"Tenor voice" Quotes from Famous Books
 ... his more cultivated neighbours, he soon acquired a great popularity among the villagers, subscribing handsomely to all local objects, and attending their smoking concerts and other functions, where, having a remarkably rich tenor voice, he was always ready to oblige with an excellent song. He appeared to have plenty of money, which was said to have been gained in the California gold fields, and it was clear from his own talk and that of his wife that he had spent a part of his ...
— The Valley of Fear • Sir Arthur Conan Doyle
... remonstrances, and when he emulated Francesco's methods, addressing them with sharp ferocity, and dubbing them beasts and swine, they caught the false ring of his fierceness, which was as unlike the true as the ring of lead is unlike that of silver. They jeered him insults, they mimicked his tenor voice, which excitement had rendered shrill, and they bade him go thrum a lute for his lady's delectation, and leave men's work ...
— Love-at-Arms • Raphael Sabatini
... throne-chair by the record-table, the Nurse sat and listened. And because it was Easter and she was very happy and because of the thrill in the tenor voice that came up the stairs to her, and because of the page in the order-book about bran baths and the rest of it, she cried a little, surreptitiously, and let the tears drop down on ...
— Love Stories • Mary Roberts Rinehart
... brown smock and hood to play the Porter with his normal bottle-roughened accents. Well, a drunk impersonating a drunk, pretty appropriate. But Bruce was doing the next-door-to-impossible double of Banquo and Macduff, using a ringing tenor voice for the latter and wearing in the murder scene a helmet with dropped visor to hide his Banquo beard. He'd be able to tear it off, of course, after the Murderers got Banquo and he'd made his brief appearance as a bloodied-up ghost in the Banquet Scene. I asked myself, My God, ...
— No Great Magic • Fritz Reuter Leiber
... singer sat down to the instrument and struck a ringing chord. He had a pure and infinitely powerful tenor voice, clear as crystal, loud as a clarion, strong, rich, and rippling. He sang a love-song he had composed himself. He called it 'The Homage of King Pan to the Princess.' It was voluptuous and vehement and sweet as honey, full of bold conceits and audacious turns and ...
— Orpheus in Mayfair and Other Stories and Sketches • Maurice Baring
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