"Beethoven" Quotes from Famous Books
 ... so. At her receptions one always heard the best singers and players of the season, and Epicurus' soul could rest in peace, for her chef had an international reputation. Oh, remember, you music-fed ascetic, many, aye, very many, regard the transition from Tschaikowsky to terrapin, from Beethoven to burgundy with hearts aflame with anticipatory joy—and ...
— The Fifth String, The Conspirators • John Philip Sousa
... be found to merit all the praise that is bestowed upon it? Sociology, as we have seen, may show us how to secure to each performer his voice or his instrument; but it will not show us how to make either the voice or the instrument a good one; nor will it decide whether the orchestra shall perform Beethoven or Offenbach, or whether the chorus shall sing a penitential psalm or a drinking song. When we have discovered what the world's highest gladness can consist of, we will again come to the question of how far such gladness can be a general ...
— Is Life Worth Living? • William Hurrell Mallock
... Handel are pretty correct; but we find that Weber wrote Parsifal, The Flying Dutchman, Der Ring der Nibulengon. His dates are 1813-1883. Mendelssohn was born 1770, died 1827 (Beethoven's dates), studied under Hadyn (sic), and that he composed many operas. Gounod is said to be 'a rather modern musician'; he wrote Othello, Three Holy Children, besides Faust and other works. Among the names given ...
— Literary Blunders • Henry B. Wheatley
... the pier to shut off the sea and the night (a penny to pay for the privation), and in that strange cacophony of desolate violin strings, tuneless trombones, and doleful double basses, in that homeless wail of forlorn brass and lost catgut, I found a music sweeter than a Beethoven symphony; for memory's tricksy finger touched of a sudden the source of tears, and flashed before the inner eye a rainbow-lit panorama of the early joys of the theatre—the joys that are no more. Was it even at a theatre—was it ...
— Without Prejudice • Israel Zangwill
... as mirth is caused by the gush of agreeable feeling that follows the cessation of mental strain, it further illustrates the general principle above set forth. But no explanation is thus afforded of the mirth which ensues when the short silence between the andante and allegro in one of Beethoven's symphonies, is broken by a loud sneeze. In this, and hosts of like cases, the mental tension is not coerced but spontaneous—not disagreeable but agreeable; and the coming impressions to which the attention is directed, promise a gratification that few, if any, desire to escape. Hence, when the ...
— Essays on Education and Kindred Subjects - Everyman's Library • Herbert Spencer
... affording knowledge of man's inner life. Mythology and legendary lore. Emerson's dualism. Music a mirror. Ruskin and art. Beethoven's lofty revelation. The real thing of Schopenhauer. Views of Carlyle, Wagner and Mazzini. Raw materials. Craving for sympathy in artistic type. Evolution of tone-language. French writer of 1835. Prince of Waldthurn, in 1690. Spencer's theory. Controversy and answer. Music ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... musical expression, it is necessary for him to come as soon as possible to the fountainheads of this literature in the works of a few great masters who have set the pace and established the limits for all the rest. In the line of purely instrumental music this has been done by Bach, Haydn, Mozart, Beethoven, Mendelssohn, Schumann, Chopin, Liszt, and Wagner. The latter, who exercised a vast influence upon the manner of developing a musical thought and in the selection of the orchestral colors in which it can be expressed ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews
... and she could walk and move her fingers without pain within a normal range of movement. The big payoff for me besides seeing her look so wonderful (20 years younger and 20 pounds lighter) was to hear her sit down and treat us to a Beethoven recital. And her blood ...
— How and When to Be Your Own Doctor • Dr. Isabelle A. Moser with Steve Solomon
... though there have been few of them. I look eventually to see woman physicists as eminent as Helmholtz and Kelvin, woman painters as great as Raphael and Velasquez, woman musicians as able as Bach and Beethoven. That we have had none yet I believe to be solely the fault of inadequate education. Of this inadequacy our imitative, arbitrary and uninspiring club programmes are a part—the very fact that our clubwomen pin their faith to programmes of any kind is a consequence of ...
— A Librarian's Open Shelf • Arthur E. Bostwick
... this unspeakable monster the Father of Christ? Is he the God who inspireth Buddha and Shakespeare and Beethoven and Darwin and Plato? No, not he. But in warfare and massacre, in rapine and rape, in black revenge and in deadly malice, in slavery and polygamy, and the debasement of women, and in the pomps, ...
— The Red Conspiracy • Joseph J. Mereto
... I forget the evening when the young Polish violinist, whom I have already mentioned, asked me to play with him Beethoven's sonata for piano and violin, dedicated to Kreuzer, his favourite piece, which he had long been unable to play for want of ...
— Essays on Russian Novelists • William Lyon Phelps
... does it make to a civilized man, when there is a steel strike, whether the workmen win or the mill-owners win? The conflict can interest him only as spectacle, as the conflict between Bonaparte and the old order in Europe interested Goethe and Beethoven. The victory, whichever way it goes, will simply bring chaos nearer, and so set the stage for a genuine revolution later on, with (let us hope) a new feudalism or something better coming out of it, and a new Thirteenth Century at dawn. This seems to be the slow, costly way of the worst ...
— The Antichrist • F. W. Nietzsche
... them music is a language. Says Mayhew, in his elaborate work on the Rhine, in speaking of the free education in music in Germany: "To tickle the gustatory nerves with either dainty food or drink costs some money; but to be able to reproduce the harmonious combinations of a Beethoven or a Weber, or to make the air tremble melodiously with some sweet and simple ballad, or even to recall the sonorous solemnities of some prayerful chorus or fine thanksgiving in an oratorio, is not only to fill the heart and brain with affections ...
— ZigZag Journeys in Northern Lands; - The Rhine to the Arctic • Hezekiah Butterworth
... be sure, more chance than thinkers, because their public is at least a hundred times as large. Still, what was thought of Beethoven and Mozart during their lives? what of Dante? what even of Shakespeare? If the latter's contemporaries had in any way recognized his worth, at least one good and accredited portrait of him would have come down to us from an age when the art of painting flourished; whereas ...
— The Art of Literature • Arthur Schopenhauer
... once the ice had been broken at the C. & E.I., Mitchell learned that the purchasing agent was at West Baden on his vacation; that he had stomach trouble and was cranky; that the speaker loved music, particularly Chaminade and George Cohan, although Beethoven had written some good stuff; that she'd been to Grand Haven on Sunday with her cousin, who sold hats out of Cleveland and was a prince with his money, but drank; and that the price on corrugated iron might be raised ten cents without ...
— Laughing Bill Hyde and Other Stories • Rex Beach
... unspeakable monster, Jahweh, the Father of Christ? Is he the God who inspired Buddha, and Shakespeare, and Herschel, and Beethoven, and Darwin, and Plato, and Bach? No; not he. But in warfare and massacre, in rapine and in rape, in black revenge and deadly malice, in slavery, and polygamy, and the debasement of women; and in the pomps, vanities, and greeds of royalty, of clericalism, and of usury and barter—we ...
— God and my Neighbour • Robert Blatchford
... to the Italian Opera, two things that are more necessary to him than bread. His works abound in references to his beloved art, and when he was writing "Massimilla Doni" he employed a professional musician to instruct him about it. Beethoven, in particular, he speaks of with the utmost enthusiasm, and after hearing his "Symphony in Ut mineur," he says that the great musician is the only person who makes him feel jealous, and that he prefers him even to Rossini and Mozart. "The spirit of the writer," he says, ...
— Honore de Balzac, His Life and Writings • Mary F. Sandars
... in grotesqueness and aberrations from good taste. The origin of synagogue melodies was attributed to remoter and remoter periods; the most soulful hymns were adapted to frivolous airs. Later still, at a time when German music had risen to its zenith, when Bach, Handel, Haydn, Mozart, and Beethoven flourished, the Jewish strolling musician Klesmer, a mendicant in the world of song as in the world of finance, was wandering through the provinces with his ...
— Jewish Literature and Other Essays • Gustav Karpeles
... for the rights and welfare of his fellow, if he did not believe in a future life, in that proportion is he wanting in the genuine feelings of justice and benevolence; as the musician who would care less to play a sonata of Beethoven's finely in solitude than in public, where he was to be paid for it, is wanting in genuine ...
— The Essays of "George Eliot" - Complete • George Eliot
... Walking Down the Old Kent Road. Kitty could play. Often in the mornings, while at his desk, he had heard her; and oddly enough, he seemed to sense her moods by what she played. (That's the poet.) When she played Chopin or Chaminade she went about gaily all the day; when she played Beethoven, Grieg or Bach, Thomas felt ...
— The Voice in the Fog • Harold MacGrath
... Shakespeare's power, I find I am not regarding it simply as a drama, but am grouping it in my mind with works like the Prometheus Vinctus and the Divine Comedy, and even with the greatest symphonies of Beethoven and the ...
— Shakespearean Tragedy - Lectures on Hamlet, Othello, King Lear, Macbeth • A. C. Bradley
... notes that fell from Sarasate's bow, gave a quick sigh of amazement and ecstasy,—such marvellous purity of tone was intoxicating to his senses, and set his nerves quivering for sheer delight in sympathetic tune. He glanced at the programme,—"Concerto— Beethoven"—and swift as a flash there came to his mind some lines he had lately read ...
— Ardath - The Story of a Dead Self • Marie Corelli
... far too great a person to be "Mistered." Fancy Mr. Beethoven, or Mr. Paderewski! Joyselle the Great and Glorious would help him. The mater appeared to like him. It was strange, for she had been in a terrible rage the first day or two—but she certainly was ...
— The Halo • Bettina von Hutten
... in the first row of stalls (most uncomfortable seats) who followed every note of the music, turning around and frowning at any unfortunate person in a box who dropped a fan or an opera-glass. It was funny to hear the hum of satisfaction when any well-known movement of Beethoven or Mozart was attacked. The orchestra was perfect, at its best I think in the "scherzos" which they took in beautiful style—so light and sure. I liked the instrumental part much better than the singing. French voices, the women's particularly, are thin, as a rule. I think they sacrifice ...
— My First Years As A Frenchwoman, 1876-1879 • Mary King Waddington
... because all the English eat nearly to bursting before they go to the opera. No wonder they never can grasp what the music is about, or who's who! It's all salmon and chicken and lobster and champagne with them—not Beethoven or Wagner or Rossini. Good old Gigue! His spirits are irrepressible! How he is laughing! Mr. Walden looks very serious—almost tragic—I wonder what he is thinking about! I wish I could hear what they are all saying—but ...
— God's Good Man • Marie Corelli
... believe, to hum a little Otaheitan song. From his want of ear he was unable to recognize a tune when he heard it again, but he remained constant to what he liked, and would often say, when an old favourite was played, "That's a fine thing; what is it?" He liked especially parts of Beethoven's symphonies, and bits of Handel. He made a little list of all the pieces which he especially liked among those which my mother played— giving in a few words the impression that each one made on him—but these notes are unfortunately lost. He was sensitive to differences in ...
— The Life and Letters of Charles Darwin, Volume I • Francis Darwin
... of its workmen than any nation in the world; the nation, which was considered in the advance of all countries in dealing with economic and industrial problems, no longer exists. The Germany which produced Bach, Beethoven, Schiller, Goethe and other great musicians and poets has disappeared. The musicians of to-day write hate songs. The poets of to-day pen hate verses. The scientists of to-day plan diabolical instruments ...
— Germany, The Next Republic? • Carl W. Ackerman
... at that time spoke of Shakespeare quite seriously. Voltaire's ridicule of him was law. Mme. de Stael had adopted Germany, the great land of Kant, of Schiller, and of Beethoven. Ducis was at the height of his triumph; he and Delille were seated side by side in academic glory, which is not unlike theatrical glory. Ducis had succeeded in doing something with Shakespeare; he had made him ...
— The Memoirs of Victor Hugo • Victor Hugo
... useless adornment as a flower-garden at Wyncomb. Stephen Whitelaw cared about as much for roses and lilies as he cared for Greek poetry or Beethoven's sonatas. At the back of the house there was a great patch of bare shadowless ground devoted to cabbages and potatoes, with a straggling border of savoury herbs; a patch not even divided from the farm land ...
— Fenton's Quest • M. E. Braddon
... the opera is its originality, and the wonderful freshness and fruitfulness of the composer in giving independent and characteristic melodies to every character, as well as the marvellous combination of technicality with absolute melody. Beethoven said of it that this was Mozart's one German opera in right of the style and solidity of its music. Jahn, in his criticism, says: "'The Zauberfloete' has a special and most important position among Mozart's operas. The whole musical conception is pure German, and here for the first time German ...
— The Standard Operas (12th edition) • George P. Upton
... doomed. He could not withstand the last enchantment of the Middle Age. It was in vain that he plunged into the pages of Gibbon or communed for long hours with Beethoven over his beloved violin. The air was thick with clerical sanctity, heavy with the odours of tradition and the soft warmth of spiritual authority; his friendship with Hurrell Froude did the rest. All that was weakest in him hurried him onward, and all that was strongest in him too. His ...
— Eminent Victorians • Lytton Strachey
... programs; for I must know every note in them, both for voice and piano. I make it a point to know the accompaniments, for in case I am ever left without an accompanist, I can play for myself, and it has a great effect on audiences. They may not know or care whether you can play Beethoven or Chopin, but the fact that you can play while you sing, greatly ...
— Vocal Mastery - Talks with Master Singers and Teachers • Harriette Brower
... in Vienna, and the internal consumption is apparently as great as ever: there is now-a-days no Mozart or Haydn to supply imperishable fabrics for the markets of the world; but the orchestras are as good as ever. The Sinfonia-Eroica of Beethoven catching my eye in a programme, I failed not to renew my homage to this prince of sweet and glorious sounds, and was loyally indignant on hearing a fellow-countryman say, that, though rich in harmony, ...
— Servia, Youngest Member of the European Family • Andrew Archibald Paton
... Grieg, Chopin, Raff, Beethoven. Y'u ce'tainly have the music here; I wonder if y'u have the musician." He looked her over with a bold, unscrupulous gaze. "It's an old trick to have classical music on the rack and ragtime in your soul. Can y'u ...
— Wyoming, a Story of the Outdoor West • William MacLeod Raine
... The very attempt to do so is, indeed, a fatal mistake. The man who can only perceive the physical side of the sexual relationship is, as Hinton was accustomed to say, on a level with the man who, in listening to a sonata of Beethoven on the violin, is only conscious of the physical fact that a horse's tail is being scraped ...
— Studies in the Psychology of Sex, Volume 6 (of 6) • Havelock Ellis
... a work of art were explained by the peculiarities of character of the artist: the paintings of Raphael and the music of Mozart partook of the gentleness of their life; while the figures of Michelangelo and the compositions of Beethoven were the outcome of their misanthropic ruggedness of temper. The insufficiency, often the falseness, of such explanations became evident when critics began to perceive that the works of one time and country usually possessed certain common peculiarities which did not correspond to any resemblance ...
— Renaissance Fancies and Studies - Being a Sequel to Euphorion • Violet Paget (AKA Vernon Lee)
... the most inattentive of historical students who can afford to ignore this. No modern aesthetician from the Rhine to the Spree affects to dispute the succession of Teutonic thought, in its various forms of passion, from Beethoven to Goethe, from Schiller, Jean Paul, or Weber, or Ravner, or Kleist, or Immermann, down to the latest high priest of the pre-historic cult—down to Richard Wagner himself! It was precisely this that the Emperor Frederick knew as crown prince, and that the chancellor had to learn. With the crown ...
— The Arena - Volume 4, No. 21, August, 1891 • Various
... from Sir William Hamilton's Dissertations, besides its wise thought, sounds in the ear like the pathetic and majestic sadness of a symphony by Beethoven:— ...
— Spare Hours • John Brown
... say, but that he did so, either unconsciously or with that imitation that is sincerest flattery is very evident. Many passages suggest Wagner, and one can easily imagine the ardent young American worshiping the great German master, as he in turn had adored Beethoven. ...
— Edward MacDowell • Elizabeth Fry Page
... our morning occupations has been somewhat broken of late, for these June days are too perfect to be spent within doors, even with such grand companions as Plato or Beethoven. We plan charming hours to be spent in the pine grove, where Marguerite will read to us a chapter or two of Kohlrausch's "Germany," and Ida will give us a few pages of Taine's brilliant "Angleterre;" but as ...
— The Story of a Summer - Or, Journal Leaves from Chappaqua • Cecilia Cleveland
... did! We all lived in Honolulu in those days. Charming, charming fellow, George Studdiford, but queer. He was very musical, you know; he'd look daggers at you if you happened to sneeze in the middle of one of his Beethoven sonatas. Tim's mother was very sweet, beautiful, too, but spoiled, ...
— The Story Of Julia Page - Works of Kathleen Norris, Volume V. • Kathleen Norris
... for the doctor. From time to time he turned and signed to De Silvis, as he heard the loved notes of 'unser Schumann,' 'unser Beethoven,' or even of 'unser ...
— Norse Tales and Sketches • Alexander Lange Kielland
... nation, Holland first developed them so that they became characteristic of the whole people. It was the slow, steady stream of Hollanders pushing southward that civilized Germany. Music as a science was born in Holland. The grandfather of Beethoven was a Dutchman. Gutenberg's forebears were from Holland. And when the Hollanders had gone clear through Germany, and then traversed Italy, and came back home by way of Venice, they struck the rock of spiritual resources ...
— Little Journeys to the Homes of the Great, Volume 11 (of 14) - Little Journeys to the Homes of Great Businessmen • Elbert Hubbard
... indefatigable workers, it must nevertheless be sufficiently obvious that, without the original endowment of heart and brain, no amount of labour, however well applied, could have produced a Shakespeare, a Newton, a Beethoven, ...
— Self Help • Samuel Smiles
... playing—it seemed that everyone must recognise the air—"The Ride of the Valkyrie;" and now the driving rain and the salt spindrift, the flapping of the leech of our brown sail, every note of accompaniment is being given to that great air that runs through Beethoven's Waldstein Sonata, which the wind is singing louder and louder. Tim sits up well to windward, the tiller quivering in his hand, the rain beating on one side of his face, his beard blowing out from the other. Tim doesn't think what a good model for a Viking he makes just now. The real actual Viking ...
— Impressions of a War Correspondent • George Lynch
... that the improved Psalmody of Gardiner had not yet been introduced into the service of this church, and that the drawling-monkish tunes are preferred to those sublime passages of Haydn, Mozart, and Beethoven, which that gentleman has so ingeniously adapted to the Psalms of David. It might have been expected that every church in the enlightened vicinage of the metropolis would, ere this, have adopted a means of exalting ...
— A Morning's Walk from London to Kew • Richard Phillips
... interspersed her unsophisticated Yiddish with English phrases like "rare technique," "vonderful touch," "bee-youtiful tone," or "poeytic temperament." She assured me that her son was the youngest boy in the United States to play Brahms and Beethoven successfully. At first I thought that she was prattling these words parrot fashion, but I soon realized that, to a considerable extent, at least, she ...
— The Rise of David Levinsky • Abraham Cahan
... old friend of mine, and sometimes he plays for me. He's a dear old man. He had a degree from Bonn, and was a professor afterward, but he gave up everything for music. That's he, waiting in the doorway. He looks like Beethoven, doesn't he? I think he knows that, perhaps and enjoys it a ...
— The Turmoil - A Novel • Booth Tarkington
... forge it, and, in short, could turn his hand to almost anything. Among other things, he could play splendidly on the violin—an instrument which he styled a fiddle, and which MacSweenie called a "fuddle." His repertoire was neither extensive nor select. If you had asked for something of Beethoven or Mozart he would have opened his eyes, perhaps also his mouth. But at a Strathspey or the Reel o' Tulloch he was almost equal to Neil Gow himself—so admirable were his tune and time. In a lonesome land, ...
— The Walrus Hunters - A Romance of the Realms of Ice • R.M. Ballantyne
... is an absurd title which has for years been attached, both in Germany and England, to one of Beethoven's sonatas. It is said to have been derived from the expression of a German critic comparing the first movement to a boat wandering by moonlight on the Lake ...
— The Girl's Own Paper, Vol. VIII: No. 353, October 2, 1886. • Various
... swell to twice his normal value and importance (thus he puts it), as the forces awakened by the music poured and surged into the atmosphere about them. Whereupon the clergyman would explain with burning words that many a symphony of Beethoven's, a sonata of Schumann's, or a suite of Tschaikovsky's were the Names, peaceful, romantic or melancholy, of great spiritual Potencies, heard partially by these masters in their moments of inspirational ecstasy. The powers of these Beings were just as characteristic, their existence just ...
— The Human Chord • Algernon Blackwood
... passing through Bonn, on his homeward journey, that Haydn met Beethoven, and praised the composition which the young assistant Hof-organist submitted to him.[10] The reception accorded to the composer on his arrival at Vienna was in every way worthy of the fame which his London ...
— Story-Lives of Great Musicians • Francis Jameson Rowbotham
... dont live in them: I have a palace on the grand canal. I find modern clothes prosaic. I dont wear them, except, of course, in the street. My ears are offended by the Cockney twang: I keep out of hearing of it and speak and listen to Italian. I find Beethoven's music coarse and restless, and Wagner's senseless and detestable. I do not listen to them. I listen to Cimarosa, to Pergolesi, to Gluck and ...
— Fanny's First Play • George Bernard Shaw
... back upon the cushions of the chair and the Doctor's hand stole mechanically to the matches. He smoked and she played—quiet, large music, tranquilly filling the room: Bach fugues, German Lieder, fragments of weird northern harmonies, fragments of Beethoven and Schubert, the Largo of Handel,—and all the time she played she looked at the man who lay back in the chair, half turned from her, the cigar drooping from his fingers. There was no sound in the room but the music and light leaping of little ...
— Life at High Tide - Harper's Novelettes • Various
... have not become the property of the public; the cleverest of them being a festal march, written for his father's birthday, and a grand funeral march. He shares his father's intense devotion to Bach and Handel, as well as his fondness for the works of Mendelssohn, Beethoven and Mozart, and is a most accomplished performer on the violoncello, being a pupil of the well-known master of that instrument, Professor Luedemann. Prince Albert's sister, the widowed Duchess William of Mecklenberg-Schwerin, has been ...
— The Secret Memoirs of the Courts of Europe: William II, Germany; Francis Joseph, Austria-Hungary, Volume I. (of 2) • Mme. La Marquise de Fontenoy
... literature, which are all ours, whether we choose to wear them or not. But first let me make it plain that I am not assuming that all the great monuments of human genius are literary. I am not forgetful of the fact that literature is only one of the fine arts, that the Strassburg Cathedral, Beethoven's Ninth Symphony, Rembrandt's School of Anatomy, Michelangelo's Moses are all products of man's creative genius, records of the life of God in the soul of man. But I do insist that literature is the most inclusive and the most definite of all the arts, and that therefore books unlock to us a vaster ...
— The Booklover and His Books • Harry Lyman Koopman
... cultivable faculty; and it is these who, I trust, may find some profit in the following discussions.[3] Let them not forget, however, that the topics treated of are merely the indispensable rudiments of the art, and are not for a moment to be mistaken for its ultimate and incommunicable secrets. Beethoven could not have composed the Ninth Symphony without a mastery of harmony and counterpoint; but there are thousands of masters of harmony and counterpoint who could not ...
— Play-Making - A Manual of Craftsmanship • William Archer
... and cares, instead of giving them a more intense and poignant expression, which at some moments is all the divinest music seems to do. Their influence is always benign and serene, and we may always have recourse to it, while the secrets of Beethoven, Mendelssohn, Chopin, Schumann lie hidden between leaves, in the keeping of crabbed little hieroglyphs, and a voice, an instrument, or perhaps an orchestra, is needed to reveal them. The picture, the statue, has no secrets but open secrets. You stand before ...
— Lippincott's Magazine of Popular Literature and Science, Vol. 15, - No. 90, June, 1875 • Various
... these facts, does it not appear that if there is any one distinctively feminine characteristic, it is the mother-instinct for government? But now with clearer vision we reread the record of the past. True, we find no Raphael or Beethoven, no Phidias or Michael Angelo among women. No woman has painted the greatest picture, carved the finest statue, composed the noblest oratorio or opera. Not many women's names appear after Joan of Arc's in the long list of warriors; but, as a ...
— History of Woman Suffrage, Volume III (of III) • Various
... very exhaustive study of any of the great men who are the favourites of the poet and moralist. He has written about philosophy and ambition and music and morals, but he has written nothing about Socrates or Caesar or Napoleon, or Beethoven or Mozart, or Buddha or Mahomet. When he wishes to describe a political ambition he selects that entirely unknown individual, King Victor of Sardinia. When he wishes to express the most perfect soul of music, he unearths some extraordinary ...
— Robert Browning • G. K. Chesterton
... New York, I went up to Thomas's Garden, near Central Park, to hear the delicious music he was educating us to appreciate. At a certain point in the programme I noticed that the next piece would be Beethoven's Fifth Symphony, and I glanced around with a sort of congratulatory impulse, as much as to say, "Now we shall have a treat." My attention was immediately arrested and fixed by a young girl who, with the gentleman escorting ...
— Taken Alive • E. P. Roe
... hurt them to pipe. The world may be too small; but the organ cannot possibly be too large. Malibran, Jenny Lind, or Mrs. Mott usually sings to it of an evening, accompanied by Franz, Schubert, or Mendelssohn; or Beethoven drops in to play one of his symphonies. Sunday nights, Handel performs upon it regularly for a choir composed of Vaughan, Herbert, the minister who chants 'Calm on the listening ear of night,' Madame Guyon, and Sarah Adams. ...
— The Continental Monthly, Vol. 6, No 3, September 1864 - Devoted To Literature And National Policy • Various
... some trashy modern Italian music. "Now, my child, you shall hear something worth listening to;" and with a sigh of relief he would turn to some old piece by Mozart or Bach, some minuet of Haydn's, some romance of Beethoven's, which he would play with no great power of execution, indeed, but with a rare sweetness and delicacy of touch and expression, and with an intense absorption in the music, which communicated itself to even so small ...
— My Little Lady • Eleanor Frances Poynter
... career of duty: she would enjoy boundless equanimity: she would raise her whole being to the level of her sublime passion. She would practise charity, humility, piety,—in fine, all the virtues: together with certain morceaux of Beethoven and Chopin. She would walk the earth like one glorified. She would do homage to the best of men by inviolate secrecy. Here, by I know not what gentle transition, as she lay in the quiet darkness, Elizabeth covered her pillow ...
— The Atlantic Monthly, Volume 15, No. 89, March, 1865 • Various
... streak in her to-day. Instead of rising as Nora expected she would, she wheeled on the stool and began Morning Mood from Peer Gynt, because the padre preferred Grieg or Beethoven to Chopin. Nora frowned at the pretty head below ...
— The Place of Honeymoons • Harold MacGrath
... bequeath and, in addition, the intellectual wealth of her present stage of development. Consider Germany's contributions to the arts, the poetical achievements of the period of Schiller and Goethe, the music of Handel, Bach, Haydn, Mozart, and Beethoven; the thought systems of Kant, Fichte, Schelling, ...
— New York Times Current History: The European War, Vol 2, No. 1, April, 1915 - April-September, 1915 • Various
... was ten, my teacher decided that I was sufficiently prepared to give a concert in the Salle Pleyel, so I played there, accompanied by an Italian orchestra, with Tilmant as the conductor. I gave Beethoven's Concerto in C minor and one of Mozart's concertos in B flat. There was some question of my playing at the Societe des Concerts du Conservatoire, and there was even a rehearsal. But Seghers, who afterwards founded the Societe St. Cecile, was a power in the affairs of the orchestra. He ...
— Musical Memories • Camille Saint-Saens
... shared his sister's lamentable taste, and if, as he sat silent and pensive, beneath the shaded lamp on the round centre table, while the girl at the piano went through her simple repertoire, his heart was filled with memories of his lost wife, he certainly was not lamenting the works of Mozart and Beethoven which ...
— Mrs. Day's Daughters • Mary E. Mann
... sunrise, and that the birds catch the music of it, and that songs are their efforts to imitate it. An afternoon was not badly spent in discussing this. We recall the fact that it isn't the human ear-drum exactly which will get this—if it ever comes to us—and that Beethoven was stone-deaf when he heard his last symphonies, the great pastoral and dance and choral pieces, and that he wrote them from his inner listening. Parts of them seem to us strains from that great harmony that the birds ...
— Child and Country - A Book of the Younger Generation • Will Levington Comfort
... it more and more pleasant to be sipping his coffee seated in an easy-chair among amiable, well-bred people. And when at the Englishman's request the hostess went up to the piano with the ex-director of the Government department, and they began to play in well-practised style Beethoven's fifth symphony, Nekhludoff fell into a mental state of perfect self-satisfaction to which he had long been a stranger, as though he had only just found out what a ...
— Resurrection • Count Leo Tolstoy
... church of Saint Hilaire, where the clergy of the four parishes had assembled. High mass was performed by the full choir. The Miserere of Beethoven was given, and some exquisite pieces from Mozart. Deep emotion was produced by the introduction, in the midst of this beautiful music, of some popular airs from the romance of Franconnette and Me Cal Mouri, Jasmin's first work. The entire ...
— Jasmin: Barber, Poet, Philanthropist • Samuel Smiles
... the sole avenue of approach to the musical sense. The first ambition for one who would appreciate music should be to cultivate this power of hearing. It is quite possible to be stone-deaf outwardly and yet hear most beautiful sounds within the brain. This was approximately the case with Beethoven after his thirtieth year. On the other hand, many people have a perfect outward apparatus for hearing but nothing is ...
— Music: An Art and a Language • Walter Raymond Spalding
... not only permissible, but desirable and frequent and of a thousand hitherto unsuspected rich aspects of life. One night in a real rapture, I walked round the upper gallery of the Albert Hall and listened for the first time to great music; I believe now that it was a rendering of Beethoven's Ninth Symphony.... ...
— Tono Bungay • H. G. Wells
... societies and social clubs is not short, but the conditions of membership are carefully guarded. As early as the second year of the college, five societies came into existence: of these, the Beethoven Society and the Microscopical—which started with a membership of six and an exhibition under three microscopes at its first meeting—seem to have been open to any who cared to join; the other three—the Zeta Alpha and Phi Sigma societies founded in November, 1876, ...
— The Story of Wellesley • Florence Converse
... known how they stood compared with each other. For the being of Helen to that of Rachel was as a single, untwined primary cell to a finished brain; as the peeping of a chicken to the song of a lark—I had almost said, to a sonata of Beethoven. ...
— Thomas Wingfold, Curate • George MacDonald
... organ which may be placed in the "h c" category. It is a splendid instrument—can't be equalled in this part of the country for either finery or music—and is played by a gentleman whose name ranks in St. George's anthem book, with those of Beethoven, Handel, and Mozart. We have heard excellent music sung and played at St. George's; but matters would be improved if the efforts of the choir were seconded. At present the singers have some time been what we must term, ...
— Our Churches and Chapels • Atticus
... the septette of Beethoven, And the grandmother by in her chair, And the foot of all feet on the sofa Beating delicate time to ...
— Andromeda and Other Poems • Charles Kingsley
... learned precincts of Leipsic, Germany, where he preserved his incognito, though he was not long in winning the grace, and other considerations due enlarged intellect, from those not lacking that invaluable commodity themselves. Herr Beethoven—the new title of our Italian "mi lord"—conceived the project of convincing the mighty Emperor—the hero of the sword—that so little a javelin as the pen could puncture the sac containing all his great pretensions, and let the vapor out; in short, to show ...
— The Humors of Falconbridge - A Collection of Humorous and Every Day Scenes • Jonathan F. Kelley
... for all. The art that is lived, howsoever imperfect, has an advantage over the most finished art that is merely repeated. Next after the music of, as one might say, superhuman creative force—like Bach's and Beethoven's—comes this kind, ...
— A Poor Man's House • Stephen Sydney Reynolds
... modern methods of teaching to draw, the pupil is taught to see objects before painting them. In music, unfortunately, the same rule does not hold. Young people are taught to play the compositions of Bach, Mozart, Beethoven, Chopin and Liszt, before their minds and ears can grasp these works, before they have developed the faculty ...
— The Eurhythmics of Jaques-Dalcroze • Emile Jaques-Dalcroze
... which is occasionally put forward to the effect that genius is a form of insanity, and that therefore one ought to be careful about discouraging the marriage even of epileptics and mentally unbalanced persons for fear a possible Napoleon or Julius Caesar or Beethoven should be lost to the world. "Careful scientific investigation," he says, "has clearly disproved this notion. For one thing, elaborate statistical studies of eminent persons have shown them to be less liable to insanity than the general population. Of course, a considerable number of eminent ...
— Mental Defectives and Sexual Offenders • W. H. Triggs, Donald McGavin, Frederick Truby King, J. Sands Elliot, Ada G. Patterson, C.E. Matthews
... had been in the house at least six years. Phil whistled a few bars from a current light opera, and pretended to be absorbed in an old etching of Beethoven that hung over the piano. She glanced covertly at her uncle, who knew perfectly well that Phil was laughing at him. Nan, meanwhile, produced the flute. It was in this fashion that the ...
— Otherwise Phyllis • Meredith Nicholson
... Berlioz, at this time a student in the Conservatoire, was fighting hard against Cherubini and the bewigged ones for liberty of expression and leave to admire and imitate the audacities of Weber and Beethoven, and three years hence, in the year of Hernani, was to set his mark upon the art with the Symphonie fantastique. On the stage as early as 1824 Frederick and Firmin had realised in the personages of Macaire and Bertrand the grotesque ideal, the combination of humour and terror, ...
— Views and Reviews - Essays in appreciation • William Ernest Henley
... both loved good music—Mozart, Bach, Beethoven—and were almost priggish in their contempt for anything of a lighter kind; especially with a lightness English or French! It was only the musical lightness of Germany they could endure at all! But whether in Paris or London, enter Barty Josselin, idle school-boy, or dandy dissipated guardsman, ...
— The Martian • George Du Maurier
... "There couldn't be a Scotch song without that rhythm better than melody, which, after all, is Beethoven's secret." ...
— The Atlantic Monthly, Volume 5, No. 28, February, 1860 • Various
... Would that produce "The Last Judgment" of Spohr, that made you dissolve in tears? Would that produce the chorus of Handel that made you almost rise and march in majesty? Would that fill you with deep thoughts in Beethoven, or fire you into joy in Mendelssohn? Oh, no! You have your skeleton, but you have not one thing, the deepest; genius has to touch with its fire the fact that is before you; you want the mystery of life. And then suppose you turn to an artist and ask him to guide ...
— The world's great sermons, Volume 8 - Talmage to Knox Little • Grenville Kleiser
... Max Muller's amusing reminiscences, of how Mendelssohn and David once played, in his hearing, Beethoven's later sonatas for piano and violin, and of how they shrugged their shoulders, and opined the old man had not been quite himself when he wrote them. In the history of music it seems to be a rule almost without exceptions, ...
— The Psychology of Beauty • Ethel D. Puffer
... the question," I went on, "but the fact is I've never seen a Steinbech before. I thought perhaps that different makers adopted different arrangements of the notes, as makers of typewriters do. Now, will this piano play Beethoven? I particularly want a piano that will play the 'Moonlight' ...
— Punch, or the London Charivari, May 27, 1914 • Various
... direction. . . . I've written the enclosed. Necessarily I had to think out the musical conceptions as well as the poem, and I have briefly indicated these along the margin of each movement. I have tried to make the whole as simple and as candid as a melody of Beethoven's: at the same time expressing the largest ideas possible, and expressing them in such a way as could not be offensive to any modern soul. I particularly hope you'll like the Angel's song, where I have endeavored to convey, in one ...
— The Poems of Sidney Lanier • Sidney Lanier
... admitted that Beethoven's Fifth Symphony is the most sublime noise that has ever penetrated into the ear of man. All sorts and conditions are satisfied by it. Whether you are like Mrs. Munt, and tap surreptitiously when the tunes come—of course, not so as to disturb the others—; or like Helen, who can ...
— Howards End • E. M. Forster
... were obliviously engrossed in a heated battle as to whether Berlioz or Beethoven had exposited in their compositions the deeper intellect, Graham managed his escape. Clearly, his goal was to find his hostess again. But she had joined two of the girls in the whispering, giggling seclusiveness of one of the big chairs, and, most of the company being deep in bridge, Graham found ...
— The Little Lady of the Big House • Jack London
... and grew to seem worthless and unmeaning. Only the soft golden voice remained and the grey hard voice that said, 'You've got to look after Philip, you know!' And the two voices together made a harmony more beautiful than you will find in any of Beethoven's sonatas. Because Lucy knew that she should follow the grey voice, and remember the golden voice as long ...
— The Magic City • Edith Nesbit
... bird-notes. Lo, this tearful night Methinks I see thee, fresh from Death's despite, Perched in a palm-grove, wild with pantomime O'er blissful companies couched in shady thyme. Methinks I hear thy silver whistlings bright Meet with the mighty discourse of the wise, — 'Till broad Beethoven, deaf no more, and Keats, 'Midst of much talk, uplift their smiling eyes And mark the music of thy wood-conceits, And half-way pause on some large courteous word, And call thee 'Brother,' O thou ...
— Bird Neighbors • Neltje Blanchan
... views which accompany the growth of their experience are marked by still more sweeping alterations in the manner of their art. So that criticism loves to dwell upon and distinguish the varying periods of a Raphael, a Shakespeare, or a Beethoven. ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 16 (of 25) • Robert Louis Stevenson
... away; and no Frenchman, except perhaps Carnot, made so manly a protest as the man of genius at Vienna, who had composed the "Sinfonia Eroica," and with grand republican simplicity inscribed it, "Beethoven a Bonaparte." When the master heard that his former hero had taken the imperial crown, he tore off the dedication with a volley of curses on the renegade and tyrant; and in later years he dedicated the immortal work to the memory ...
— The Life of Napoleon I (Volumes, 1 and 2) • John Holland Rose
... twisted on his bed, uttering little cries of delight or disappointment, or else lay motionless, plunged in the same kind of ecstatic reverie which enthusiastic admirers of classical music yield themselves up to while listening to one of the great Beethoven's ...
— Monsieur Lecoq • Emile Gaboriau
... you think of trees or wind, thunder or goblins, you become what you think of. It is astonishing to see how little children learn in this way to care for music by Schumann, Mendelssohn, Grieg, Dvorak, Brahms, Chopin, and Beethoven. The music is of course selected with skill, and care is taken that the "expression" shall not make the children foolishly self-conscious. Emphasis is always placed on listening, and the children's appreciation is apparent. Such appreciation must ...
— The Child Under Eight • E.R. Murray and Henrietta Brown Smith
... calling upon her brother and Monsieur Parole for some more of their concerted music, they sat down to a sonata of Beethoven. The remainder of us broke up into little coteries; Min and I having a long quiet talk, under cover of the deep tones of the vicar's violoncello, in a corner by the piano, where we entrenched ourselves ...
— She and I, Volume 1 • John Conroy Hutcheson
... there is an intelligent activity in the one that is not in the other. Now no scientific analysis of a body will reveal the secret of this activity. As well might your analysis of a phonographic record hope to disclose a sonata of Beethoven latent in the waving lines. No power of chemistry could reveal any difference between the gray matter of Plato's brain and that of the humblest citizen of Athens. All the difference between man, all that ...
— The Breath of Life • John Burroughs
... kindly pay a shilling for mine." Ansell turned aside to some large lighted windows, the abode of a hospitable don, and from other windows there floated familiar voices and the familiar mistakes in a Beethoven sonata. The college, though small, was civilized, and proud of its civilization. It was not sufficient glory to be a Blue there, nor an additional glory to get drunk. Many a maiden lady who had read that Cambridge men were sad dogs, was surprised ...
— The Longest Journey • E. M. Forster
... had he gone than she sat down to the piano, and began singing, song after song, as she had never sung before—English, German, French, Italian—songs of passion and of pain—Beethoven's Kennst du das Land, and Spohr's Rose softly blooming, and Blumenthal's Old, Old Story, and then Il Segreto and O mio Fernando and Stride la vampa, and rising to heights she seldom attempted, Modi ab modi and Ab fors' e lui che l'anima; pouring forth without ...
— Fan • Henry Harford
... deep. The power of sympathising with any character is the partial possession of that character for ourselves. A man who is capable of having his soul bowed by the stormy thunder of Beethoven, or lifted to Heaven by the ethereal melody of Mendelssohn, is a musician, though he never composed a bar. The man who recognises and feels the grandeur of the organ music of 'Paradise Lost' has some fibre of a poet in him, though he be but ...
— Expositions of Holy Scripture - St. Matthew Chaps. IX to XXVIII • Alexander Maclaren
... instruments, the conductors and opera-singers and ballet-girls with whom I was on terms of familiarity during that incarnation. Perhaps I am the only person now alive who has shaken hands with a man (Lachner) who shook hands with Beethoven and heard his voice; all of which may appear when I come to indite my musical memoirs. I have written a sonata in four movements, opus 643, hitherto unpublished, and played the organ during divine service to a crowded ...
— Alone • Norman Douglas
... down on the program for one number. My selection might have appeared at that particular time as a bit of affectation, but I considered it deeply appropriate; I played Beethoven's "Sonata Pathetique." When I sat down at the piano and glanced into the faces of the several hundreds of people who were there solely on account of love or sympathy for me, emotions swelled in my heart which enabled me to play the "Pathetique" as I could never again play it. When ...
— The Autobiography of an Ex-Colored Man • James Weldon Johnson
... "very noble! But not very easy and perhaps not entirely wise. Why should I throw away something that has been useful to me, and may be again? Why forget the little German that I know and burn my Goethe and refuse to listen to Beethoven's music? I won't do ...
— The Valley of Vision • Henry Van Dyke
... learning and philosophy. How the imagination is piqued by anecdotes of some great man passing incognito, as a king in gray clothes!—of Napoleon affecting a plain suit at his glittering levee!—of Burns, or Scott, or Beethoven, or Wellington, or Goethe, or any container of transcendent power, passing for nobody!—of Epaminondas, "who never says anything, but will listen eternally!"—of Goethe, who preferred trifling subjects and common expressions in intercourse with strangers, ...
— Atlantic Monthly, Volume 6, Issue 35, September, 1860 • Various
... of Beethoven, experienced by you on duty in the drawing room, it would be curious to know whether it was really something greater than Beethoven had any idea of. You sat and listened, and tried to fix a passage in your mind as a kind of half-way mark, with the ...
— The Children • Alice Meynell
... amateurs combined and organised in 1818 a concert institution. Their concerts took place once a week, and at every meeting a new and entire symphony, an overture, a concerto, an aria, and a finale, were performed. The names of Beethoven, Haydn, Mozart, Cherubini, Spohr, Mehul, Romberg, &c., were to be found on their programmes. Strange to say, there were no less than seven conductors: Lessel, Lentz, Wurfel, Haase, Javurek, Stolpe, and Peschke, all good musicians. The orchestra consisted in part of amateurs, who were most numerous ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... Goethe's death. Paul visited the Goethe house and spent a couple of hours examining its souvenirs with loving interest. He liked to see the places and the houses associated with the names or lives of great men. On our homeward journey down the Rhine he left us at Bonn to visit the house where Beethoven was ...
— War Letters of a Public-School Boy • Henry Paul Mainwaring Jones
... has been caused in Vienna on receipt of the news that, in view of BEETHOVEN'S full name being VAN BEETHOVEN, and his origin Dutch, he has been removed from the list of belligerent composers and regarded as a neutral by concert-givers in London and Paris. A counter-movement has in consequence ...
— Punch, or the London Charivari, Vol. 147, October 28, 1914 • Various
... this story, the author has had occasion to refer to Beethoven's Sonata Appassionata as containing a suggestion of the opening theme of the Fifth Symphony. He has often seen this stated, and believed that the statement was generally accepted as true. Since writing, however, he has heard the opinion expressed, by a musician who is qualified to speak as an ...
— King Midas • Upton Sinclair
... be so; it may be that the Germany of Goethe, Schiller, and Beethoven has been absorbed by the Germany of Bismarck, Moltke, and Roon; but it must not be forgotten at the same time that, since their day, yet another Germany has come into being, the Germany of Marx, Engels, and Bebel, a Germany which is represented by more than a third of the voters ...
— The War and Democracy • R.W. Seton-Watson, J. Dover Wilson, Alfred E. Zimmern,
... showy drawing-room up at the Manor Farm, thought over the event all day in her own critical way, and predicted evil as the result. There was an old Broadwood grand piano in the room where she sat, covered with a pile of old music—Beethoven, Mendelssohn, Haydn, and all the composers whose music Miss Sabina disliked. This music had belonged to Fred's mother, a fair and unfortunate creature, whose own story I shall some day write. Miss Sabina's performances upon the pianoforte were limited to such compositions as the ...
— The Argosy - Vol. 51, No. 5, May, 1891 • Various
... wanted to sing. (I might have spared myself the trouble.) He went toward the piano, but before he sang he took out of the mysterious basket an egg, which he broke and swallowed raw, to clear his voice. He began at the first song on the list, "Adeleide" (Beethoven), and sang that and one after another of those on the list. It seemed queer to have the roles reversed in this way. I generally sang for royalty, but here royalty ...
— The Sunny Side of Diplomatic Life, 1875-1912 • Lillie DeHegermann-Lindencrone
... Lord Chamberlain's censorship, et Gounod's "Reine de Saba," The transmigrations of "Un Ballo in Maschera," How composers revamp their music, et seq,—Handel and Keiser, Mozart and Bertati, Beethoven's readaptations of his own works, Rossini and his "Barber of Seville," Verdi's "Nebuchadnezzar," Rossini's "Moses," "Samson et Dalila," Goldmark's "Konigin von Saba," The Biblical operas of Rubinstein, Mehul's "Joseph," Mendelssohn's "Elijah" in dramatic form, ...
— A Second Book of Operas • Henry Edward Krehbiel
... a man who "understood Latin" he prudently took refuge in the chatter of esthetics. From that impregnable fortress he began to bombard Beethoven, Wagner, and classical art, which was not before the house (but in France it is impossible to praise an artist without making as an offering a holocaust of all those who are unlike him). He announced the advent of ...
— Jean Christophe: In Paris - The Market-Place, Antoinette, The House • Romain Rolland |
