should be classed as obsolete as it is practically a hopeless tree, and that the Stranger is a rather common-place nut and ...
— Northern Nut Growers Association Report of the Proceedings at the Twenty-Fifth Annual Meeting • Northern Nut Growers Association
... History," said Napoleon, "but a fiction agreed upon?" "My friend," said Faust to the student, who was growing enthusiastic about the spirit of past ages,—"my friend, the times which are gone are a book with seven seals; and what you call the spirit of past ages is but the ...
— The Best of the World's Classics, Restricted to Prose, Vol. VI (of X)—Great Britain and Ireland IV • Various
... ever growing rich with the dead leaves of the past. The most celebrated of these operas was entitled "Otto." It was a work composed of one long string of exquisite gems, like Mozart's "Don Giovanni" and Gounod's "Faust." Dr. Pepusch, who had never quite forgiven Handel for superseding him as the best organist in England, remarked, of one of the airs, "That great bear must have been inspired when he wrote that air." The celebrated Madame Cuzzoni made her debut in it. On the second night the tickets rose ...
— The Great German Composers • George T. Ferris
... increased when she found that in his private correspondence Willis had given the impression that she was one of his most intimate friends. In his own account of the interview he merely says: 'I was taken by the clever translator of Faust to see the celebrated Miss Martineau. She has perhaps at this moment the most general and enviable reputation in England, and is the only one of the literary clique whose name is ...
— Little Memoirs of the Nineteenth Century • George Paston
... chief plays? What is the central motive in each? Why are they called one-man plays? What is meant by Marlowe's "mighty line"? What is the story of "Faustus"? Compare "Faustus" and Goethe's "Faust," having in mind the story, the dramatic interest, and the literary value of ...
— English Literature - Its History and Its Significance for the Life of the English Speaking World • William J. Long
... consumed, it being the favorite and national beverage. From the lively scene of the lower class of the bourgeoisie, male and female, meeting here in the Biersschanks and Tanzsaale I was reminded of the lines in Faust: ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... worthlessness of temptation. "Les Fleurs du Mal!" beautiful flowers, beautiful in sublime decay. What great record is yours, and were Hell a reality how many souls would we find wreathed with your poisonous blossoms. The village maiden goes to her Faust; the children of the nineteenth century go to you, O Baudelaire, and having tasted of your deadly delight all hope of repentance is vain. Flowers, beautiful in your sublime decay, I press you to my lips; these northern solitudes, far from the rank Parisian garden where I gathered you, are ...
— Confessions of a Young Man • George Moore
... of the large estates and carried out by the gangs of slaves, frequently armed, that were collected there: and many a man even of high respectability did not disdain what one of his officious slave-overseers thus acquired for him as Mephistopheles acquired for Faust the lime trees of Philemon. The state of things is shown by the aggravated punishment for outrages on property committed by armed bands, which was introduced by one of the better Optimates, Marcus Lucullus, as presiding over the administration of justice in the capital about ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... now, with the pictures that adorned it, all of them masterpieces—L'Improvisateur, by Leopold Robert; La Feeme du Brigand, by Schnetz, Faust and Marguerite, by Ary Scheffer; ...
— Memoirs • Prince De Joinville
... of more durable metal. But alas, such an innovation was costly and his money had given out. Therefore, much as he dreaded to part with his secret, he was forced to take into partnership a rich metal worker by the name of John Faust." ...
— Paul and the Printing Press • Sara Ware Bassett
... number of professional scribes, whose interests were in some degree considered by the printer. Hence we find in early books a large space left to be filled in by the hand of the scribe with the proper letter indicated by a small type letter placed in the midst. The famous Psalter printed by Faust and Scheffer, at Mentz, in 1497, is the first book having large initial letters printed in red and blue inks, in imitation of the handwork of the ...
— Curiosities of Literature, Vol. 1 (of 3) • Isaac D'Israeli
... Hayward quotes from Goethe himself, that, though of course much of a Poem must evaporate in a Prose Translation, yet the Essence must remain. Well; I distinguish as little of that Essential Poetry in the Faust now as when I first read it—longer ago than 'Le Bon Pasteur,' and in other subsequent Attempts. I was tempted to think this was some Defect—great Defect—in myself: but a Note at the end of the Volume informs me that a much greater Wit than I was in the same plight—even ...
— Letters of Edward FitzGerald to Fanny Kemble (1871-1883) • Edward FitzGerald
... "proof" of affection. But here the alarmed reader will be spared the succession of bad puns, peculiar to the printing-office, with which this specimen was followed, and which has probably been to some extent indulged in by every disciple of Faust more or less in love, since Adam worked off the first proof of his breakfast bill-of-fare, on the original hand-press, in one corner of the Garden ...
— Shoulder-Straps - A Novel of New York and the Army, 1862 • Henry Morford
... privation and sufferings await us at every moment. "Privation is thy lot, privation! That is the eternal song which resounds at every moment, which, our whole life through, each hour sings hoarsely to our ears!" laments Faust. What remains, then, for man? "Everything cries to us that we must resign ourselves." "There are few men, however, who, conscious of the privations and sufferings in store for them in life, and desirous to avoid the ...
— The Great Events by Famous Historians, v. 13 • Various
... English was published in Bohn's Standard Library in 1879. It included Sir Walter Scott's version of 'Goetz von Berlichingen,' the remainder being translated by Miss Swanwick and E. A. Bowring. Miss Swanwick's 'Faust' is well known and has often been reprinted; a beautiful edition illustrated by Mr. Gilbert James appeared in 1906. There is a version, however, which stands far above the rest, a version which the writer for his part has always considered to rank with the greatest translations. This is the 'Faust' ...
— The Book-Hunter at Home • P. B. M. Allan
... contained nothing but a change of clothing, and two books—the Plays of Sophocles, in the original Greek, and the "Faust" of Goethe, in the original German. Both volumes were much worn by reading, and on the fly-leaf of each were inscribed the initials O. M. So much the bag ...
— Armadale • Wilkie Collins
... prejudices, for the executioners had more power than he; but he bent the social laws to his will with the grace and wit that are so well displayed in his scene with M. Dimanche. He was, in short, the embodiment of Moliere's Don Juan, Goethe's Faust, Byron's Manfred, and Maturin's Melmoth—grand pictures drawn by the greatest geniuses of Europe, and to which neither the harmonies of Mozart nor the lyric strains of Rossini are lacking. Terrible pictures in which the power of evil existing in man is immortalized, and which ...
— International Short Stories: French • Various
... Jack's omniscience was one of his most awful attributes. And yet she comforted herself with the thought, that, as he had forgiven her ignorance, she herself might surely forget it. Happy Lizzie, I envy you this easy path to knowledge! The volume she most frequently consulted was an old German "Faust," over which she used to fumble with a battered lexicon. The secret of this preference was in certain marginal notes in pencil, signed "J.". I hope they were really of ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various
... various directions, the crack-brained revolutionists played their parts; nor should history overlook the contribution of the learned Dr. Faust, of Buckelburg, whose profound treatise, "Origin of Trousers," was read in Paris as a sort of historical endorsement of the great democratic party that gloried in the equality, not to say liberty, exhibited ...
— Blood and Iron - Origin of German Empire As Revealed by Character of Its - Founder, Bismarck • John Hubert Greusel
... in which he follows Berlioz and often produces the most astonishing effects of sounds, however, did not find entire approbation with the public, and did not succeed in popularizing themselves. But that fact can be recorded in his favor that every programme containing Liszt's "Dante," or Faust Symphony, or "Mazeppa," receives more than ordinary attention from the public. The same is the case with his solo songs with piano accompaniment, in which, however, ingenious details often tend to drown ...
— Scientific American Supplement, No. 312, December 24, 1881 • Various
... of the gentiles received revelations of Christ, as is clear from their predictions. Thus we read (Job 19:25): "I know that my Redeemer liveth." The Sibyl too foretold certain things about Christ, as Augustine states (Contra Faust. xiii, 15). Moreover, we read in the history of the Romans, that at the time of Constantine Augustus and his mother Irene a tomb was discovered, wherein lay a man on whose breast was a golden plate with the inscription: "Christ ...
— Summa Theologica, Part II-II (Secunda Secundae) • Thomas Aquinas
... designs which accompany the Faust, we have always been much struck by one which represents the wizard and the tempter riding at full speed. The demon sits on his furious horse as heedlessly as if he were reposing on a chair. That he should keep his saddle in such a posture, ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 2 (of 4) - Contributions To The Edinburgh Review • Thomas Babington Macaulay
... heartrending labor at which I have ever been present," and she pictures him to us agonized, for days and weeks, running after the bits of lost inspiration. Goethe, likewise, in a letter to Humboldt regarding his Faust, which occupied him for sixty years, full of interruptions and gaps: "The difficulty has been to get through strength of will what is really to be gotten only by a spontaneous act of nature." Zola, according to his biographer, Toulouse, "imagines a novel, always ...
— Essay on the Creative Imagination • Th. Ribot
... night and day upon Siebel, in Gounod's "Faust," and upon the songs that had been added to give ...
— The Woman-Hater • Charles Reade
... we have hood-winked and waylaid, and whom we shall try to catch unarmed. Then when the hour of triumph shall sound, I will rise up; from Germany, in her intoxication, I will snatch a covenant, which, like that of Faust with Mephistopheles, she has signed with her blood, and by which she also, like Faust, has traded her soul away for the ...
— The Meaning of the War - Life & Matter in Conflict • Henri Bergson
... ancestry will appear but an insignificant speck on earth, well and good! Then let us be patriots and continue to nurse national characteristics; but we ought, at least, not to clothe ourselves in the mantel of Faust, in our pretentious sweep through space. We ought at least declare openly that the life of all peoples is never to be anything else but an outrageous mixture of stupid patriotism, national vanities, ...
— Mother Earth, Vol. 1 No. 1, March 1906 • Various
... Baden-Baden (later in Bougival), returning from time to time to his Russian estate. During this period his talent attained its zenith, and he wrote all the most noteworthy works which assured him fame: "Rudin," "Faust," "A Nest of Nobles," "On the Eve," and "First Love," which alone would have sufficed to immortalize him. In 1860 he published an article entitled "Hamlet and Don Quixote," which throws a brilliant light ...
— A Survey of Russian Literature, with Selections • Isabel Florence Hapgood
... an Alleluia Chorus. I have borrowed words from the Angel Song at the opening of "Faust" for my score. But the music has an expression of its own, and the words are feeble; and the only comfort is, that these words will be lost in the triumph strain of the tones ...
— Cord and Creese • James de Mille
... repeople it with the shades of former inhabitants or visitors to suit your taste or knowledge of its history. There is, for instance, one visitor whom I can quite see roaming about in nocturnal Prague—Dr. Faust. Local legend prefers to call him Wilhelm instead of Heinrich, but that does not matter—he ...
— From a Terrace in Prague • Lieut.-Col. B. Granville Baker
... band-master; and then it was assured that the much advertised composer was a joking American masquerading as a Slav, possibly the vender of some new religious cure born in the fanatical bake-ovens of Western America. "Faust" alternated with "Les Huguenots" at the Opera, Pilsner beer was on tap at the Cafe Monferino—why worry over exotic stories told of this visitor's abnormal musical powers? And little did anyone surmise that he had just given a symphonic ...
— Melomaniacs • James Huneker
... declared that the robber was Faust of Mayence, the partner of Gutenburg, and that it was thus that the honor of the invention passed from Holland to Germany where Gutenberg produced his invention of movable type twelve years later. There is a statue of the Coster in front of the church, and, on its north side, his house is preserved ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... theory of poetic art. The romantic drama since Schiller's time has served up many a greater marvel than this; but it produces a truly poetic effect only by keeping within the limits of tradition. The poet who deals with Siegfried and Brunhilde, or with Lohengrin or Faust, may very properly require us to accept the miracles which pertain in each case to the saga. But such a being as Schiller's Johanna is found in no saga; she is a purely arbitrary creation. A very thoughtful German critic, Bellermann, attempts to defend our love-episode by ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... stem, and so strongly resembling her sister in so many points, they are nearly unknown. Almost the only poetical work of the greatest Poet that the world has seen for ages, that is really and generally read in England, is Faust, the translations of which are almost endless; while no single person has as yet appeared to attempt to give, in an English dress, in any collective or systematic manner, those smaller productions of the genius ...
— The Poems of Goethe • Goethe
... Pantagruel, Out for the final joust. One may be Hamlet, said Pantagruel And one I think is Faust. ...
— Toward the Gulf • Edgar Lee Masters
... out of my Sphere; but whose Homer still holds its own? The elaborately exact, or the 'teacup-time' Parody? Is not Fairfax' Tasso good? I never read Harington's Ariosto, English or Italian. Another shot have I made at Faust in Bayard Taylor's Version: but I do not even get on with him as with Hayward, hampered as he (Taylor) is with his allegiance to original metres, etc. His Notes I was interested in: but I shall die ungoethed, I doubt, so far as Poetry goes: I always believe he was ...
— Letters of Edward FitzGerald in Two Volumes - Vol. II • Edward FitzGerald
... the other hand he wrote every other day to his mother and every other day to Ellen Culpepper with unwavering precision. He told his mother the news, and he told Ellen Culpepper the news plus some Emerson, something more of "Faust," with such dashes of Longfellow and Ruskin as seemed to express his soul. He never wrote to Ellen of money, and so strong was her influence upon him that when he had written to her after his quarrel with the driver, he went out in the night, ...
— A Certain Rich Man • William Allen White
... simplicity, nature, and grace, but I felt a want—the want of some internal sentiment: for instance, if, instead of watching the rotation of her spindle with such industrious attention, the Filatrice had looked careless, or absent, or pensive, or disconsolate, (like Faust's Margaret at her spinning-wheel,) she would have been more interesting—but not perhaps what the sculptor intended ...
— The Diary of an Ennuyee • Anna Brownell Jameson
... imaginative natures lose themselves at an opera? Even when the singers are comely, there is always that eternal double row of stony-faced witnesses in full view, whom no crimes astonish and no misfortunes melt. It takes most of the poetry out of Faust’s first words with Marguerite, to have that short interview interrupted by a line of old, weary women shouting, “Let us whirl in the waltz o’er the mount and the plain!” Or when Scotch Lucy appears in ...
— The Ways of Men • Eliot Gregory
... the like congratulation to Mr. Bayard Taylor for his translation of "Faust," which occupies the same place, as regards German Poetry, that Mr. Bryant's translation of Homer does to Greek Poetry. The difficulty of the task which Mr. Taylor set himself, the task of rendering the ...
— The Aldine, Vol. 5, No. 1., January, 1872 - A Typographic Art Journal • Various
... those of her own age she was sibyl and seer,—a prophetess, revealing the future, pointing the path, opening their eyes to the great aims only worthy of pursuit in life. To those older than herself she was like the Euphorion in Goethe's drama, child of Faust and Helen,—a wonderful union of exuberance and judgment, born of romantic fulness and classic limitation. They saw with surprise her clear good-sense balancing her now of sentiment and ardent courage. They saw her comprehension of both sides of every ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... much material for his later novels. It is characteristic, too, that while his student friends went wild at the theatre over Schiller, Turgenev immensely preferred Goethe, and could practically repeat the whole first part of "Faust" by heart. Turgenev, like Goethe, was a natural aristocrat in his manner and in his literary taste—and had the same dislike for extremists of all kinds. With the exception of Turgenev's quiet but profound pessimism, his temperament ...
— Essays on Russian Novelists • William Lyon Phelps
... each other; and no wonder, for he simply peopled Olympus with exaggerated counterparts of himself and his fellows. Life to him was nothing if it was not a fast and merry one; and to make it so were pressed into the service not only what catered to his sensual nature (and, truly, if Faust had been a Greek there had been no need of Mephistopheles), but all the charms of art, all the powers of exuberant fancy, all the keen delights of literary culture. He had higher aspirations than mere enjoyment, even of an elevated kind: witness Salamis and Mycale, the Pass of ...
— Lippincott's Magazine of Popular Literature and Science Volume 15, No. 89, May, 1875 • Various
... Dresden became even more strenuous and more racking than it had been in Leipsic. He threw himself into the labor of composing the epilogue of Goethe's "Faust" with such ardor that he fell into an intensely nervous state where work was impossible. However, with special medical treatment he so far recovered that he was able to resume the work, but still was ...
— The World's Great Men of Music - Story-Lives of Master Musicians • Harriette Brower
... [Footnote 83: When Faust, or Faustus, sold at Paris his first printed Bibles as manuscripts, the price of a parchment copy was reduced from four or five hundred to sixty, fifty, and forty crowns. The public was at first pleased with the cheapness, and at length provoked by the discovery of the fraud, (Mattaire, ...
— The History of The Decline and Fall of the Roman Empire - Volume 4 • Edward Gibbon
... novel. This book, written under the influence of his youthful embarrassments, amatory and pecuniary, was of a very fierce, gloomy, and passionate sort,—the Byronic despair, the Wertherian despondency, the mocking bitterness of Mephistopheles of Faust, were all reproduced and developed in the character of the hero; for our youth had just been learning the German language, and imitated, as almost all clever lads do, his favourite poets and writers. ...
— The History of Pendennis • William Makepeace Thackeray
... incorrigibly lazy. Why do you sit here instead of taking exercise? and you have no idea of the interesting things the Prince has been telling me. All about a Russian poet called—oh, I can't pronounce the name, but who wrote of a devil—not exactly Faust, you ...
— His Hour • Elinor Glyn
... him aggressive. As he strode over a gutter, he apostrophized a bearded portress who was worthy to meet Faust on the Brocken, and who had a broom ...
— Les Miserables - Complete in Five Volumes • Victor Hugo
... time came when he had no money left. He went back to his old home, Mainz, and there met a rich goldsmith named Fust (or Faust). ...
— Famous Men of the Middle Ages • John H. Haaren
... McLaughlin's XXXX; Chase & Sanborn's Seal Brand; Dwinell-Wright's White House; Weir's Red Ribbon; B. Fischer & Company's Hotel Astor; Brownell & Field's Autocrat; Bour's Old Master; Scull's Boscul; Seeman Brothers' White Rose; Blanke's Faust; Baker's Barrington Hall; Woolson Spice Company's Golden Sun; International Coffee Company's Old Homestead; Kroneberger's Old Reserve; Western Grocer Company's Chocolate Cream; Leggett's Nabob; Clossett & Dever's Golden ...
— All About Coffee • William H. Ukers
... a version entitled "Pepper, Salt, and Mustard," with the refrain just given. Abroad it is Grimm's "Juniper Tree" (No. 47), where see further parallels. The German rhyme is sung by Margaret in the mad scene of Goethe's "Faust." ...
— English Fairy Tales • Joseph Jacobs (coll. & ed.)
... was up at Oxford, and for some years afterwards, I was a great theatre-goer. Never used to miss a first night at the Gaiety. Those were the days of Nellie Farren and Kate Vaughan. Florence St. John, too. How excellent she was in Faust Up To Date! But we missed Nellie Farren. Meyer Lutz was the Gaiety composer then. But a good deal of water has flowed under the bridge since those days. I don't suppose you have ever heard ...
— A Damsel in Distress • Pelham Grenville Wodehouse
... tiny clicking rustle along the stone terrace in the twilight. Except for that it was very quiet out there, and he could smell the heliotrope watered not long since. A bat went by. A bird uttered its last 'cheep.' And right above the oak tree the first star shone. Faust in the opera had bartered his soul for some fresh years of youth. Morbid notion! No such bargain was possible, that was real tragedy! No making oneself new again for love or life or anything. Nothing left to do but enjoy beauty from afar off while you could, and leave it something in your Will. ...
— Forsyte Saga • John Galsworthy
... 5. Mephistopheles' words, when he hands over to Faust the proceeds of a voyage. [War, trade, and ...
— The Forerunners • Romain Rolland
... July, Penautier was discharged; fuller information was desired concerning Belleguise, and the arrest of Martin was ordered. On the 24th of March, Lachaussee had been broken on the wheel. As to Exili, the beginner of it all, he had disappeared like Mephistopheles after Faust's end, and nothing was heard of him. Towards the end of the year Martin was released for want of sufficient evidence. But the Marquise de Brinvilliers remained at Liege, and although she was shut up in a convent she had by no means abandoned one, ...
— CELEBRATED CRIMES, COMPLETE - THE MARQUISE DE BRINVILLIERS • ALEXANDRE DUMAS, PERE
... only comes to Faust when at last he is labouring for others. As Wolsey puts it in Henry VIII: "Love thyself last," and "bear peace in thy ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... its use, it has its abuse also. If visions of truth and beauty can exalt, visions of vice can debase and degrade. In that picture where Faust and Satan battle together for the scholar's soul, the angels share in the conflict. Plucking the roses of Paradise, they fling them over the battlements down upon the heads of the combatants. When the roses fall ...
— A Man's Value to Society - Studies in Self Culture and Character • Newell Dwight Hillis
... young student with little money and few friends, already an exile, having no allies but his brain and his pen, who set himself, certain of success, to dissolve that mighty array of power and pomp. All his life Charles Albert was a Faust for the possession of whose soul two irreconcilable forces contended; the struggle was never more dramatically represented than at this moment in the person of these ...
— The Liberation of Italy • Countess Evelyn Martinengo-Cesaresco
... and the future smiled at me. I was immensely proud of the first down on my upper lip and my little college cap, and I remember as if it were to-day, the evening when Fritz, Phil and myself went to hear this opera. We had heard 'Faust' some years before and were great admirers of Gounod's genius. But Romeo beat all our expectations. The music roused our wildest enthusiasm. Now both my friends are dead. Fritz, who was ambitious, was a private secretary when he died, Phil a medical student; ...
— Married • August Strindberg
... table for his copy of "Faust." It had become his habit to pick it up when he did not care to sit face to face with his own thoughts. It seemed to hold some word for everything in life. Its universality made it ...
— The Glory Of The Conquered • Susan Glaspell
... time when a human soul is either wise or happy is in that one single moment when the hour of my own shining or of the moon's beaming seems to that single soul to be past and present and future, to be at once the creation and the end of all things. Faust ...
— Bebee • Ouida
... the chorus. A leading contralto and a soprano were in the troupe. Mrs. Cameron and I were chosen after the voices were tried and accepted. I had no trouble as I had studied the choruses of most of the familiar operas. I also knew many of the contralto arias, like Perlate de Amour in Faust and other contralto numbers of the different operas that we gave. I was engaged at $20 per week, which seemed to me a fabulous sum, for I was without any means. These were strenuous days, sometimes fourteen hours in the theatre a day, singing one opera ...
— Sixty Years of California Song • Margaret Blake-Alverson
... FAUST, chemist, traveler. A gay old man who fell in love during his second young manhood, traveled in a warm country, and ...
— Who Was Who: 5000 B. C. to Date - Biographical Dictionary of the Famous and Those Who Wanted to Be • Anonymous
... definite justification are wanting. Goethe failed in this in his Faust, resourceful and far-seeing though he was—he failed because a certain sympathy is awakened for Mephistopheles in being, so to say, chivied out of his bargain, when he had complied with the terms of the contract by Faust; and Gounod in his opera does exactly for "immediate dramatic effect," what we hold it would be necessary to do for R. L. Stevenson. Goethe, with his casuistries which led him to allegory and all manner of overdone symbolisms ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... Faust, Coster, and Gutenberg, invented the Book, craftsmen as obscure as many a great artist of those times appropriated paper to the uses of typography. In the fifteenth century, that naive and vigorous age, names were given to the various formats as well as to the ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... safe; no longer a treasure uninsurable, no longer a locked-up care: it is emancipated, glorified, incapable of real extermination; it has reached a changeless condition; the chrysalis of illegible cacography has burst its bonds, and flies living through the world on the wings of those true Daedali, Faust, and Gutenberg: the transition-state is passed: henceforth for his brain-child set free from that nervous slumber, its parent calmly can expect the oblivion of no more than a death-like sleep, if he be not indeed buoyed up with certain hope of immortality. "'Tis pleasant sure to see one's ...
— The Complete Prose Works of Martin Farquhar Tupper • Martin Farquhar Tupper
... certain J.C. Duerr attempted to prove, in a learned "Dissertatio Epistolica de Johanne Fausto," (printed at Altorf, in 1676,) that the magician of that name had never existed, and that all the strange things which had been related of him referred to the printer John Faust, or Fust,—who had, indeed, been confounded with him before, although he lived nearly a century earlier. And when we think of the superstitious fear and monkish prejudice with which the great invention ...
— The Atlantic Monthly, Volume 2, Issue 12, October, 1858 • Various
... given its premiere at Laura Keene's Theatre, New York, on February 28, 1857, for the benefit of the Shirt Sewers' Union; and was the second offering of a double bill beginning with "Faust and Marguerite." Though the critiques of the time recognized in it a "nice little play," they balked at what was considered to be a foolish nomenclature, "Comedietta." What was liked about it, particularly, was the absence of patriotic fustian, for ...
— Representative Plays by American Dramatists: 1856-1911: Love in '76 - An Incident of the Revolution • Oliver Bell Bunce
... the lake. A pinch of white frost, powdered the fields, lending a metallic relief to the hedges of green box, and to the whole landscape, still without leaves, an air of health and vigor, of youth and freshness. "Bathe, O disciple, thy thirsty soul in the dew of the dawn!" says Faust, to us, and he is right. The morning air breathes a new and laughing energy into veins and marrow. If every day is a repetition of life, every dawn gives signs as it were a new contract with existence. At dawn everything is fresh, light, simple, as it is for children. ...
— Amiel's Journal • Mrs. Humphry Ward
... translation of Schiller's AESTHETIC LETTERS, which we read together, as well as the second part of FAUST, in Gladstone Terrace, he helping me with the German. There is no keepsake I should more value than the MS. of that translation. They were the best days I ever had with him, little dreaming all would so soon be over. It needs a blow like this to convict a man of mortality and its burthen. I always ...
— The Letters of Robert Louis Stevenson - Volume 1 • Robert Louis Stevenson
... No. 161 Friedrich Strasse. There we lived in the closest intimacy, sharing meals and outdoor exercise. Motley by that time had arrived at talking German fluently; he occupied himself not only in translating Goethe's poem "Faust," but tried his hand even in composing German verses. Enthusiastic admirer of Shakespeare, Byron, Goethe, he used to spice his conversation abundantly with quotations from these his favorite authors. A pertinacious arguer, so ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley
... FAUST: This knotted staff is help enough for me, Whilst I feel fresh upon my legs. What good 5 Is there in making short a pleasant way? To creep along the labyrinths of the vales, And climb those rocks, where ever-babbling springs, Precipitate themselves in waterfalls, ...
— The Complete Poetical Works of Percy Bysshe Shelley Volume I • Percy Bysshe Shelley
... The man who invents a machine often has the idea come to him by an inspiration. The man who discovers a continent has seen it in idea before he sees it in reality. If Shakespeare was an inspired man, so was Newton, so was Columbus, so was Lord Bacon, so was Faust when he discovered printing, Watt when he improved the steam engine, and Daguerre when he found out photographic pictures; for, in all great discoveries and inventions, and in small ones too, the original idea is an ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke
... mother of all things and their grave, in which some had desired to lose themselves, and others had become indifferent to the distinctions of good and evil. It would come, sometimes, like the sign of the macrocosm to Faust in his cell: the network of man and nature was seen to be pervaded by a common, universal life: a new, bold thought lifted him above the furrow, above the green turf of the Westmoreland churchyard, to a world altogether different in its vagueness and vastness, and the narrow glen was full ...
— Appreciations, with an Essay on Style • Walter Horatio Pater
... on its prey. The door was ajar, and a hasty glance revealed that the object of her designs was alone. Her stealthy manner changed instantly, and she sauntered into the room with quiet indifference, humming an air from Faust. ...
— From Jest to Earnest • E. P. Roe
... my hands, "you are very kind, and so is our mutual friend; I shall be happy to make myself useful in German; and if you think a good translation from Goethe—his 'Sorrows' for example, or more particularly his 'Faust'—" ...
— Lavengro - The Scholar, The Gypsy, The Priest • George Borrow
... And Theophrastus, at three-score and ten, Had but begun his Characters of Men; Chaucer, at Woodstock with the nightingales, At sixty wrote the Canterbury Tales; Goethe at Weimar, toiling to the last, Completed Faust when eighty years were past. These are indeed exceptions; but they show How far the gulf-stream of our youth may flow Into the Arctic regions of our lives, Where little else than life itself survives. For age is opportunity no less ...
— Eighty Years And More; Reminiscences 1815-1897 • Elizabeth Cady Stanton
... to her the scene between Faust and Mephistopheles, in which the latter appears as a wandering scholar. Her glance hung on ...
— Venus in Furs • Leopold von Sacher-Masoch
... the opera. The curtain had fallen on Faust's laboratory. From the orchestra, opera-glasses were raised in a surveying of the gold and purple theatre. The sombre drapery of the boxes framed the dazzling heads and bare shoulders of women. ...
— The Red Lily, Complete • Anatole France
... "something quite inconceivable, like 'Faust' and 'The Scarlet Letter,' ... I thought that was ...
— The Firing Line • Robert W. Chambers
... his heart, did nothing to win our regard, or to show that he appreciated our residence "near" his court, and, so far as I know, never read with any sort of attention our advertisement, which was composed with as much care as Goethe's "Faust," and probably with the use of more dictionaries. And this, when he has an extraordinary large Residenz, to say nothing about other outlying palaces and comfortable places to live in, in which I know there are scores of elegantly furnished apartments, ...
— Baddeck and That Sort of Thing • Charles Dudley Warner
... press, not Faust's, but Noah's; let us extol and magnify the press, the true press of Noah, from which breaketh the true morning. Praise be unto the press, not the black press but the red; let us extol and magnify ...
— The Confidence-Man • Herman Melville
... as purely the work of imagination as Middleton's "Witch," or the Hags in "Macbeth," or in Goethe's 'Faust.' Horace used Canidia as a byword for all that was hateful in the creatures of her craft, filthy as they were in their lives and odious in their persons. His literary and other friends were as familiar with her name in this sense as we are with those of Squeers and Micawber, as types of a class; ...
— Horace • Theodore Martin
... Manchester of America, and a place where we might expect every thing in the shape of manufactures except classical books. Yet it rejoices in a publisher who has really done much for good literature. If our readers will look at their American editions of Faust, of Goethe's Correspondence with a Child, of Southey's Chronicle of the Cid, they will find Mr. Bixby on the title page, and Lowell as the city whence their treasures came. We have now to chronicle another feat of the same enterprising publisher—an edition ...
— Graham's Magazine Vol XXXII. No. 5. May 1848 • Various
... History of Maximilian, will, I think, be found fully to bear out the picture I have tried to give of the state of things in the reign of the Emperor Friedrich III., when, for want of any other law, Faust recht, or fist right, ruled; i.e. an offended nobleman, having once sent a Fehde-brief to his adversary, was thenceforth at liberty to revenge himself by a private war, in which, for the wrong inflicted, ...
— The Dove in the Eagle's Nest • Charlotte M. Yonge
... Mr. Rutledge, feeling as Faust must have felt when Mephisto began to promise things. A spurt of water from a new leak brought him back from the Middle Ages and he cried: "You might lend a hand with this ...
— We Can't Have Everything • Rupert Hughes
... instead of God. "He for God only; she for God in him," phrases the idea of Milton and of ancient Islam; it is the formula of sexual infatuation, a formula quite easily inverted, as the end of Goethe's Faust ("The woman soul leadeth us upward and on") may witness. The whole drift of modern religious feeling is against this exaggeration of sexual feeling, these moods of sexual slavishness, in spiritual things. Between the healthy love of ordinary mortal lovers in love ...
— God The Invisible King • Herbert George Wells
... unflinching perseverance, for this was the opportunity I had dreamed about and longed for in the barren winter evenings at Nantucket when I sat poring over Coleridge's translations of Schiller's plays and Bayard Taylor's version of Goethe's Faust. ...
— Vanished Arizona - Recollections of the Army Life by a New England Woman • Martha Summerhayes
... compromise which concedes the legitimacy of programme-music provided it speaks as potently to one who does not know the subject-matter as to one who does. The bulk of his music no more discloses its full measure of beauty and eloquence to one who is in ignorance of its poetic basis than would Wagner's "Faust" overture, Tchaikovsky's "Romeo and Juliet," or Debussy's "L'Apres-midi d'un Faune." Its appeal is conditioned upon an understanding of the basis of drama and emotional crisis upon which the musician has built; and in much of his music he has frankly recognized this ...
— Edward MacDowell • Lawrence Gilman
... which to me is almost an essential of existence. I beg you to understand that I make no pretension to a thorough knowledge of Fetish ideas; I am only on the threshold. "Ich weiss nicht all doch viel ist mir bekannt," as Faust said—and, like him after he had said it, I have got ...
— Travels in West Africa • Mary H. Kingsley
... us the immortal epic drama "William Tell," Goethe produced the idyllic epic "Hermann und Dorothea," the dramatical epic "Faust," and an inimitable version of the ...
— The Book of the Epic • Helene A. Guerber
... are painted at Duesseldorf, but they are immediately carried elsewhere. We visited the studio of Schroeter—a man with humor in every line of his face, who had nothing to show us but a sketch, just prepared for the easel, of the scene in Goethe's Faust, where Mephistophiles, in Auerbach's cellar, bores the edge of the table with a gimlet, and a stream of champagne gushes out. Koehler, an eminent artist, allowed us to see a clever painting on his easel, in a state of considerable forwardness, representing the rejoicings ...
— Letters of a Traveller - Notes of Things Seen in Europe and America • William Cullen Bryant
... he, "I would not have advised you to undertake Faust. It is mad stuff, and goes quite beyond all ordinary feeling. But since you have done it of your own accord, without asking my advice, you will see how you will get through. Faust is so strange an individual that only few can sympathize with his internal condition. Then the character of Mephistopheles is, on account of his irony, and also because he is a living result of an extensive acquaintance with the ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke
... earning. Among his great works are the opera, "Benvenuto Cellini;" the symphony with chorus, "Romeo and Juliet;" "Beatrice and Benedict;" "Les Troyens," the text from Virgil's "AEneid;" the symphony, "Harold in Italy;" the symphony, "Funebre et Triomphale;" the "Damnation of Faust;" a double chorused "Te Deum;" the "Symphony Fantastique;" the "Requiem;" and the sacred trilogy, "L'Enfance du Christ." Berlioz stands among all other composers as the foremost representative of "programme music," and has left explicit and very ...
— The Standard Oratorios - Their Stories, Their Music, And Their Composers • George P. Upton
... the houses, smiling and singing, and bowing to one another; little children were going together with flowers in their hands, singing, and answering the tones of the great bells; and one little child, as it passed, looked right up at the great Doctor Faust, and held out its white lily. The bells chimed, and the singing ...
— Child Stories from the Masters - Being a Few Modest Interpretations of Some Phases of the - Master Works Done in a Child Way • Maud Menefee
... foot with her great fore-paws. M——'s little dog too, Mrs. Bouncer, barked in the greatest agitation on being called down and asked by M——, "Who is this?" and tore round and round me, like the dog in the Faust outlines. You must know that all the farmers turned out on the road in their market-chaises to say, "Welcome home, sir!" that all the houses along the road were dressed with flags; and that our servants, ...
— Yesterdays with Authors • James T. Fields
... shade of Denmark fled from the sun, And the Cocklane ghost from the barn-loft cheer, The fiend of Faust was a faithful one, Agrippa's demon wrought in fear, And the devil of Martin Luther sat By the stout monk's side ...
— The Complete Works of Whittier - The Standard Library Edition with a linked Index • John Greenleaf Whittier
... "Our friend Faust opposite me," said Pasquale, raising his champagne glass. "Hasn't he been transformed from the lean and elderly bookworm into the gay, young gallant about the town? Once one could scarcely drag him from his cell to the quietest of dinners, ...
— The Morals of Marcus Ordeyne • William J. Locke
... world-poem of the nineteenth century next to "Faust." "Brand" will have an astonishing interest for Englishmen. It is in the same set with "Agamemnon," with "Lear," with the literature that we now instinctively regard as high and ...
— The Stolen Bacillus and Other Incidents • H. G. (Herbert George) Wells
... sought. Once conceive that a doubt could exist as to his having bodily organs, or that he were to be compared with some being who had them not, and cases may be imagined in which it might be said that his possession of them was the cause of his death. If Faust and Mephistopheles together took poison, it might be said that Faust died because he was a human being, and had a body, while Mephistopheles survived ...
— A System Of Logic, Ratiocinative And Inductive • John Stuart Mill
... had his German tutor, and has been coached through the famous "Faust" of Goethe (thou wert my instructor, good old Weissenborn, and these eyes beheld the great master himself in dear little Weimar town!) has read those charming verses which are prefixed to the drama, in which the poet reverts to the time when his work was first composed, and recalls the ...
— Roundabout Papers • William Makepeace Thackeray
... lie under the awning by the engine-room door, lazily reading "Faust." There is a speck on the sky-line—the mail boat, bringing a letter from my friend. I look round at the translucent opal of the bay, the glittering white of the surf on the reef, the downward swoop on an albatross, and I listen to the dull roar ...
— An Ocean Tramp • William McFee
... such a burden, he hastily thrust his hand, holding the bottle, behind, for the purpose of concealing it underneath the skirts of his coat: and in this way, apparently with the greatest possible unconcern, the disciple of Faust walked up the street, just in advance of the congregation. Unfortunately, however, in his haste he had thrust his decanter quite through between the folds of his coat-skirts, so that his hands and the neck of the bottle only were concealed; while, to the irresistible merriment ...
— Ups and Downs in the Life of a Distressed Gentleman • William L. Stone
... Cordova, Spain. His father and grandfather, the latter a celebrated jurist and canonist, had been judges in that city. He first studied theology and canon law, and later medicine and philosophy; thus, like Faust, covering the whole field of mediaeal science. His life was cast in the most brilliant period of Western Muslim culture, in the splendor of that rationalism which preceded the great darkness of religious fanaticism. As a young man, he was introduced by Ibn Tufail (Abubacer), ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... written, know that Hamlet is Hamlet, and that Shakespeare was thinking of a young man, not of the pomposities of national ambition. But if these clumsy allegories must be imposed upon great poets, Germany need not go abroad to seek the likeness of her destiny. Germany is Faust; she desired science and power and pleasure, and to get them on a short lease she paid the price ...
— England and the War • Walter Raleigh
... wade in tepid mud. Fordham has routed out a German to read Faust with, and that puts Evelyn into a sweet temper. They go on expeditions, and do sketching and botany, which amuses Armine; but they get up some fun over the queer people, and do them for the mag., but it is all deadly lively, not that ...
— Magnum Bonum • Charlotte M. Yonge
... "Ah, there it is—one never knows—one never says, This is the moment! because, however good it is, it always seems the door to a better one beyond. Faust never said it till the end, when he'd nothing left of all he began by thinking worth while; and then, with what a difference it ...
— The Fruit of the Tree • Edith Wharton
... his translation of "Faust," which was accepted abroad as a monument of his scholarship, and remains to-day one of the best translations into English of the ...
— Four Famous American Writers: Washington Irving, Edgar Allan Poe, • Sherwin Cody
... translation of something, called a "Ruba'iyat," which the Head said was a poem not yet come to its own; there were hundreds of volumes of verse—-Crashaw; Dryden; Alexander Smith; L. E. L.; Lydia Sigourney; Fletcher and a purple island; Donne; Marlowe's "Faust "; and—this made McTurk (to whom Beetle conveyed it) sheer drunk for three days—Ossian; "The Earthly Paradise"; "Atalanta in Calydon"; and Rossetti—to name only a few. Then the Head, drifting in under pretense of playing censor ...
— Stalky & Co. • Rudyard Kipling
... Gods, were meant. I felt as though I, too, were one of the children of the Gods. In all the great legendary figures of the middle ages I detected the feature of divine possession, especially in the two who had completely fascinated the poets of the nineteenth century, Don Juan and Faust. The first was the symbol of magic power over women, the second of the thirst for knowledge giving dominion over humanity and Nature. Among my comrades, in Vilsing, even in the hunch-backed fellow with the unsuccessful moustache, I had seen how the Don Juan type which ...
— Recollections Of My Childhood And Youth • George Brandes
... went to the Opera house, where Faust was being played. I had a great desire to see Faust in the original, and though my German is not up to Goethe's standard, I could follow the plot somewhat, and I was eagerly watching for Margaret to make her ...
— Story of Chester Lawrence • Nephi Anderson
... has dined well, and his big hand is stroking the Essence of Selfishness who purrs against his medalled chest under a caress as gentle as a woman's. He sings his favourite airs from "Faust" and "Aida" with gusto, and roars over the gallant stories of his aide-de-camp, who, being from the south of La belle France, is never at a loss for a tale—tales that make the general's medals twinkle merrily in the firelight. It is my first ...
— A Village of Vagabonds • F. Berkeley Smith
... she took out of his hands a circular cardboard-box, marked in print on the outside: "Selections from Faust," and in pencil on the inside of the lid: "For the hands of D. L. only—to be destroyed if Deputy David Rossi does not know where to ...
— The Eternal City • Hall Caine
... and more genuine life, side by side with such incompatible and antagonistic elements as the reproduction in pastoral guise of the personages and surroundings of the circle of Ferrara. Not content with the pure ideal, the poets endeavoured, like Faust at the sight of Helena, to find in it a place for the earthly affections that bound them, and at the touch of reality the vision ...
— Pastoral Poetry and Pastoral Drama - A Literary Inquiry, with Special Reference to the Pre-Restoration - Stage in England • Walter W. Greg
... several years before, but no one had seen it. He carried the manuscript about with him, as Goethe did his "Faust," for years, and added to it, or erased, all according to the moods that came to him. And we have reason to believe that the sublime soliloquy in "Cato" was written by Addison when the blankness of his prospects and the blackness of the future had forced the question ...
— Little Journeys to the Homes of the Great, Volume 5 (of 14) • Elbert Hubbard
... his arrival in England he had entered on board of a man-of-war. Having no name, it was necessary to christen him on the ship's books, and the first lieutenant, who had entered him, struck with his remarkable expression of countenance, and being a German scholar, had named him Mephistopheles Faust, from whence his Christian name had been razeed to Mesty. Mesty in other points was an eccentric character; at one moment, when he remembered his lineage, he was proud to excess, at others he was grave ...
— Mr. Midshipman Easy • Captain Frederick Marryat
... Werther period, and tried a little Faust—of which experience he spoke to his Marguerite as if it had included an acquaintance with Mephistopheles, Blocksburg, and Auerbach's wine-cellar—he now felt that he was a Wilhelm Meister, serving his apprenticeship to the great masters of life. As she knew the truth of his small sins and honest ...
— Jo's Boys • Louisa May Alcott
... London, and, after so bright a panegyric on it, I already weary of the variety of its samenesses. Shall I not risk the fate of Faust, and fall in love—ponderously and bona fide? Or shall I go among the shades of the deceased, and amuse myself with chatting to Dido and Julius Caesar? Verily, reader, I leave you for the present to ...
— The Mirror of Literature, Amusement, and Instruction, No. 578 - Vol. XX, No. 578. Saturday, December 1, 1832 • Various
... fine reserve which I like; but its chief glory is the recognition I find in it of the redeeming potency of woman's self-sacrificing love. This thought pervades all German literature and is mystically expressed in Goethe's "Faust": ...
— Story of My Life • Helen Keller
... study under another master, Langlois, and to have hopes once more for his artistic future, now that he was free at last to pursue it in his own way. At this time, he read a great deal—Shakespeare, Walter Scott, Byron, Goethe's "Faust," Victor Hugo and Chateaubriand; in fact, all the great works he could lay his hands upon. Peasant as he was, he gave himself, half unconsciously, a noble education. Very soon, it became apparent that the Cherbourg masters could do nothing ...
— Biographies of Working Men • Grant Allen
... impressions from Constable and from Kean's impersonations of Shakespeare which animated all his later work. His picture of "Hamlet," although it was not completed until 1843, owes its conception to this period. His lithographs of "Faust" elicited from Goethe the remark, "He has surpassed the pictures I had made for myself of the scenes ...
— Lippincott's Magazine, November 1885 • Various
... clever and too remorseless for the sons of men," but he does not think that they are too weak and poor in spirit to challenge it. It is the challenging that engrosses him, and enchants him, and raises up the magic of his wonder. It is as futile, in the end, as Hamlet's or Faust's—but still a gallant and a gorgeous adventure, a game uproariously worth the playing, an enterprise "inscrutable ... ...
— A Book of Prefaces • H. L. Mencken
... pale-faced modern Faust, working in his laboratory, makes metals out of clay and many marvellous combinations. What they will do when skilfully proportioned and exposed to heat, the story related gives a hint,—accounting, as it were, for the forces at work in space, creating heat and electricity, ...
— The Life Radiant • Lilian Whiting
... him in his Werther. But what is there Celtic, turbulent, and Titanic about the German Werther, that amiable, cultivated, and melancholy young man, having for his sorrow and suicide the perfectly definite motive that Lotte cannot be his? Faust, again, has nothing unaccountable, defiant and Titanic in him; his knowledge does not bring him the satisfaction he expected from it, and meanwhile he finds himself poor and growing old, and baulked of the palpable enjoyment of life; ...
— Celtic Literature • Matthew Arnold
... fortifications of reinforced concrete, our military authorities promptly acquired. Must we be ashamed of this instrument of destruction and take from the lips of the "cultured world" the wry reproach that from "Faust" and the Ninth Symphony we have sunk our national pride to the 42-centimeter guns? No! Only firm will and determination to achieve, that is to say, German power, distinguishes the host of warriors now embattled on the five huge fields of blood from the race of the poets and thinkers. Their ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... perturbation Thee, superhuman, shakes? Thy soul's high calling, where? Where is the breast, which from itself a world did bear, And shaped and cherished—which with joy expanded, To be our peer, with us, the Spirits, banded? Where art thou, Faust, whose voice has pierced to me, Who towards me pressed with all thine energy? He art thou, who, my presence breathing, seeing, Trembles through all the depths of being, A writhing ...
— Faust • Johann Wolfgang Von Goethe
... Compared with these men the younger writers of verse seemed overmatched. The "National Ode" for the Centennial celebration in 1876 was intrusted to Bayard Taylor, a hearty person, author of capital books of travel, plentiful verse, and a skilful translation of "Faust." But an adequate "National Ode" was not in him. Sidney Lanier, who was writing in that year his "Psalm of the West" and was soon to compose "The Marshes of Glynn," had far more of the divine fire. He was a bookish Georgia youth who had served with the Confederate ...
— The American Spirit in Literature, - A Chronicle of Great Interpreters, Volume 34 in The - Chronicles Of America Series • Bliss Perry
... to address legislative assemblies, he was naturally desirous of knowing the place, if place there was, where such images and illustrations were to be found. The truth was that, if Webster had ever read Goethe's Faust,—which he of course never had done,—he might have referred his old friend to that passage where Faust, gazing at the setting sun, aches to follow it in its course for ever. "See," he exclaims, "how the green-girt cottages shimmer ...
— The Great Speeches and Orations of Daniel Webster • Daniel Webster
... Napoleon, consecrated their lives to the work of collecting all the elements of anguish and of grief scattered over the universe. Goethe, the patriarch of a new literature, after having painted in "Werther" the passion which leads to suicide, traced in his "Faust" the most somber human character which has ever represented evil and unhappiness. His writings began to pass from Germany into France. From his studio, surrounded by pictures and statues, rich, happy and at ease, he watched with a paternal smile, his gloomy ...
— The Confession of a Child of The Century • Alfred de Musset
... stay with me in London. When we were all coming home from the theatre one night after Faust (the year must have been 1886), I ...
— McClure's Magazine, Vol 31, No 2, June 1908 • Various
... end of the month of April, M. Vautrot was alone with the Countess de Camors about ten o'clock in the evening. They were reading Goethe's Faust, which she had never before heard. This reading seemed to interest the young woman more than usual, and with her eyes fixed on the reader, she listened to it with rapt attention. She was not alone fascinated by the work, but—as is frequently the case-she traced her own thoughts and her ...
— Serge Panine • Georges Ohnet
... literature, and began his own literary career by a translations of Schiller's "William Tell." This was followed by numerous translations from the German, mainly poetry, which have been published from time to time, in several volumes. Of these translations, Goethe's "Faust," Richter's "Titan" and "Hesperus," and a humorous poem by Dr. Karl Arnold Kortum, "The Life, Opinions, Actions, and Fate of Hieronimus Jobs, the Candidate," deserve especial mention. Mr. Brooks also published a number of original ...
— McGuffey's Fifth Eclectic Reader • William Holmes McGuffey
... from a small enclosure into a great labyrinth. He was where Goethe was when he began "Faust"; he was where Conrad was ...
— This Side of Paradise • F. Scott Fitzgerald |
