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More "Sculpture" Quotes from Famous Books



... sculpture were combined in the same work: the ancients painted their statues. The only present alliance between the two arts is that the modern painter chisels ...
— The Devil's Dictionary • Ambrose Bierce

... along the shady side of the street to the number indicated upon the precious letter. The house presented an imposing chocolate-colored expanse, relieved by facings and window cornices of florid sculpture, and by a couple of dusty rose trees which clambered over the balconies and the portico. This last-mentioned feature was approached by ...
— An International Episode • Henry James

... KODOV-YETSKI;—and endeavor to make some acquaintance with this "Prussian Hogarth," who has real worth and originality.] Saxon Graff, English Cunningham had to pick up his physiognomy from the distance, intermittently, as they could. Nor is Rauch's grand equestrian Sculpture a thing to be believed, or perhaps pretending much to be so. The commonly received Portrait of Friedrich, which all German limners can draw at once,—the cocked-hat, big eyes and alert air, reminding you of some uncommonly brisk Invalid Drill-sergeant or ...
— History Of Friedrich II. of Prussia, Volume IV. (of XXI.) - Frederick The Great—Friedrich's Apprenticeship, First Stage—1713-1728 • Thomas Carlyle

... a gallery of art is not in my opinion in good taste. The associations which are suggested by sculpture are not festive. Repose is the characteristic of sculpture. Do not you ...
— Sybil - or the Two Nations • Benjamin Disraeli

... statue in such a manner that it could all be taken off and weighed, and this Perikles bade the prosecutor do on this occasion. But the glory which Pheidias obtained by the reality of his work made him an object of envy and hatred, especially when in his sculpture of the battle with the Amazons on the shield of the goddess he introduced his own portrait as a bald-headed old man lifting a great stone with both hands, and also a very fine representation of Perikles, fighting with an Amazon. The position ...
— Plutarch's Lives, Volume I (of 4) • Plutarch

... jealous of her, I—hated her; and I knew that if the report was true I should be at rest. I went to the place where they had taken her. Some one had cared for her very tenderly—she lay as if asleep, and looked like a beautiful piece of sculpture in her white robe; one could hardly believe that she was—dead. But they told me they were going to—to bury her that afternoon unless some one came to claim her. They asked me if I had known her—if she was a friend of mine. I told them no—she was nothing to me; I had simply come out of curiosity, ...
— The Masked Bridal • Mrs. Georgie Sheldon

... dispatch'd, That cornice equal in extent appear'd. Not yet our feet had on that summit mov'd, When I discover'd that the bank around, Whose proud uprising all ascent denied, Was marble white, and so exactly wrought With quaintest sculpture, that not there alone Had Polycletus, but e'en nature's self Been sham'd. The angel who came down to earth With tidings of the peace so many years Wept for in vain, that op'd the heavenly gates From their long interdict) before us seem'd, In a sweet act, so ...
— The Divine Comedy • Dante

... you should apologize, you whose father fed me and housed me and clothed me in my exile, for giving me the horrid trouble of hunting for lodgings? It is like you, dear Donna Evelina, to have sent me photographs of my future friend Waldemar's statue.... I have no love for modern sculpture, for all the hours I have spent in Gibson's and Dupre's studio: 'tis a dead art we should do better to bury. But your Waldemar has something of the old spirit: he seems to feel the divineness of the mere body, the spirituality of a limpid ...
— Hauntings • Vernon Lee

... who was depicted as standing straddle-legged over the corpse, held a kind of large jug high in his hand, and poured from it some steaming fluid which fell accurately into the funnel. The most curious part of this sculpture is that both the man with the funnel and the man who pours the fluid are drawn holding their noses, either I suppose because of the stench arising from the body, or more probably to keep out the aromatic fumes of the hot fluid which was being ...
— She • H. Rider Haggard

... and literature. The capture of Syracuse marked an epoch in Rome's artistic career; for several centuries she had employed Greek architects and had also become acquainted with the artistic types of certain Greek gods, but now all at once a wealth of Greek sculpture was disclosed to her, and she could not rest content until all her gods were represented in the fashion of man. The adoption of the Greek type, in those cases where an identification had already been effected, was not difficult and ...
— The Religion of Numa - And Other Essays on the Religion of Ancient Rome • Jesse Benedict Carter

... throne of Caesar, lady," he exclaimed in a voice that carried a conviction of his earnestness, staring hard at the bust of Ithiel before him, "as it chances, although I am not an artist, I do know something of sculpture, since I have a friend who is held to be the best of our day, and often for my sins have sat as model to him. Well, I tell you this—never did the great Glaucus produce ...
— Pearl-Maiden • H. Rider Haggard

... and drew her nearer and the hooks took hold. They drew her up the side with a care that amounted to reverence, for in her unconsciousness she was more beautiful than ever, her fine features molded in dead white, traced with fine blue veins; the grace of her form was that of a lovely sculpture now, lacking vitality, but possessing every line of perfection. The blow that had overtaken her had failed in its ...
— The Pirate Woman • Aylward Edward Dingle

... epitaphs for the Cure, and no new tombstones were set up in the graveyard. The influence of the lady at the Seigneury was upon him, and he himself believed it was for his salvation. She had told him of great pieces of sculpture she had seen, had sent and got from Quebec City, where he had never been, pictures of some of the world's masterpieces in sculpture, and he had lost himself in the study of them and in the depths of the girl's eyes. She meant no harm; the ...
— The Judgment House • Gilbert Parker

... that a handsome thing to do!" said Frank, warmly, for noble actions always pleased him. "I heard my mother say that making good or useful men was the best sort of sculpture, so I think David German may be proud of this piece of work, whether the big statue succeeds ...
— Jack and Jill • Louisa May Alcott

... of rusticated stone, ten feet high, runs round the principal elevation. A broad flight of steps leads to the central entrance. The front elevation is about 290 feet in length. The vestibule immediately within the principal door leads into an octagonal sculpture hall, top-lighted by a glass dome. There are besides five picture-galleries, also top-lighted. The pictures, which include the work of the most famous British artists, are nearly all labelled with the titles and artists' names, so a catalogue is superfluous. ...
— Westminster - The Fascination of London • Sir Walter Besant

... recess represent the two Cardinals—that on the right, which is said to be a very good portrait, represents the famous man who added so much to the cathedral—the one on the left shows his nephew, the second Cardinal Georges d'Amboise. In the middle of the recess there is a fine sculpture showing St George and the Dragon, and most of the other surfaces of the tomb are composed of richly ornamented niches, containing statuettes of saints, bishops, the Virgin and Child, and the twelve Apostles. ...
— Normandy, Complete - The Scenery & Romance Of Its Ancient Towns • Gordon Home

... cross, no octagonal lantern, no frail, slender columns spreading out on the edge of the roof into capitals of acanthus leaves and flowers, no waterspouts of chimeras and monsters, on carved woodwork, no fine sculpture, deeply sunk in ...
— Notre-Dame de Paris - The Hunchback of Notre Dame • Victor Hugo

... to say ill of him, but he works at a trade. Where are you dragging the first of arts,—the art those works are the most lasting; bringing nations to light of which the world has long lost even the memory; an art which crowns and consecrates great men? Yes, sculpture is priesthood; it preserves the ideas of an epoch, and you give its chair to a maker of toys and mantelpieces, an ornamentationist, a seller of bric-a-brac! Ah! as Chamfort said, one has to swallow a viper ...
— Unconscious Comedians • Honore de Balzac

... the Rosetta stone of Art, with its threefold inscriptions in Sculpture, Painting and Music, with their union or resume in Poetry, before him; we have given him the key to some of its wondrous hieroglyphics; let him study the remaining letters of this mystical alphabet for himself! These inscriptions ...
— The Continental Monthly, Vol. IV. October, 1863, No. IV. - Devoted to Literature and National Policy. • Various

... expresses great contempt for the clipped trees and other excesses of the Dutch school, yet advises the construction of terraces, lays out his ponds by geometric formulae, and is so far devoted to out-of-door sculpture as to urge the establishment of a royal institution for the instruction of ingenious young men, who, on being taken into the service of noblemen and gentlemen, would straightway people their grounds with statues. And this ...
— The Atlantic Monthly, Volume 13, No. 77, March, 1864 • Various

... unsuspecting traveler to take one more step downward toward the lowest service of his kingdom. Mr. World courteously offered refreshments and conducted his friends into the "Ladies Parlor" where they drank alleged unfermented wines, and admired the sculpture and works of art which adorned the place. They were then offered their choice of porter, sweet cider, root beer, hot punch (special for a cold), or eggnog for a weak heart. Thus each one was enabled to find a beverage directly ...
— Mr. World and Miss Church-Member • W. S. Harris

... flighty nature of kitchen incumbents, and to look after the domestic interests of all Barton; but I think going to Boston several times a year tends to enlarge the mind, and gives us more subjects of conversation. We are quite up in the sculpture at Mount Auburn, and have our preferences for Bierstadt and Weber. Nobody in Barton, so far, is known to see anything but horrors in pre-Raphaelitism. Some wandering Lyceum-man tried to imbue us with the new doctrine, and showed us engravings of ...
— The Atlantic Monthly, Volume 17, No. 104, June, 1866 • Various

... regard it in some sort as an act of enfranchisement; that is to say, he must release the conventional forms from those fetters which were peculiar to their art and altogether foreign to their real life. Indeed, works of sculpture remain to us of the time of the first pyramid, which represent men with the truth of nature, unfettered by the sacred canon. We can recall the so-called "Village Judge" of Bulaq, the "Scribe" now ...
— Uarda • Georg Ebers

... a new kind of Maps in low Relievo, or Sculpture; For example the Isle of Antibe, upon a square of about eight Foot, made of Boards, with a Frame like a Picture: There is represented the Sea, with Ships and other Vessels Artificially made, with their Canons and Tackle of Wood fixed upon the surface, after a new and most admirable ...
— Philosophical Transactions of the Royal Society - Vol 1 - 1666 • Various

... stands in his Museum, his Scientic Institution, and behind whole batteries of retorts, digesters and galvanic piles imperatively 'interrogates nature'—who, however, shows no haste to answer. In defect of Raphaels, and Angelos, and Mozarts, we have Royal Academies of Painting, Sculpture, Music; whereby the languishing spirit of Art may be strengthened by the more generous diet of a Public Kitchen. . . . Hence the Royal and Imperial Societies, the Bibliotheques, Glypthotheques, Technotheques, which ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann

... The Catacombs of Rome, Note to the Chesuncook Colin Clout and the Faery Queen Crawford and Sculpture ...
— The Atlantic Monthly, Vol. II, No. 8, June 1858 • Various

... junior subaltern was the leading figure. It was he—let me insist upon it anew—whose spirit made the new armies. If the tender figure of the "Lady of the Lamp" has become for many of us the chief symbol of the Crimean struggle, when Britain comes to embody in sculpture or in painting that which has touched her most deeply in this war, she will choose—surely—the figure of a boy of nineteen, laughing, eager, undaunted, as quick to die as to live, carrying in his young hands the "Luck" ...
— Towards The Goal • Mrs. Humphry Ward

... to, expressed acquiescence, and Mrs. Delano replied: "We will accept your invitation with pleasure. I have a great predilection for sculpture." ...
— A Romance of the Republic • Lydia Maria Francis Child

... disposed to rate themselves high enough,) but by the general consent of the rest of the world. Do not the most improved and civilized of modern states still take them as their instructors and guides in every species of literature—in philosophy, history, oratory, poetry, architecture, and sculpture? And those too, who have attained superiority over the world, in arms, yield a voluntary subjection to the Greeks in the arts. The cause of their former excellence and their present inferiority, is no doubt to be found in their former freedom and their ...
— A Voyage to the Moon • George Tucker

... into greater activity by an incident which now occurred. One morning I went to Bourgonef's room, which was at some distance from mine on the same floor, intending to propose a visit to the sculpture at the Glyptothek. To my surprise I found Ivan the serf standing before the closed door. He looked at me like a mastiff about to spring; and intimated by significant gestures that I was not allowed to enter the room. Concluding that his master was occupied in ...
— The Lock and Key Library • Julian Hawthorne, Ed.

... most precious works of art in the collection, stood the faun. The young sculptor cried out in alarm, declaring that the Prince Lorenzo would never forgive the introduction of so rude a piece of work among his treasures of sculpture. To his astonishment the man declared that he was himself the Prince Lorenzo de' Medici, and that he set the highest value ...
— Strange Stories from History for Young People • George Cary Eggleston

... miles long, 70 miles wide, and from 7000 to nearly 15,000 feet high. In general views no mark of man is visible on it, nor anything to suggest the richness of the life it cherishes, or the depth and grandeur of its sculpture. None of its magnificent forest-crowned ridges rises much above the general level to publish its wealth. No great valley or lake is seen, or river, or group of well-marked features of any kind, standing out in distinct pictures. Even the summit-peaks, so clear and high in the ...
— The Mountains of California • John Muir

... later to criticism. His greatest critical work (1766) is a treatise on Art, the famous Greek statuary group, the Laocooen, which gives the work its name, forming the basis for a comparative discussion of Sculpture, Poetry, Painting, ...
— Matthew Arnold's Sohrab and Rustum and Other Poems • Matthew Arnold

... again and again. "All this is mine," says the tradesman ghoul. "Behold the names of me—Slap & Dash here, the Ugliness Company there, and this the work of the Cheap and Elegant Funeral Association. This is where we slew the art of sculpture. These are our trophies that sculpture is no more. All this marble might have been beautiful, all this sorrow might have been expressive, had it not been for us. See, this is our border, No. A 5, and our pedestal No. E, and our second quality urn, along of a nice appropriate text—a ...
— Certain Personal Matters • H. G. Wells

... understood as picturing a certain series of events, interpreted and expanded by a poetical writer into a complete narrative. Without venturing to insist on so heterodox a notion, I may remark as an odd coincidence that probably such a picture or sculpture would have shown the smoke ascending from the Altar which I have already described, and in this smoke there would be shown the bow of Sagittarius; which, interpreted and expanded in the way I have mentioned, might have accounted ...
— Myths and Marvels of Astronomy • Richard A. Proctor

... floor and first story. On the garden under the porticos are restaurants. Each of these palaces is connected with the Industrial section of the foreign countries by a large vestibule thirty metres wide by 115 in length, one of which, that of the Fine Arts, contains the exhibition of sculpture, and the other contains a large part of the musical instruments. These two palaces are entirely of iron, terra-cotta and ceramic work. The entrance is executed by a large porch of three arches, and the ...
— The American Architect and Building News, Vol. 27, No. 733, January 11, 1890 • Various

... statue of Tangaro Loloquong, and afterward the statue of Legba. Jurgen stroked his chin, and his color heightened. "Now certainly, Queen Anaitis," he said, "you have unusual taste in sculpture." ...
— Jurgen - A Comedy of Justice • James Branch Cabell

... the Gallery of Antiques, and of its chefs-d'oeuvre of sculpture continued and terminated—Noble example set by the French in throwing open their museums and national establishments to public inspection—Liberal indulgence ...
— Paris As It Was and As It Is • Francis W. Blagdon

... Seethes the gulf-encrimsoning shells, Fires gardens with a joyful blaze Of tulips, in the morning's rays. The dead log touched bursts into leaf, The wheat-blade whispers of the sheaf. What god is this imperial Heat, Earth's prime secret, sculpture's seat? Doth it bear hidden in its heart Water-line patterns of all art? Is it Daedalus? is it Love? Or walks in mask almighty Jove, And drops from Power's redundant horn All seeds of beauty to ...
— Poems - Household Edition • Ralph Waldo Emerson

... admire him?" she commented. "Well, many don't. To say the truth, I do not think anybody alive, if you will pardon me, Mrs. Greyson, knows the truth about sculpture. Perhaps the Greeks did, but we don't, even when we are told. I know the Soldiers' Monument on the Common is hideous beyond words, because everybody says so; but they didn't when it was put up. Only ...
— The Philistines • Arlo Bates

... dying saints, pale, faint sufferers, drooping heads, long, thin arms, meager bones, poor, awkwardly hung dresses, emaciated features celestially illuminated by faith and love, expressed the Christian self denial and unearthliness. Architecture enforced the same lesson as sculpture and painting. Entering a cathedral, we at once feel the soul exalted, the flesh degraded. The inside of the dome is itself a hollow cross, and we walk there within the very witness work of martyrdom. The gorgeous windows fling their red ...
— The Destiny of the Soul - A Critical History of the Doctrine of a Future Life • William Rounseville Alger

... letter there was some allusion to a bust of Innocence which the young artist had begun, but of which he had said nothing in his answer to her. He had roughed out a block of marble for that impersonation; sculpture was a delight to him, though secondary to his main pursuit. After his memorable adventure, the features and the forms of the girl he had rescued so haunted him that the pale ideal which was to work itself out in the bust faded away in its perpetual presence, and—alas, poor Susan!—in obedience ...
— The Atlantic Monthly, Volume 20, No. 117, July, 1867. • Various

... successes, she conducted her sovereign, Charles, in safety, to Rheims, where he was crowned, and obtained decisive victories over the English arms. We here saw the statue erected by the French, to the memory of this remarkable woman, which as an object of sculpture seems to possess very little ...
— The Stranger in France • John Carr

... pleasing in their sight; yet the favoring powers of the spiritual and material world will confirm to you your stolen goods, and their noblest voices applaud the lifting of Your spear, and rehearse the sculpture of your shield, if only your robbing and slaying have been in fair arbitrament of that question, 'Who is best man?' But if you refuse such inquiry, and maintain every man for his neighbor's match,—if you give vote to the simple and liberty to the vile, the powers of those spiritual and material ...
— Early Kings of Norway • Thomas Carlyle

... unostentatious memorial, which has been respected amidst the extensive alteration and embellishment of the grounds by the late Mr. Hope. To our minds, neither of the treasures of art which are assembled within the splendid saloons of the adjoining mansion, or sculpture gallery, will outvie the interest of this humble tribute to the memory of ...
— The Mirror of Literature, Amusement, and Instruction, No. 565 - Vol. 20, No. 565., Saturday, September 8, 1832 • Various

... wall; so steep that, in greasy winter weather, the pavement is almost as treacherous as ice. Washing dangles above washing from the windows; the houses bulge outwards upon flimsy brackets; you see a bit of sculpture in a dark corner; at the top of all, a gable and a few crowsteps are printed on the sky. Here, you come into a court where the children are at play and the grown people sit upon their doorsteps, and perhaps a church spire ...
— The Works of Robert Louis Stevenson - Swanston Edition - Vol. 1 (of 25) • Robert Louis Stevenson

... forporti. Carry back reporti. Carry off (by force) rabi, forrabi. Carry (by vehicle) veturigi. Cart veturigi. Cart sxargxoveturilo. Carter veturigisto. Cartilage kartilago. Cartridge kartocxo. Cartridge-box kartocxujo. Cartwright veturilfaristo. Carve (sculpture) skulpti. Carve (cut) trancxi, detrancxi. Cascade kaskado. Case (gram.) kazo. Case (cover) ingo. Case (in court) proceso. Casement kazemato. Cash mono. Cash (ready) kontanto. Cashier kasisto. Cask barelo. Casket skatoleto. Cassock pastra vesto. Cast (throw) ...
— English-Esperanto Dictionary • John Charles O'Connor and Charles Frederic Hayes

... nineteen in England generally, and of seven in Scotland, not contained in his former work. And as the Doctor has bestowed much pains in obtaining precise information regarding the art of painting in England since the time of Hogarth, and of sculpture since the time of Flaxman; and also devoted much time to the study of English miniatures contained in MSS. from the earliest time down to the sixteenth century; of miniatures of other nations preserved in England; of drawings by the old masters, engravings and woodcuts; he is fully justified ...
— Notes and Queries, Number 236, May 6, 1854 • Various

... halls, wide galleries, and an ample court, Chambers adorn'd by pictures' soothing charm, I found together blended; noble sculpture In marble, polish'd by no chisel vile; A noble garden, where a lasting April All-various flowers and fruits and verdure showers; Soft shades, and waters tempering the hot air; And undulating paths in equal beauty! Nor less the castled ...
— Curiosities of Literature, Vol. 3 (of 3) • Isaac D'Israeli

... He will read deeper meaning thenceforward in every picture, every building, every book, every newspaper.... If you want to know the origin of the art of building, the art of painting, the art of sculpture, as you find them to-day in contemporary America, you must look them up in the churches, and the galleries of early Europe. If you want to know the origin of American institutions, American law, American thought, and American language, you must go to England; you must go farther still to ...
— Questionable Amusements and Worthy Substitutes • J. M. Judy

... ensued," went on Mr. Dubbe. "Not only was Italian music influenced by this sixth, but Italian art, architecture, sculpture, even material products. Take, for example, Neapolitan ice-cream. Observe the influence of the sixth. The cream is made in three color tones—the vanilla being the subdominant, as the chord is of subdominant character; the ...
— The So-called Human Race • Bert Leston Taylor

... not very certainly known, but the evidence chiefly points to the North of Africa. It was very early cultivated in Egypt, and was one of the Egyptian delicacies so fondly remembered by the Israelites in their desert wanderings, and is frequently met with in Egyptian sculpture. It was abundant in Palestine, and is often mentioned in the Bible, and always as an object of beauty and desire. It was highly appreciated by the Greeks and Romans, but it was probably not introduced into Italy in very early times, as Pliny is the first ...
— The plant-lore & garden-craft of Shakespeare • Henry Nicholson Ellacombe

... explored. The examining magistrate made the gardener, who had the key, open the chapel, a real gem of carving, a shrine in stone which had been respected by time and the revolutionaries, and which, with the delicate sculpture work of its porch and its miniature population of statuettes, was always looked upon as a marvelous specimen of the Norman-Gothic style. The chapel, which was very simple in the interior, with no other ornament than its marble altar, offered no hiding-place. ...
— The Hollow Needle • Maurice Leblanc

... the imagination by poetry, the highest of all arts, which, with rhetoric ("insidious," on account of its earnest intention to deceive), forms the group termed arts of speech. To the class of formative arts belong architecture, sculpture, and painting as the art of design. A third group, the art of the beautiful play of sensations, includes painting as the art of color, and music, which as a "fine" art is placed immediately after poetry, as an "agreeable" art at the very foot of the list, and as the play ...
— History Of Modern Philosophy - From Nicolas of Cusa to the Present Time • Richard Falckenberg

... tongue but Spanish,—although he had a slender knowledge of French and Italian, which he afterwards learned to read with comparative facility. He had studied a little history and geography, and he had a taste for sculpture, painting, and architecture. Certainly if he had not possessed a feeling for art, he would have been a monster. To have been born in the earlier part of the sixteenth century, to have been a king, to have had Spain, Italy, and the Netherlands as a birthright, and not to have ...
— The Rise of the Dutch Republic, 1555-1566 • John Lothrop Motley

... independent invention and individual taste in their work either shuts his eyes intentionally before perfectly evident facts, or lack of knowledge renders him an incompetent judge."[62] M. Rutot had lately told us how the Negro race brought art and sculpture to pre-historic Europe. The bones of the European Negroids are almost without exception found in company with drawings and sculpture in high and low relief; some of their sculptures, like the Wellendorff "Venus," are unusually well finished for primitive man. So, too, the painting ...
— The Negro • W.E.B. Du Bois

... and Cambridge; cross the English Channel, stop at Rouen, where Joan of Arc was burned to death by the English, take a flying trip to Paris, visit the tomb of Napoleon, the Louvre Gallery; take a peep at one of the greatest pieces of sculpture in existence, the Venus de Milo (which a rich and ignorant person offered to buy if they would give him a fresh one), take a glance at some of the greatest paintings in existence along the miles of galleries; take a peep into the Grand Opera House, the grandest in the world (to make room for which ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden

... MR. CROTCHET. Sir, ancient sculpture is the true school of modesty. But where the Greeks had modesty, we have cant; where they had poetry, we have cant; where they had patriotism, we have cant; where they had anything that exalts, delights, or adorns humanity, we have nothing ...
— Crotchet Castle • Thomas Love Peacock

... sublime oratory; such as prove their reason and sentiment strong, their imagination glowing and elevated. But never yet could I find that a black had uttered a thought above the level of plain narration; never saw ever an elementary trait of painting or sculpture.[75] ...
— The Journal of Negro History, Volume 3, 1918 • Various

... (in N. aisle of presbytery). This was discovered in fragments and pieced together in the same manner as that of St. Alban. The whole, however, is of clunch, and, unfortunately, incomplete. Note the fret-like sculpture round the basement, and the name of the ...
— Hertfordshire • Herbert W Tompkins

... collection of prints from the works of Michelangelo, it is impossible to secure any wide variety, either in subject or method of treatment. We are dealing here with a master whose import is always serious, and whose artistic individuality is strongly impressed on all his works, either in sculpture or painting. Our selections represent his best work in both arts. These are arranged, not in chronological order, but in a way which will lead the student from the subjects most familiar and easily understood to those which are more abstract ...
— Michelangelo - A Collection Of Fifteen Pictures And A Portrait Of The - Master, With Introduction And Interpretation • Estelle M. Hurll

... Christ? Why should we who reckon it a part of the glory of the Church in the past that she labored to civilize barbarians, to emancipate slaves, to elevate woman, to preserve the classical writings, to foster music, painting, sculpture, architecture, poetry, and eloquence, think it no part of her mission now to encourage scientific research? To be Catholic is to be drawn not only to the love of whatever is good and beautiful, but also to the love of whatever is true; and to do the best work the Catholic ...
— Education and the Higher Life • J. L. Spalding

... these art-loving Kings is always open to the public. Besides Thorvaldsen's Museum, which contains the greater portion of his works, there is the Carlsberg Glyptotek, which contains the most beautiful sculpture of the French School outside France. The Danish Folk-Museum is another interesting collection. This illustrates the life and customs of citizens and peasants from the seventeenth century to the present day, partly by ...
— Denmark • M. Pearson Thomson

... thankit that we've tint the gate o't! Gaunt, ghastly, ghaist-alluring edifices, Hanging with threat'ning jut like precipices; O'er-arching, mouldy, gloom-inspiring coves, Supporting roofs fantastic, stony groves; Windows and doors, in nameless sculpture drest, With order, symmetry, or taste unblest; Forms like some bedlam Statuary's dream, The craz'd creations of misguided whim; Forms might be worshipp'd on the bended knee, And still the second dread command be free, Their likeness is not found ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham

... upon it—projected without sacrificing the mind. So he lent his young friend books she never read—she was on almost irreconcilable terms with the printed page save for spouting it—and in the long summer days, when he had leisure, took her to the Louvre to admire the great works of painting and sculpture. Here, as on all occasions, he was struck with the queer jumble of her taste, her mixture of intelligence and puerility. He saw she never read what he gave her, though she sometimes would shamelessly have liked him to suppose so; but ...
— The Tragic Muse • Henry James

... houses, and there was no sound of human industry or enjoyment. Only, on the top of the beach, and hard by the flagstaff, a woman of exorbitant stature and as white as snow was to be seen beckoning with uplifted arm. The second glance identified her as a piece of naval sculpture, the flgure-head of a ship that had long hovered and plunged into so many running billows, and was now brought ashore to be the ensign and presiding genius ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. XIX (of 25) - The Ebb-Tide; Weir of Hermiston • Robert Louis Stevenson

... the brow, the ripe and exquisite contour, all are human and voluptuous; the expression, the aspect, is something more; the form is, perhaps, too full for the perfection of loveliness, for the proportions of sculpture, for the delicacy of Athenian models; but the luxuriant fault has a majesty. Gaze long upon that picture: it charms, yet commands, the eye. While you gaze, you call back five centuries. You see before you the breathing image of Nina ...
— Rienzi • Edward Bulwer Lytton

... their foolishness. War had killed the Cubists, and many of the Futurists had gone to the front to see the odd effects of scarlet blood on green grass. The Grand Palais was closed to the public. Yet there were war pictures here, behind closed doors, and sculpture stranger than anything conceived by Marinetti. I went to see the show, and when I came out again into the sunlight of the gardens, I felt very cold, and there was a queer ...
— The Soul of the War • Philip Gibbs

... between the rival states checked her advancement. She was poor, her leading men had become corrupt. They were ever ready to barter patriotic considerations for foreign gold, to sell themselves for Persian bribes. Possessing a perception of the beautiful as manifested in sculpture and architecture to a degree never attained elsewhere either before or since, Greece had lost a practical appreciation of the ...
— History of the Conflict Between Religion and Science • John William Draper

... means, lawful or unlawful—became the universal passion. Even the most cultivated patricians were coarse alike in their habits and their amusements. They cared for art as dilettanti, but no schools either of sculpture or painting were formed among themselves. They decorated their porticos and their saloons with the plunder of the East. The stage was never more than an artificial taste with them; their delight was the delight of barbarians, ...
— Caesar: A Sketch • James Anthony Froude

... just reach to put his hand into the mouth at its lower part, above the conical foot. The three great pipes are crowned by a heavily sculptured, ribbed, rounded dome; and this is surmounted, on each side, by two cherubs, whose heads almost touch the lofty ceiling. This whole portion of the sculpture is of eminent beauty. The two exquisite cherubs of one side are playing on the lyre and the lute; those of the other side on the flute and the horn. All the reliefs that run round the lower portion of the dome are of singular richness. We have had an opportunity ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various

... was absolutely necessary—it had two important results on all work of the kind Mr Rolleston has performed in this book—on the imaginative recasting and modernizing of the ancient tales. First, it made it lawful and easy for the modern artist—in sculpture, painting, poetry, or imaginative prose—to use the stories as he pleased in order to give pleasure to the modern world. It made it lawful because he could reply to those who objected that what he produced was not the real thing—"The real ...
— The High Deeds of Finn and other Bardic Romances of Ancient Ireland • T. W. Rolleston

... elevation of character that made him conspicuous among his fellows, and to show forth, if possible, the deed that made him immortal. For it is the deed and the memorable last words we think of when we think of Hale. I know that by one of the canons of art it is held that sculpture should rarely fix a momentary action; but if this can be pardoned in the Laocoon, where suffering could not otherwise be depicted to excite the sympathy of the spectator, surely it can be justified in this case, where, as one ...
— Baddeck and That Sort of Thing • Charles Dudley Warner

... were well acquainted were John L. Sullivan and Nonpareil Jack Dempsey. But Rosa Bonheur's Horse Fair suited us clear down to the ground—her horses looked like real horses, even if they were the kind that haul brewery wagons; and in the matter of sculpture Powers' Greek Slave seemed to fill the bill to the satisfaction of all. Anthony Comstock and the Boston Purity League had not taken charge of our art as yet, and nobody seemed to find any fault because ...
— Cobb's Bill-of-Fare • Irvin Shrewsbury Cobb

... Silence; and the last thing I noticed was another symbol—a voluntary symbol this one; it was a vulture standing on the sawed-off top of a tall and slender and branchless palm in an open space in the ground; he was perfectly motionless, and looked like a piece of sculpture on a pillar. And he had a mortuary look, too, which was ...
— Innocents abroad • Mark Twain

... upon Lord Elgin by BYRON and others for rifling Athens of its antiquities for display at home, are practicing the same desecration in regard to the treasures discovered in Nineveh by Mr. Layard. It is announced that the Great Bull and upwards of 100 tons of sculpture excavated by him, may be expected in England in September for the British Museum. The French Government are also making extensive collections of Assyrian works of art.——Among those who perished by the loss of the British steamer Orion was Dr. JOHN BURNS, ...
— Harper's New Monthly Magazine, Volume 1, No. 4, September, 1850 • Various

... art, struck a mortal blow at a false taste in the study of the antique. Winckelmann questioned the works of the Greek chisel with an intelligence full of love, and initiated his countrymen into poetry by a feeling for sculpture! What an enthusiasm he displayed for classical beauty! what a worship of the form! what a fervor of paganism is found in its eloquent pages when he also comments on the admirable group of the Laocoon, or the still purer masterpiece of the Apollo ...
— The Works of Frederich Schiller in English • Frederich Schiller

... of appreciation, she is more than beautiful; she is impressive. For behind the studied elegance of architecture, the elaborate simplicity of garden, the carefully lavish use of sculpture and delicate spray, is visible the imagination of a race of passionate creators—the imagination, throughout, of the great artist. One meets it at every turn and corner, down dim passageways, up steep hills, across bridges, along sinuous ...
— Seeing Europe with Famous Authors, Volume 3 • Various

... used in the preceding pages without, perhaps, sufficiently explaining what is meant by the word taste, other than as giving vague and unsatisfactory terms to the reader in measuring the subject in hand. Taste is a term universally applied in criticism of the fine-arts, such as painting, sculpture, architecture, &c., &c., of which there are many schools—of taste, we mean—some of them, perhaps natural, but chiefly conventional, and all more or less arbitrary. The proverb, "there is no accounting for taste," is as old as the aforesaid schools themselves, and defines perfectly our ...
— Rural Architecture - Being a Complete Description of Farm Houses, Cottages, and Out Buildings • Lewis Falley Allen

... this department is a demonstration of the statement made elsewhere that nature does not provide music with models for imitation as it does painting and sculpture. The fact that, nevertheless, we have come to recognize a large number of idioms based on association of ideas stands the composer in good stead whenever he ventures into the domain of delineative or descriptive ...
— How to Listen to Music, 7th ed. - Hints and Suggestions to Untaught Lovers of the Art • Henry Edward Krehbiel

... stored up the remains of all sorts of fine old furniture and sculpture, but these could only be seen through the chinks, for the cells were carefully locked, and the sacristan would not open them to anyone. The second cloister, although of more recent date, was likewise in a dilapidated state, which, however, gave it character. In stormy weather it was not at all safe ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks

... as well as poets should be warned against meanness or unseemliness. Sculpture and painting equally with music must conform to the law of simplicity. He who violates it cannot be allowed to work in our city, and to corrupt the taste of our citizens. For our guardians must grow up, not amid images of deformity which will ...
— The Republic • Plato

... momentary animation of humane fear and womanly compassion passed from her countenance, its expression altered; it took the calm, almost the coldness, of a Greek statue. But with the calm there was a listless melancholy which Greek sculpture never gives to the Parian stone: stone cannot convey that melancholy; it is the shadow which needs for its substance ...
— What Will He Do With It, Complete • Edward Bulwer-Lytton

... Institute of Santiago, founded in 1916. In several cities there are high schools called normal schools, and other institutions called superior schools, and the capital has an academy of drawing, painting and sculpture. ...
— Santo Domingo - A Country With A Future • Otto Schoenrich

... thirst of the human heart for the beauty of God's working,—to startle its lethargy with the deep and pure agitation of astonishment,—are their higher missions. They are as a great and noble architecture; first giving shelter, comfort, and rest; and covered also with mighty sculpture and painted legend. It is impossible to examine in their connected system the features of even the most ordinary mountain scenery, without concluding that it has been prepared in order to unite as far as possible, and in the closest compass, ...
— Modern Painters, Volume IV (of V) • John Ruskin

... ceremonial. Its gorgeous display and solemn rites fascinate the senses of the people, and silence the voice of reason and of conscience. The eye is charmed. Magnificent churches, imposing processions, golden altars, jeweled shrines, choice paintings, and exquisite sculpture appeal to the love of beauty. The ear also is captivated. The music is unsurpassed. The rich notes of the deep-toned organ, blending with the melody of many voices as it swells through the lofty domes and pillared ...
— The Great Controversy Between Christ and Satan • Ellen G. White

... but to show you how sound judgments can see the same object under different aspects. With you I dislike the description of torture, but I consider it absolutely necessary in a work upon Martyrs. It has been consecrated by all history and every art. Christian painting and sculpture have selected these subjects; herein lies the real controversy of the question. You, Sir, who are well acquainted with the details, know to what extent I have softened the picture, and how much I have suppressed of the ...
— Memoirs To Illustrate The History Of My Time - Volume 1 • Francois Pierre Guillaume Guizot

... note. And of Musique also the note In mannes vois or softe or scharpe, That fond Jubal; and of the harpe The merie soun, which is to like, That fond Poulins forth with phisique. 2420 Zenzis fond ferst the pourtreture, And Promothes the Sculpture; After what forme that hem thoghte, The resemblance anon thei wroghte. Tubal in Iren and in Stel Fond ferst the forge and wroghte it wel: And Jadahel, as seith the bok, Ferst made Net and fisshes tok: Of huntynge ek he fond the chace, Which now is knowe in many place: 2430 A tente of ...
— Confessio Amantis - Tales of the Seven Deadly Sins, 1330-1408 A.D. • John Gower

... the Architecture, Sculpture, Mural Decorations, Color Scheme & Other Aesthetic Aspects of ...
— The Art of the Exposition • Eugen Neuhaus

... possibly also please men in particular. This being so, it may be well to observe that these fashions do not please or attract men, for we know they are but the inventions of some vulgar, selfish perruquier or modiste. We may add that if we want to study the nude we can do so in the sculpture galleries, or among the Tableaux Vivants, at our ease; and that for well-bred or well-educated and well-born women, or even for only fashionable and fast women, to approximate in their manners, habits, and dress to the members of the demi-monde is a mistake, and a grievous one, if ...
— Modern Women and What is Said of Them - A Reprint of A Series of Articles in the Saturday Review (1868) • Anonymous

... affords but little worthy of the notice of such a traveller as the Author of Waverley; but he greatly admired the splendid tower of the Maison de Ville, and the ancient sculpture and style of architecture of the buildings which ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart

... guards, had won the name of the executioner—a name which he understood how to keep during the whole revolution.[Footnote: Jourdan, the executioner, had, until that time, been a model in the Royal Academy of Painting and Sculpture.] ...
— Marie Antoinette And Her Son • Louise Muhlbach

... the glory of their fictitious lovers, in whose garments the fair reader sees neither hole nor stain?—Poor fool! too late, alas! for her happiness and for yours, your wife will find out that the heroes of poetry are as rare in real life as the Apollos of sculpture! ...
— Analytical Studies • Honore de Balzac

... your hope's anchor. He truly is so firm and living a stone that He crushes all who oppose Him. He suffers not those who rest on him to fall, but ever raises them to higher things and enlarges them to ampler deservings." They reached then the church porch, where was a lively sculpture of Doomsday, and on the judge's left a company of kings and nobles led to eternal fire. The bishop said, "Let your mind set ceaselessly before you the screams and endless agonies of these. Let these ceaseless tortures be ever in front of your heart's eyes. Let the careful remembrance ...
— Hugh, Bishop of Lincoln - A Short Story of One of the Makers of Mediaeval England • Charles L. Marson

... was to be found in New England; Hon. Edward Everett contributed a playful article of some length to the same number. Hon. George S. Hillard, long known also in Boston for his fine scholarship, contributed a long review of the "Chanting Cherubs," a greatly admired piece of sculpture by Horatio Greenough then on exhibition in Boston. Hon. William Austin of Charlestown contributed a most ingenious and interesting story, not surpassed by fiction of the present day. Among the contributors to the first number were also Dr. Samuel G. Howe, and Hon. Timothy ...
— The New England Magazine, Volume 1, No. 2, February, 1886. - The Bay State Monthly, Volume 4, No. 2, February, 1886. • Various

... Carthagena, then besieged by the English! The art of war can flourish only at the expense of all the other arts.] That they should have accomplished these difficult works with such tools as they possessed, is truly wonderful. It was comparatively easy to cast and even to sculpture metallic substances, both of which they did with consummate skill. But that they should have shown the like facility in cutting the hardest substances, as emeralds and other precious stones, is not so easy to explain. ...
— The History Of The Conquest Of Peru • William H. Prescott

... other than human life, caused by the war, is summed up, as far as France is concerned, in this West Front of Rheims; so marred in all its beautiful detail, whether of glass or sculpture, yet still so grand, so instinct still with the pleading powers of the spirit. The "pity of it!" and at the same time, the tenacious undying life of France—all the long past behind her, the unconquerable ...
— Fields of Victory • Mrs. Humphry Ward

... it not correspond to the fertilization which enriches the roots of a gorgeous flower? I could see Isabel turning to the esthetics in the Catholic service. "What can you say," she asked, "against a faith that surrounds itself with pictures, sculpture, music, incense, the rhythm of rich Latin, the appeal in words to life renewal, eternal life, purity, glory, tenderness? Say what you will of it; condemn its external sovereignty, of guns and poison and machinations—condemn these as you will—its ...
— Children of the Market Place • Edgar Lee Masters

... fills its deep and ample moat, and above it the huge towers and heavy battlements rise in stern and solemn grandeur, moss-grown with age, and blackened by the storms of three centuries. Within, all is mournful and deserted. The grass has overgrown the pavement of the courtyard, and the rude sculpture upon the walls ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various

... end of our holiday is always near at hand. The Hymn to Dionysus, representing him as a youth in the fulness of beauty, is of a charm which was not attainable, while early art represented the God as a mature man; but literary art, in the Homeric age, was in advance of sculpture and painting. The chief merit of the Delian Hymn is in the concluding description of the assembled Ionians, happy seafarers like the Phaeacians in the morning of the world. The confusions of the ...
— The Homeric Hymns - A New Prose Translation; and Essays, Literary and Mythological • Andrew Lang

... that he had passed with Josephine. Proof was given of an unchanging attachment to her, in the favors which he lavished on those connected with her by relationship or affection. Among her friends was Mrs. Damer, so celebrated for her success in sculpture. She had become acquainted with her while she was passing some time in Paris. Charmed by Josephine's varied attractions, she delighted in her society, and they became fast friends; when parting, they promised never to forget each other. The first intimation which Mrs. ...
— Harper's New Monthly Magazine, Vol. 3, July, 1851 • Various

... accidental, as it depends upon experience and observation, and not on the strength or weakness of any natural faculty; and it is from this difference in knowledge that what we commonly, tho with no great exactness, call a difference in taste proceeds. A man to whom sculpture is new sees a barber's block, or some ordinary piece of statuary; he is immediately struck and pleased, because he sees something like a human figure; and, entirely taken up with this likeness, he does not at all attend ...
— The Best of the World's Classics, Restricted to Prose, Vol. IV (of X)—Great Britain and Ireland II • Various

... the Temple of Wisdom, containing the Occult Powers of the Angels of Astromancy in the Telesmatical Sculpture of the Persians and Aegyptians; the knowledge of the Rosie-Crucian Physick, and the Miraculous in Nature, &c., by John Heydon. 8vo. 1664. [The works of this enthusiast are extremely curious and rare. He is also the ...
— Notes and Queries, Number 196, July 30, 1853 • Various

... as well as the plan. The fine arts and the industrial or practical arts, in all of their varied interests, are included in art as a factor in civilization. This category should include the highest forms of painting, poetry, sculpture, and music, as well as the lowest forms of ...
— History of Human Society • Frank W. Blackmar

... the building of the Palais des Beaux Arts. It is beautiful, and as well finished and convenient as beautiful. With its light and elegant fabric, its pretty fountain, its archway of the Renaissance, and fragments of sculpture, you can hardly see, on a fine day, a ...
— The Paris Sketch Book Of Mr. M. A. Titmarsh • William Makepeace Thackeray

... her in the Boulevard de Strasbourg, and then Tom suggested a visit to the Luxembourg Gallery. It was true: a life-sized statue of Sappho, signed 'Dolbiac,' did in feet occupy a prominent place in the sculpture-room. Henry was impressed; so also was Tom, who explained to his young cousin all ...
— A Great Man - A Frolic • Arnold Bennett

... order of the Emperor Aurangzeb.[4] History to these people is all a fairy tale; and this emperor is the great destroyer of everything that the Muhammadans in their fanaticism have demolished of the Hindoo sculpture or architecture; and yet, singular as it may appear, they never mention his name with any feelings of indignation or hatred. With every scene of his supposed outrage against their gods or their temples, there is always ...
— Rambles and Recollections of an Indian Official • William Sleeman

... that he was able to appreciate the best not only in men, but in literature, painting, sculpture, music, architecture and life as well. In him there was as near a perfect harmony as we have ever seen—in him all the various lines of Greek culture united, and we get the perfect man. Under the right conditions there might be produced a race of such men—but such a race never lived in Greece and ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard

... music and painting and sculpture, one may find not only professional satisfaction, but the strength that comes from higher living and more lofty feeling. In the study of history as biography, the acquaintance with the men and women ...
— Life's Enthusiasms • David Starr Jordan

... with painting and sculpture, music and the literature of the theatre are not self-sufficing arts. They require an interpreter. Before a dramatic work can exist completely, scenery, and actors to give it voice and gesture, are necessary; before music can be anything ...
— Style in Singing • W. E. Haslam

... (always the most agreeable class), full of information, courteous and communicative. He had seen nearly, and remarked deeply, and spoke frankly, though with due caution. He went with us to the Museum, where I think the Hall of Sculpture continues to be a fine thing; that of Pictures but tolerable, when we reflect upon 1815. A number of great French daubs (comparatively), by David and Gerard, cover the walls once occupied by the Italian chefs-d'oeuvre. Fiat justitia, ruat coelum. We then visited Notre Dame and the ...
— The Journal of Sir Walter Scott - From the Original Manuscript at Abbotsford • Walter Scott

... carriage rolled on past two blocks of magnificent private residences and turned into a wide driveway under a covered passage, and the sisters hurried into the house. It was an elegant mansion of gray stone furnished like a palace, every corner of it warm with the luxury of paintings, sculpture, art and ...
— In His Steps • Charles M. Sheldon

... the most important," said the lady of the house; "with poetry as with sculpture, it is the form ...
— O. T. - A Danish Romance • Hans Christian Andersen

... a gallant tomb they raise, With costly sculpture deck'd; And marbles, storied with his praise, Poor Gelert's ...
— The Illustrated London Reading Book • Various

... the hoary monuments of Egypt—its temples, its obelisks, and its tombs—have presented to the eye of the beholder strange forms of sculpture and of language; the import of which none could tell. The wild valleys of Sinai, too, exhibited upon their rocky sides the unknown writings of a former people; whose name and existence none could trace. Among the ruined halls of Persepolis, and ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner

... twigs, giving to every species an individual expression, every twig studded with these gem-like buds, how very beautiful are the winter trees! One might almost find it in his heart to feel sorry that this rare mingling of sculpture and fretwork and lace is soon to be draped ...
— Some Winter Days in Iowa • Frederick John Lazell

... limit to the rich and higher classes alone the delight which the exhibition of works of art is calculated to inspire into all classes? Statues are placed in the open air, why should Painting be more niggardly in displaying her masterpieces than her sister Sculpture? And yet, my friend, we must part suddenly; the carpenter is coming in an hour to put up the—the emblem; and truly, with all my philosophy, and your consolatory encouragement to boot, I would rather wish to leave Gandercleugh ...
— Bride of Lammermoor • Sir Walter Scott

... new cemetery. It stood on a deep lot, and was roughly boarded on the side which looked on the highway. You remember that on the first floor, next the street, were the room of our father, the dining room, and the children's room. In the rear of the house was the sculpture studio. There we had the large white hall with big windows, where white-clothed laborers worked. They mixed the plaster, made forms, chiseled, scratched, and sawed. Here in this large hall had our father ...
— The Most Interesting Stories of All Nations • Julian Hawthorne

... the truthfulness of the attitude of its figures, and the harmony of its colouring, although the artist had only employed in its production the four primitive colours: Attic ochre, white, Pontic sinopis and atramentum. The young king loved painting and sculpture even more, perhaps, than well became a monarch, and he had not unfrequently bought a picture at a price equal to the annual ...
— King Candaules • Theophile Gautier

... rolling in each after the other like great ocean waves in eternal difference, in eternal sameness. The ignorant ear hears and rejoices, with a delight that passes understanding, as the ignorant eye sees a fine drawing or a piece of Greek sculpture and without understanding enjoys, learns, and unconsciously grows in keenness of sight. To live with Milton is necessarily to learn that the art of poetry is no triviality, no mere amusement, but a high and grave thing, a thing of the choicest discipline of phrase, the finest craftsmanship ...
— Milton • John Bailey

... of the last scaffolding, and looking quite smart in its newness, with its broad courses of stone disposed with perfect regularity. And, in thought, he sauntered around it, charmed with its nudity, its stupendous candour, its chasteness recalling that of a virgin child, for there was not a piece of sculpture, not an ornament that would have uselessly loaded it. The roofs of the nave, transept, and apse were of equal height above the entablature, which was decorated with simple mouldings. In the same way the apertures in the aisles and nave had no ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... spoken to written language, we come upon several classes of facts, having similar implications. Written language is connate with Painting and Sculpture; and at first all three are appendages of Architecture, and have a direct connection with the primary form of all Government—the theocratic. Merely noting by the way the fact that sundry wild races, as for example the Australians and the tribes of South Africa, are given ...
— Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer

... Spain. Villegas has settled in Rome. The exhibition of modern Spanish paintings in the London Guildhall last year (1901) was a revelation to many English people, even to artists, of the work that is being done at the present day by Spanish painters, both at home and in Paris and Rome. In sculpture, also, Spain can boast many artists of ...
— Spanish Life in Town and Country • L. Higgin and Eugene E. Street

... would excite more disgust than interest. The drama?—but there the new theory of art becomes too ridiculous: a tragedy on such a plan would be received with alternate yawns of ennui and shouts of laughter. All these are pertinent questions; for fine art, in literature, music, sculpture, painting, architecture, forms a homogeneous circle under one ...
— Chambers's Edinburgh Journal, No. 432 - Volume 17, New Series, April 10, 1852 • Various

... were stored up the remains of all sorts of fine old furniture and sculpture, but these could only be seen through the chinks, for the cells were carefully locked, and the sacristan would not open them to anyone. The second cloister, although of more recent date, was likewise in a dilapidated state, which, however, gave it character. In stormy weather ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks

... determined that I should have a trade of some sort. I began to have a little taste for sculpture in a primitive kind of way, and I used to smuggle big stones into my bed-chamber, and, when opportunity offered, try to carve figures, busts, &c., out of them, with tools which, I must confess, were far from having ...
— Adventures and Recollections • Bill o'th' Hoylus End

... had not Claude come to Sandoz's on the previous Thursday? One never saw him now. Dubuche asserted all sorts of things about him. There had been a row between Fagerolles and Mahoudeau on the subject whether evening dress was a thing to be reproduced in sculpture. Then on the previous Sunday Gagniere had returned home from a Wagner concert with a black eye. He, Jory, had nearly had a duel at the Cafe Baudequin on account of one of his last articles in 'The Drummer.' The fact was he was giving it ...
— His Masterpiece • Emile Zola

... Thrace and Macedonia on the north. The Persian wars gave rise to that wonderful development in Greek art which has so worthily excited the admiration of subsequent ages. The assertion is quite true that after those wars the Greeks could form in sculpture living men. On the part of the Persians, these military undertakings were not of the base kind so common in antiquity; they were the carrying out of a policy conceived with great ability, their object being to obtain countries ...
— History of the Intellectual Development of Europe, Volume I (of 2) - Revised Edition • John William Draper

... holy enclosure which had received the precious shiploads of earth from Calvary, the Pisans of the thirteenth century carried the fragments of ancient sculpture brought from Rome and from Greece; and in the Gothic cloister enclosing the green sward and dark cypresses of the grave-yard of Pisa, the art of the Middle Ages came for the first time face to face with the art of antiquity. There, among pagan sarcophagi ...
— The Contemporary Review, Volume 36, September 1879 • Various

... wonderful scenes in London: Putney High Street at night; two omnibus horses stepped strongly and willingly out of a dark side street, and under the cold glare of the main road they somehow took on the quality of equestrian sculpture. The altercation of lights was in the highest degree complex. Priam understood immediately, from the man's calm glance at the picture, and the position which he instinctively took up to see it, that he was accustomed ...
— Buried Alive: A Tale of These Days • Arnold Bennett

... [Pronounce KODOV-YETSKI;—and endeavor to make some acquaintance with this "Prussian Hogarth," who has real worth and originality.] Saxon Graff, English Cunningham had to pick up his physiognomy from the distance, intermittently, as they could. Nor is Rauch's grand equestrian Sculpture a thing to be believed, or perhaps pretending much to be so. The commonly received Portrait of Friedrich, which all German limners can draw at once,—the cocked-hat, big eyes and alert air, reminding you of some uncommonly brisk Invalid Drill-sergeant ...
— History Of Friedrich II. of Prussia, Volume IV. (of XXI.) - Frederick The Great—Friedrich's Apprenticeship, First Stage—1713-1728 • Thomas Carlyle

... child is! The rosy lips are parted, showing the pearly teeth, the face is a little flushed with warmth, one pale, pink-tinted ear is like a bit of sculpture, the dimpled shoulder, the one dainty bare foot outside the spread, seem parts of a cherub. He presses it softly; he kisses the sweet lips that smile. Is it really the sense of ownership that makes ...
— Floyd Grandon's Honor • Amanda Minnie Douglas

... read—she was on almost irreconcilable terms with the printed page save for spouting it—and in the long summer days, when he had leisure, took her to the Louvre to admire the great works of painting and sculpture. Here, as on all occasions, he was struck with the queer jumble of her taste, her mixture of intelligence and puerility. He saw she never read what he gave her, though she sometimes would shamelessly ...
— The Tragic Muse • Henry James

... Strada Costantinopoli, picking up here a volume of some cinque-cento classic and there a piece of old china that may or may not have had its birth in the famous factory of Capodimonte. All this studying of historic sculpture in the churches and of antiquities in the Museum, this observing the daily life of the populace, and bargain-hunting in the Strada de' Tribunali, are agreeable enough for a while, but of necessity ...
— The Naples Riviera • Herbert M. Vaughan

... popular religion, and to thousands of educated men it did not appeal. Few people are so immaterialistic that they can dispense with symbols; many can idealize symbols in which others see nothing but matter; and only those devoid of artistic perception deny the religious value of sculpture, painting, and music. Protestantism might be an ideal religion if men were compounded of pure reason; being what they were, many adopted it because they were impervious to artistic influence or impatient of spiritual discipline. It will hardly do to divide the nation into intelligent ...
— The History of England - A Study in Political Evolution • A. F. Pollard

... M.D.; then to Germany—taking here another degree, doing his work in the new language, which he mastered as he went along; to Austria, where he gained great skill as an oculist; to France, Italy, England—absorbing the languages and literature of these countries, doing some fine sculpture by way of diversion. But in all this he was single-minded; he never lost the voice of his call; he felt more and more keenly the contrast between the hard lot of his country and the freedom of these lands, and he bore it ill that no one of them even knew ...
— An Eagle Flight - A Filipino Novel Adapted from Noli Me Tangere • Jose Rizal

... disencumbered of his Baedeker, to discuss them with, or some domesticated painter rejoicing in the return of the season of strong effects. The wonderful church, with its low domes and bristling embroideries, the mystery of its mosaic and sculpture, looking ghostly in the tempered gloom, and the sea breeze passed between the twin columns of the Piazzetta, the lintels of a door no longer guarded, as gently as if a rich curtain were swaying there. I used sometimes on these occasions to think of the Misses Bordereau and of the ...
— The Aspern Papers • Henry James

... cloths, "Irish frize," Limerick gloves and lace, received high encomiums from the manufacturing and commercial visitors from Great Britain and distant countries, as well as from the general public. It was, however, chiefly in works of art that the exhibition excelled. The splendid sculpture of M'Dowel, Hogan, and other sculptors, was most of all conspicuous. The paintings of Shee, M'Lise, O'Neil, and many more, almost rivalled the display of sculpture. There were also beautiful carvings in Irish oak, "bog oak,"* and arbutus, from the beautiful ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan

... and outshine the glory of their fictitious lovers, in whose garments the fair reader sees neither hole nor stain?—Poor fool! too late, alas! for her happiness and for yours, your wife will find out that the heroes of poetry are as rare in real life as the Apollos of sculpture! ...
— The Physiology of Marriage, Part II. • Honore de Balzac

... Ode to Evening. The rest of his work is carefully written, inoffensive, historically interesting. But his continual personification of abstract ideas makes the greater part of his verse lifeless as allegories or as sculpture in a graveyard. He was a romantic, an inventor of new forms, in his own day. He seems academic to ours. His work is that of a man striking an attitude rather than of one expressing the deeps of a passionate nature. ...
— The Art of Letters • Robert Lynd

... Sculpture united with poetry to perpetuate the fame of the champions. Statues were erected to the victors, especially in the Olympic games, in the very place where they had been crowned, and sometimes in that of their birth also; which was commonly done at the expense of their country. ...
— The Ancient History of the Egyptians, Carthaginians, Assyrians, • Charles Rollin

... touched, and kissed these lifeless remains, the memorials of their merits and sufferings. [4] But a memorial, more interesting than the skull or the sandals of a departed worthy, is the faithful copy of his person and features, delineated by the arts of painting or sculpture. In every age, such copies, so congenial to human feelings, have been cherished by the zeal of private friendship, or public esteem: the images of the Roman emperors were adored with civil, and almost religious, honors; a reverence less ostentatious, but more sincere, was applied ...
— The History of The Decline and Fall of the Roman Empire - Volume 5 • Edward Gibbon

... had, therefore, much leisure to devote to Paul. Her brother's scepticism most naturally strengthened her belief in him. He was her discovery. He grew almost to be her invention. Just consider. Here was a young Greek god—everyone who had a bowing acquaintance with ancient sculpture immediately likened Paul to a Greek god, and Ursula was not so far different from her cultured fellow mortals as to liken him to anything else—here was a young Phoebus Apollo, all the more Olympian because of ...
— The Fortunate Youth • William J. Locke

... an art stall, over which Mrs. Henderson was to preside. Here were to be the very graceful and beautiful articles of sculpture and Italian bijouterie that the Whites had sent home, and that were spared from the marble works; also Mrs. Grinstead's drawings, Captain Henderson's, those of others, screens and scrap- books and photographs. Jasper and a coadjutor or ...
— The Long Vacation • Charlotte M. Yonge

... be rather a blow to sculpture, would it not? We painters lose more than we ever gain ...
— The King In Yellow • Robert W. Chambers

... the Lord. With timbrel she led the daughters of Israel in the dance. And well might the prophetess of Israel teach the dance of ancient Egypt to the daughters of her people on this occasion. The representations preserved in painting and sculpture show that this was not the gay and voluptuous movement of modern days, but rather a succession of graceful gestures, regulated by music, expressive of joy and emotion. Thus the maidens of Israel offered praise and adoration; nor was it unseemly in the warlike monarch of after ages thus ...
— Notable Women of Olden Time • Anonymous

... of observations analogous to the process of his own art, is all that we possess; but what he says, though comparatively small in bulk, with what we have of Pliny, leaves us to wish for more. His review of the revolutions of style in painting, from Polygnotus to Apelles, and in sculpture, from Phidias to Lysippus, is succinct and rapid; but though so rapid and succinct, every word is poised by characteristic precision, and can only be the result of long and judicious enquiry, and perhaps even minute ...
— Blackwood's Edinburgh Magazine - Volume 54, No. 338, December 1843 • Various

... Holborn Hill? Nor didst thou shine less in thy theological capacity, when thou gavest ghostly counsels to dying felons, and didst record the guilty pangs of Sabbath-breakers. How will the noble arts of John Overton's[170] painting and sculpture now languish? where rich invention, proper expression, correct design, divine attitudes, and artful contrast, heightened with the beauties of clar. obscur., embellished thy celebrated pieces, to the delight and astonishment of the judicious ...
— English Satires • Various

... thought.... He will read deeper meaning thenceforward in every picture, every building, every book, every newspaper.... If you want to know the origin of the art of building, the art of painting, the art of sculpture, as you find them to-day in contemporary America, you must look them up in the churches, and the galleries of early Europe. If you want to know the origin of American institutions, American law, American thought, and American language, you must ...
— Questionable Amusements and Worthy Substitutes • J. M. Judy

... her hands from the desk; folded them in her lap; and sat looking towards the fire, with the impenetrability of an old Egyptian sculpture. ...
— Little Dorrit • Charles Dickens

... first experience in the Chorus Hall in the City of Light. I seemed to be in a great alabaster cage enormously large and very beautiful. Its shining walls rose from the ground and at a great height arched together. The front was a network of sculpture, it held the rising rows of what seemed like ivory chairs on which the motionless white and radiant assemblage were seated. The whole place glowed, and this phosphorescent prevails throughout the City of Light, just as it does in the Hill ...
— The Certainty of a Future Life in Mars • L. P. Gratacap

... example that can be given of this matter is in Browning's interest in art. He was immeasurably fascinated at all times by painting and sculpture, and his sojourn in Italy gave him, of course, innumerable and perfect opportunities for the study of painting and sculpture. But his interest in these studies was not like that of the ordinary cultured visitor to the Italian cities. Thousands of such visitors, for example, ...
— Robert Browning • G. K. Chesterton

... young woman with a head full of soft curls and two bands passed through them in Greek fashion. A scarf was loosely wound around her shoulders, showing her white, shapely throat, and her short sleeves displayed almost perfect arms that looked like sculpture. Later Doris came to know this was Uncle Winthrop's sweet young wife, who died when her little boy was scarcely a ...
— A Little Girl in Old Boston • Amanda Millie Douglas

... main inspirer of the latter songs of Burns was a young woman of humble birth: of a form equal to the most exquisite proportions of sculpture, with bloom on her cheeks, and merriment in her large bright eyes, enough to drive an amatory poet crazy. Her name was Jean Lorimer; she was not more than seventeen when the poet made her acquaintance, and though she had got a sort of brevet-right from an officer of ...
— The Complete Works of Robert Burns: Containing his Poems, Songs, and Correspondence. • Robert Burns and Allan Cunningham

... The heaven that made them must be pure; We love them not in earthly fashion, But with a beatific passion. I chanced to, yesterday, behold A maiden child of beauty's mould; 'Twas near, more sacred was the scene, The palace of our patriot Queen. The little charmer to my view Was sculpture brought to life anew. Her eyes had a poetic glow, Her pouting mouth was Cupid's bow: And through her frock I could descry Her neck and shoulders' symmetry. 'Twas obvious from her walk and gait Her limbs were beautifully straight; I stopp'd th' enchantress ...
— Life and Literature - Over two thousand extracts from ancient and modern writers, - and classified in alphabetical order • J. Purver Richardson

... candelabrum, subscribed for by a large number of the inhabitants of the borough, of all parties. The base of the candelabrum is a tripod, on which stands a group of three female figures; representing Law, Justice, and Poetry, the two former modeled from Flaxman's sculpture on Lord Mansfield's monument in Westminster Abbey, the latter from a drawing of the Greek Antique, bearing a scroll inscribed with the word "Ion" in Greek characters. The arms of Mr. Talfourd and of the borough of Reading are ...
— International Weekly Miscellany, Vol. I, No. 6 - Of Literature, Art, And Science, New York, August 5, 1850 • Various

... and Achievement; Its Architecture, Sculpture, Symbolism, and Music; Its Gardens, Palaces, ...
— The Jewel City • Ben Macomber

... Mistral coining the word "felibrige" to represent the work they aimed to do, and also their association. The name stuck, and has now for many years been the banner-word for the vigorous school of Provencal literature and the allied arts of painting and sculpture which has responded with such eager vitality to Mistral's ...
— Vanishing Roads and Other Essays • Richard Le Gallienne

... of Titus, the Claudian portico, and the temples dedicated to the goddess of Peace, and to the genius of Rome. [72] These monuments of architecture, the property of the Roman people, were adorned with the most beautiful productions of Grecian painting and sculpture; and in the temple of Peace, a very curious library was open to the curiosity of the learned. [721] At a small distance from thence was situated the Forum of Trajan. It was surrounded by a lofty ...
— The History of The Decline and Fall of the Roman Empire - Volume 1 • Edward Gibbon

... religion," but an art was unmistakably arising amid cathedral-building and the setting- forth of the Christian mysteries, and before long this was to flower in modern forms of expression in painting, sculpture, ...
— THE HISTORY OF EDUCATION • ELLWOOD P. CUBBERLEY

... who wrote three epics in a year—could Horace do that, or Virgil either said Lepidus. 'Those old poets all fell into the mistake of copying sculpture instead of painting. Simplicity and repose—that was their notion; but we moderns have fire, and passion, and energy—we never sleep, we imitate the colors of painting, its life, ...
— The Last Days of Pompeii • Edward George Bulwer-Lytton

... necessary—it had two important results on all work of the kind Mr Rolleston has performed in this book—on the imaginative recasting and modernizing of the ancient tales. First, it made it lawful and easy for the modern artist—in sculpture, painting, poetry, or imaginative prose—to use the stories as he pleased in order to give pleasure to the modern world. It made it lawful because he could reply to those who objected that what he produced was not the real thing—"The real thing exists; you will find it, when you wish ...
— The High Deeds of Finn and other Bardic Romances of Ancient Ireland • T. W. Rolleston

... them from the rocks And sand-grass of his own monotony That makes earth less than earth. He could see that, And he could see no more. The captured light That may have been or not, for all he cared, The song that is in sculpture was not his, But only, to his God-forgotten eyes, One more immortal nonsense in a world Where all was mortal, or had best be so, And so be done with. 'Art,' he would have said, 'Is not life, and must therefore be a lie;' And with ...
— The Three Taverns • Edwin Arlington Robinson

... of the girl; partly with its usual heartlessness, partly with that cynical and deadening reserve fund which it has today for its darker peoples. The girl had bitterly resented her experiences at first: she was brilliant and well-trained; she had a real talent for sculpture, and had studied considerably; she was sprung from at least three generations of respectable mulattoes, who had left a little competence which yielded her three or four hundred dollars a year. Furthermore, while not precisely pretty, she was good-looking and interesting, and she had acquired ...
— The Quest of the Silver Fleece - A Novel • W. E. B. Du Bois

... tone down your words in the cold grey of afterthought. When Phidias was criticised for the rough, bold outlines of a figure he had submitted in competition, he smiled and asked that his statue and the one wrought by his rival should be set upon the column for which the sculpture was destined. When this was done all the exaggerations and crudities, toned by distances, melted into exquisite grace of line and form. Each speech must be a special study in suitability ...
— The Art of Public Speaking • Dale Carnagey (AKA Dale Carnegie) and J. Berg Esenwein

... types. What do you say to my types, signore? The idea is bold; does it strike you as happy? Cats and monkeys—monkeys and cats—all human life is there! Human life, of course, I mean, viewed with the eye of the satirist! To combine sculpture and satire, signore, has been my unprecedented ambition. I flatter myself that I have not ...
— The Madonna of the Future • Henry James

... me) to increase whatsoever talent he may have already. Truly, he is of gentle and waxen disposition; and God be praised, I cannot say he hath brought with him any evil impression; and I shall hope to set nothing into his spirit but what may be of a good sculpture. He hath in him two things that make youth most easy to be managed,—modesty, which is the bridle to vice; and emulation, which is the spur to virtue. And the care which your Excellence is pleased to take of ...
— Andrew Marvell • Augustine Birrell

... example, in Hellenic sculpture a certain ingredient—what shall we call it? Let us call it the factor of strangeness, of mystery! It is a vague emanation which radiates from such works of art, and gives us a sense of their universal applicability to all our changing ...
— South Wind • Norman Douglas

... building of Italian Gothic, with oriental towers and pinnacles, elaborately decorated with sculpture and carving, and a large central dome surmounted by a huge bronze figure of Progress. The architect was Mr. F. W. Stevens, a Bombay engineer; it was finished in 1888 at a cost of $2,500,000, and ...
— Modern India • William Eleroy Curtis

... and bent, and his face was thin. His cheek-bones shone, so tightly was the skin drawn over them. Behind him came a younger man, as straight as a tree, with strong shoulders and a head set like a piece of bronze sculpture. This man carried in his hand a frozen fish, which he gave to the woman. As he gave it to her he spoke words in Cree ...
— Isobel • James Oliver Curwood

... clothe our bodies; machines of which Vulcan never dreamed, to point a needle, bore a rifle, cut a watch wheel, or rule a series of lines, measuring forty thousand to an inch, with sureness which the unaided hand can never equal. Machinery is a triumph of handicraft as truly as sculpture and architecture. The fingers which can plan and build a steamship or a suspension bridge, which can make the Quinebaug and the Blackstone turn spindles by the hundred thousand, which can turn a rag heap into spotless ...
— Scientific American Supplement, No. 497, July 11, 1885 • Various

... controlled the whole scheme of decoration applied to the building, into which color entered, no doubt, to a much greater extent than was formerly believed. Even after time and the destructive hand of man have done their worst, there still remain sufficient traces of color to prove that the sculpture, and the whole upper part of the temple, were painted in bright but harmonious colors, and that metal ornaments and accessories accented the whole scheme with glittering points of light reflected from their ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various

... pictures, and sculpture about the room, interspersed with chemical and other instruments, globes, &c.; a singular blending of science with art, indicating a delicate and speculative organization in ...
— Poems • Walter R. Cassels

... has much to do toward perfecting these faces of nature's sculpture, and that a range of hills or coast line will lend itself to almost any fancy we choose, there are in different localities stones and cliffs bearing a remarkable resemblance to the human countenance, individual peculiarity sometimes being easily ...
— Golden Days for Boys and Girls - Volume VIII, No 25: May 21, 1887 • Various

... architect of all science, having rule over all, are attached to Wisdom. Hoh is ashamed to be ignorant of any possible thing. Under Wisdom therefore is Grammar, Logic, Physics, Medicine, Astrology, Astronomy, Geometry, Cosmography, Music, Perspective, Arithmetic, Poetry, Rhetoric, Painting, Sculpture. Under the triumvir Love are Breeding, Agriculture, Education, Medicine, Clothing, ...
— Ideal Commonwealths • Various

... yet seemed to possess the bone and muscle of a giant. His eyes were jet black, fierce and flashing, and his face had a stern, almost classic beauty of feature, which would have made him a model in the ancient age of sculpture. He carried a repeating rifle, two revolvers, and a knife in his belt. His dress was buckskin, ...
— Wild Bill's Last Trail • Ned Buntline

... diffidence. We have, however, few artists of literary attainments, and they are more profitably employed than in authorship. Little apology was necessary, for of all literary men, poets are best calculated to write on the Fine Arts: and the genius of Poetry, Painting, Sculpture, and Music, is often associated in one mind, in love of the subjects at least, if ...
— The Mirror of Literature, Amusement, and Instruction - Vol. 14, Issue 382, July 25, 1829 • Various

... portico, the mutilated fragments of statues of great size, but executed in a taste and attitude so narrow and barbaric as to seem perfectly the reverse of the Grecian, and the half-defaced hieroglyphics which could be traced on some part of the decayed sculpture, corroborated the popular account of their origin, which ...
— Waverley Volume XII • Sir Walter Scott

... domestication; and this incapacity has been attributed by various authors[744] to disuse, for animals protected by man are not compelled habitually to use their ears. Col. Hamilton Smith[745] states that in ancient effigies of the dog, "with the exception of one Egyptian instance, no sculpture of the earlier Grecian era produces representations of hounds with completely drooping ears; those with them half pendulous are missing in the most ancient; and this character increases, by degrees, in the works of the Roman period." Godron also has remarked that "the pigs of the ancient ...
— The Variation of Animals and Plants Under Domestication, Volume II (of 2) • Charles Darwin

... see it? Why, in everything! Do not the consequences of luxury and magnificence bring ease and comfort to the hundreds of families that weave silks and laces, chisel gold and silver, carve precious stones, build palaces, sculpture the ebony of furniture, varnish carriages, breed thoroughbred horses, and cultivate rare flowers? Have not artists, architects, musicians, singers, danseuses, all that is art, pleasure, poetry, enchantment, a large ...
— A Cardinal Sin • Eugene Sue

... painting to painting, and sculpture to sculpture, and then, over a cabinet of bric-a-brac, she quietly led the conversation to Mr. Belcher's prospective occupation of the Palgrave mansion. She had nothing in the world to do. She ...
— Sevenoaks • J. G. Holland

... light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of ...
— The Two Paths • John Ruskin

... an art in the sense that painting or music or sculpture is an art. It is nearer the mechanical arts. Nothing is an art that does not involve the imagination and the artistic perceptions. All the essentials of photography are mechanical—the judgment and the experience of the man are only secondary. A photograph can never be really ...
— My Boyhood • John Burroughs

... and veil—the former of jewels, the latter falling round her like a cloud of mist. Everything was perfect, from the wreath and veil to the tiny sandaled feet and lying there in her mute repose she looked more like some exquisite piece of sculpture than anything that had ever lived and moved in this groveling world of ours. But from one shoulder the dress had been pulled down, and there lay ...
— The Midnight Queen • May Agnes Fleming

... ask that question, and for them the case may be hopeless. If the lyric sense is utterly lacking, then it is their sad lot to live in the desert of the practical world. Art is not for them: neither music nor poetry nor painting nor sculpture nor architecture; for something of the lyric impulse lives in all of these. But many ask that question who some day will see, and for them I must attempt a brief answer. All literature is an interpretation of ...
— A Book Of German Lyrics • Various

... you send work to market that most people would look on as the ravings of a lunatic. Now, my advice is—cut poetry. There is plenty in the world for you to live for. Go and travel awhile. See men and cities, sculpture and paintings. Study humanity instead of merely thinking about it. Sail over the wide seas; breathe in the good air; be true to your youth and fall in love right bravely. You are rich—all this is in your power. I am sure your ...
— Cleo The Magnificent - The Muse of the Real • Louis Zangwill

... properly worked up. Torellas took his final stand. His feet were well apart, but not too far apart, body and legs set so that he could have leaped instantly forward, backward, sideways. Cogan, watching, thought what a painting, or better, what a bit of sculpture could have been made of him so. He was standing on the balls of his feet, with his torso canted slightly forward from the waist. His head was forward, too, but inclining a little to one side, toward his right shoulder. His eyes were so narrowed that ...
— Wide Courses • James Brendan Connolly

... wish—that you might be here with me. Yesterday, for example, I went to the Pere Lachaise cemetery which is the largest (106 acres) and most fashionable cemetery in Paris, its 90,148 (est.) tombs forming a veritable open-air sculpture gallery. And what do you think I found there which made me think of you more than ever? Not the tombs of La Fontaine (d. 1695) and Moliere (d. 1673) whose remains, transferred to this cemetery in 1804, constituted the first interments—not the last resting place of Rosa Bonheur (d. 1899) or ...
— Perfect Behavior - A Guide for Ladies and Gentlemen in all Social Crises • Donald Ogden Stewart

... most moral nature—must be the umpire, "the English Opium Eater" is silent. His "silence" indeed, "answers very loud," his dumbness has a tongue, but it requires a "fine ear" to hear its accents; and to interpret them what but his own exquisitely subtle and musical style, like written sculpture, could suffice? ...
— Harper's New Monthly Magazine, Volume 1, No. 2, July, 1850. • Various

... 's hopelessly discontented, but he does n't know where to look for help. Then his mother, as she one day confessed to me, has a holy horror of a profession which consists exclusively, as she supposes, in making figures of people without their clothes on. Sculpture, to her mind, is an insidious form of immorality, and for a young man of a passionate disposition she considers the law a much safer investment. Her father was a judge, she has two brothers at the bar, and her elder son had made a very promising ...
— Roderick Hudson • Henry James

... Painting, sculpture, and engraving were constantly repeating the features of this Thaumaturgus. Poets wrote verses to be inscribed on the pedestals of the busts, or below the portraits. Those by Palisot deserve to be quoted, as one of the most curious examples of ...
— Biographies of Distinguished Scientific Men • Francois Arago

... Sacraments, and after a fashion that struck home to the soul through the organs of sense. Music, vestments, incense, flowers, poetry, dramatic action, were linked with the major arts of architecture, painting and sculpture, and all became not only ministers to the emotional faculties but direct appeals to the intellect through their function as poignant symbols. So art received its soul, and was almost a living creature until matter and spirit were ...
— Towards the Great Peace • Ralph Adams Cram

... was carried insensible into the queen-mother's apartments. When she opened her eyes, her head-more like a marble piece of sculpture than a living head—was resting on the blind queen's lap, she felt Atossa's warm kisses on her forehead, and Cambyses, who had obeyed his mother's call, was standing at ...
— Uarda • Georg Ebers

... these bones from insult to protect Some frail memorial still erected nigh, With uncouth rhymes and shapeless sculpture deck'd, Implores the passing ...
— Book of English Verse • Bulchevy

... literature and art the bolder flights of genius. She may surpass him in representing life and manners, and in the composition of letters, memoirs, and moral tales, in descriptive poetry, and in certain styles of music and painting, and even in sculpture. But she will never write an Iliad or a Paradise Lost, or tragedies like those of Aeschylus. She will never rival Demosthenes in producing a political oration, nor a massive philosophic history like Thucydides. She will not paint a Madonna like Raphael, ...
— The True Woman • Justin D. Fulton

... picturing a certain series of events, interpreted and expanded by a poetical writer into a complete narrative. Without venturing to insist on so heterodox a notion, I may remark as an odd coincidence that probably such a picture or sculpture would have shown the smoke ascending from the Altar which I have already described, and in this smoke there would be shown the bow of Sagittarius; which, interpreted and expanded in the way I have ...
— Myths and Marvels of Astronomy • Richard A. Proctor

... attitude and such words is that the Kremlin or Rheims, Shakespeare and Rembrandt, Michaelangelo, Darwin, Spinoza and the treasures of Louvain might be easily paralleled or surpassed by German cathedrals, German sculpture, German paintings, German literature and so forth. It is not our present purpose to dispute the claim, but only to remind the Teutons that in France and Belgium they have declared war, not indeed upon supermen, but upon many gentlemen and some worthy fruits of their spirits, and that they ...
— The New York Times Current History of the European War, Vol. 1, January 9, 1915 - What Americans Say to Europe • Various

... with two features which will ever make it notable; its Romanesque cloisters with the highly variegated capitals, and the sculptured western portal. This is regarded as one of the earliest works of sculpture in Spain, and certainly it has some very primitive, one may even say Iberian, traits, for the large toro-like animals recall Iberian sculpture. Yet it is a great work, largely and systematically planned, full of imaginative ...
— Impressions And Comments • Havelock Ellis

... old woman of Southey's tale. Last of all, the aesthetic pleasure, the appreciation of beauty by the mind, decides the choice in cases of equal utility and comfort. The artistic considerations are so many that furniture has become a branch of art, like sculpture or painting, with a large literature ...
— Practical Suggestions for Mother and Housewife • Marion Mills Miller

... and self-conscious, though. I should prefer a society more reposeful. From this, again, I would go to the life of the streets and byways of the city. And then, for the fourth phase, to the direct contemplation of art—music, architecture, sculpture, painting;—to haunting the great galleries, especially of Italy, studying and copying the old masters. I have no desire to originate. I should be satisfied, in the arts, rather to receive than to give; to be audience and ...
— The Mystery of Murray Davenport - A Story of New York at the Present Day • Robert Neilson Stephens

... of the Renaissance to any one cause or circumstance, or limit them within the field of any one department of human knowledge. If we ask the students of art what they mean by the Renaissance, they will reply that it was the revolution effected in architecture, painting, and sculpture by the recovery of antique monuments. Students of literature, philosophy, and theology see in the Renaissance that discovery of manuscripts, that passion for antiquity, that progress in philology and ...
— The Great Events by Famous Historians, Volume 07 • Various

... belongs. In some respects it was better to be a young Greek. If we may trust the old marbles,—my friend with his arm stretched over my head, above there, (in plaster of Paris,) or the discobolus, whom one may see at the principal sculpture gallery of this metropolis,—those Greek young men were of supreme beauty. Their close curls, their elegantly set heads, column-like necks, straight noses, short, curled lips, firm chins, deep chests, light flanks, large muscles, small joints, were finer than anything we ever see. It may well ...
— Atlantic Monthly, Vol. IV, No. 26, December, 1859 • Various

... human nature is further illustrated by his poems on the various arts. Of music, painting, and sculpture he has written with the intimate and minute knowledge of a specialist in each art. He is familiar with implements and materials, with the tricks of the trade, the talk of the studios; but, after all, the art as an art is of much less interest ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning

... she was perfectly composed, although her eyes still bore traces of recent tears. Against the black of the simple frock she wore, her face and throat showed pale and clear like some delicate piece of sculpture. ...
— The Moon out of Reach • Margaret Pedler

... they hold four-fifths of the world. And what have we Christians invented without their aid? painting? sculpture? these are heathen arts, and we but pigmies at them. What modern mind can conceive and grave so god-like forms as did the chief Athenian sculptors, and the Libyan Licas, and Dinocrates of Macedon, and Scopas, Timotheus, Leochares, ...
— The Cloister and the Hearth • Charles Reade

... domestic wars between the rival states checked her advancement. She was poor, her leading men had become corrupt. They were ever ready to barter patriotic considerations for foreign gold, to sell themselves for Persian bribes. Possessing a perception of the beautiful as manifested in sculpture and architecture to a degree never attained elsewhere either before or since, Greece had lost a practical appreciation of ...
— History of the Conflict Between Religion and Science • John William Draper

... he, "don't be prating,—look yonder, I pray, At that sculpture of marble, now what will you say? The lion is vanquished; but as for the man He is striding upon him; ...
— Aesop, in Rhyme - Old Friends in a New Dress • Marmaduke Park

... be spiritualized and reinterpreted in the light of the Gospel. The second and fourth Commandments, in particular, are in their literal significance obsolete for Christians: it is a false Puritanism which would forbid sculpture and religious symbolism in the adornment of a Christian church, nor is any one in the modern world likely to confuse the symbol with the thing symbolized: while the observance of the Sabbath is part of that older ceremonial "law" from which S. ...
— Religious Reality • A.E.J. Rawlinson

... system of law; saw the value of an exact chronology—in almost every branch of science made a beginning, thus rendering it comparatively easy for other nations to proceed with the superstructure.... It was from the East, not from Egypt, that Greece derived her architecture, her sculpture, her science, her philosophy, her mathematical knowledge—in a word, her intellectual life. And Babylon was the source to which the entire stream of Eastern civilization may be traced. It is scarcely too much to say that, but for Babylon, ...
— A History of Science, Volume 1(of 5) • Henry Smith Williams

... has collected these particulars from the different writers, says that this physical type may be frequently met now in the city and neighborhood of Genoa. He adds, "as for the portraits, whether painted, engraved, or in sculpture, which appear in collections, in private places, or as prints, there is not one which is authentic. They are all ...
— The Life of Christopher Columbus from his own Letters and Journals • Edward Everett Hale

... inexplicable. In many other cases, the emotional appeal of art is easily analyzed. The pathetic appeals straightforwardly to the grief impulse, the humorous to the laughter impulse, the tragic to fear and escape. The sex motive is frequently utilized in painting and sculpture as well ...
— Psychology - A Study Of Mental Life • Robert S. Woodworth

... huge towers and heavy battlements rise in stern and solemn grandeur, moss-grown with age, and blackened by the storms of three centuries. Within, all is mournful and deserted. The grass has overgrown the pavement of the courtyard, and the rude sculpture upon the walls is ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various

... cold dreams of the buried generations. Oh that they could speak, and set her heart at rest! At the lower end of the room stood a Pallas, completely armed with aegis, spear, and helmet; a gem of Athenian sculpture, which she had bought from some merchants after the sack of Athens by the Goths. There it stood severely fair; but the right hand, alas! was gone; and there the maimed arm remained extended, as if in sad mockery ...
— Hypatia - or, New Foes with an Old Face • Charles Kingsley

... incumbents, and to look after the domestic interests of all Barton; but I think going to Boston several times a year tends to enlarge the mind, and gives us more subjects of conversation. We are quite up in the sculpture at Mount Auburn, and have our preferences for Bierstadt and Weber. Nobody in Barton, so far, is known to see anything but horrors in pre-Raphaelitism. Some wandering Lyceum-man tried to imbue us with the new doctrine, and ...
— The Atlantic Monthly, Volume 17, No. 104, June, 1866 • Various

... "arts of pleasure," including music and sculpture and painting, demonstrates their evolution also. The earliest cavemen of Europe left crude drawings of reindeer and bears and wild oxen scratched upon bits of ivory or upon the stone walls of their shelters; the painting and sculpture ...
— The Doctrine of Evolution - Its Basis and Its Scope • Henry Edward Crampton

... spent in travels and special studies, and an extensive collection of interesting documents, qualify him beyond all contemporaries for such an undertaking. He treats not merely the architecture of the middle ages, but sculpture, mural painting, painting on glass, mosaic work, bronzes, iron work, the furniture of churches, &c. The book is to be published in fifteen parts, quarto, with engravings on steel, or colored lithographs. Eight parts are already published, ...
— The International Magazine, Volume 2, No. 3, February, 1851 • Various

... by skill of painter's art, There glows a radiance of the heart In which the naked truth, as sculpture, Is seen ...
— Song-waves • Theodore H. Rand

... the irregularity in his passport, for in that town it would be easier to obtain a cedula, and with this his way in the national University would be made smoother. He enrolled in two courses, medicine, and literature and philosophy; besides these he studied sculpture, drawing and art in San Carlos, and took private lessons in languages from Mr. Hughes, a well-known instructor of the city. With all these labors it is not strange that he did not mingle largely in social life, and lack of funds and want of clothes, which have been suggested ...
— Lineage, Life, and Labors of Jose Rizal, Philippine Patriot • Austin Craig

... the Hebrew legislator, rather than to that of the warrior-pope. At all events, in this statue is centred the principal, we may say the unique, interest of the tomb. This prodigious work must be in the memory of all. Amid the masterpieces of ancient and modern sculpture the "Moses" remains ever unparalleled, a type, not irreproachable, but the most striking, of a new art. I do not speak of the consummate science which Michelangelo displays in the modelling of this statue; the Greeks were learned in another fashion, ...
— The Great Events by Famous Historians, Vol. 8 - The Later Renaissance: From Gutenberg To The Reformation • Editor-in-Chief: Rossiter Johnson

... the soul, which is the highest occupation of man, a share in the same honour must be allowed to its accompanying embodiment; to the music which delights no ear but the performer's; to poetry, to painting, to sculpture done for the joy of doing, and without reference to the good of others communicating in that joy. And if the Divine Artist, whose lavish hand fills everything with goodness; who pours out the treasures of His love and wisdom in every ...
— The Faith of the Millions (2nd series) • George Tyrrell

... No wonder she is anxious to become a power here. Mauravania is a fairyland in very truth; and this beautiful avenue with its arches, its splendid trees, its sculpture, its—— Ah! cocher, pull up at once. Stop, if you ...
— Cleek, the Master Detective • Thomas W. Hanshew

... aloud; where the sensuous and sentimental music of Schubert, Mendelssohn, Gounod, and Brahms was more popular than severe music by greater composers; where the prettiest sort of pretty pictures of pretty saints assailed the imagination and senses through stained-glass windows; and where sculpture and architecture came to the help of painting. Nobody ever reminded them that these things had sometimes produced such developments of erotic idolatry that men who were not only enthusiastic amateurs of literature, painting, and music, but famous practitioners ...
— Heartbreak House • George Bernard Shaw

... a charm about this last resting-place in spite of its mournfulness, and the many flowers load the air with a delicious perfume. The marble statue of a Russian lady in fashionable costume, over her tomb, is considered a fine piece of sculpture, and many people go ...
— Twixt France and Spain • E. Ernest Bilbrough

... indefinite series, and there's my continuation. And you observe, it is not a block, nor a block-head, nor a painting, nor a bust, nor a fragment of any thing, however beautiful; but a combination of all the arts and sciences in one; painting, sculpture, music (hear him cry,) mineralogy, chemistry, mechanics (see him kick,) geography, and the use of the globes (see him nurse;) and withal, he is a perpetual motion—a time-piece that will never run down! And who wound it up? But words, Sir, are but a mouthing and ...
— The Knickerbocker, or New-York Monthly Magazine, April 1844 - Volume 23, Number 4 • Various

... desk, and write of love in a way to thrill the hearts of his readers; but we should place him lower than rustic sweethearts meeting in the moonlight, because they are having in reality something which exists for the poet only in dreams. The same is true of sculpture and all pictorial art; men will turn from the greatest masterpiece of the chisel or the brush to look at ...
— Robert Browning: How To Know Him • William Lyon Phelps

... Carrara, used in sculpture, was once regarded as a type of primitive limestone. It abounds in the mountains of Massa Carrara, or the "Apuan Alps," as they have been called, the highest peaks of which are nearly 6000 feet high. Its great antiquity was inferred from its mineral ...
— The Student's Elements of Geology • Sir Charles Lyell

... passion—a perfectly unequivocal mode of expression. If we now turn to what he has achieved, we see that his services to music are practically equal in rank to those which that sculptor-inventor rendered to sculpture who introduced "sculpture in the round." All previous music seems stiff and uncertain when compared with Wagner's, just as though it were ashamed and did not wish to be inspected from all sides. With the most consummate ...
— Thoughts out of Season (Part One) • Friedrich Nietzsche

... disposed with perfect regularity. And, in thought, he sauntered around it, charmed with its nudity, its stupendous candour, its chasteness recalling that of a virgin child, for there was not a piece of sculpture, not an ornament that would have uselessly loaded it. The roofs of the nave, transept, and apse were of equal height above the entablature, which was decorated with simple mouldings. In the same way the ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... and sculpture were combined in the same work: the ancients painted their statues. The only present alliance between the two arts is that the ...
— The Devil's Dictionary • Ambrose Bierce

... listened with reverential assent to his interminable disquisitions on art. Every one in the house was sorry for little Gasper, and the other fellows liked him all the more because it was so impossible to like his sculpture; but his talk was a bore, and when his colleagues ran in to see him they were apt to keep a hand on the door-knob and to plead a pressing engagement. At least they had been till Kate came; but now they began to show a disposition to enter and sit down. Caspar, who was no fool, perceived ...
— The Hermit and the Wild Woman and Other Stories • Edith Wharton

... at least, the recent Queen Anne revival has made this generation familiar. It may be said of it, as Thackeray said of {185} Gay's pastorals: "It is to poetry what charming little Dresden china figures are to sculpture, graceful, minikin, fantastic, with a certain beauty always accompanying them." The Rape of the Lock, perhaps, stops short of beauty, but it attains elegance and prettiness in a supreme degree. In imitation ...
— Brief History of English and American Literature • Henry A. Beers

... streets and houses that had been uncovered first, and he was paralyzed to think that a town could be covered with ashes all these thousands of years, and then be uncovered and find a town that would compare, in many respects, with cities of the present day, with residences complete with sculpture, paintings and cut marble that would skin Chicago to ...
— Peck's Bad Boy Abroad • George W. Peck

... taste, not failing either to marvel at the wonderful power which only once before, as far as I knew, he had exerted to give to a bit of sculpture all the flush and glory of life, as in the case set forth in the pathetic tale of Pygmalion ...
— Olympian Nights • John Kendrick Bangs

... There are several large columns standing among the ruins of Rome, and among them are two with spiral lines of sculpture around them, which are extremely similar to each other, and it is not at all surprising that Rollo was at first deceived ...
— Rollo in Rome • Jacob Abbott

... how did the apostles persuade such multitudes of heathens to believe a report so wonderful, profess a religion so novel, renounce the gods they had worshiped from their childhood, and all the ceremonies of an attractive, sensual religion; "temples of splendid architecture, statues of exquisite sculpture, priests and victims superbly adorned, attendant beauteous youth of both sexes, performing all the sacred rites with gracefulness; religious dances, illuminations, concerts of the sweetest music, perfumes of the rarest ...
— Fables of Infidelity and Facts of Faith - Being an Examination of the Evidences of Infidelity • Robert Patterson

... peaceful meeting of the nations through that great waterway, have fitly been made to represent the art of the entire world, yet with such unity and originality as to give new interest to the ancient forms, and with such a wealth of appropriate symbolism in color, sculpture and mural painting as to make its great courts, towers and arches an inspiring story of Nature's ...
— The Jewel City • Ben Macomber

... poet of John Milton and Goethe, is the most modern in feeling, the most romantic in mood of all the Greek poets. One is conscious that in his work, as in the sculpture of Praxiteles, the calm beauty of the Apollonian temper is touched by the wilder rhythm of ...
— One Hundred Best Books • John Cowper Powys

... reference to the deceased, remarking on the number of instances by which the late war had confirmed the truth of the Roman poet's observation that it is pleasant and seemly to die for one's country. The Mayor responded on behalf of his amiable lady, whom Sir Felix's tribute had visibly affected. The sculpture was pronounced to be a lifelike image, reflecting great credit on the artist, Mr. Tipping, R.A. The pedestal, five feet in height, is of polished black Luxulyan granite, and bears name and date with the words 'Take Him for All ...
— The Mayor of Troy • Sir Arthur Thomas Quiller-Couch

... with it: We had and have no hatred against France: we have idolized the fine arts, the sculpture and painting and the literature of that country. The worldwide appreciation of Rodin had its origin in Germany—we esteem Anatole France, Maupassant, Flaubert, Balzac, as if they were German authors. We have a deep affection for the people ...
— New York Times, Current History, Vol 1, Issue 1 - From the Beginning to March, 1915 With Index • Various

... easy circumstances, and occupied a good social position. [3] Being of refined and elegant tastes, and singularly generous disposition, she associated herself with young aspirants for fame in poetry, painting, and sculpture, and to the utmost of her power endeavoured to procure for them public notice and patronage. She was herself a frequent writer of graceful verses, and her letters disclose a sensitive, poetic mind, a habit of self-denial when the happiness of her friends was concerned, ...
— Life and Remains of John Clare - "The Northamptonshire Peasant Poet" • J. L. Cherry

... inclined to polytheism rather than to monotheism, which he had never come to understand. There could be seen images of the Holy Family with busts and extremities of ivory, glass eyes, long eyelashes, and curly blond hair—masterpieces of Santa Cruz sculpture. Paintings in oil by artists of Paco and Ermita [33] represented martyrdoms of saints and miracles of the Virgin; St. Lucy gazing at the sky and carrying in a plate an extra pair of eyes with lashes and eyebrows, such as are seen painted in the ...
— The Social Cancer - A Complete English Version of Noli Me Tangere • Jose Rizal

... Prior of the convent of Santa Maria delle Grazie, the doctors and astrologers, Ambrogio da Rosate, Pirovano, Cusani and Marliani, and many well-known jurists, councillors, architects, and engineers, including Leonardo da Vinci, "our fellow-citizen of Florence, who, in sculpture and painting alike, justifies his name and surpasses"—i.e. ...
— Beatrice d'Este, Duchess of Milan, 1475-1497 • Julia Mary Cartwright

... character that made him conspicuous among his fellows, and to show forth, if possible, the deed that made him immortal. For it is the deed and the memorable last words we think of when we think of Hale. I know that by one of the canons of art it is held that sculpture should rarely fix a momentary action; but if this can be pardoned in the Laocoon, where suffering could not otherwise be depicted to excite the sympathy of the spectator, surely it can be justified in this case, where, as one may say, the immortality of the subject rests upon a single ...
— Baddeck and That Sort of Thing • Charles Dudley Warner

... time. There are several large columns standing among the ruins of Rome, and among them are two with spiral lines of sculpture around them, which are extremely similar to each other, and it is not at all surprising that Rollo was at first deceived ...
— Rollo in Rome • Jacob Abbott

... mark in this prophecy is [Greek: charagma] (charagma), and is defined to mean, "a graving, sculpture, a mark cut in or stamped." It occurs nine times in the New Testament, and with the single exception of Acts 17:29, refers every time to the mark of the beast. We are not, of course, to understand in this symbolic prophecy, that a literal mark is ...
— The United States in the Light of Prophecy • Uriah Smith

... of buildings in the midst of gardens and groves covering sixty acres; its aisles were vocal with the chanting of monks, who marched in gorgeous processions among the tall, gray pillars. The exterior of the buildings was profusely decorated with sculpture; monarchs, temple knights, mitered abbots, martyrs and apostles stood for centuries in their niches of stone while princes came and passed away, while kingdoms rose and fell. The nobles and bishops of the realm were laid to rest beneath the altars around which many generations ...
— A Short History of Monks and Monasteries • Alfred Wesley Wishart

... way, and ours is far diverse; and they and all the less-known, yet pleasantly and brightly endowed spirits of that time, are suddenly as unintelligible to us as the Etruscans—not a feeling they had that we can share in; and these pictures of them will be to us valuable only as the sculpture under the niches far in the shade there of the old parish church, dimly vital images of inconceivable creatures whom we shall never see ...
— On the Old Road Vol. 1 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin

... caves I will not speak. What little can be seen of the painting—and only ill-lighted fragments remain—is full of tenderness, refinement, and grace; no touch of drama; no hint of passion. The sculpture, stripped of its stucco surface, is rude but often impressive. But what impresses most is not the art but the religion of the place. In this terrible country, where the great forces of nature, drought and famine and pestilence, the intolerable sun, the intolerable ...
— Appearances - Being Notes of Travel • Goldsworthy Lowes Dickinson

... Amphitrite's deepest caves. But the dolphins would listen to us, were they not prevented by the sound of the sea. Our suffering is not allayed yet; hence we will exhibit it to the world in every form which sculpture can employ, and observe carefully if we are beautiful in our suffering and if people recognize this beauty. Oh, my dear! we ...
— Quo Vadis - A Narrative of the Time of Nero • Henryk Sienkiewicz

... inquire what kinds of happiness come under this definition, we find those derived from the sense of security or peace; from wealth, or commodity, obtained by commerce; from Art—whether it be architecture, sculpture, painting, music, or literature; from knowledge, or science; and, finally, from sympathy or friendship. No man is injured, but the contrary, by peace. No man is any the worse off because another acquires wealth by trade, or by the exercise of a profession; ...
— Critiques and Addresses • Thomas Henry Huxley

... Sentiment, of course, may develop itself in various modes—in Painting, in Sculpture, in Architecture, in the Dance—very especially in Music—and very peculiarly, and with a wide field, in the composition of the Landscape Garden. Our present theme, however, has regard only to its manifestation ...
— Edgar Allan Poe's Complete Poetical Works • Edgar Allan Poe

... think out life for one's self, one came to perceive a width and sanctity in the choice of work—whether rhetoric or art, theology or sculpture, hydraulics or manufacture—but to work, to work hard, to see work steadily, and see it whole, was the way to be reputable. I think I always respected a good blacksmith more than ...
— McClure's Magazine, Volume VI, No. 3. February 1896 • Various

... the meaning of the Latin word we may eliminate what refers to spiritual things; not because literature, for instance, is not art, as well as music and the rest, but because we have to do with painting, sculpture, architecture, metal working, and the like, in which actual manual skill ...
— Ave Roma Immortalis, Vol. 2 - Studies from the Chronicles of Rome • Francis Marion Crawford

... the Bosporus with the bridge thrown over it, and the king on his throne reviewing his troops as they passed over the structure. This statuary was placed, when finished, in a temple in Greece, where it was universally admired. Darius was very much pleased both with the idea of this sculpture on the part of Mandrocles, and with the execution of it by the artist. He gave the bridge builder new rewards; he recompensed the artist, also, with similar munificence. He was pleased that they had contrived so happy a way of at the same time commemorating the bridging of the Bosporus ...
— Darius the Great - Makers of History • Jacob Abbott

... not only in religious questions and by their philosopho- theologians that the middle ages, before the Renaissance, displayed their activity and fecundity. In literature and in art, in history and in poesy, in architecture and in sculpture, they had produced great and beautiful works, which were quite worthy of surviving, and have, in fact, survived the period of their creation. Here, too, the Renaissance of Greek and Roman antiquity came in, and altered the ...
— A Popular History of France From The Earliest Times - Volume IV. of VI. • Francois Pierre Guillaume Guizot

... structures, commemorating the peaceful meeting of the nations through that great waterway, have fitly been made to represent the art of the entire world, yet with such unity and originality as to give new interest to the ancient forms, and with such a wealth of appropriate symbolism in color, sculpture and mural painting as to make its great courts, towers and arches an inspiring story of ...
— The Jewel City • Ben Macomber

... composition and technical execution, the Umbrians in turn imparted something of their mysticism to their more matter-of-fact neighbors. While the Umbrian school of the fifteenth century was occupied with the Madre Pia, Florence also was devoted to the same subject. Sculpture led the race, and in the front ranks was Luca della Robbia, founder of the school which bears his ...
— The Madonna in Art • Estelle M. Hurll

... greater activity by an incident which now occurred. One morning I went to Bourgonef's room, which was at some distance from mine on the same floor, intending to propose a visit to the sculpture at the Glyptothek. To my surprise I found Ivan the serf standing before the closed door. He looked at me like a mastiff about to spring; and intimated by significant gestures that I was not allowed to enter the room. Concluding that his master was occupied in some way, ...
— The Lock and Key Library • Julian Hawthorne, Ed.

... choir, pierced above by three lancet windows and below by a wide circular arch receding in many orders. A central pillar divides this lower arch, two pointed arches springing from its capital and leaving a spandrel between them, which is covered with modern sculpture. In the far distance may be distinguished the east wall of the Lady Chapel and its brilliant ...
— Bell's Cathedrals: The Cathedral Church of Hereford, A Description - Of Its Fabric And A Brief History Of The Episcopal See • A. Hugh Fisher

... a delightful series of reproductions of masterpieces of painting and sculpture of the world's great art eras. Old masters and modern are well represented. The descriptions were written for children, remembering their interest in the story-element in pictures, and including inspiring ...
— Boys and Girls Bookshelf; a Practical Plan of Character Building, Volume I (of 17) - Fun and Thought for Little Folk • Various

... with the efflorescence of alkaline deposits. A thin crust of it lies along the marsh over the vegetating area, which has neither beauty nor freshness. In the broad wastes open to the wind the sand drifts in hummocks about the stubby shrubs, and between them the soil shows saline traces. The sculpture of the hills here is more wind than water work, though the quick storms do sometimes scar them past many a year's redeeming. In all the Western desert edges there are essays in miniature at the famed, terrible Grand Canon, to which, if you ...
— The Land of Little Rain • Mary Austin

... of the young clergyman's personality, and instinctively strove to resist it: and was more than ever struck by Mr. Hodder's resemblance to the cliff sculpture of which he had spoken at ...
— The Crossing • Winston Churchill

... in human nature is further illustrated by his poems on the various arts. Of music, painting, and sculpture he has written with the intimate and minute knowledge of a specialist in each art. He is familiar with implements and materials, with the tricks of the trade, the talk of the studios; but, after all, the art as an art is of much less ...
— Selections from the Poems and Plays of Robert Browning • Robert Browning

... clerk and the sexton and the parish beadle with his broad gold-laced hat, and cane of striking authority; and he loved the watchmen and their drowsy drawl of "past umph a' clock;" he loved the charity schools and admired beyond all the sculpture of Phidias, or the marble miracles of the Parthenon, the two full-length statues about three feet each in length and two feet six inches each in breadth, representing a charity boy and a charity girl, standing over the door of the parish school; he loved the city companies, their ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 17, - Issue 493, June 11, 1831 • Various

... the Emperor Aurangzeb.[4] History to these people is all a fairy tale; and this emperor is the great destroyer of everything that the Muhammadans in their fanaticism have demolished of the Hindoo sculpture or architecture; and yet, singular as it may appear, they never mention his name with any feelings of indignation or hatred. With every scene of his supposed outrage against their gods or their temples, there is always associated the recollection of some instance of his piety, and the Hindoos' ...
— Rambles and Recollections of an Indian Official • William Sleeman

... sublimate, and any kind of a common temporary box to hold the specimen. These also may go under the same denomination as the former. But if you wish to excel in the art, if you wish to be in ornithology what Angelo was in sculpture, you must apply to profound study and your own genius to assist you. And these may be called ...
— Wanderings In South America • Charles Waterton

... in the series "The Renaissance in Italy," and are also scattered through the pages of Ruskin's "Modern Painters" and Hazlitt's "Essays on the Fine Arts." The volume on Correggio in the series "Great Masters in Painting and Sculpture" is valuable chiefly for a complete list of Correggio's works. The ...
— Correggio - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll

... is the rusted nail which hangs as a hatchment over the champion's dim and mouldering tomb, is the defaced sculpture of the inscription which the ignorant monk can hardly read to the inquiring pilgrim—are these sufficient rewards for the sacrifice of every kindly affection, for a life spent miserably that ye may make others miserable? Or is there such virtue in the rude rhymes of a wandering ...
— Journeys Through Bookland - Volume Four • Charles H. Sylvester

... therefore, as such, of little importance. Cursory notices of needlework are scattered through almost every book on art; and under the head of textiles it is usual to find embroidery acknowledged as being worthy of notice, though not to be named in company with sculpture, architecture, or painting, however beautifully or thoughtfully its works may be carried out. I have tried to show that ...
— Needlework As Art • Marian Alford

... exclaimed, "how odd of you, dearest! I know it's considered one of the best cathedrals in France, though it isn't a museum of sculpture, like Rheims. But the single tower worries me, it looks so unfinished. I'm not ...
— Everyman's Land • C. N. Williamson and A. M. Williamson

... streets of palaces, the towers and oriels, the venerable cloisters, the trim gardens, the organs, the altar pieces, the solemn light of the stained windows, the libraries, the museums, the galleries of painting and sculpture; when I call to mind also the physical comforts which are provided both for instructors and for pupils; when I reflect that the very sizars and servitors are far better lodged and fed than those students who are to be, a few ...
— The Miscellaneous Writings and Speeches of Lord Macaulay, Vol. 4 (of 4) - Lord Macaulay's Speeches • Thomas Babington Macaulay

... her head she wore a bridal wreath and veil—the former of jewels, the latter falling round her like a cloud of mist. Everything was perfect, from the wreath and veil to the tiny sandaled feet and lying there in her mute repose she looked more like some exquisite piece of sculpture than anything that had ever lived and moved in this groveling world of ours. But from one shoulder the dress had been pulled down, and there lay a great livid ...
— The Midnight Queen • May Agnes Fleming

... To aim at connoisseurship when you do not know a good table or chair from a bad one is to attempt flying before you can walk. So, I think, professors of art at Oxford or Cambridge should be chosen, not so much for their knowledge of Greek sculpture, as for their success in furnishing their own houses. What can they know about Greek sculpture if their own drawing-rooms are hideous? I believe that the notorious fallibility of many experts is caused by the fact that they concern themselves with ...
— Essays on Art • A. Clutton-Brock

... one poor stone to tell thy name, Or make thy virtues known: But what avails to me—to thee, The sculpture of a stone? ...
— Poems And Songs Of Robert Burns • Robert Burns

... professions, or faculties, to so great an extent as in modern times. The compass of knowledge was far less defined, and the studies and attainments of the individual more miscellaneous. Some of the arts rose to an unparalleled perfection. Architecture and sculpture attained an excellence which no subsequent civilization has reached. But the practical application of the sciences to daily use was almost entirely neglected; and inventions and mechanics languished until the far later ...
— Atlantic Monthly, Volume 3, No. 19, May, 1859 • Various

... and fro about the houses, and there was no sound of human industry or enjoyment. Only, on the top of the beach, and hard by the flagstaff, a woman of exorbitant stature and as white as snow was to be seen beckoning with uplifted arm. The second glance identified her as a piece of naval sculpture, the flgure-head of a ship that had long hovered and plunged into so many running billows, and was now brought ashore to be the ensign and presiding genius of ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. XIX (of 25) - The Ebb-Tide; Weir of Hermiston • Robert Louis Stevenson

... could find nothing blameworthy. His piety stands high, even when estimated by the standards of the thirteenth century. He was well educated and had a touch of the artist's temperament, loving fair churches, beautiful sculpture, delicate goldsmith's work, and richly illuminated books. He had a horror of violence, and never wept more bitter tears than when he learned how treacherously his name had been used to lure Richard Marshal to his doom. But he was extraordinarily deficient in stability ...
— The History of England - From the Accession of Henry III. to the Death of Edward III. (1216-1377) • T.F. Tout

... modern times, have the most thoughtfully analyzed the laws of aesthetic beauty, concur in maintaining that the real truthfulness of all works of imagination—sculpture, painting, written fiction—is so purely in the imagination, that the artist never seeks to represent the positive truth, but the idealized ...
— Pearls of Thought • Maturin M. Ballou

... Most of the stone for the cathedrals and greater religious houses in the county came from Caen, whence it was easily transported by water; but this stone not only weathered badly, but was too friable for monumental effigies or sculpture. For these harder stone was needed, resembling marble, and this Bethersden supplied, as we may see, in the Cathedrals of Canterbury and Rochester and especially at Hythe where the chancel arcade is entirely built ...
— England of My Heart—Spring • Edward Hutton

... her for a week, and I think she means to stay. We talked for an hour after tea this afternoon, and I found her most interesting. She has been living in England for years, it seems, down in Chelsea, studying sculpture." ...
— The Devil's Paw • E. Phillips Oppenheim

... of a spacious hollow or basin, which in past ages must have been the crater of the volcanic peak. The grassy slopes of the basin were laid out in flower gardens and terraces of coloured marbles, shaded with sombre trees, and ornamented with sculpture. In the bottom lay an oval sheet of water a mile long or more, and from the midst of it, towards the near end, a beautiful islet, crowned by a magnificent temple, rose like a mirage to the view, and seemed to float ...
— A Trip to Venus • John Munro

... wanderings. Both seeds and tubers are farinaceous and edible. In some places it is known the Indians introduced the plant for food. Professor Charles Goodyear has written an elaborate, plausible argument, illustrated, with many reproductions of sculpture, pottery, and mural painting in the civilized world of the ancients to prove that all decorative ornamental design has been evolved from the sacred Egyptian lotus (Nelumbo Nelumubo), still ...
— Wild Flowers, An Aid to Knowledge of Our Wild Flowers and - Their Insect Visitors - - Title: Nature's Garden • Neltje Blanchan

... About the Courts and Palaces of the Panama Pacific International ExposItion with a Discussion of Its Architecture - Its Sculpture - Its Mural Decorations Its Coloring - And Its Lighting - Preceded by a History of ...
— The City of Domes • John D. Barry

... of which the naval procession constituted only one feature; but no eye-witness can ever forget the march of the returning victors in the land parade on September 30, 1899, as it passed under that masterpiece of American sculpture, the arch located ...
— Thirteen Chapters of American History - represented by the Edward Moran series of Thirteen - Historical Marine Paintings • Theodore Sutro

... craftsmen in Spanish fashion, and make everything at very low cost." Salazar admires their cleverness and dexterity in all kinds of handiwork especially as they have learned, in less than ten years, both painting and sculpture; "I think that nothing more perfect could be produced than some of their marble statues of the Child Jesus which I have seen." The churches are thus being furnished with images. A book-binder from Mexico had ...
— The Philippine Islands, 1493-1898, V7, 1588-1591 • Emma Helen Blair

... as probable that I will live again as it was that I could have lived before I did. Let it go. Ah! but what will life be? The world will be here. Men and women will be here. The page of history will be open. The walls of the world will be adorned with art, the niches with sculpture; music will be here, and all there is of life and joy. And there will be homes here, and the fireside, and there will be a common hope without a common fear. Love will be here, and love is the only bow on life's dark cloud. ...
— Lectures of Col. R. G. Ingersoll, Volume I • Robert Green Ingersoll

... stones stolen from the city wall. To this abode there is an approach, ankle-deep in stone chips, resembling a petrified grove of tombstones, urns, draperies, and broken columns, in all stages of sculpture. Herein two journeymen incessantly chip, while other two journeymen, who face each other, incessantly saw stone; dipping as regularly in and out of their sheltering sentry-boxes, as if they were mechanical figures emblematical of Time ...
— The Mystery of Edwin Drood • Charles Dickens

... temperance. It holds him to the people, supplies a foundation for his edifice, and in furnishing so much work done to his hand, leaves him at leisure and in full strength for the audacities of his imagination. In short, the poet owes to his legend what sculpture owed to the temple. Sculpture in Egypt and in Greece grew up in subordination to architecture. It was the ornament of the temple wall: at first a rude relief carved on pediments, then the relief became bolder and a head or arm was projected from ...
— Beacon Lights of History, Volume XIII • John Lord

... the Ceramic Painter Hieron. Description of some Greek Dances, the Geranos, the Corybantium, the Hormos, &c. Dancing Bacchante from a Vase and from Terra Cotta. The Hand-in-hand, and Panathenaeac Dance from Ceramic Ware. Military Dance from Sculpture in Vatican, Greek Dancer with Castanets. Illustration of Cymbals and Pipes from the British Museum. The Chorus. Greek Dancers ...
— The Dance (by An Antiquary) - Historic Illustrations of Dancing from 3300 B.C. to 1911 A.D. • Anonymous

... that the material in which he works affects the achievement of the artist: it is truer to say that it helps him. A man designing a sculpture in marble knows very well what he is about to do. A man attempting the exact and restrained rendering of tragedy upon the stage does not choose the stage as one among many methods, he is drawn to it: he needs it; the audience, the light, ...
— First and Last • H. Belloc

... the system of piping laid to conduct the water still may be traced. Over the springs has been erected the modern pump-house and many of the Roman baths have been restored to nearly their original state. In the pump-house is a museum with hundreds of relics discovered in course of excavation—sculpture, pottery, jewelry, coin and many other articles that indicate a high degree of civilization. Outside of the Roman remains the most notable thing in Bath is its abbey church, which, in impressive architecture and size, will compare favorably with many of the cathedrals. In fact, it originally ...
— British Highways And Byways From A Motor Car - Being A Record Of A Five Thousand Mile Tour In England, - Wales And Scotland • Thomas D. Murphy

... see the same object under different aspects. With you I dislike the description of torture, but I consider it absolutely necessary in a work upon Martyrs. It has been consecrated by all history and every art. Christian painting and sculpture have selected these subjects; herein lies the real controversy of the question. You, Sir, who are well acquainted with the details, know to what extent I have softened the picture, and how much I have suppressed of the Acta Martyrum, particularly in holding ...
— Memoirs To Illustrate The History Of My Time - Volume 1 • Francois Pierre Guillaume Guizot

... may be banished from the home. They, seek to lay the foundation which, through increased production, may, give the people a more bountiful supply of the necessaries of life, afford more leisure for the improvement of the mind, the appreciation of the arts of music and literature, sculpture and painting, and the beneficial enjoyment of outdoor sports and recreation, enlarge the resources which minister to charity and by all these means attempting to strengthen the ...
— Complete State of the Union Addresses from 1790 to the Present • Various

... was reft from her, into the cause of letters. The galleys of her merchants brought back manuscripts from the East as the most precious portion of their freight. In the palaces of her nobles fragments of classic sculpture ranged themselves beneath the frescoes of Ghirlandajo. The recovery of a treatise of Cicero's or a tract of Sallust's from the dust of a monastic library was welcomed by the group of statesmen and artists who gathered in the Rucellai gardens with a ...
— History of the English People, Volume III (of 8) - The Parliament, 1399-1461; The Monarchy 1461-1540 • John Richard Green

... been to see the sculptures in the Louvre?—dear me, I forgot the Louvre's fate. I wonder where the sculpture is? I used to think it the best thing in the way of art in Paris. There was a youthful Bacchus who was the main support of my thesis as to the greater ...
— The Life and Letters of Thomas Henry Huxley Volume 3 • Leonard Huxley

... Antiquities of England and Scotland; comprising specimens of architecture and sculpture, and other vestiges of former ages, accompanied by descriptions. Together with illustrations of remarkable incidents in Border history and tradition, and original poetry. By Walter Scott, ...
— Sir Walter Scott as a Critic of Literature • Margaret Ball

... capable of receiving, through an imaginative medium, and under imaginative conditions, new and beautiful impressions, is the only temperament that can appreciate a work of art. And true as this is in the case of the appreciation of sculpture and painting, it is still more true of the appreciation of such arts as the drama. For a picture and a statue are not at war with Time. They take no count of its succession. In one moment their unity may ...
— The Soul of Man • Oscar Wilde

... phenomena of the Renaissance to any one cause or circumstance, or limit them within the field of any one department of human knowledge. If we ask the students of art what they mean by the Renaissance, they will reply that it was the revolution effected in architecture, painting, and sculpture by the recovery of antique monuments. Students of literature, philosophy, and theology see in the Renaissance that discovery of manuscripts, that passion for antiquity, that progress in philology and criticism, which ...
— The Great Events by Famous Historians, Volume 07 • Various

... temple of Khons, which formed an annex to the greater temple of Maut, at Karnac, there was found a bas-relief, partly perfect, which goes far toward giving light on the subject of Egyptian circumcision. The upper part of the sculpture was so defaced that the upper portions of four of the five figures were destroyed, but the lower portions were so perfect in every detail as to furnish a full history of the age of the candidates for the rite and ...
— History of Circumcision from the Earliest Times to the Present - Moral and Physical Reasons for its Performance • Peter Charles Remondino

... practical (meaning by the practical the narrowly utilitarian), confines the child to the three R's and the formal studies connected with them, shuts him out from the vital in literature and history, and deprives him of his right to contact with what is best in architecture, music, sculpture, and picture, it is hopeless to expect definite results in the training of ...
— Moral Principles in Education • John Dewey

... bones, from insult to protect, Some frail memorial still, erected nigh, With uncouth rhymes and shapeless sculpture decked, Implores the passing tribute ...
— McGuffey's Sixth Eclectic Reader • William Holmes McGuffey

... Creations Now in Progress Some Curious Behaviors of Atoms Mobility of Seeming Solids The Next World to Conquer Our Enjoyment of Nature's Forces The Matterhorn The Grand Canon of the Colorado River. The Yellowstone Park Geysers Sea Sculpture The Power of Vegetable Life Spiritual Dynamics When This World ...
— Among the Forces • Henry White Warren

... quite smart in its newness, with its broad courses of stone disposed with perfect regularity. And, in thought, he sauntered around it, charmed with its nudity, its stupendous candour, its chasteness recalling that of a virgin child, for there was not a piece of sculpture, not an ornament that would have uselessly loaded it. The roofs of the nave, transept, and apse were of equal height above the entablature, which was decorated with simple mouldings. In the same way the apertures in the aisles and nave had no other adornments than archivaults with ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... composition and complicated accounts, a steady back-drag of debt and the rest, must be added the very delightful, and to the novelist not useless, but very expensive mania for the collector. Balzac had a genuine taste for, and thought himself a genuine connoisseur in, pictures, sculpture, and objects of art of all kinds, old and new; and though prices in his day were not what they are in these, a great deal of money must have run through his hands in this way. He calculated the value of the contents of the house, which in his last days he furnished ...
— The Human Comedy - Introductions and Appendix • Honore de Balzac

... some of the world's greatest artists in painting, sculpture, architecture, literature, ...
— Ontario Teachers' Manuals: History • Ontario Ministry of Education

... the sense of the natural and invariable ones. The dead hieroglyph may have meant this or that; the living hieroglyph means always the same; but remember, it is just as much a hieroglyph as the other; nay, more,—a "sacred or reserved sculpture," a thing with an inner language. The serpent crest of the king's crown, or of the god's, on the pillars of Egypt, is a mystery, but the serpent itself, gliding past the pillar's foot, is it less a mystery? ...
— The Queen of the Air • John Ruskin

... arises from the perfection of the finishing, like that of careful sculpture, not from gaudy colouring—the texture of the thoughts has the smoothness and solidity of marble. It is a poem that might be read aloud in Elysium, and the spirits of departed heroes and sages ...
— The Spirit of the Age - Contemporary Portraits • William Hazlitt

... gold: Flamboyant arch and high-enscrolled War-sculpture, big, Napoleonic— Fierce chargers, angels histrionic; The royal sweep of gardened spaces, The pomp and whirl of columned Places; The Rive Gauche, age-old, gay and gray; The impasse and the loved cafe; The tempting tidy little shops; The convent walls, the ...
— The Home Book of Verse, Vol. 4 (of 4) • Various

... according to all the ritual forms. They were veritable scenes of butchery. For Heaven's sake let us forget the frieze of the Parthenon, and its sacrificers with their graceful lines! If we want to have a literal translation of this sculpture, and find the modern representation of a hecatomb, we must go to the slaughter-houses ...
— Saint Augustin • Louis Bertrand

... hand into the mouth at its lower part, above the conical foot. The three great pipes are crowned by a heavily sculptured, ribbed, rounded dome; and this is surmounted, on each side, by two cherubs, whose heads almost touch the lofty ceiling. This whole portion of the sculpture is of eminent beauty. The two exquisite cherubs of one side are playing on the lyre and the lute; those of the other side on the flute and the horn. All the reliefs that run round the lower portion of the dome are of singular ...
— Atlantic Monthly, Volume 12, No. 73, November, 1863 • Various

... to marry him. On her tantalizing inability to accept the honour offered, she and her husband had been set up in a matter-of-fact business in the stone trade by her patron, but that unforgettable request in the London studio had made her feel ever since a refined kinship with sculpture, and a proportionate aloofness from mere quarrying, which was, perhaps, no more than a venial weakness in Avice the Second. Her daughter's objection to Jocelyn she could never understand. To her own eye he was no older than when he ...
— The Well-Beloved • Thomas Hardy

... no other nations of antiquity, except the Hindoos, seem to have had more than a superficial susceptibility to the beautiful. The Romans learnt the arts from the Greeks, whom they imitated, at a wide distance, in poetry as well as in sculpture and architecture. The remnants of art found in the valley of the Nile prove the Egyptians to have had the germ without the vitality to unfold it. In the literature of the Hindoos there are currents of pure poetry and of biblical depth. In passing ...
— Essays AEsthetical • George Calvert

... been pardoned if I had described St Peter's, the Vatican, and the innumerable treasures of art and antiquity at Rome; but now that they are so well known it would be ridiculous and superfluous. Here I gained a little more knowledge about pictures; but I preferred sculpture, partly from the noble specimens of Greek art I saw in Paris and Rome, and partly because I was such an enthusiast about the language and everything belonging to ancient Greece. During this journey I was highly gratified, for we made the acquaintance of Thorwaldsen and ...
— Personal Recollections, from Early Life to Old Age, of Mary Somerville • Mary Somerville

... exquisite symmetry of outline, their varied arrangement of branches and twigs, giving to every species an individual expression, every twig studded with these gem-like buds, how very beautiful are the winter trees! One might almost find it in his heart to feel sorry that this rare mingling of sculpture and fretwork and lace is soon to be draped with ...
— Some Winter Days in Iowa • Frederick John Lazell

... proposed as a basis for photoplay criticism in America; chapters on: "The Photoplay of Action", "The Intimate Photoplay", "The Picture of Fairy Splendor", "The Picture of Crowd Splendor", "The Picture of Patriotic Splendor", "The Picture of Religious Splendor", "Sculpture in Motion", "Painting in Motion", "Furniture", "Trappings and Inventions in Motion", "Architecture in Motion", "Thirty Differences between the Photoplays and the Stage", "Hieroglyphics". The second section is avowedly more discursive, being more personal speculations and afterthoughts, not brought ...
— Chinese Nightingale • Vachel Lindsay

... of him also I must say something. Charles O'Brien was a young man about twenty-five years of age, who had sent out from his studio in the preceding year a certain bust supposed by his admirers to be unsurpassed by any effort of ancient or modern genius. I am no judge of sculpture, and will not therefore pronounce an opinion, but many who considered themselves to be judges declared that it was a "goodish head and shoulders" and nothing more. I merely mention the fact, as it was on the strength of that head and shoulders that O'Brien separated himself ...
— Stories By English Authors: Italy • Various

... of the work is devoted to the explanation of the theory of design and construction and the general principles in their simpler applications. The subject of ornament including the use of mouldings, sculpture, and plain surfaces, is taken up, and architectural working drawings ...
— The Brochure Series of Architectural Illustration - Vol 1, No. 9 1895 • Various

... of the beautiful was intuitive and all embracing. She knew little of architecture or sculpture technically, but the sublime majesty and imposing grandeur of the noble arch impressed her, as it does ...
— Patty in Paris • Carolyn Wells

... Protector of the Fatherless, that the music-drama is a perfect blending of all the arts. It calls to its aid the resources of sculpture, painting, dancing, together with numerous mechanical agencies, and to a minor extent, music and the drama. For observe, O Abu Nozeyr, that each art aims to awake its own specific emotion. Sculpture appeals to our sense of form, painting ...
— The Patient Observer - And His Friends • Simeon Strunsky

... may use the expression, without seeing the spot which it commemorates. I take it for granted that the reader is familiar with it. There are "those rugged elms," and there is "that yew tree's shade." There are "the frail memorials," "with uncouth rhymes and shapeless sculpture decked;" there "the name, the years, spelt by the unlettered muse;" and the holy texts strewn round "that teach the rustic moralist to die." There is still "the ivy-mantled tower," tho the "moping owl" that evening ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey

... Florence to Rome, where, at the creation of the popes, they displayed illuminations of hand-grenadoes, thrown from the height of a castle. Pyrotechnics from that time have become an art, which, in the degree the inventors have displayed ability in combining the powers of architecture, sculpture, and painting, have produced a number of beautiful effects, which even give pleasure to those who read the descriptions ...
— Curiosities of Literature, Vol. II (of 3) - Edited, With Memoir And Notes, By His Son, The Earl Of Beaconsfield • Isaac D'Israeli

... architecture and the allied decorative arts are so engrossing that one yields to the call of the independent Fine Arts only with considerable reluctance. The visitor, however, finds himself cleverly tempted by numerous stray bits of detached sculpture, effectively placed amidst shrubbery near the Laguna, and almost without knowing he is drawn into that enchanting colonnade which leads one to the spacious portals of ...
— The Galleries of the Exposition • Eugen Neuhaus

... Glass Bottle-Houses, for raising of Mulberry Trees, for making of Salt, for working the best Bone-Lace, and the best Imitation of it by the Needle: For the Encouragement of the best Needle-Works in Silk and Worsted; for the Advancement of those lovely Arts Painting, Architecture and Sculpture; for encouraging Tapestry, and enlarging our Fisheries: For improving the Tanning and Currying of our Leather, for the Discovery of Mines and raising of Ores, and for those who should annually Produce the best Invention in useful Arts and Husbandry. In ...
— A Dialogue Between Dean Swift and Tho. Prior, Esq. • Anonymous

... hear the latest about those fifty-five third-class children (out of eighty-three) who were drowned? Shall we give him an hour or so among the portraits at the Royal Academy, or shall we make an enthusiastic tour of London sculpture and architecture and saturate his soul with the beauty he makes possible? The new Automobile Club, for example. "Without you and your subordination we could not have had that." Or suppose we took him the round of the West-End clubs and restaurants and made him estimate how many dinners ...
— An Englishman Looks at the World • H. G. Wells

... wrote several books and also gave considerable time to sculpture and painting. His artistic ability was great, and some of his productions are now treasured by friends into whose possession they came. Rizal's best known work is his "Noli Me Tangere," written in Belgium about 1886 or 1887. This novel, with its ...
— Friars and Filipinos - An Abridged Translation of Dr. Jose Rizal's Tagalog Novel, - 'Noli Me Tangere.' • Jose Rizal

... hands from the desk; folded them in her lap; and sat looking towards the fire, with the impenetrability of an old Egyptian sculpture. ...
— Little Dorrit • Charles Dickens

... childhood. People think that he is solitary and morose. He is passionate and timid. What he lacks, what he will lack always to reach the highest point of his art, is simplicity of mind. He is restless, and he spoils his most beautiful impressions. In my opinion he was created less for sculpture than for poetry or philosophy. He knows a great deal, and you will be astonished at ...
— The Red Lily, Complete • Anatole France

... that the novel should be counted supreme among the great traditional forms of art. Even if there is a greatest form, I do not much care which it is. I have in turn been convinced that Chartres Cathedral, certain Greek sculpture, Mozart's Don Juan, and the juggling of Paul Cinquevalli, was the finest thing in the world—not to mention the achievements of Shakspere or Nijinsky. But there is something to be said for the real pre-eminence of prose fiction as ...
— The Author's Craft • Arnold Bennett

... to my first experience in the Chorus Hall in the City of Light. I seemed to be in a great alabaster cage enormously large and very beautiful. Its shining walls rose from the ground and at a great height arched together. The front was a network of sculpture, it held the rising rows of what seemed like ivory chairs on which the motionless white and radiant assemblage were seated. The whole place glowed, and this phosphorescent prevails throughout the City of Light, just as it does ...
— The Certainty of a Future Life in Mars • L. P. Gratacap

... reading how deeply Diderot was affected by fifth-rate paintings and sculpture, not to count it among the great losses of literature that he saw few masterpieces. He never made the great pilgrimage. He was never at Venice, Florence, Parma, Rome. A journey to Italy was once ...
— Diderot and the Encyclopaedists - Volume II. • John Morley

... therefore, not a popular religion, and to thousands of educated men it did not appeal. Few people are so immaterialistic that they can dispense with symbols; many can idealize symbols in which others see nothing but matter; and only those devoid of artistic perception deny the religious value of sculpture, painting, and music. Protestantism might be an ideal religion if men were compounded of pure reason; being what they were, many adopted it because they were impervious to artistic influence or impatient of spiritual discipline. It will hardly do to divide the nation into intelligent Protestants ...
— The History of England - A Study in Political Evolution • A. F. Pollard

... return to the more famous theorist, was writing primarily of sculpture, and would naturally confine himself to consideration of the plastic, which is an additional reason against making this interesting brochure, as some have done, the foundation of an aesthetics. It is rather the ...
— The Psychology of Beauty • Ethel D. Puffer

... Landor.—I do; their sculpture and painting have been employed on most ignoble objects—on scourgers and hangmen, on beggarly enthusiasts and base impostors. Look at the two masterpieces of the pencil; the Transfiguration of Raphael, and the St. Jerome of Correggio; ...
— Blackwood's Edinburgh Magazine - April 1843 • Various

... was beginning to experience its musical renaissance. The various German courts felt that throb of life and enthusiasm which had distinguished the Italian principalities in the preceding century in the direction of painting and sculpture. Every little capital was a focus of artistic rays, and there was a general spirit of rivalry among the princes, who aspired to cultivate the arts of peace as well as those of war. Bach had become known as a gifted musician, not only by ...
— The Great German Composers • George T. Ferris

... into which color entered, no doubt, to a much greater extent than was formerly believed. Even after time and the destructive hand of man have done their worst, there still remain sufficient traces of color to prove that the sculpture, and the whole upper part of the temple, were painted in bright but harmonious colors, and that metal ornaments and accessories accented the whole scheme with glittering points of light ...
— Great Men and Famous Women, Vol. 8 (of 8) • Various

... Sarrasine was forcibly removed from the salutary influence which Bouchardon exercised over his morals and his habits. He paid the penalty of his genius by winning the prize for sculpture founded by the Marquis de Marigny, Madame de Pompadour's brother, who did so much for art. Diderot praised Bouchardon's pupil's statue as a masterpiece. Not without profound sorrow did the king's sculptor witness the departure ...
— Sarrasine • Honore de Balzac

... especially rich in monumental sculpture, but it is in the cathedral that we are to be fairly enchanted by the marble statues of the four doctors of the church—St. Augustine, St. Grgoire, St. Lon, and St. Jerome. These are the work of Nicolas ...
— In the Heart of the Vosges - And Other Sketches by a "Devious Traveller" • Matilda Betham-Edwards

... realms of literature, philosophy, painting, sculpture, politics, and even science, Jews will be found frequently occupying the second or third ranks, and only very seldom the first. Heine may be cited as a poet of the first order, Spinoza as a philosopher, Disraeli as a statesman, ...
— Secret Societies And Subversive Movements • Nesta H. Webster

... 2-3/4 m. S.W. of Wellington. Its church, in which nave and aisles are covered by a single roof, has a curious bit of sculpture (hands holding a heart) inserted in ...
— Somerset • G.W. Wade and J.H. Wade

... principles are drawn mainly from pictures, yet the conclusions apply equally to books and to music. It is true that the manifestations of the art-impulse are innumerable, embracing not only painting, sculpture, literature, music, and architecture, but also the handiwork of the craftsman in the designing of a rug or in the fashioning of a cup or a candlestick; it is true that each art has its special province and function, and that each is peculiarly adapted to the expression ...
— The Enjoyment of Art • Carleton Noyes

... not alone in painting and sculpture. The whatnot was a museum whither might come the Northern Goth and Southern Vandal to learn what a Roman home can teach of the artistic taste that Matthew Arnold declares to be the natural heritage only of the nation which rocked ...
— Lippincott's Magazine of Popular Literature and Science, Volume 26, July 1880. • Various

... pipe, and continued his excellent sculpture in the bed of hard clay. He knew nothing more would happen until the posse came. The game had passed out of his hands. It had become a race between a short-legged man on foot and a band of hard riders on the backs of very ...
— Blazed Trail Stories - and Stories of the Wild Life • Stewart Edward White

... material is the world as it is, full of unjust laws, bad traditions, bad habits, inherited diseases and weaknesses, germs and poisons, filths and envies. We are not dealing with magnificent creatures such as one sees in ideal paintings and splendid sculpture, so beautiful they may face the world naked and unashamed; we are dealing with hot-eared, ill-kempt people, who are liable to indigestion, baldness, corpulence and fluctuating tempers; who wear top-hats and bowler hats or hats kept on by hat-pins (and so with all the other ...
— New Worlds For Old - A Plain Account of Modern Socialism • Herbert George Wells

... In sculpture and painting it is love in all its shades which furnishes the inexhaustible theme; but it is in the domain of literature that love celebrates its triumphs, and often also its orgies. The novels and dramas in which it plays no part could be easily counted. I am not referring only to common ...
— The Sexual Question - A Scientific, psychological, hygienic and sociological study • August Forel

... Black-Land, or Land of the Nile: we search its royal sepulchres, its manifold history written in funereal records, in kingly genealogies, in inscriptions, and in the thousand relics preserved of domestic life, whether in picture, sculpture, or the embalmed remains of the dead; and we find ourselves thrown back to a date far beyond any received date of history, and still we have before us a ripened civilization, an art which could not belong to the childhood of a race, a language which (so far as we ...
— Atlantic Monthly, Vol. 10, No. 62, December, 1862 • Various

... connected in subject; their aim being to set one or two main principles of art in simple light before the general student, and to indicate their practical bearing on modern design. The law which it has been my effort chiefly to illustrate is the dependence of all noble design, in any kind, on the sculpture or painting of ...
— The Two Paths • John Ruskin

... frize," Limerick gloves and lace, received high encomiums from the manufacturing and commercial visitors from Great Britain and distant countries, as well as from the general public. It was, however, chiefly in works of art that the exhibition excelled. The splendid sculpture of M'Dowel, Hogan, and other sculptors, was most of all conspicuous. The paintings of Shee, M'Lise, O'Neil, and many more, almost rivalled the display of sculpture. There were also beautiful carvings in Irish oak, "bog oak,"* and ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan

... Villiers was very generally recognized as a discerning dilettante in most matters artistic. He was an excellent judge of literature, painting, and sculpture, . . his house, though small, was a perfect model of taste in design and adornment, . . he knew where to pick up choice bits of antique furniture, dainty porcelain, bronzes, and wood-carvings, while in the acquisition of rare ...
— Ardath - The Story of a Dead Self • Marie Corelli

... appreciated and was interested in music as well as in painting and sculpture, found real pleasure in listening to Barbara, yet while doing so he did not forget that she might be of service to him. If she only remained on good terms with him she would, he was sure of that, whether willing or not, be ...
— Uarda • Georg Ebers

... object, and therefore could not conceive of the representation being anything else than the god. Only in later times was some ceremony of conveying life to the image considered requisite. The prohibition of sculpture among the Jews and of painting among the Muhammadans was based on this view, [134] because sculptures and paintings were not considered as images or representations, but as living beings or gods, and consequently false gods. The world-wide custom of making an image of a man with intent to injure ...
— The Tribes and Castes of the Central Provinces of India—Volume I (of IV) • R.V. Russell

... the lake region and call upon the great writers, visit Oxford and Cambridge; cross the English Channel, stop at Rouen, where Joan of Arc was burned to death by the English, take a flying trip to Paris, visit the tomb of Napoleon, the Louvre Gallery; take a peep at one of the greatest pieces of sculpture in existence, the Venus de Milo (which a rich and ignorant person offered to buy if they would give him a fresh one), take a glance at some of the greatest paintings in existence along the miles of galleries; take a peep into the Grand Opera ...
— How to Succeed - or, Stepping-Stones to Fame and Fortune • Orison Swett Marden

... of her own grace and youth. Many a night, even after a long sitting, had she locked her door, made the gas flare, and sat absorbed before her mirror in this guise, throwing herself into one attitude after another, naively regretting that sculpture took so long, and that Montjoie could not fix them all. The ecstasy of self-worship in which the whole process issued was but the fruition of that childish habit which had wrought with childish things for ...
— The History of David Grieve • Mrs. Humphry Ward

... the rejection of which its real perfection depends. A temperament capable of receiving, through an imaginative medium, and under imaginative conditions, new and beautiful impressions, is the only temperament that can appreciate a work of art. And true as this is in the case of the appreciation of sculpture and painting, it is still more true of the appreciation of such arts as the drama. For a picture and a statue are not at war with Time. They take no count of its succession. In one moment their unity may be apprehended. In the case of literature it ...
— The Soul of Man • Oscar Wilde

... of the other wall-decorations of the speos will furnish several examples of this type: we see Ramses with a suitable gesture brandishing his weapon above a group of prisoners, and the composition furnishes us with a fair example of official sculpture, correct, conventional, but devoid of interest. Here, on the contrary, the drawing is so full of energy that it carries the imagination hack to the time and ...
— History Of Egypt, Chaldaea, Syria, Babylonia, and Assyria, Volume 5 (of 12) • G. Maspero

... the south door, and is hollowed out within the top of a short column. Shrawley Church possesses many points of interest for the antiquary: among which may be mentioned, a Norman window pierced through one of the buttresses of the chancel. Among the noticeable things at Leigh Church is a rude sculpture of the Saviour placed exteriorly over the north door of the nave, in a recess, with semicircular heading and Norman pillars. The rector is gradually restoring ...
— Notes and Queries, Number 215, December 10, 1853 • Various

... them as a setting, focusing about the greatest water-lily in the world, or, as we have seen, the strangest mammal; or as an exhibit of roots—roots as varied and as exquisite as a hall of famous sculpture; or as a wilderness of tapestry foliage, in texture from cobweb to burlap; or as a heaven-roofed, sun-furnaced greenhouse of blossoms, from the tiniest of dull-green orchids to the fifty-foot spike ...
— Edge of the Jungle • William Beebe

... the deceased, remarking on the number of instances by which the late war had confirmed the truth of the Roman poet's observation that it is pleasant and seemly to die for one's country. The Mayor responded on behalf of his amiable lady, whom Sir Felix's tribute had visibly affected. The sculpture was pronounced to be a lifelike image, reflecting great credit on the artist, Mr. Tipping, R.A. The pedestal, five feet in height, is of polished black Luxulyan granite, and bears name and date ...
— The Mayor of Troy • Sir Arthur Thomas Quiller-Couch

... they saw the play of "Antigone" in the theatre of Herod Atticus. On visiting the Parthenon, with its marvellous sculpture, which Turkish soldiers had so often used as a target, they found that the chief inhabitants of the ruin were crows. They met the missionaries who were influential in the making of the new Grecian nation. From Athens they went to Constantinople, where Dr. Cyrus Hamlin, in Robert College, was ...
— Charles Carleton Coffin - War Correspondent, Traveller, Author, and Statesman • William Elliot Griffis

... inspired, is not infallible. But, it is said, unless the Bible is infallible it has no authority. This we deny. Inspiration is not infallibility, but inspiration is authority. The inspired man is always an authority. Phidias and Michael Angelo are authorities in sculpture; Titian and Rafaelle are authorities in painting; Mozart and Beethoven in music; and ...
— Orthodoxy: Its Truths And Errors • James Freeman Clarke

... composed of designs of foliage conventionally treated, or of arabesques and scrolls. On a piece of old Milanese damask, figured with violet on violet, appear designs in applique cut from two shades of yellow satin. These are remarkable for their powerful relief, suggesting sculpture rather than embroidery, and have been pronounced worthy of the best masters of their time—namely, that period so rich in suggestions of ...
— Quilts - Their Story and How to Make Them • Marie D. Webster

... proud, so powerful, was about to terminate. The head of Camors, turned on the pillow, seemed already to have assumed a death-like immobility. His beautiful features, sharpened by suffering, took the rigid outline of sculpture; his eye alone yet lived ...
— Monsieur de Camors, Complete • Octave Feuillet

... said that Aeschylean Tragedy is more nearly allied to sculpture; Shakespearean Tragedy ...
— The Crest-Wave of Evolution • Kenneth Morris

... together. Winckelmann, with his unerring perception, soon found that this was the axis on which the entire knowledge of art revolves. He confined himself at first to the most sublime works, which he intended to present in a treatise, Concerning the Style of Sculpture in the Age of Phidias, but he soon rose above these details to the idea of a history of art, and discovered a new Columbus, a land long surmised, hinted at and discussed—yea, a land, we might say, that had formerly ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. II • Editor-in-Chief: Kuno Francke

... head, there they would still exist in the perfection of their beauty, and in the pride of their poetry. I opposed, and will ever oppose, the robbery of ruins from Athens to instruct the English in sculpture; but why did I do so? The ruins are as poetical in Piccadilly as they were in the Parthenon; but the Parthenon and its rock are less so without them. Such is the ...
— The Best of the World's Classics, Vol. V (of X) - Great Britain and Ireland III • Various

... that you are quite the prettiest objet d'art in Paris?" he enquired anxiously, taking her hand; and her dark eyes were very friendly as he saluted her finger-tips with the reverent and slightly exaggerated appreciation of a connoisseur in sculpture. ...
— The Dark Star • Robert W. Chambers

... Why, they hold four-fifths of the world. And what have we Christians invented without their aid? painting? sculpture? these are heathen arts, and we but pigmies at them. What modern mind can conceive and grave so god-like forms as did the chief Athenian sculptors, and the Libyan Licas, and Dinocrates of Macedon, and Scopas, Timotheus, Leochares, ...
— The Cloister and the Hearth • Charles Reade

... born!... While yet an infant, he sang with Homer, and carved with Phidias, and philosophized with Aristotle,—as none have ever sung, or carved, or philosophized since. Times and fashions have altered, truly; but these three men are still our Masters in Philosophy, in Sculpture, and in Song. Awkward fact, that the colossal Infant should have lisped in a tongue which for copiousness of diction, and subtlety of expression, absolutely remains to this hour without a rival ...
— Inspiration and Interpretation - Seven Sermons Preached Before the University of Oxford • John Burgon

... Bishop of Winchester from the year 1405 to the time of his death in 1447, might have contributed towards the building, being a man of great wealth, for which he was called the rich Cardinal, as the arms of the Beauforts are carved in stone on a pillar in the south cross aisle; and by the remaining sculpture on each side it appears to be done for strings pendant from a Cardinal's hat placed over them. The arms are quarterly France and England, a border ...
— Notes and Queries, Number 70, March 1, 1851 • Various

... ground which is given to him to till. The power which resides in him is new in nature, and none but he knows what that is which he can do, nor does he know until he has tried. Not for nothing one face, one character, one fact, makes much impression on him, and another none. This sculpture in the memory is not without preestablished harmony. The eye was placed where one ray should fall, that it might testify of that particular ray. We but half express ourselves,[155] and are ashamed of that divine idea which ...
— Essays • Ralph Waldo Emerson

... mind,—you have behaved so saucily—to stay and give them) to describe to you the phenomena of this kind, in agates and chalcedonies only,—nay, there is a single sarcophagus in the British Museum, covered with grand sculpture of the 18th dynasty, which contains in magnificent breccia (agates and jaspers imbedded in porphyry), out of which it is hewn, material for the thought of years; and record of the earth-sorrow of ages ...
— The Ethics of the Dust • John Ruskin

... art of man in India is to be sought in the interior of the earth, not on its surface. Ancient Hindus seldom built their temples otherwise than in the bosom of the earth, as though they were ashamed of their efforts, or did not dare to rival the sculpture of nature. Having chosen, for instance, a pyramidal rock, or a cupola shaped hillock like Elephanta, Or Karli, they scraped away inside, according to the Puranas, for centuries, planning on so grand a style that no modern ...
— From the Caves and Jungles of Hindostan • Helena Pretrovna Blavatsky

... prince precedes, And to the dome the unknown celestial leads. The spear receiving from the hand, he placed Against a column, fair with sculpture graced; Where seemly ranged in peaceful order stood Ulysses' arms now long disused to blood. He led the goddess to the sovereign seat, Her feet supported with a stool of state (A purple carpet spread the pavement wide); ...
— The Odyssey of Homer • Homer, translated by Alexander Pope

... association, after the necessary expense of the society had been deducted, was expended in premiums for planting and husbandry; for discoveries and improvements in chemistry, dying, and mineralogy; for promoting the ingenious arts of drawing, engraving, casting, painting, statuary, and sculpture; for the improvement of manufactures and machines, in the various articles of hats, crapes, druggets, mills, marbled-paper, ship-blocks, spinning-wheels, toys, yarn, knitting, and weaving. They likewise allotted sums for the advantage of the British ...
— The History of England in Three Volumes, Vol.II. - From William and Mary to George II. • Tobias Smollett

... 'fashions' in marble, but of course it was fashion. Nothing else than the blindest of all blind guides could have led people into anything so hopelessly silly and unprincipled. I shall never enjoy this room again," she continued, "knowing, as well I know, that yonder stately piece of sculpture is a whited sepulchre, a delusion and a snare. I shall feel that I ought to unmask it the moment a visitor comes in, lest I should be asked to make a fire on the hearth and be obliged to confess the depravity in our ...
— The House that Jill Built - after Jack's had proved a failure • E. C. Gardner

... uttered by Christ, not the meek and gentle Man of Sorrows, but the rex tremendae majestatis, a Hercules, before whom Mary trembles and the whole of creation shudders. A quieter, but no less tragic work of art is the sculpture on the tomb of Lorenzo de' Medici at Florence. The hero himself sits above, and both he and the four allegorical figures, two men and two women, commonly called Day and Night, Morning and Evening, are lost in pensive, eternal sorrow. So ...
— The Age of the Reformation • Preserved Smith

... that chief enemy of life and health—dirt. Her round, white arms, bared almost to the shoulder, seemed designed as a sculptor's model rather than to wield the brush with which she scoured the paint and woodwork; but she thought not of sculpture except in the remote and figurative way of querying, with mind far absent from her work, how best she could carve their humble fortunes out of the unpromising material of the ...
— Without a Home • E. P. Roe

... at any rate of the ingredients which went to form the finished product. The process is purely literary, but it finds an analogy in the study of Semitic art, especially in the later periods. And I think it will make my meaning clearer if we consider for a moment a few examples of sculpture produced by races of Semitic origin. I do not suggest that we should regard the one process as in any way proving the existence of the other. We should rather treat the comparison as illustrating in another ...
— Legends Of Babylon And Egypt - In Relation To Hebrew Tradition • Leonard W. King

... disappeared before their eyes, many arthritics regained their function, serious skin conditions such as psoriasis disappeared, mental conditions improved, addictions vanished, fatigue was replaced by energy, and fat dissolved revealing the hidden sculpture beneath. I will talk more about procedures and the particular reasons bodies develop specific conditions ...
— How and When to Be Your Own Doctor • Dr. Isabelle A. Moser with Steve Solomon

... password of their order, Mistral coining the word "felibrige" to represent the work they aimed to do, and also their association. The name stuck, and has now for many years been the banner-word for the vigorous school of Provencal literature and the allied arts of painting and sculpture which has responded with such eager vitality ...
— Vanishing Roads and Other Essays • Richard Le Gallienne

... which a work of art cannot exist; possessing which, in the least degree, no work is altogether worthless. What is this quality? What quality is shared by all objects that provoke our aesthetic emotions? What quality is common to Sta. Sophia and the windows at Chartres, Mexican sculpture, a Persian bowl, Chinese carpets, Giotto's frescoes at Padua, and the masterpieces of Poussin, Piero della Francesca, and Cezanne? Only one answer seems possible—significant form. In each, lines and colours combined in a particular way, certain ...
— Art • Clive Bell

... poor stone to tell thy name, Or make thy virtues known: But what avails to me—to thee, The sculpture of ...
— Poems And Songs Of Robert Burns • Robert Burns

... editions," illuminated manuscripts, specimens showing the advance of the typographic art from the beginning, books of artistic interest, and works not to be found in this country, and sometimes not in Europe. Its collection of paintings and sculpture is important as well as its literary treasures. It is not a library of general reference, though many of its works will be sought by scholars for the value of their contents: it is, in short, a private art-gallery and library thrown open at stated times and under certain restrictions to the public. ...
— Lippincott's Magazine, December, 1885 • Various

... with the iron collars still hang to it, having, by centuries of friction, cut deep-curved grooves in the marble with swinging to and fro. This column also has sockets for the insertion of flagstaffs, and attached to it is a much-worn piece of eighth-century sculpture, with the motif of an ornamented cross beneath an arch fastened with clamps. The chroniclers of the seventeenth century record that near this place several drums of columns projected from the earth, and that two entire pillars were ...
— The Shores of the Adriatic - The Austrian Side, The Kuestenlande, Istria, and Dalmatia • F. Hamilton Jackson

... the last scaffolding, and looking quite smart in its newness, with its broad courses of stone disposed with perfect regularity. And, in thought, he sauntered around it, charmed with its nudity, its stupendous candour, its chasteness recalling that of a virgin child, for there was not a piece of sculpture, not an ornament that would have uselessly loaded it. The roofs of the nave, transept, and apse were of equal height above the entablature, which was decorated with simple mouldings. In the same way the apertures in the aisles and nave had no other adornments than archivaults with mouldings, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola

... outskirts of Rakos, near the new cemetery. It stood on a deep lot, and was roughly boarded on the side which looked on the highway. You remember that on the first floor, next the street, were the room of our father, the dining room, and the children's room. In the rear of the house was the sculpture studio. There we had the large white hall with big windows, where white-clothed laborers worked. They mixed the plaster, made forms, chiseled, scratched, and sawed. Here in this large hall had our father ...
— The Continental Classics, Volume XVIII., Mystery Tales • Various

... that the realistic tendency of our day, its craving for actuality and tangibility, could only find its proper form in sculpture, which gives you body, extension ...
— Plays by August Strindberg, Second series • August Strindberg

... globe; beyond which, I suspect, could the sand be cleared away, a vast temple would be discovered, to the entrance of which the colossal figures serve as ornaments. I should pronounce these works to belong to the finest period of Egyptian sculpture, and that the hieroglyphics are of the same age as those on the temple ...
— The World's Greatest Books, Volume 19 - Travel and Adventure • Various

... be a sculptor? Yes, yes; the art of sculpture is a nice, pretty art in its way. I fancy I've seen you in the street once or twice. Have you been staying ...
— The Lady From The Sea • Henrik Ibsen

... white, then yellow, spreading far over all adjacent objects, not sparing the leaves and flowers of living plants; at evening slime, spreading, streaming, changing; by morning fruit, a thousand stalked sporangia with their strangely convoluted sculpture. The evening winds again bear off the sooty spores, and naught remains but twisted yellow stems crowned with a pencil of tufted ...
— The North American Slime-Moulds • Thomas H. (Thomas Huston) MacBride

... better established than concentration. But as in morals, so in war, the application of principle, the certainty of right, is not always clear. Could it always be, war would be an exact science; which it is not, but an art, in which true artists are as few as in painting or sculpture. It may be that a bombardment of the fortifications of Havana, or of some other place, might have been expedient, for reasons unknown to the writer; but it is clearly and decisively his opinion that if it ...
— Lessons of the war with Spain and other articles • Alfred T. Mahan

... similar institution, on a smaller scale, is the Professional Institute of Santiago, founded in 1916. In several cities there are high schools called normal schools, and other institutions called superior schools, and the capital has an academy of drawing, painting and sculpture. ...
— Santo Domingo - A Country With A Future • Otto Schoenrich

... dealing with a nation inclined to pessimism, but that had nothing to do with the technical qualities of the man any more than the national peculiarities of Denmark had to do with Thorvaldsen as a follower of Greek sculpture. ...
— Shenandoah - Representative Plays by American Dramatists: 1856-1911 • Bronson Howard

... Vancouver Island): "This was a war canoe—the first of the kind I had seen. She was about thirty-six feet long and wide in proportion, the stem rising upright about six feet, on top of which was a figure of some imaginary monster of uncouth sculpture, having the head of a carnivorous animal with large erect ears but no body, clinging by arms and legs to the upper end of the canoe, and grinning horribly. The ears were painted green, the other parts red and black. The stern also rose ...
— Pioneers in Canada • Sir Harry Johnston

... know; without great centres of commerce, there could not be great commerce; and there would not be great fortunes then; and without great for tunes there could not be the grand things in music and painting and sculpture and architecture and books, ...
— Trading • Susan Warner

... made in the Persian language, in Babylonian and in the dialect of the city of Susa. To make the story plain to those who could not read at all, a fine piece of sculpture had been added showing the King of Persia placing his triumphant foot upon the body of Gaumata, the usurper who had tried to steal the throne away from the legitimate rulers. For good measure a dozen followers of Gaumata had been added. They stood in the background. Their ...
— Ancient Man - The Beginning of Civilizations • Hendrik Willem Van Loon

... but divested of conceits, and far preferable to every style that reigned till our late improvements. The buildings are heavy, and not equal to the purity of the house. The lavish quantity of urns and sculpture behind the garden front should be retrenched." Such were the sentiments of Mr. Walpole on this celebrated villa, before the noble proprietor began the capital improvements which have since been completed. Two wings have been added to ...
— The Mirror of Literature, Amusement, and Instruction, Vol. 10, - Issue 269, August 18, 1827 • Various

... sketched for you, when I was last at Pisa, a few arches of the apse of the duomo, and a small portion of the sculpture of the font of the Temple of St. John. I have placed them in your rudimentary series, as examples of "quella vecchia maniera Greca, goffa e sproporzionata." My own judgment respecting them is,—and it is a judgment founded on knowledge which you ...
— Val d'Arno • John Ruskin

... this matter is, that a woman has a right to do anything she can do well. There should be no department of merchandise, mechanism, art, or science barred against her. If Miss Hosmer has genius for sculpture, give her a chisel. If Rosa Bonheur has a fondness for delineating animals, let her make "The Horse Fair." If Miss Mitchell will study astronomy, let her mount the starry ladder. If Lydia will be a merchant, let her sell purple. If Lucretia ...
— The Abominations of Modern Society • Rev. T. De Witt Talmage

... having seen in her youth, persons kneeling before this stone and praying. The transmission of the tradition through very nearly three centuries proved correct, for on its being loosened by the frosts of a severe winter, it fell, and its religious distinction became immediately apparent from the sculpture with which it was adorned.—Eddowes' ...
— Folklore as an Historical Science • George Laurence Gomme

... representation of objects in nature, he soon tires of mere mechanical repetition of the same things in a given sequence, and strives to convey some ulterior idea by the manner of joining these parts. This gives life and language to sculpture and painting, and gives character to handwriting. Tracing signatures is one of the most common and dangerous methods of forgery. Some specimens of traced signatures are illustrated and explained in an Appendix at ...
— Disputed Handwriting • Jerome B. Lavay

... with the milkmaids of Brindaban, may very probably be some hero of the indigenous non-Aryan tribes, who, then as now, lived in the forests and were shepherds and herdsmen. His lowly birth from a labouring cowherd, and the fact that his name means black and he is represented in sculpture as being of a dark colour, lend support to this view. The cult of Krishna, Mr. Crooke points out, was comparatively late, and probably connected with the development of the worship of the cow after the decay of Buddhism. This latter Krishna, who is worshipped with ...
— The Tribes and Castes of the Central Provinces of India - Volume II • R. V. Russell

... colonial period in our own country, for instance, have been pretty uniformly declared to have been deficient in the sense of beauty. What is the evidence? It is mostly negative. They produced no poetry, fiction, painting, sculpture, or music worthy of the name. They were predominantly Puritan, and the whole world has been informed that English Puritanism was hostile to Art. They were preoccupied with material and moral concerns. Even if they had remained in England, Professor Trent affirms, ...
— The American Mind - The E. T. Earl Lectures • Bliss Perry

... was the ideal face merely to Greek sculptors. During the baser ages of the sculpturesque art, (how far towards our own day the epicycle inclusive of those ages extended it would be invidious for us to say,) sculpture consisted of the nearest imitation of Greek models which was possible of attainment by talents, with an occasional intercalated genius, hampered by prevailing modes. That the Greek face was beautiful, none could doubt. That in the sovereign ...
— The Atlantic Monthly, Volume 15, No. 88, February, 1865 • Various

... the efflorescence of alkaline deposits. A thin crust of it lies along the marsh over the vegetating area, which has neither beauty nor freshness. In the broad wastes open to the wind the sand drifts in hummocks about the stubby shrubs, and between them the soil shows saline traces. The sculpture of the hills here is more wind than water work, though the quick storms do sometimes scar them past many a year's redeeming. In all the Western desert edges there are essays in miniature at the famed, terrible Grand Canon, to which, if you keep on long ...
— The Land of Little Rain • Mary Austin

... fantastically eroded into galleries, balconies, alcoves, and Gothic caves that lent to them an additional weird and wonderful aspect, while the reverberating turmoil of the ever-descending flood was like some extravagant musical accompaniment to the extraordinary panorama flitting past of rock sculpture and bounding cliffs. ...
— The Romance of the Colorado River • Frederick S. Dellenbaugh

... my scholars dear! All doctrines, all politics and civilisation, exsurge from you; All sculpture and monuments, and anything inscribed anywhere, are tallied in you; The gist of histories and statistics, as far back as the records reach, is in you this hour, and myths and tales the same; If you were not breathing and walking here, where would ...
— Poems By Walt Whitman • Walt Whitman

... hoary monuments of Egypt—its temples, its obelisks, and its tombs—have presented to the eye of the beholder strange forms of sculpture and of language; the import of which none could tell. The wild valleys of Sinai, too, exhibited upon their rocky sides the unknown writings of a former people; whose name and existence none could ...
— Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art, (Vol. 2 of 3) • Shearjashub Spooner

... god Khnemu takes the date of the composition back to a period coaeval with the beginnings of religious thought in Egypt. It was the god Khnemu who assisted Thoth in performing the commands of God at the creation, and one very interesting sculpture at Philae shows Khnemu in the act of fashioning man upon a potter's wheel. The deceased, in mentioning Khnemu's name, seems to invoke his aid in the judgment as fashioner of man and as the being who is in some respects responsible ...
— Egyptian Ideas of the Future Life • E. A. Wallis Budge

... added the King, "is the somewhat singular origin of the illustrious abbey which your sister rules with such eclat. You must have remarked the boar's head, perfectly imitated in sculpture, in the dome; that mask is the speaking history of the noble community of Fontevrault, where more than a hundred Benedictine ...
— Marguerite de Navarre - Memoirs of Marguerite de Valois Queen of Navarre • Marguerite de Navarre

... practical the narrowly utilitarian), confines the child to the three R's and the formal studies connected with them, shuts him out from the vital in literature and history, and deprives him of his right to contact with what is best in architecture, music, sculpture, and picture, it is hopeless to expect definite results in the training ...
— Moral Principles in Education • John Dewey

... after long centuries been disinterred and is now in the great pagoda at Rangoon. In the Lahore museum there is a rich collection of the sculptures recovered from the Peshawar Valley, the ancient Gandhara. They exhibit strong traces of Greek influence. The best age of Gandhara sculpture was probably over before the reign of Kanishka. The site of the famous town of Taxila is now a protected area, and excavation there may ...
— The Panjab, North-West Frontier Province, and Kashmir • Sir James McCrone Douie

... believing that the type of mind which is capable of focussing its devotion upon a statuette is also capable of distinguishing between the idea of a symbol and the idea of a portrait. But when we pass from the work of a man's hands to the work of his brain—from an actual piece of sculpture to a mental construction—the plea of symbolism can no longer be advanced. This graven image of the mind, so to speak, is the veritable God, or it is nothing; and Mr. Wells, as we have seen, is profuse in his assurances that it is the veritable God. That ...
— God and Mr. Wells - A Critical Examination of 'God the Invisible King' • William Archer

... oil-painting enabled him to produce. This technique has evidently been a great delight, and is here carried to perfection; the skin of St. Sebastian gleams with a gloss like the coat of a horse in high condition. Everything that architecture, sculpture, and rich material can supply is borrowed to enhance the grandeur of the group; but the line of sight is still close to the bottom of the picture, and if it were not for the exquisite grace with which the angels are placed, the Madonna would have a broad, clumsy effect. The ...
— The Venetian School of Painting • Evelyn March Phillipps

... may travel for archaeological or even statistical reasons. He may wish, like Ulysses, to study "manners, councils, customs, governments." He may be preoccupied with questions of architectural style or periods of sculpture. I have a friend who takes up at intervals the study of the pictures of a particular master, and will take endless trouble and undergo incredible discomfort, in order to see the vilest daubs, if only he can make his list complete, and say that he has seen all the ...
— At Large • Arthur Christopher Benson

... forget the fine enthusiasm and understanding with which Mr. Borglum and Mr. Conti and Mrs. Farnham and Mrs. Whitney have brought sculpture to aid the architects' expression; nor the honest and faithful work of Mr. Norcross, the builder; nor the kind help of Mr. William Smith, of the Botanical Garden, who has filled the patio with tropical plants rare and strange to northern eyes, but familiar friends to the Latin American; ...
— Latin America and the United States - Addresses by Elihu Root • Elihu Root

... would, if we could, keep the pungency and aroma of her wild fruit in our cultivated specimens, the virtue and hardiness of the savage in our fine gentlemen, the joy and spontaneity of her bird-songs in our poetry, the grace and beauty of her forms in our sculpture and carvings. ...
— Whitman - A Study • John Burroughs

... always said there was enough of hard practicality and useful knowledge forced on us by necessity, and that the thing most needed was to soften and refine our minds. She picked up every scrap of information concerning painting, sculpture, poetry, music, &c., as if ...
— The Life of Charlotte Bronte - Volume 1 • Elizabeth Gaskell

... For all the sacred mount of Camelot, And all the dim rich city, roof by roof, Tower after tower, spire beyond spire, By grove, and garden-lawn, and rushing brook, Climbs to the mighty hall that Merlin built. And four great zones of sculpture, set betwixt With many a mystic symbol, gird the hall: And in the lowest beasts are slaying men, And in the second men are slaying beasts, And on the third are warriors, perfect men, And on the fourth are men with growing wings, And over ...
— Idylls of the King • Alfred, Lord Tennyson

... also seen a new kind of Maps in low Relievo, or Sculpture; For example the Isle of Antibe, upon a square of about eight Foot, made of Boards, with a Frame like a Picture: There is represented the Sea, with Ships and other Vessels Artificially made, with their Canons and Tackle ...
— Philosophical Transactions of the Royal Society - Vol 1 - 1666 • Various

... sand clifts and woarn it into a thousand grotesque figures, which with the help of a little immagination and an oblique view at a distance, are made to represent eligant ranges of lofty freestone buildings, having their parapets well stocked with statuary; collumns of various sculpture both grooved and plain, are also seen supporting long galleries in front of those buildings; in other places on a much nearer approach and with the help of less immagination we see the remains or ruins of eligant buildings; ...
— The Journals of Lewis and Clark • Meriwether Lewis et al

... interested in the subject are referred to C. Lemonnier's "Histoire des Beaux Arts en Belgique" (Brussels, 1881), E. Hessling's "La Sculpture Belge Contemporaire" (Berlin, 1903), Destree's "Renaissance of Sculpture in Belgium," Crowe and Cavalcaselle's ...
— Vanished towers and chimes of Flanders • George Wharton Edwards

... the wrong way, according to our notions. I had been worried a great deal, the reader may remember, at the most unpractical way in which my men loaded the animals when I had my caravan of mules and horses. I had been more than amazed at Brazilian ideas of architecture, sculpture, painting and music. I had on many occasions been dumbfounded at their ideas of honour and truthfulness. Now once more I was sickly amused—I had by then ceased to be amazed or dumbfounded or angry—at the way my men daily packed the ...
— Across Unknown South America • Arnold Henry Savage Landor

... Italian art would doubtless have altered some of the opinions he at first expressed; just as longer residence among the people made him modify his views about their character. Meanwhile, the spirit of modest and unprejudiced attention in which he began his studies of sculpture and painting, might well be imitated in the present day by travellers who think that to pin their faith to some famous critic's verdict is the acme of good taste. If there were space for a long quotation from these letters, I should choose ...
— Percy Bysshe Shelley • John Addington Symonds

... was one of them. And with these two themes she thought she could create an Isolde more intense than the Isolde of the fat women whom she had seen walking about the stage, lifting their arms and trying to look like sculpture. ...
— Evelyn Innes • George Moore

... who desire to increase their information. He studied the King's Newmarket with the "horse" in the middle of it, looked respectfully up the pillars of Our Lady's, stood long before Thorwaldsen's noble and lovely sculpture, climbed the Round Tower, visited castles, and spent two lively evenings in the Tivoli. But all this was not really what ...
— The German Classics of the Nineteenth and Twentieth Centuries - Masterpieces of German Literature Vol. 19 • Various

... made (1858) women were permitted to attend certain lectures. They could not join a class or read a book, but it was the custom for them to go and listen to the beautiful and highly instructive lectures by Professor Andrew D. White on history, sculpture, and mediaeval architecture, and ...
— History of Woman Suffrage, Volume III (of III) • Various

... retainers, mounted to the gateway. Here another guard of honor was drawn up. Passing through these, they entered a shady courtyard, on one side of which was a stone pavilion. The flat ceiling was supported by massive columns, closely covered with intricate sculpture. The roof was arabesqued with deeply cut patterns, picked out in bright colours. A ...
— With Clive in India - Or, The Beginnings of an Empire • G. A. Henty

... she returned a man followed in after her. He was old and bent, and his face was thin. His cheek-bones shone, so tightly was the skin drawn over them. Behind him came a younger man, as straight as a tree, with strong shoulders and a head set like a piece of bronze sculpture. This man carried in his hand a frozen fish, which he gave to the woman. As he gave it to her he spoke words ...
— Isobel • James Oliver Curwood

... was willing to agree that he studied with you at the college of Tours and also that hew as the same Monsieur Dorlange who, in 1831 and under quite exceptional circumstances, carried off the grand prize for sculpture. No doubt remained in my mind as to his identity. I attributed his want of memory to the long interruption (of which you yourself told me) in your intercourse. I think that that interruption wounded him more than you are aware, and when he seemed to have forgotten your very ...
— The Deputy of Arcis • Honore de Balzac

... superb calm, the majestic flowing strength of the Victory of Samothrace.... At times, legs, arms, a leg or an arm, the throat, or the exposed breast assume an importance above that of the rest of the mass, suggesting the unfinished sculpture of Michael Angelo, an aposiopesis which, of course, served as ...
— The Merry-Go-Round • Carl Van Vechten

... wars between the rival states checked her advancement. She was poor, her leading men had become corrupt. They were ever ready to barter patriotic considerations for foreign gold, to sell themselves for Persian bribes. Possessing a perception of the beautiful as manifested in sculpture and architecture to a degree never attained elsewhere either before or since, Greece had lost a practical appreciation of the Good and ...
— History of the Conflict Between Religion and Science • John William Draper

... and heavy battlements rise in stern and solemn grandeur, moss-grown with age, and blackened by the storms of three centuries. Within, all is mournful and deserted. The grass has overgrown the pavement of the courtyard, and the rude sculpture upon the ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various

... religion and natural theology, in which science was taught and used in subservience to Christian truth and duty, I read whenever I could get hold of them. They interested me exceedingly. For works on Painting, Sculpture, Architecture, I had not the least regard. They seemed to have no tendency to help me in the work in which I was engaged, and I had no desire to talk respectable nonsense on such subjects. I was fond of Ecclesiastical and Civil History, and read most greedily such works as threw light on the progress ...
— Modern Skepticism: A Journey Through the Land of Doubt and Back Again - A Life Story • Joseph Barker

... complex, imaginative rather than fanciful, abstract not concrete, intellectual not emotional; wanting the many-sidedness of modern taste, partaking of the unity of science rather than the multiformity of nature, like sculpture rather than painting. This mental peculiarity contributed to scepticism by inclining his mind to the pantheistic philosophy, which can never be held save by those whose minds can give being to an abstraction, ...
— History of Free Thought in Reference to The Christian Religion • Adam Storey Farrar

... bearing them; the pinnacles, and sharp spires; the fallen masses heaped against the base of the cliffs, covered with seaweed, and worn out of all form, yet looking like the fragments of some great temple, with its treasures of sculpture; and about them all the clear, lucid water swelling and tossing, throwing over them sparkling sheets of foam. And the brilliant tone of the golden and saffron lichens, and the delicate tint of the gray and silvery ones, stealing about the ...
— The Doctor's Dilemma • Hesba Stretton

... head she wore a bridal wreath and veil—the former of jewels, the latter falling round her like a cloud of mist. Everything was perfect, from the wreath and veil to the tiny sandaled feet and lying there in her mute repose she looked more like some exquisite piece of sculpture than anything that had ever lived and moved in this groveling world of ours. But from one shoulder the dress had been pulled down, and there lay ...
— The Midnight Queen • May Agnes Fleming

... doubt because they're ashamed of the view," he said to himself. The size of the chimneypiece impressed him, and also its rich carving. "But what an old-fashioned grate!" he said to himself. "They need gilt radiators here." The doorway was a marvel of ornate sculpture, and he liked it. He liked, too, the effect of the oil-paintings—mainly portraits—on the walls, and the immensity of the brass fender, and the rugs, and the leather-work of the chairs. But there could ...
— The Regent • E. Arnold Bennett

... way before he can realize them at all. That's the stage. If they can have an operator climbing a real telegraph-pole to tap the wire and telegraph the girl he loves that he is dead, so that she can marry his rich rival and go to Europe and cultivate her gift for sculpture, they feel that ...
— The Story of a Play - A Novel • W. D. Howells

... skillful applications of science to an unlimited variety of materials, and especially to the subtile but most energetic agencies of nature, is one of the latest attainments of the human mind. It is remarkable that astronomy, sculpture, painting, poetry, oratory, and even ethical philosophy, had made great progress thousands of years before the era of the manufacturing and mechanic arts. This era, indeed, has but just commenced; and already the abundance, ...
— Popular Education - For the use of Parents and Teachers, and for Young Persons of Both Sexes • Ira Mayhew

... inability to accept the honour offered, she and her husband had been set up in a matter-of-fact business in the stone trade by her patron, but that unforgettable request in the London studio had made her feel ever since a refined kinship with sculpture, and a proportionate aloofness from mere quarrying, which was, perhaps, no more than a venial weakness in Avice the Second. Her daughter's objection to Jocelyn she could never understand. To her own eye he was no older than when ...
— The Well-Beloved • Thomas Hardy

... eye, she could pray. Those others about which circled human lives attracted her less frequently. To her the crosses were sentient creatures above the fret of Time, eternally watching human affairs. The dawn of art as shown in early religious sculpture generally amuses an ignorant mind, but, to Joan, the little shirted figures of her new Saviour, which opened blind eyes on the stones she loved, were matter for sorrow rather than amusement. They did by no means repel her, despite ...
— Lying Prophets • Eden Phillpotts









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