"Foreshorten" Quotes from Famous Books
 ... which are on the upright wall m n are to be drawn in their proper form, since, as the wall recedes the figure will be foreshortened by itself; but [that part of] the figure which goes into the cove you must foreshorten, as if it were standing upright; this diminution you must set out on a flat floor and there must stand the figure which is to be transferred from the vertical plane r n[Footnote 17: che leverai dalla ...
— The Notebooks of Leonardo Da Vinci, Complete • Leonardo Da Vinci
... scraped out with the palette knife,—"but I find it almost impossible to teach you. There's a queer grim Dutch touch about your painting that I like; but I've a notion that you're weak in drawing. You foreshorten as though you never used the model, and you've caught Kami's pasty way of dealing with flesh in shadow. Then, again, though you don't know it yourself, you shirk hard work. Suppose you spend some of your time on line lone. Line doesn't allow ...
— The Works of Rudyard Kipling One Volume Edition • Rudyard Kipling
... its silver scales until you cannot see their joints,—but their shining is that of a snake's belly, after all.—In deeper suggestiveness I find as great a difference. The mountains dwarf mankind and foreshorten the procession of its long generations. The sea drowns out humanity and time; it has no sympathy with either; for it belongs to eternity, and of that it sings its ...
— Atlantic Monthly, Volume 2, Issue 11, September, 1858 • Various
... appearance which his cousin R.P.G. lacks.[124] Whether he has genius or no, I am no judge. My own portrait is like, but I think too broad about the jowls, a fault which they all fall into, as I suppose, by placing their subject upon a high stage and looking upwards to them, which must foreshorten the face. The Chief Baron and Chief Commissioner had the goodness to ...
— The Journal of Sir Walter Scott - From the Original Manuscript at Abbotsford • Walter Scott
... it. We can better appreciate the difficulties when we think that, in order even to view the decorations with satisfaction, large mirrors must be used, or one must lie prone on his back. In the ability to foreshorten and give harmonious perspective—supplying the effect of motion, distance, upright movement, coming toward you or moving away—all was worked out in this historic chapel in a way that has excited the wondering admiration of artists for three ...
— Little Journeys to the Homes of the Great, Volume 4 (of 14) - Little Journeys to the Homes of Eminent Painters • Elbert Hubbard |
