"Adagio" Quotes from Famous Books
 ... virtuosos rapidly increase. Carl Maria von Weber (1786-1826) stood on the threshold of the fairyland of romance. His scheme of a dialogue, in the opening adagio of his "Invitation to the Dance," followed by an entrancing waltz and a grave concluding dialogue, betokens what he might have accomplished for the piano had he lived longer. Franz Schubert (1797-1828) ...
— For Every Music Lover - A Series of Practical Essays on Music • Aubertine Woodward Moore
... beautiful air very adagio, gradually increasing the time in a kind of variation, till at last his execution became so rapid that Vivian, surprised at the mere mechanical action, rose from his chair in order better to examine the player's management and motion of his bow. Exquisite as were the tones, enchanting ...
— Vivian Grey • The Earl of Beaconsfield
... agio, at ease), a term in music to indicate slow time; also a slow movement in a symphony, sonata, &c., or an independent piece, such as Mozart's pianoforte "Adagio in ...
— Project Gutenberg Encyclopedia
... to get anything more from him than bows and monosyllables, and Frau von Kerich, who had the whole burden of the conversation, asked him, when she was worn out, to play the piano. Much more shy of them than of a concert audience, he played an adagio of Mozart. But his very shyness, the uneasiness which was beginning to fill his heart from the company of the two women, the ingenuous emotion with which his bosom swelled, which made him happy and unhappy, were in tune with the ...
— Jean-Christophe, Vol. I • Romain Rolland
... the first public rendering of the now famous Adagio in C minor, known sometimes as "The Prairie Wind," or perhaps better as the Intermezzo between the second and third acts of the opera that made Kenyon Adams' fame in Europe before he was twenty. It has been changed but little since that ...
— In the Heart of a Fool • William Allen White
... of my friends, who, much to the disgust of his fellow boarders, is constantly playing an adagio movement in B flat upon a flute, (that may not be the correct musical term, but no one will ever know it unless you tell,) informs me that you are astute; another friend, who makes cigar stumps into chewing tobacco, says, you're "up to snuff." Assuming the truth of those ...
— Punchinello, Vol. 1, No. 15, July 9, 1870 • Various
... flutes, sinks to the lowest bases, appears now among the violins, now vanishes to the rest, until it has disciplined the whole, and the whole orchestra together thunders out the call. Then comes the adagio, where, as always, the mystery seems to be developing itself, where the earnest-seeking solemnly consecrates itself to success; and the minuet and finale conclude—the soaring, mocking, hellish laughter of fiends and demons of the air, at baffled curiosity and blighted ...
— Early Letters of George Wm. Curtis • G. W. Curtis, ed. George Willis Cooke
... between the suite and the sonata, reference may be made to the well-known sonata in D major by Haydn. In this, as in those analyzed above, all the movements are in the same key. The adagio is a sarabande, and the last movement has the characteristics of the gigue. This, however, is only the starting point with Haydn; later we will consider the development of this form into what ...
— Critical & Historical Essays - Lectures delivered at Columbia University • Edward MacDowell
... description of the general structure of the work. The founding of Christianity, as illustrated in four principal scenes of the life of St. Peter, supplies the material for the dramatic development of the subject. The overture, beginning with an adagio movement in B-flat minor, gives expression to the vague yearnings of that time of doubt and hesitancy when the "oracles were dumb," and the dawning of a new era of stronger and diviner faith was matter of presentiment rather than of definite hope ...
— The Unseen World and Other Essays • John Fiske
... your Encyclopedie, Arts et Metiers, tome 3, part 1, page 393, you will find mentioned an instrument, invented by a Monsieur Renaudin, for determining the true time of the musical movements, largo, adagio, &c. I went to see it. He showed me his first invention; the price of the machine was twenty-five guineas: then his second, which he had been able to make for about half that sum. Both of these had a mainspring and a balance-wheel, for their mover and regulator. The strokes are made by ...
— Memoir, Correspondence, And Miscellanies, From The Papers Of Thomas Jefferson - Volume I • Thomas Jefferson
... as he concluded the paragraph and leaned back in his chair, while in his ears sounded the adagio passage that introduces the first movement of the "New World Symphony." Simultaneously the occupant of the next office slammed down his rolltop desk and began to whistle a lively popular melody. It was "Wildcat Rag," and Milton struck the outspread newspaper ...
— Elkan Lubliner, American • Montague Glass
... The practical, not the sentimental, is Friedrich's interest;—not to say that WERTER and the sentimental were not yet born into our afflicted Earth. A King thoroughly practical;—yet an exquisite player on the flute withal, as we often notice; whose adagio could draw tears from you. For in himself, too, there were floods of tears (as when his Mother died); and he has been heard saying, not bragging but lamenting, what was truly the fact, that "he had more feeling than ...
— History of Friedrich II. of Prussia, Vol. XIV. (of XXI.) • Thomas Carlyle |
