"Dialogue" Quotes from Famous Books
 ... far, and art suffered in the process. Plot and dialogue took on the feverish colours of the Revolution. Audiences howled la Carmagnole or the ca ira, before the curtain went up; and when the play began, revelled in highly-spiced, political dramatics, ...
— The French Revolution - A Short History • R. M. Johnston
... orators, of which he could make nothing but they were 'very much surprised' - his way of pronouncing obliged - and as he could understand nothing that fell from me except the same form of words, the dialogue languished and all business had to be laid aside. We had kava, and then a dish of arrowroot; one end of the house was screened off for us with a fine tapa, and we lay and slept, the three of us heads and tails, upon the mats till dinner. After dinner his illegitimate majesty and myself had a walk, ...
— Vailima Letters • Robert Louis Stevenson
... speaking," said Emerson, "I am a very poor talker, and for the most part prefer silence"; and he went on to compare himself in this respect with Alcott, "the prince of conversers." Alcott was undoubtedly the prince of fluency, and Emerson rarely, in private dialogue, ventured to string together many consecutive sentences; but the things he did say, on small occasion or great, always hit the gold. On being appealed to, or when his turn came, he would hang a moment in the wind, and then pay off before the breeze of thought with an accuracy and ...
— Hawthorne and His Circle • Julian Hawthorne
... went to the theatre, but here again, half insanely, he felt a barrier between himself and the rest of the audience. For him the piece offered no illusions; he could only see painted actors strutting affectedly in unnatural costumes; the scenery was mere painted cloth, and the dialogue senseless inanity. With all his might James wished that he were again in Africa, with work to do and danger to encounter. There the solitude was never lonely, and the nights were blue and silent, rich ...
— The Hero • William Somerset Maugham
... of Jacobite times, and of Alan Breck's country, Lochaber, Glencoe, Mamore, may bias me; but in "Kidnapped" Stevenson appears to me to reach the height of his genius in designing character and landscape; in humour, dialogue, and creative power. As in his preceding stories, there is hardly the flutter of a petticoat, but the tale, like Prince Charles at Holyrood, can point to a Highland man of the sword, and say, "These are my beauties." ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 1 (of 25) • Robert Louis Stevenson
... from Trumbull County—who agreed to pay for his board in praying. For a while all went smoothly, but the boarding-master furnished his table so poorly that the boarders began to grumble and to leave, and the other morning the praying boarder actually "struck!" Something like the following dialogue occurred at the table:— ...
— The Complete Works of Artemus Ward, Part 1 • Charles Farrar Browne
... commedia a braccio, before mentioned as the inheritance of the Marionette, the dramatist furnished merely the plot, and the outline of the action; the players filled in the character and dialogue. With any people less quick-witted than the Italians, this sort of comedy must have been insufferable, but it formed the delight of that people till the middle of the last century, and even after Goldoni went to Paris he furnished his Italian players with the commedia a braccio. I ...
— Venetian Life • W. D. Howells
... might have been written in a town, out of a book, away from nature's sights and sounds. Her rustic characters are not comparable to those of a score or perhaps two or three score of other writers who treat of such subjects. The dialogue, when she makes them talk, is unnatural, and her invention so poor that when she puts in a little romance of her own making one regrets it. And so one might go on picking it all to pieces like a dandelion blossom. Nevertheless it endures, ...
— Afoot in England • W.H. Hudson
... though the day had passed when even the most credulous could place any faith in swords that required a hundred men to lift, and helmets which could only fit the champion whose single strength could wield such a weapon, the style was lively and attractive, and the dialogue ...
— Letters of Horace Walpole - Volume I • Horace Walpole
... extensive use of dialogue, and thus, in a measure, partakes of the nature of the drama. The introduction of the dialogue serves a double purpose: first, it lends greater vividness to the narrative; and second, it lends variety to the story, enabling the ...
— Elementary Guide to Literary Criticism • F. V. N. Painter
... Princess Chandravati was sitting in confidential conversation with her jay. The dialogue was not remarkable, for maidens in all ages seldom consult their confidantes or speculate upon the secrets of futurity, or ask to have dreams interpreted, except upon one subject. At last the princess said, for perhaps the hundredth time that month, "Where, O jay, ...
— Vikram and the Vampire • Sir Richard F. Burton
... passenger as the dip of the oar or the bell of San Giorgio Maggiore sounding across the harmonising water spaces. And yet the Colonel was only half aware that every word, every inflection of the little dialogue had passed between them on just such an afternoon in May five years ago, and again five years before that, if ...
— A Venetian June • Anna Fuller
... that had occurred some two months earlier, with his Honor's private chamber for a setting, was substantially duplicated: there was the same cast of two, the same stage properties, the same atmosphere of untidy tidiness. And, as before, the dialogue was in Judge Priest's hands. He led and his fellow character followed ...
— The Best Short Stories of 1917 - and the Yearbook of the American Short Story • Various
... Chorus repeats his enquiries of Clytaemnestra as to the meaning of this sudden rejoicing, guardedly adding that it is his duty to pay respect to his lord's wife in his absence—Clytaemnestra announces that Troy has been taken this last night—rapid interchange of stichomuthic dialogue, the Chorus expressing their amazement as to how the news could ...
— Story of Orestes - A Condensation of the Trilogy • Richard G. Moulton
... she would speak to any hearing child; the only difference was that she spelled the sentences into my hand instead of speaking them. If I did not know the words and idioms necessary to express my thoughts she supplied them, even suggesting conversation when I was unable to keep up my end of the dialogue. ...
— Stories of Achievement, Volume IV (of 6) - Authors and Journalists • Various
... Mr Hobson, whose quarrel had been suspended by the appearance of a third person, and who had stood during this short dialogue in silent amazement, having first lost their anger in their mutual consternation, now lost their consternation in their mutual displeasure Mr. Hobson felt offended to hear business spoken of slightly, ...
— Cecilia vol. 3 - Memoirs of an Heiress • Frances (Fanny) Burney (Madame d'Arblay)
... early pamphlets (1662) was entitled The Coffee Scuffle, and professed to give a dialogue between "a learned knight and a pitifull pedagogue," and contained an amusing account of a house where the Puritan element was still in the ascendant. A numerous company is present, and each little group being ...
— All About Coffee • William H. Ukers
... printed in The Alleyn Papers (for the Shakespeare Society), p. 8, by Collier, who remarks:—"In the original MS. this dramatic dialogue in verse is written as prose, on one side of a sheet of paper, at the back of which, in a more modern hand, is the name 'Kitt Marlowe.' What connection, if any, he may have had with it, it is impossible to determine, but ...
— The Works of Christopher Marlowe, Vol. 3 (of 3) • Christopher Marlowe
... jest without bitterness, bent on convincing his hearers of his doctrine rather than of his dignity. But Niccolo gave him no opportunity for replying; for he turned away to the pursuit of his market business, probably considering further dialogue as ...
— Romola • George Eliot
... English or American seamen, who had visited her father's fort upon the African coast. These, though by her repeated in all innocence, were neither of the most refined character, nor yet sufficiently comprehensive to enable her to hold any lengthened dialogue. It was in her own tongue that the conversation between her and William was carried on: for the lad had picked up a somewhat extensive vocabulary of Portuguese among the sailors of the Pandora— many of whom were of that nation. It was a sort of "lingoa geral" ...
— The Ocean Waifs - A Story of Adventure on Land and Sea • Mayne Reid
... 7. This dialogue between Achilles and AEneas, when on the point of battle, as well as several others of a similar description, have been censured as improbable and impossible. The true explanation is to be found in the peculiar character of war in the heroic age. A similar passage ...
— The Iliad of Homer - Translated into English Blank Verse • Homer
... of the Essay bears witness to the spirit in which it is written. It is cast as a dialogue, "related"—as Dryden truly says—"without passion or interest, and leaving the reader to decide in favour of which part he shall judge most reasonable". The balance between opposing views is held ...
— English literary criticism • Various
... Two months from this dialogue found our little family still more straitened and perplexed. Mrs. Ames had been confined all the time with sickness, and the greater part of Ellen's time and strength was occupied with attending ...
— The May Flower, and Miscellaneous Writings • Harriet Beecher Stowe
... Comedy in Four Acts. "The occasional publication of a play by Henry Arthur Jones is a matter for congratulation.... In 'The Manoeuvres of Jane' we see Mr. Jones in his most sprightly mood and at the height of his ingenuity; ... its plot is plausible and comic, and its dialogue is witty." ...
— Her Own Way - A Play in Four Acts • Clyde Fitch
... immemorial National Festivity.—Characters to be commemorated in the history, introduced and graphically portrayed, with a nasological illustration.—Original suggestions as to the idiosyncrasies engendered by trades and callings, with other matters worthy of note, conveyed in artless dialogue after the manner of Herodotus, ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton
... be simple and epical; faithfully following the main lines, bringing out also the characteristic details—the poetical beauties, picturesque traits, and original dialogue, as much as may be consistent with necessary condensation and, frequently, elimination. It should be a consecutive, lively narrative, with the necessary elucidating explanations incorporated in the text and with the fewest and briefest possible footnotes, while it should contain no ...
— The Translations of Beowulf - A Critical Biography • Chauncey Brewster Tinker
... Mlle Duchesnois again in the Merope of Voltaire and admire her more and more. This is an admirable play. The dialogue is so spirited; the agitation of maternal tenderness, and the occasional bursts of feelings impossible to be restrained, render this play one of the most interesting perhaps on the French stage, and Mlle Duchesnois gave with the happiest effect her part in those two scenes; the ...
— After Waterloo: Reminiscences of European Travel 1815-1819 • Major W. E Frye
... unusual story. The dialogue is nothing if not original, and the characters are very unique. There is something striking on every page ...
— Susan Clegg and a Man in the House • Anne Warner
... the theatre during the intervals between the acts. It was not difficult to form out of these dances—in which the aid of speech had doubtless long since been occasionally employed— by means of the introduction of a more organized plot and a regular dialogue little comedies, which were yet essentially distinguished from the earlier comedy and even from the farce by the facts, that the dance and the lasciviousness inseparable from such dancing continued in this case to play a chief part, and that the mime, as belonging properly not to the boards ...
— The History of Rome (Volumes 1-5) • Theodor Mommsen
... limbs by easy transpositions, and we think he is perfectly right in refusing to interpolate a syllable, but wrong in assuming that we have Shakspeare's metre where we have no metre at all. We are not speaking of seeming irregularities, of lines broken up by rapid dialogue or cut short by the gulp of voiceless passion, nor do we forget that Shakspeare wrote for the tongue and not the eye, but we do not believe he ever left an unmusical period. Especially is this true of passages where the lyrical sentiment predominates, and we beg Mr. White to reconsider ...
— Atlantic Monthly Vol. 3, No. 16, February, 1859 • Various
... of Shakespeare and the old English playwrights. The turn of the phrases and the march of the passages recall those best models, though without imitation. As in them, there is less beauty than vigor and spirit: the dialogue is strewn with expressions as striking as they are simple. Speaking ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 17, - No. 97, January, 1876 • Various
... point Sangara advanced to the old King Dhritarashtra to acquaint him with the course things had taken, and among the rest to recite to him a conversation which had taken place between Krishna and Arguna, the Pandavan prince and general. It is this dialogue which constitutes the Holy Song, known as the Bhagavad-Gita, or Krishna Song, the Krishna of this philosophic poem being, of course, the eighth avatara; or incarnation, ...
— The Worlds Greatest Books, Volume XIII. - Religion and Philosophy • Various
... was the fruit of his retirement, during the remains of the Civil War in Africa; and was composed in the form of a Dialogue. It contains a few short, but very masterly sketches of all the Speakers who had flourished either in Greece or Rome, with any reputation of Eloquence, down to his own time; and as he generally touches the principal ...
— Cicero's Brutus or History of Famous Orators; also His Orator, or Accomplished Speaker. • Marcus Tullius Cicero
... influence upon the doctrinal development of the Church was profound. He died as a martyr between 163 and 168. His principal works are the two Apologies written in close connection under Antoninus Pius (138-161), probably about 150, and his dialogue with Trypho the Jew, which was written after the first Apology. All translations of Justin Martyr are based upon Otto's ...
— A Source Book for Ancient Church History • Joseph Cullen Ayer, Jr., Ph.D.
... to obey this order when no word had been received from his own Colonel. So I said, "Then let my men through, sir," and rode on through the lines, followed by the grinning Rough Riders, whose attention had been completely taken off the Spanish bullets, partly by my dialogue with the regulars, and partly by the language I had been using to themselves as I got the lines forward, for I had been joking with some and swearing at others, as the exigencies of the case seemed to demand. When we started to go through, however, ...
— Rough Riders • Theodore Roosevelt
... Atalantis is mentioned by Plato in his dialogue of Timaeus. Solon, the Athenian lawgiver, is supposed to have traveled into Egypt. He is in an ancient city on the Delta, the fertile island formed by the Nile, and is holding converse with certain learned priests on the antiquities ...
— The Life and Voyages of Christopher Columbus (Vol. II) • Washington Irving
... who, at the beginning of this spicy dialogue, had been absent on her survey in a neighboring apartment, had returned, and had heard Josepha's last words. Shocked and grieved, she came forward, and stood in the midst ...
— Joseph II. and His Court • L. Muhlbach
... among the equally savage bands of lawless men, that once were the terror of that country; he presents the remarkable transitions in the fortunes of his hero, in a manner which, though often startling, are yet within the bounds of probability. His dialogue is good, growing easily out of the situation and condition of the interlocutors, and presenting occasionally, especially in response, an epigrammatic poise, that is worthy of all praise. The plot abounds with adventure, ...
— The Humors of Falconbridge - A Collection of Humorous and Every Day Scenes • Jonathan F. Kelley
... A brief dialogue ensued, during which the Adelantado declared his name and character. The Frenchman swam back to his companions, but soon returned, and asked safe conduct for his captain and four other gentlemen who wished to hold conference with the Spanish ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various
... minstrels, there were no empty chairs. Until, in the midst of Part II ("A Laughable Sketch"—vide the programme—wherein female roles were doubly coy by reason of the masculinity of their falsetto dialogue and remarkable ankles) a messenger stole hither and thither, whispering to the orderlies, who ...
— Observations of an Orderly - Some Glimpses of Life and Work in an English War Hospital • Ward Muir
... exaggerated by national feeling on either side; but that it existed is not to be denied. Already in those ages the national character and temperament of French and English differed largely from one another; though the reasons why they so differed, remain a matter of argument. In a dialogue, dated from the middle of the fourteenth century, the French interlocutor attributes this difference to the respective national beverages: "WE are nourished with the pure juice of the grape, while naught ...
— Chaucer • Adolphus William Ward
... are these two curious touches of human nature working the secret springs of this dialogue. Neville Landless is already enough impressed by Little Rosebud, to feel indignant that Edwin Drood (far below her) should hold his prize so lightly. Edwin Drood is already enough impressed by Helena, to feel ...
— The Mystery of Edwin Drood • Charles Dickens
... acts or her carriage, "but smacks of something greater than herself." We have positive evidence, however, that the passage could not have been "nothing she does or says," viz. that this speech of Polixenes immediately follows a long dialogue between Florizel and Perdita, which could not have been overheard, because Camillo directly afterwards says ...
— Notes and Queries, Number 196, July 30, 1853 • Various
... was particularly accomplished, and versed not only in several modern languages, but in Greek and Latin, speaking fluently the Latin, of which the Colloquies of her great countryman, Erasmus, furnish so rich a store of phrases for ordinary dialogue. Her conversation is said to have been uncommonly brilliant and her society much sought. During the revolutionary war her house was open to the British officers, General Howe, and others, accomplished men, of whom she had many anecdotes to relate to her grandson, when he came under her care. For ...
— A Discourse on the Life, Character and Writings of Gulian Crommelin - Verplanck • William Cullen Bryant
... blessed hour. The chapter was all ready to be written, and the thing flowed equably and clearly from the pen. The passage written, I would turn to some previous chapter, which had been type-written, smooth out the creases, enrich the dialogue, retouch the descriptions, omit, correct, clarify. Perhaps in the evening I would read a passage aloud, if we were alone; and how often would Maud, with her perfect instinct, lay her finger on a weak place, show me that ...
— The Altar Fire • Arthur Christopher Benson
... when he lays his bait; If I do fear the losing of my prey, I stir me, and more snares upon her lay, This way and that her wings and legs I tie, That sure as she is caught, so she must die.'—Bunyan's Divine Emblems, No. XVIII. 'Dialogue between a ...
— The Works of John Bunyan • John Bunyan
... entitles a book The Dangerous Age we may feel sure she does not intend to write of the dangers of early youth. The dangerous age described by Karin Michaelis is precisely that time of life which inspired Octave Feuillet to write the novel, half-dialogue, half-journal, which appeared in the Revue des Deux Mondes in 1848, was adapted for the stage, played at the Gymnase in 1854, and reproduced later with some success at the Comedie-Francaise—I mean the ...
— The Dangerous Age • Karin Michaelis
... in the road for the benefit of the rabbit. In his efforts to discipline the tar-baby for impoliteness, the rabbit became enmeshed in the tar, to his great discomfort and chagrin. However, Brer Rabbit's knowledge of pedagogy shines forth in the following dialogue: ...
— Reveries of a Schoolmaster • Francis B. Pearson
... bench in the bay, apparently under the influence of ague, for he trembled excessively, and he was well wrapped up in blankets. Altogether, notwithstanding the regularity of his features, he was a revolting spectacle. The following curious dialogue ensued: ...
— Rattlin the Reefer • Edward Howard
... only, and perhaps a sufficient, proof of its genuineness. The plan is simple; the dramatic interest consists entirely in the contrast between the irony of Socrates and the transparent vanity and childlike enthusiasm of the rhapsode Ion. The theme of the Dialogue may possibly have been suggested by the passage of Xenophon's Memorabilia in which the rhapsodists are described by Euthydemus as 'very precise about the exact words of Homer, but very ...
— Ion • Plato
... of the new art-form rested upon the theory that the drama of the Greeks was throughout declaimed to a musical accompaniment. The reformers, therefore, dismissed spoken dialogue from their drama, and employed in its place a species of free declamation or recitative, which they called musica parlante. The first work in which the new style of composition was used was the 'Dafne' of Jacopo Peri, which was privately performed in 1597. No trace of this work ...
— The Opera - A Sketch of the Development of Opera. With full Descriptions - of all Works in the Modern Repertory • R.A. Streatfeild
... required by a campaigning army; she had gained information of the London shops where they were to be procured; she had learned to read medical prescriptions for the composition of drugs. She was at her Spanish still, not behind him in the ordinary dialogue, and able to correct him on points of Spanish history relating to fortresses, especially the Basque. A French bookseller had supplied her with the Vicomte d'Eschargue's recently published volume of a Travels in Catalonia. ...
— The Shaving of Shagpat • George Meredith
... this" (adds the reporter) "the Earl answered little. Nor was anything said afterwards by either of the prisoners, either in the thrust-and-parry dialogue with Coke that followed, or when they spoke at large to the question why judgment should not be pronounced, which at all altered the complexion of the case. They were both found guilty and sentence passed in the ...
— Bacon - English Men Of Letters, Edited By John Morley • Richard William Church
... I had since heard the songs of the heroic Maroncelli, by fits and starts, in my dungeon above. He now raised his voice; he was no longer interrupted, and I caught all he said. I replied, and we continued the dialogue about a quarter of an hour. Finally, they changed the sentinels upon the terrace, and the successors were not "of gentle mood." Often did we recommence the song, and as often were interrupted by furious cries, and curses, and threats, ...
— My Ten Years' Imprisonment • Silvio Pellico
... and by Cato, who had accepted the position after it had been declined by Cicero, his superior in rank. After the defeat of Thapsus Cato retreated to Utica, where he deliberately put an end to his life after occupying several hours in reading Plato's Phdo, a dialogue on the immortality of the soul. From the place of his death he is known in ...
— The Story of Rome From the Earliest Times to the End of the Republic • Arthur Gilman
... the author is to introduce Shakespeare to such of his readers as find the intricacies of the plots of the dramas somewhat difficult to manage. The stories which constitute the main plots are given, and are interspersed with the dramatic dialogue in such a manner as to make tale ...
— Little Lucy's Wonderful Globe • Charlotte M. Yonge
... tendency to calm my agitation. I could see distinctly, for the moon shone full in at the door. He entered the barn, they sat down together, and after some trifling questions I heard the following dialogue. ...
— The Adventures of Hugh Trevor • Thomas Holcroft
... thief" [A comedy by the addressee, a well-known and meritorious author, and sent by him shortly before to Liszt.] reconciles me with the "newspaper geese." It will, without plagiarism, win its laurels on the stage. The dialogue and action are full of humor and wit...and the final catastrophe of the thrashing must make an ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... me, blush and stammer, and bow again and again to a milliner's apprentice of a girl, not five feet high and all eyes, who dropped a curtsy at each bow. When I had passed them fifty yards or more, and looked back, they were still bobbing and bowing. And I heard a dialogue between Phyllis and Corydon. ...
— To Have and To Hold • Mary Johnston
... of his good fellowship. When they were about to part, the President is reported to have said, "Why don't you run for Congress from your state? You're just the kind of man I'd like to have in the House to support my policies." And here (as the Mormons are told) is the dialogue that ensued: ...
— Under the Prophet in Utah - The National Menace of a Political Priestcraft • Frank J. Cannon and Harvey J. O'Higgins
... down to take off her bonnet in her own room, and presently heard snatches of an argument that made her prick those wonderful little ears of hers which could almost hear through a wall. The two concluding sentences were a key to the whole dialogue. ...
— Hard Cash • Charles Reade
... The contents are well balanced between prose and poetry, and the subject matter is unusually varied. Beginning with the Third Reader, selections relating to similar subjects or requiring similar methods of study or recitation, are grouped together. Many selections are in dialogue ...
— Health Lessons - Book 1 • Alvin Davison
... Many have merely the character of social entertainments, which are not made here for invited guests, but for any who choose to come; all are welcome. At these there are often plays given by amateurs, and improvised from plots which supply the outline, while the performers supply the dialogue and action, as in the old Italian comedies. The Altrurians are so quick and fine, in fact, that they often remind me of the Italians more than any other people. One night there was for my benefit an American ...
— Through the Eye of the Needle - A Romance • W. D. Howells
... begin to examine if there be life, if there be motion, if man be any other than an ox;—["If Montaigne has copied all this from Plato's Theatetes, p.127, F. as it is plain by all which he has added immediately after, that he has taken it from that dialogue, he has grossly mistaken Plato's sentiment, who says here no more than this, that the philosopher is so ignorant of what his neighbour does, that he scarce knows whether he is a man, or some other animal:—Coste."]—what it is to do and to suffer? what animals law and justice ...
— The Essays of Montaigne, Complete • Michel de Montaigne
... an elegantly appointed library, with a spirited scene and dialogue between a young couple, who were desirous of marrying, and ...
— The Masked Bridal • Mrs. Georgie Sheldon
... sacred and poetical tradition in a child's mind by such a picture is an immorality which would neutralize a year's preaching. To make it worth M. Goyer's while to show you the number, buy the one with 'les conclusions de Jeanie' in it, p. 337: the church scene (with dialogue) in the ...
— Our Fathers Have Told Us - Part I. The Bible of Amiens • John Ruskin
... and abrupt dialogue needed no more words. The rest was made out fully by the bright color on each face, the sparkling interest on the bent brow of Dorcas, and the deep, mellow voice, full of tenderness and hope, mixed with stern decision, on the ...
— Atlantic Monthly, Vol. XI., February, 1863, No. LXIV. • Various
... shivered, elevated one shoulder, and rubbed his ear against it, but said nothing, while Mr. Dalrymple, the navigating officer, with his eyes at a peep-hole and his ears open to the dialogue, wondered (as he and the whole ship's company had wondered before) what the real relation was between the captain and this wretched, drunken butt of the crew. For the captain's present attitude was a complete departure. Always he had shielded Finnegan from punishment ...
— "Where Angels Fear to Tread" and Other Stories of the Sea • Morgan Robertson
... whom I disturbed in his nap to inquire whether he let lodgings. As it happened, he didn't. Then (as I very nearly went back and told him) what right had he to sport a brass plate? However, I got some good racy dialogue for the Nautical Drama out ...
— Punch or the London Charivari, Vol. 93, September 3, 1887 • Various
... rich could not have any intention of plundering him of what little he had, and seeing only the prospect of a good supper, accepted. Gaetano departed with the reply. Franz was prudent, and wished to learn all he possibly could concerning his host. He turned towards the sailor, who, during this dialogue, had sat gravely plucking the partridges with the air of a man proud of his office, and asked him how these men had landed, as no vessel of any kind ...
— The Count of Monte Cristo • Alexandre Dumas, Pere
... cry is too useful with the crowd to lead to the conviction that anything one could say would lead to its disuse. In the dialogue of Lucian's to which we have referred, and after the theist has been refuted by the Atheist, Hermes consoles the chief deity, Zeus, by telling him that even though a few may have been won over by the arguments of the Atheist, the vast majority, "the whole ...
— Theism or Atheism - The Great Alternative • Chapman Cohen
... other particulars needful to be mentioned; and then, after a little talk among the friends, an essay is read, followed by the interlocutors' comments, and a discussion of its merits. These conversations form a very agreeable portion of the work, and exhibit a fine mastery of dialogue. They are exactly like the discourse of intelligent and accomplished men, and therefore very much unlike the ordinary run of book-reported talk. A few sentences may be not unfitly quoted, by way of exhibiting their quality. We take the following, on so common ...
— Chambers' Edinburgh Journal - Volume XVII., No 423, New Series. February 7th, 1852 • Various
... trifling as it seems. A great deal of nonsense has been written about imperfect measures in Shakespeare, and of the admirable dramatic effect produced by filling up the gaps of missing syllables with pauses or prolongations of the voice in reading. In rapid, abrupt, and passionate dialogue this is possible, but in passages of continuously level speech it is barbarously absurd. I do not believe that any of our old dramatists has knowingly left us a single imperfect verse. Seeing in what a haphazard ...
— Among My Books • James Russell Lowell
... of life; fighting always in a glorious and distinguished manner. In the hour of battle, diligent enough "to amass property," as the Vikings termed it; and in the long days and nights of sailing, given over, it is likely, to his own thoughts and the unfathomable dialogue with the ever-moaning Sea; not the worst High School a man could have, and indeed infinitely preferable to the most that are going even now, for a high ...
— Early Kings of Norway • Thomas Carlyle
... the all-important step from tableau to dialogue and action had been taken. Its initiation is shrouded in obscurity, but may have been as follows. Ever since the sixth century Antiphons, or choral chants in which the two sides of the choir alternately respond to each other, had been ...
— The Growth of English Drama • Arnold Wynne
... following Mr. Christopher and an officer of the S. S. to locate myself in the suite provided for me, and as we were obliged to pass through the reception hall there I found myself face to face with the King George, and the following dialogue occurs. ...
— Conversion of a High Priest into a Christian Worker • Meletios Golden
... appeared in the popular comedy of "Gammer Gurton's Needle"; while Sackville, Lord Dorset, in his tragedy of "Gorbudoc" made a bold effort at sublimity of diction, and introduced the use of blank verse as the vehicle of dramatic dialogue. ...
— History of the English People, Volume V (of 8) - Puritan England, 1603-1660 • John Richard Green
... was only five years of age when his father settled in York County, Pennsylvania. He was graduated from Princeton College in 1771, in the same class with Philip Freneau, in conjunction with whom he delivered, at the commencement, a poem in dialogue upon "The Rising Glory of America," which was published ...
— The Philadelphia Magazines and their Contributors 1741-1850 • Albert Smyth
... more happily is he inspired. We could scarcely cite anything more Stevensonian, alike in its humour and its philosophy, than the dialogue between Captain Smollett and Long John Silver, entitled The Persons of the Tale. After chapter xxxii. of Treasure Island, these two puppets "strolled out to have a pipe before business should begin again, and met in an open ...
— Robert Louis Stevenson - a Record, an Estimate, and a Memorial • Alexander H. Japp
... king. Webster alone of all our tragic poets has had strength to emulate in this darkest line of art the handiwork of his master. We find nowhere such an echo or reflection of the spirit of this scene as in the last tremendous dialogue of Bosola with Ferdinand in the house of murder and madness, while their spotted souls yet flutter between conscience and distraction, hovering for an hour as with broken wings on the confines of either province ...
— A Study of Shakespeare • Algernon Charles Swinburne
... the most important single element in the play. In the original version the scene in the chancel was carried by dialogue but production showed the mistake. From the time that the music begins, it, with the pantomimic action of the actors is all sufficient to interpret the mood and meaning ...
— Why the Chimes Rang: A Play in One Act • Elizabeth Apthorp McFadden
... she carries on the floor, and together they lift out the silver during the following dialogue). 'Tain't nothin' safe round here, now dem Yankees ...
— The Southern Cross - A Play in Four Acts • Foxhall Daingerfield, Jr.
... against Ab Handy?" And the ensuing dialogue would conclude from old Charley: "Well, I know—I know—but Ab likes it, and it really isn't much, and I know he's a fool about it; I don't care in my own case, but if you can do it I kind of wish you ...
— In Our Town • William Allen White
... the admiral's end of the table had heard this dialogue. Other guests present continued eating, or chatting with their neighbors. Other stewards were entering and leaving in the ...
— The Submarine Boys on Duty - Life of a Diving Torpedo Boat • Victor G. Durham
... pain and agony. Some of the noblest characters of history are most glorious for such endurance. The suicide rejects this greatness; he robs God of service and glory, he rebels against his Creator. Even Plato of old understood the baseness of suicide, when he wrote in his dialogue called "Phaedon" that a man in this world is like a soldier stationed on guard; he must hold his post as long as his commander requires it; to desert it is cowardice and treachery; thus, he says, suicide is ...
— Moral Principles and Medical Practice - The Basis of Medical Jurisprudence • Charles Coppens
... you had best keep your distance," said Alice, laughing, "for the bite of a dog, possessed by the ghost of a jealous lover, cannot be very safe." And the King carried on the dialogue in the same strain—which, while it led Alice to apprehend nothing more serious than the apish gallantry of a fantastic boy, certainly induced the supposed Louis Kerneguy to think that he had made one of those conquests which often and easily fall to the share of sovereigns. Notwithstanding the ...
— Woodstock; or, The Cavalier • Sir Walter Scott
... never.' Now I protest to thee, gentle reader, that I entirely dissent from Francisco de Ubeda in this matter, and hold it the most useful quality of my pen, that it can speedily change from grave to gay, and from description and dialogue to narrative and character. So that, if my quill display no other properties of its mother-goose than her mutability, truly I shall be well pleased; and I conceive that you, my worthy friend, will have no ...
— Waverley • Sir Walter Scott
... out a ten that this little dialogue at the meat counter begins to get conspicuous: A thin, stoop-shouldered female with gray streaks in her hair is puttin' up a howl at the price of corned beef. She'd asked for the cheapest piece they had, and it had been weighed for her, but still ...
— The House of Torchy • Sewell Ford
... for which Clavering at least was grateful. The door opened and Mr. Dinwiddie entered, limping and leaning on a cane. He looked pale and worried. Clavering resigned his seat and took one still further in the rear. But the low-pitched dialogue came to him distinctly. ...
— Black Oxen • Gertrude Franklin Horn Atherton
... bag on his back should appear at the door of one of those well-groomed establishments. It came to me, indeed, with a sudden deep sense of understanding, that I should probably find there, as everywhere else, just men and women. And with that I fell into a sort of Socratic dialogue with myself: ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... of Shakespeare's knowledge regarding curious customs has been sought in the rambling treatise on heraldry written by Gerard Legh and issued, in 1564, under the title: "Accedens of Armorie" (approximately, Introduction to Heraldry). This is cast in the form of a dialogue between Gerard the Herehaught (Herold) and the Caligat Knight, the latter term designating an inferior kind of knight with no claim to nobility; indeed, an old writer renders it "a souldior on foot". The writer ...
— Shakespeare and Precious Stones • George Frederick Kunz
... arriving. They were comfortably ignorant of my presence, and over the transom floated scraps of dialogue and the stenographer's gurgling laugh. McKnight had a relative, who was reading law with him, in the intervals between calling up the young women of his acquaintance. He came in singing, and the office boy joined in with the uncertainty of voice of fifteen. ...
— The Man in Lower Ten • Mary Roberts Rinehart
... the chorus promenaded about the back of the stage, while a comic dialogue was going on at the front, Janina's companions indulged ...
— The Comedienne • Wladyslaw Reymont
... but never known a kinder master. Plainly he felt that his better judgment had somehow been overpowered, and yet that there was nothing in their relations for which in his heart he could blame the President; and this trivial dialogue is worth remembering during the dreary and controversial tale of Lincoln's relations with Scott's successor. Lincoln, however bitterly disappointed, showed no signs of discomposure or hesitancy. The business of making the army of ...
— Abraham Lincoln • Lord Charnwood
... there I lay at watch and strove to listen. And because the time was very peaceful, and I very quiet and the air very still and their young voices very clear, I could hear much and guess more, and piecing out the certain with the probable, record in my memory this delicate dialogue. ...
— The God of Love • Justin Huntly McCarthy
... instrument, the monologue. The drama of action demands a concurrence of several distinct personalities, influencing one another rapidly by word or deed, so as to bring about the catastrophe; hence the propriety of the dialogue. But the introspective drama, in which the design is to represent and reveal the individual, requires a concentration of interest, a focussing of light on one point, to the exclusion or subordination of surroundings; hence ...
— An Introduction to the Study of Browning • Arthur Symons
... little room no care of his anger followed me. Alone, in the dark, I thought only of the scene placed by the poet before my eye, where the free flow of life, sudden and graceful dialogue, and forms, whether grotesque or fair, seen in the broad lustre of his imagination, gave just what I wanted, and brought home the life I seemed born to live. My fancies swarmed like bees, as I contrived the rest of the story;—what all would ...
— Memoirs of Margaret Fuller Ossoli, Vol. I • Margaret Fuller Ossoli
... scholarship and poetry, and in especial the house of Maecenas was always open to literary men. The two chief poets of Rome, Publius Virgilius Maro and Quintus Horatius Flaccus, were warm friends of his. Virgil wrote poems on husbandry, and short dialogue poems called eclogues, in one of which he spoke of the time of Augustus in words that would almost serve as a prophecy of the kingdom of Him who was just born at Bethlehem. By desire of Augustus, he ...
— Young Folks' History of Rome • Charlotte Mary Yonge
... enough to make any good-looking young man sulky, the mixture of mystery and aloofness about Miss Neumann-Schultz. Extraordinary as it seemed, up to this point he had found it quite impossible to indulge with her in that form of more or less illustrated dialogue known to Symford youths and maidens as billing and cooing. Very fain would Robin have billed and have cooed. It was a practice he excelled in. And yet though he had devoted himself for three whole days, stood on ladders, nailed up creepers, bought and carried rum, ...
— The Princess Priscilla's Fortnight • Elizabeth von Arnim
... was to mutter threats against Purvey as a 'false harlot'; and so the Bible-translator, if such he were, was abused on both sides. The dialogue about him is a fair instance of the vividness with which Thorpe's account of his trial illustrates the fortunes of Wyclif's followers when they scattered before their persecutors without any leader to rally them. Thorpe was accused of holding all the chief tenets of Wyclif's ...
— Fifteenth Century Prose and Verse • Various
... fancied that he had made him likewise a manful man: yet he may have dreaded that, as James grew up, the old inclinations would return in stronger and uglier shapes, and that flattery might be, as it was after all, the cause of James's moral ruin. He at least will be no flatterer. He opens the dialogue which he sends to the king, with a calm but distinct assertion of his mother's guilt, and a justification of the conduct of men who were now most of them past helping Buchanan, for they were laid in their graves; and then goes on to argue fairly, but to lay ...
— Health and Education • Charles Kingsley
... men be the werkers of rightfull thynges (that is to saye) whereby they bothe loue & also do suche thynges as be iust. This done: I serche the causes of Iustice (that is to say) from whens it toke the fyrst begynnyng / and by cause that it is a morall vertue: and Plato in the ende of his Dialogue Meno[n] concludeth that all vertue cometh of god: I am assured that god is the chief cause of Iustice: declaryng it to the worlde by his Instrument ma[n]nes wyt / whiche the same Plato affyrmeth in the begynnyng of his lawes. The Diffinicion and cause had: ...
— The Art or Crafte of Rhetoryke • Leonard Cox
... called boyish. It is warmed with all the colours of an incredible sunset. Rob Roy trapped in the Tolbooth, and confronted with Bailie Nicol Jarvie, draws no sword, leaps from no window, affects none of the dazzling external acts upon which contemporary romance depends, yet that plain and humourous dialogue is full of the essential philosophy of romance which is an almost equal betting upon man and destiny. Perhaps the most profoundly thrilling of all Scott's situations is that in which the family of Colonel Mannering are waiting ...
— Varied Types • G. K. Chesterton
... fashion. They deprived the prisoners of their clothing, and, in truth, everything of the slightest value in the eyes of a thief. One of these swashbucklers attempted to reduce our young hero's wardrobe to an Arkansas basis, namely, a straw-hat and a pair of spurs, with what success the following dialogue, taken mainly from "The Capture, Prison-Pen, ...
— Sword and Pen - Ventures and Adventures of Willard Glazier • John Algernon Owens
... intermixed with the more conventionalized signs, will be found in the present paper. In especial, reference is made to the Address of Kin Ch[e]-[)e]ss, Natci's Narrative, the Dialogue between Alaskan ...
— Sign Language Among North American Indians Compared With That Among Other Peoples And Deaf-Mutes • Garrick Mallery
... legend "Artistide Bruant, painter of portraits at two francs fifty—soldiers ten sous." Sure now of the scene which was to follow, but outwardly quite composed, Hermia listened carelessly to the dialogue, saw the acrobat appear, and the "Lady Orchestra," who was the guilty heroine of the piece, take her place upon the platform beside him. Here the resemblance to reality ceased, for the heroine was dark and Aristide blonde and beardless, and ...
— Madcap • George Gibbs
... This dialogue of the valiant pair was very pleasant all this while to the duke and duchess, and the rest of the company; and now, at last, resolving to put an end to this extraordinary and well-contrived adventure, ...
— The Children's Hour, v 5. Stories From Seven Old Favorites • Eva March Tappan
... You are invited, Professor!" and he bowed with a glance at the King, who must have heard the whole dialogue. ...
— Fairy Tales of Hans Christian Andersen • Hans Christian Andersen
... back she brought with her two negresses with baskets, who straightened the furniture and laid the table. The shutters were closed, and a lamp or two lit, and we dined sumptuous to the elegant dialogue of Flannagan and Madame Bill. "For a thousand years," says Flannagan, "by the imerald seas of the Orient"; and the Japanese did moderate after-dinner tumbling, with mild but curious bow-knots. David marched and saluted, and after that he climbed into his ...
— The Belted Seas • Arthur Colton
... out: they are drunk, and so you see they think they must behave like clowns and cut capers. The horseplay and pot-house atmosphere reduce me to despair. Then Kiselevsky comes out: it is a poetical, moving passage, but my Kiselevsky does not know his part, is drunk as a cobbler, and a short poetical dialogue is transformed into something tedious and disgusting: the public is perplexed. At the end of the play the hero dies because he cannot get over the insult he has received. The audience, grown cold and tired, does not understand this death (the actors insisted on it; I have another ...
— Letters of Anton Chekhov • Anton Chekhov
... peace. Often would my father take his noble pointers preparatory to the shooting season, at once to try their powers and to ascertain what promise of future sport the fields presented. These were destructive expeditions in one sense. I remember the following dialogue, repeated to me by my brother, when we made our appearance at home after a day's demolition of ...
— Personal Recollections • Charlotte Elizabeth
... us, and injuring the ship, in the sea-way; that is to say, by damning us all to hell, and uttering several pious wishes that it had done us much more mischief. All which were answered in their own kind and phrase by our men, between whom and the other crew a dialogue of oaths and scurrility was carried on as long as they ...
— Journal of A Voyage to Lisbon • Henry Fielding
... said the better," said Mrs. Jansenius, uneasily observant of the curiosity and surprise this dialogue was causing. "But understand ...
— An Unsocial Socialist • George Bernard Shaw
... turn round, just at the very moment when Bramble, attempting to lower the gas still further, turned it right out. The effect was remarkable. No one and nothing was visible, but out of the black darkness came the following singular dialogue:— ...
— The Fifth Form at Saint Dominic's - A School Story • Talbot Baines Reed
... thoroughly frightened at the serious turn of the dialogue. Was this "Count" a pretender and one of the many bogus noblemen of whom I had read? Rayel was sounding him, that was quite evident. I saw now the mistake I had made in bringing my ...
— The Master of Silence • Irving Bacheller
... is so unmistakeable in this historical drama as to force the conclusion upon us that they belong to the same period. The painter Apelles, whose name seemed almost to obsess Lyly in his novel, is one of the chief characters of Campaspe, and the dialogue is more decidedly euphuistic than any other play. The second point we may notice is one which can leave very little doubt as to the correctness of Mr Bond's chronology. Campaspe and Sapho were published before 1585, that ...
— John Lyly • John Dover Wilson
... This dialogue plunged Lucy in still deeper dejection, as it tended to show her plainly what she had for some time suspected, that she was little better than a prisoner at large in her father's house. We have described her in the outset of our story as of a romantic disposition, delighting in tales of love and ...
— Bride of Lammermoor • Sir Walter Scott
... embraced in animated dialogue with the public prosecutor, threw some new and unexpected light upon the matter. Grobey was a traveller in the employment of the noted house of Barnacles, Deadeye, and Company, and perambulated the country for the benevolent purpose of ...
— Blackwood's Edinburgh Magazine, Volume 62, No. 382, October 1847 • Various
... description of men. Two other books of the opinion of Plato, wherein is briefly contained that which before was largely expressed. One booke of Cosmography, comprising many things of Aristotles Meteors. The Dialogue of Trismegistus, translated by him out of Greeke into Latine, so fine, that it rather seemeth with more eloquence turned into Latine, than it was before written in Greeke. But principally these eleven Bookes of the 'Golden Asse', are enriched with such ...
— The Golden Asse • Lucius Apuleius
... before, and when he came within about sixty or seventy yards of the shore, he held up his white flag as the Dutchman did, and turning the boat's broadside to the shore, and his men lying upon their oars, the parley or dialogue began again thus:— ...
— The Life, Adventures & Piracies of the Famous Captain Singleton • Daniel Defoe
... detailed subordination 87. Letters: a Heading; b Inside address and greeting; c Body, Language; d Close; e Outside address; f Miscellaneous directions; g Model business letter; h Formal notes 88. Paragraphs: a Indention; b Length; c Dialogue 89. EXERCISE Capitals, numbers, ...
— The Century Handbook of Writing • Garland Greever
... remarkable cases of high nervous excitement that the age, so interested in such, yet affords, with all its phenomena of clairvoyance and susceptibility of magnetic influences. As to my own mental positron on these subjects, it may be briefly expressed by a dialogue between several persons who honor me with a portion of friendly confidence and criticism, and myself, personified as Free Hope. The others may be styled Old Church, Good Sense, ...
— At Home And Abroad - Or, Things And Thoughts In America and Europe • Margaret Fuller Ossoli
... great game of exploring new lands and new worlds. Cortez, Frobisher, Drake. Imagine a dialogue in those days between father and son, a sea-going father who thought exploration was life, and a son who was weakly and didn't want to be forced into business. "I don't like exploration much, Father. I'm seasick the whole time, ...
— The Crow's Nest • Clarence Day, Jr.
... do? Pray? No. That eternal dialogue in which you are always alone is crushing. Throw yourself into some occupation? Work? No use. Doesn't work always have to be done over again? Have children and bring them up? That makes you feel both that you are done and finished and that you are ...
— The Inferno • Henri Barbusse
... of displeasure. He was to blame for his coldness. His presence was a check on him which prevented him from showing his feelings. Though a friend, he was a stranger, an obstacle between him and the dead. He interfered with that silent dialogue of love and forgiveness of which the master had dreamed as he came. He would come back alone. Perhaps the cemetery would be ...
— Woman Triumphant - (La Maja Desnuda) • Vicente Blasco Ibanez
... gift of lively appreciation of the humors that lie on the surface of conduct and conversation, and his skill in reproducing them in literary form, make him peculiarly successful in his attempts at graceful, delicately humorous dialogue.... He can make his characters talk delightful badinage, or he can make them talk so characteristically as to fill the reader with silent laughter over their complete unconsciousness of ...
— The Danvers Jewels, and Sir Charles Danvers • Mary Cholmondeley
... logical conduct of an absurd proposition, in his fantastic handling of the supernatural, in his brisk dialogue and effective characterisation, Mr. Anstey has once more shown himself to be an artist and a humourist of ...
— In Brief Authority • F. Anstey
... dialogue of civilities between the other two; but Catherine heard neither the particulars nor the result. Her companion's discourse now sunk from its hitherto animated pitch to nothing more than a short, decisive sentence ...
— Library Of The World's Best Literature, Ancient And Modern, Vol 3 • Various
... versatile tongue as well as wit. In the older fiction and drama apparitions spoke seldom, and then merely as ghosts, not as individuals. And ghosts, like kings in drama, were of a dignity and must preserve it in their speech. Or perhaps the authors were doubtful as to the dialogue of shades, and compromised on a few stately ejaculations as being safely phantasmal speaking parts. But compare that usage with the rude freedom of some modern spooks, as John Kendrick Bangs's spectral cook of Bangletop, who lets ...
— Humorous Ghost Stories • Dorothy Scarborough
... the merry Christmas bells, Their music all our pleasure tells. (Repeat, singing tra la la whenever necessary to give the rhythm. They pause in groups in center, right, and left; some sit, others stand, and change their positions during the dialogue) ...
— Christmas Entertainments • Alice Maude Kellogg |
