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More "Copyright" Quotes from Famous Books
 ... And as for Greuze, you know that his heads will fetch 1,000L., 1,500L., 2,000L.—as much as a Sevres "cabaret" of Rose du Barri. If cost price is to be your criterion of worth, what shall we say to that little receipt for 10L. for the copyright of "Paradise Lost," which used to hang in old Mr. Rogers's room? When living painters, as frequently happens in our days, see their pictures sold at auctions for four or five times the sums which they originally received, are they enraged or elated? A ...
— Roundabout Papers • William Makepeace Thackeray
... going to reveal all the clues to you now; partly because I might be infringing the copyright of another, partly because I have forgotten them. But the idea roughly is that if a man holds his cigar between his finger and thumb, he is courageous and kind to animals (or whatever it may be), and if he holds it between his first and second fingers he is impulsive ...
— Not that it Matters • A. A. Milne
... [Footnote: The quotations from the poems of Joaquin Miller appearing in this chapter are used by permission of the Harr Wagner Publishing Company, owners of copyright.] ...
— Giant Hours With Poet Preachers • William L. Stidger
... Acknowledgment is also made to Row, Peterson and Company for kind permission to use illustrations from History Stories of Other Lands; also to the International Film Service, Inc., of New York City for the use of many valuable copyright illustrations of scenes ...
— The World War and What was Behind It - The Story of the Map of Europe • Louis P. Benezet
... Bees and Other Poems," by Henry van Dyke, copyright, 1909, by Charles Scribner's Sons. By permission ...
— America First - Patriotic Readings • Various
... twenty-seven five-line stanzas (which differs only from that in more recent "Collected Works," and "Selections," in its lack of the three stanzas now numbered xxi., xxii., and xxiii.) was printed for limited private circulation, though primarily for the purpose of securing American copyright. Browning several times printed single poems thus, and for the same reasons—that is, either for transatlantic copyright, or when the verses were not likely to be included in any volume for a prolonged period. These leaflets or half-sheetlets of 'Gold Hair' and ...
— Life of Robert Browning • William Sharp
... issued under the protection of copyright. Cloth bound, small 8 vo. 882 pages, with index to first lines. Price, postpaid, seventy-five cents. The same, bound in three-quarter morocco, gilt ...
— At the Time Appointed • A. Maynard Barbour
... largest portion of his list, editions of all that is worthy of our own. He would make a very careful list of thoroughly modern encyclopaedias, atlases, and volumes of information, and a particularly complete catalogue of all literature that is still copyright; and then—with perhaps a secretary or so—he would revise all his lists and mark against every book whether he would have two, five or ten or twenty copies, or whatever number of copies of it he thought proper ...
— An Englishman Looks at the World • H. G. Wells
... Book," by James Whitcomb Riley, copyright, 1911. Used by special permission of the publishers, The ...
— The Art of the Story-Teller • Marie L. Shedlock
... American child's "culture"—such, for example, as the Japanese folk stories—also have been omitted. Other splendid specimens of juvenile literature, as stories from Kipling's Jungle Books and essays from Burroughs, have been omitted because of copyright restrictions. ...
— Types of Children's Literature • Edited by Walter Barnes
... MacDonald Alden's story is published with permission of the Bobbs-Merrill Company of Indianapolis, Indiana, the publishers of Professor Alden's story and the holders of the copyright. ...
— Why the Chimes Rang: A Play in One Act • Elizabeth Apthorp McFadden
... effects, movables; stock, stock in trade; things, traps, rattletraps, paraphernalia; equipage &c 633. parcels, appurtenances. impedimenta; luggage, baggage; bag and baggage; pelf; cargo, lading. rent roll; income &c (receipts) 810; maul and wedges [U.S.]. patent, copyright; chose in action; credit &c 805; debt &c 806. V. possess &c 777; be the possessor of &c 779, own; have for one's own, have for one's very own; come in for, inherit. savor of the realty. be one's property &c n.; belong to; appertain to, pertain to. Adj. one's own; landed, predial^, ...
— Roget's Thesaurus of English Words and Phrases: Body • Roget
... very nicely rendered in the "Fisheries Exhibition;" the painting of an artistic scene at the back of this case helped the effect wonderfully, as it usually does in good work. "Hooded Crows Tracking a Widgeon," and "Wounded Tern," fallen by its eggs, were two other clever groups—said to be "copyright," though how on earth such things can be copyright I do not know, especially as not one of the things exhibited could be called original; indeed, everything I saw at the "Fisheries," with the exception of the osprey mentioned ...
— Practical Taxidermy • Montagu Browne
... mind, though open to receive, is robust like his body, and will not accept shackles. The propaganda should be of the best productions of the highest intellects, independent of creed and party. A practical difficulty arises from the copyrights; you cannot reprint a book of which the copyright still exists without injury to the original publisher and the author. But there are many hundred books of the very best order of which the copyright has expired, and which can be reprinted without injury to any one. Then there are the books which it may be presumed would be compiled on purpose ...
— The Life of the Fields • Richard Jefferies
... object of the present volume is to afford admirers of Wilde's work the same innocent pleasure obtainable from similar compilations, namely that of reconstructing a selection of their own in their mind's eye—for copyright considerations would interfere with the materialisation ...
— Selected Prose of Oscar Wilde - with a Preface by Robert Ross • Oscar Wilde
... is alleged that somebody is going to write another version of Faust—presumably the pantomime edition by Wills is copyright. In addition, it appears that Mr Stephen Phillips has concocted an adaptation of The Bride of Lammermoor in which the story and characters are vastly improved. Alas, poor Scott! On top of all this we hear of countless adaptations on the market, ...
— Our Stage and Its Critics • "E.F.S." of "The Westminster Gazette"
... due, first and chiefly, to Mr. Clement K. Shorter who placed all his copyright material at my disposal; and to Mr. G.M. Williamson and Mr. Robert H. Dodd, of New York, for allowing me to draw so largely from the Poems of Emily Bronte, published by Messrs. Dodd, Mead, and Co. in 1902; also to Messrs. Hodder and Stoughton, the publishers of the Complete Poems ...
— The Three Brontes • May Sinclair
... Dickens, instead of dining at other people's expense, and making speeches at his own, when he came to see us, had devoted an evening or two in the week to lecturing, his purse would have been fuller, his feelings sweeter, and his fame fairer. It was a Quixotic crusade, that of the Copyright, and the excellent Don has never forgiven the windmill that ...
— Literary and Social Essays • George William Curtis
... edition is not known, nor do we know when Rowe accepted the commission and began his work. McKerrow has plausibly suggested that Tonson may have been anxious to call attention to his rights in Shakespeare on the eve of the passage of the copyright law which went into effect in April, 1710.[2] Certainly Tonson must have felt that he was adding to the prestige which his publishing house had gained by the publication of ...
— Some Account of the Life of Mr. William Shakespear (1709) • Nicholas Rowe
... have added the best tales scattered elsewhere. By this means I hope I have put together a volume, containing both the best, and the best known folk-tales of the Celts. I have only been enabled to do this by the courtesy of those who owned the copyright of these stories. Lady Wilde has kindly granted me the use of her effective version of "The Horned Women;" and I have specially to thank Messrs. Macmillan for right to use Kennedy's "Legendary Fictions," and Messrs. Sampson Low & Co., for the use ...
— Celtic Fairy Tales • Joseph Jacobs (coll. & ed.)
... had once advised him to write the particulars of it, and had promised him half-a-crown if he would do so. He had written some of them, but had never seen the gentleman again, so he did not get the half-crown; and now he would take sixpence for the copyright of his work. I gave him sixpence, and he drew out a manuscript from an inside pocket of his coat, and handed it to me. It was composed of small sheets of whitey-brown wrapping paper sewn together. He had ruled lines on it, and had written ...
— The Book of the Bush • George Dunderdale
... this time too that Haydn opened a correspondence with William Forster of London, who had added to his business of violin-maker that of a music-seller and publisher. Forster entered into an agreement with him for the English copyright of his compositions, and between 1781 and 1787 he published eighty-two symphonies, twenty-four quartets, twenty-four solos, duets and trios, and the "Seven Last Words," of which we have yet to speak. Nothing of the Forster correspondence ...
— Haydn • J. Cuthbert Hadden
... Warman vouches for this story in his Frontier Stories. Copyright by Charles Scribner's ...
— The Great Salt Lake Trail • Colonel Henry Inman
... financial aid from the many who would be sure to be interested in such an important and long-desired work. Help in our case was at once readily proffered, but very soon was found not to be necessary, owing to our disposal of copyright to the Presses of the two Universities. With the American Revisers it was otherwise. During the whole twelve years all the necessary expenses of travelling, printing, room-rent, and other accessories were, as Dr. Schaff ...
— Addresses on the Revised Version of Holy Scripture • C. J. Ellicott
... long eyelashes, and a dreamy look in his eyes, like Valentine?" asked Charlotte, secretly convinced that her lover had a copyright in these ...
— Charlotte's Inheritance • M. E. Braddon
... I scanned using Optical Character Recognition was printed in the 1888-92 period by John W. Lovell of 150 Worth St. New York. Lovell has been described as a book pirate who tried to form a monopoly in the cheap uncopyrighted book trade. The US copyright laws were rather weak in the nineteenth century, and Charles Dickens was particularly hurt by pirates. There was even a book war, with rival publishers of the same book undercutting each other on price. Proof reading was ...
— Tom Brown at Oxford • Thomas Hughes
... innocents, or of the star which guided those wise men to the birthplace of the little king of the Jews. That star is the sole property of Matthew, and the other evangelists took care not to infringe his copyright. Indeed, it is surprising how well they did with the remnants he ...
— Flowers of Freethought - (Second Series) • George W. Foote
... given by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass of smaller pictures, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... have been so well received by the public and the leading critics of this part of the State, that I think of having them printed in a volume. I am going to the city for that purpose. My mother has given her consent. I wish to ask you several business questions. Shall I part with the copyright for a downright sum of money, which I understand some prefer doing, or publish on shares, or take a percentage on the sales? These, I believe, are the different ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... made to the following authors, publishers, and owners of copyright, who have courteously granted permission to use the selections which ...
— De La Salle Fifth Reader • Brothers of the Christian Schools
... have witnessed a distinct reaction from Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... illustration). After an etching by J. van der Ulft, 1656. Plate 5. The Bridge Called "Grimnessesluis" in Amsterdam. After the drawing by Rembrandt in the Louvre, Paris. Reproduced, by permission, from a copyright photograph by Messrs. Braun and Co., Dornach. Plate 6. View of the Ramparts of Amsterdam, with the St. Anthony-Gate in the Distance. After the drawing by Rembrandt, formerly in the Heseltine Collection. Plate 7. Mills on the West Side ...
— Rembrandt's Amsterdam • Frits Lugt
... upon this point—illustrations furnished by the copyright laws, illustrations furnished by patent laws. Let us take a case, one that appeals to us all. There lives now a man in England who from time to time sings to the enchanted ear of the civilized world strains of such melody that the charmed senses seem to ...
— American Eloquence, Volume III. (of 4) - Studies In American Political History (1897) • Various
... public. In short, he was advised not to print. That was the net total of the matter, and it was a pang to the susceptible heart of the poet. He had hoped to have come home enriched by the sale of his copyright, and with the prospect of seeing his name before long on the ...
— The Atlantic Monthly, Volume 20, No. 121, November, 1867 • Various
... what would be the result of his visit, he came and passed like the wild Simoom. Soon after his return to England an edict came, forbidding in the British provinces of America publications containing reprints of English works. Of the deeper matters connected with the copyright question I know not, but this I do know, that our long winter nights seemed doubly long and drear, with nothing to read but dark details of horrid murder, or deadly doings of Rebeccaite and Chartist. As yet, however, this time was not come, and each passing week saw us now enlightened ...
— Sketches And Tales Illustrative Of Life In The Backwoods Of New Brunswick • Mrs. F. Beavan
... endorsed, or authorized such use. If you have any questions about your intended use, you should consult with legal counsel. Further information on The World Factbook's use is described on the Contributors and Copyright Information page. As a courtesy, please cite The World Factbook ...
— The 2005 CIA World Factbook • United States. Central Intelligence Agency
... on the ground that none of the competing pieces reached the high standard of excellence contemplated, withheld the $500, and Keller's work received merely the compliment of being judged worth presentation. The artist had his copyright, but he remained a ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... his choicest treasures. There was his correspondence with Lord Byron; everything relating to his acquaintance with the Empress and the Emperor of Austria at Karlsbad; and finally the imperial Austrian copyright of his collected works. This latter he seemed to value very highly, either because he liked the conservative attitude of Austria, or because he regarded it as an oddity in contradistinction to ...
— The German Classics of The Nineteenth and Twentieth Centuries, Vol. VI. • Editor-in-Chief: Kuno Francke
... piano—can be bought, vie with each other in selling the cheapest edition. One pirate put his price even so low as four cents—two pence!" (Those, it will be remembered, were the days before Anglo-American copyright.) ...
— A Writer's Recollections (In Two Volumes), Volume II • Mrs. Humphry Ward
... Mulholland, and Mr Mulholland discussed it at lunch with the prefects of his house. The juniors of Kay's were among the last to hear of it, but when they did, they made the most of it, to the disgust of the School House fags, to whom the episode seemed in the nature of an infringement of copyright. Several spirited by-battles took place that day owing to this, and at the lower end of the table of Kay's dining-room at tea that evening there could be seen many swollen countenances. All, however, wore pleased smiles. They had proved to the School House their right to have ...
— The Head of Kay's • P. G. Wodehouse
... Dunlap Publishers New York Made in the United States of America Copyright, 1922, by William S. Hart All Rights Reserved Printed In ...
— Injun and Whitey to the Rescue • William S. Hart
... which made appropriations for the improvement of harbors and rivers, for the continuation of the Cumberland road, for the encouragement of the culture of the vine and olive, and for granting an extended copyright to authors. It was only during his second term that his hostility to tariffs became a passion,—not from any well-defined views of political economy, for which he had no adequate intellectual training, but because "protection" was unpopular in the southwestern States, and ...
— Beacon Lights of History, Volume XII • John Lord
... from time to time fifteen hundred francs, for which I have signed three notes of a thousand francs each, and those notes are secured by a sort of mortgage on the copyright of my book, so that I cannot sell my book unless I pay off those notes, and the notes are now protested,—he has taken the matter into court and obtained a judgment against me. Such are the complications of poverty! At the lowest valuation, the first edition ...
— The Brotherhood of Consolation • Honore de Balzac
... books, and they mitigate the difficulty of dearness by subdividing the cost, and then selling such copies as are still in decent condition at a large reduction. It is this state of things, due, in my opinion, principally to the present form of the law of copyright, which perhaps may have helped to make way for the satirical (and sometimes untrue) remark that in times of distress or pressure men make their first economies on their charities, and their second on ...
— On Books and the Housing of Them • William Ewart Gladstone
... of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man ...
— A Mother's List of Books for Children • Gertrude Weld Arnold
... session, a bill for securing to authors, in certain cases, the benefit of international copyright passed the legislature, and which enabled her majesty in council to direct that the authors of books published abroad shall have a copyright here, provided there be a reciprocal protection in favour of this country in the state in which such publications ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... was a law in Amsterdam forbidding all partnerships in business that were not licensed by the state. The legislature of the State of Missouri has recently made war on the department store in the same way, using the ancient Van Krugen argument as a reason, for there is no copyright on stupidity. ...
— Love, Life & Work • Elbert Hubbard
... coco-palms; has a desert island in his eye, which he desires to lease, and a schooner in the stocks, which he has laid and built himself, and even hopes to finish. Mr. M'Callum and I did not meet, but, like gallant troubadours, corresponded in verse. I hope he will not consider it a breach of copyright if I give here a specimen of his muse. He and Bishop Dordillon are the two European bards of ...
— The Works of Robert Louis Stevenson - Swanston Edition Vol. 18 (of 25) • Robert Louis Stevenson
... plays had attracted Johnson early, and in 1745 he issued proposals for an edition. Forced to give up the project because of copyright difficulties, he returned to it again in 1756 with another, much fuller set of proposals. Between 1745 and 1756 he had completed the great Dictionary and could advance his lexicographical labors as an invaluable ...
— Johnson's Notes to Shakespeare Vol. I Comedies • Samuel Johnson
... secure his prey. The people cursed him, but in times of need Trusted in one so certain to succeed: By Law's dark by-ways he had stored his mind With wicked knowledge, how to cheat mankind. Few are the freeholds in our ancient town; A copyright from heir to heir came down, From whence some heat arose, when there was doubt In point of heirship; but the fire went out, Till our attorney had the art to raise The dying spark, and blow it to a blaze: For this he now began ...
— The Borough • George Crabbe
... grey tweed suit,'" repeated Spargo. "Good line. You haven't any copyright in it, remember. It would make a ...
— The Middle Temple Murder • J.S. Fletcher
... was not registered in the Copyright Library, but it appears to have been a rather badly printed pirated version. It was not an easy job to create this e-book, but I believe the author would approve of what we ...
— The King's Daughters • Emily Sarah Holt
... a worthy predecessor of Lowell's Biglow Papers. Trumbull wrote his poem as a "weapon of warfare." The first part of M'Fingal passed through some forty editions, many of them printed without the author's consent. This fact is said to have led Connecticut to pass a copyright law in 1783, and to have thus constituted a landmark ...
— History of American Literature • Reuben Post Halleck
... an opportunity of referring to a topic in which I and all others of my class on both sides of the water are equally interested—equally interested, there is no difference between us, I would beg leave to whisper in your ear two words: INTERNATIONAL COPYRIGHT. I use them in no sordid sense, believe me, and those who know me best, best know that. For myself, I would rather that my children, coming after me, trudged in the mud, and knew by the general feeling of society that their father was beloved, and had been of some use, than I would ...
— Speeches: Literary and Social • Charles Dickens
... Canadian courts to the Judicial Committee of the Privy Council—limitations which had been wholly or mainly removed in the case of the newer Commonwealth of Australia. But the long-contested control over copyright was finally conceded, and the Hutton and Dundonald incidents led to the clearer recognition that if imperial officers entered the military service of the Dominion they were, precisely as in the United Kingdom, under the control ...
— The Day of Sir Wilfrid Laurier - A Chronicle of Our Own Time • Oscar D. Skelton
... laughed Ormsby. "Miss Portia has a copyright on that. But before you begin, I'd like to know if the newspapers have it straight as far as ...
— The Grafters • Francis Lynde
... of Charles and Mary Lamb contains 618 letters, of which 45 are by Mary Lamb alone. It is the only edition to contain all Mary Lamb's letters and also a reference to, or abstract of, every letter of Charles Lamb's that cannot, for reasons of copyright, be included. Canon Ainger's last edition contains 467 letters and the Every-man's Library Edition contains 572. In 1905 the Boston Bibliophile Society, a wealthy association of American collectors, issued privately—since privately one can do anything—an edition in six volumes ...
— The Works of Charles and Mary Lamb, Vol. 5 • Edited by E. V. Lucas
... being now connected with the best papers in London. "The Deemster" was sold for one hundred and fifty pounds (six hundred dollars), the serial rights having produced four hundred pounds (two thousand dollars). He would be glad to-day to purchase the copyright back for one thousand pounds. He had great faith ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... has gone out in Low's parcel. If the managers will be quick, you can make this copyright by not calling it 'Honor before Titles'" (the sub-title under which it had been copyrighted in England). "Then, to bind the thing together, I write a different conclusion to the second act, and send it you enclosed. It is hasty, but it will do; and if you can get Jem ...
— Lippincott's Magazine, December, 1885 • Various
... contribute largely out of his small means to her comfort. In order to defray the charges of her funeral, and to pay some debts which she had left, he wrote a little book in a single week, and sent off the sheets to the press without reading them over. A hundred pounds were paid him for the copyright; and the purchasers had great cause to be pleased with their bargain, ...
— Great Men and Famous Women, Vol. 7 of 8 • Charles F. (Charles Francis) Horne
... The project of reprinting the magazine was conceived by its present publisher, Mr. Stock, many years ago—perhaps about 1883. At that time several contributors assented, but others declined, and considerations of copyright made it impracticable to proceed with the project. It is only now that lapse of time has disposed of the copyright question, and Mr. Stock is free to act as he likes. I was from the first one of those (the majority) who ...
— The Germ - Thoughts towards Nature in Poetry, Literature and Art • Various
... was passing rich on it; and it was soon raised to L79. We need trouble no further as to whether on such wages he was poor or rich: he evidently considered himself well-to-do. In fact, even in those days, when copyright practically did not exist, he continually made respectable sums by his compositions, and after he had been twice to England, ever the Hesperides' Garden of the German musician, he was a wealthy man, and was thankful for it. He was as keen at ...
— Haydn • John F. Runciman
... under the 5th & 6th Vic. c. 100, and the Public are hereby cautioned against making any of them for the purpose of Sale, without permission from the Authoress. Any person infringing upon the Copyright will be proceeded against, and, by sect. 8, they are liable to a penalty of from L5 to L30 for ...
— Golden Stars in Tatting and Crochet • Eleonore Riego de la Branchardiere
... thick octavo volume, dated 1805. The title-page is succeeded by an anonymous address to the reader, at the foot of which occurs a peremptory warning to pilferers of dishes or parts thereof; in other words, to piratical invaders of the copyright of Monsieur Barba. There is a preface equally unclaimed by signatures or initials, but as it is in the singular number the two hommes de bouche can scarcely have written it; perchance it was M. Barba aforesaid, ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... of the House was such that no other speaker could obtain a hearing; and the debate was adjourned. The ferment spread fast through the town. Within four and twenty hours, Sheridan was offered a thousand pounds for the copyright of the speech, if he would himself correct it for the press. The impression made by this remarkable display of eloquence on severe and experienced critics, whose discernment may be supposed to have been quickened by emulation, was deep and permanent. Mr. Windham, twenty years ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... up, led me very wide of your mark, and I was obliged to leave you quite unsatisfied on another point, about which, for one who is not an author, you seem to be singularly excited. To waive my astonishment at the Benthamism of the phrase, pray what is "International Copyright" to Godfrey, that he should weep for such a Hecuba? I should have been as little surprised, had you asked me to inquire the opinion of the Indians as to the best regimen for infants. A veritable author, suffering by wholesale American rapine, would have commanded my sympathies, and I should ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... be a law to protect unfortunate authors,' said Mrs Jo one morning soon after Emil's arrival, when the mail brought her an unusually large and varied assortment of letters. 'To me it is a more vital subject than international copyright; for time is money, peace is health, and I lose both with no return but less respect for my fellow creatures and a wild desire to fly into the wilderness, since I cannot shut my doors ...
— Jo's Boys • Louisa May Alcott
... separate one user's printout from the next. 2. A similar printout generated (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0
... his betrothed, it was to Goethe he flew for comfort, and he found him a friend in need. At a later date Goethe published Stilling's Autobiography without his knowledge, and presented him with the copyright. It was with the lively recollection of these and other acts of friendship that Stilling wrote the words which are the finest tribute ever paid to Goethe: "Goethe's heart, which few knew, was as great as his ...
— The Youth of Goethe • Peter Hume Brown
... gave a copyright performance of "The Little Minister" which Maude Adams is to play in the States. It was advertised by a single bill in front of the Haymarket Theater and the price of admission was five guineas. We took in fifteen guineas, the audience ...
— Adventures and Letters • Richard Harding Davis
... of Stephen Crane's finest stories, is used with the courteous permission of Doubleday, Page & Co., holders of the copyright. Its companion masterpiece, "The Blue Hotel," because of copyright complications, has had to be omitted, greatly to the regret of ...
— Men, Women, and Boats • Stephen Crane
... bring it out in book form. That made him decide to publish it in England himself, and he did so at his own expense. The publisher soon failed, and by Scott's help, as already explained, Irving got his book into the hands of Murray. Murray finally gave him a thousand dollars for the copyright. But when it was published, it proved so very popular that Murray paid him five hundred more. From that time forward he received large sums for his writings, both in the United States ...
— Four Famous American Writers: Washington Irving, Edgar Allan Poe, • Sherwin Cody
... handing them down to posterity, which would indeed have been sufficient for that purpose if the closing of the theatres, under the tyrannical intolerance of the Puritans, had not interrupted the natural order of things. We know, besides, that the poets used then to sell the exclusive copyright of their pieces to the theatre [Footnote: This is perhaps not uncommon still in some countries. The Venetian Director Medebach, for whose company many of Goldoni's Comedies were composed, claimed an exclusive right to them.—TRANS.]: it is therefore ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... Mr. Millar and Mr. Strahan. Millar, though himself no great judge of literature, had good sense enough to have for his friends very able men to give him their opinion and advice in the purchase of copyright; the consequence of which was his acquiring a very large fortune, with great liberality[842]. Johnson said of him, 'I respect Millar, Sir; he has raised the price of literature.' The same praise may be justly given to Panckoucke, the eminent bookseller of Paris. Mr. Strahan's liberality, judgement, ...
— Life Of Johnson, Vol. 1 • Boswell
... pointed him to glory that lay beyond a prolonged martyrdom; she spoke of stakes and flaming pyres; she spread the adjectives thickly on her finest tartines, and decorated them with a variety of her most pompous epithets. It was an infringement of the copyright of the passages of declamation that disfigure Corinne; but Louise grew so much the greater in her own eyes as she talked, that she loved the Benjamin who inspired her eloquence the more for it. She counseled him to take a bold step and renounce his patronymic for the ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... of the existence of such custom, or habit, or practice of copying as is set up can no more be supported when challenged than the highwayman's plea of the custom of Hounslow Heath."—Justice North's Judgment in the Copyright Action "Walter v. Steinkopff."] ...
— Punch, or the London Charivari, Vol. 102, June 11, 1892 • Various
... help? There seems to be evidence that she had help. For there are four several copyrights on it—1875, 1885, 1890, 1894. It did not come down in English, for in that language it could not have acquired copyright—there were no copyright laws eighteen centuries ago, and in my opinion no English language—at least up there. This makes it substantially certain that the Annex is a translation. Then, was ...
— Innocents abroad • Mark Twain
... similar pains with the text of A Voyage to Terra Australis. It was never meant to be a book for popular reading, though there is no lack of entertainment in it. It was a semi-official publication, in which the Admiralty claimed and retained copyright, and its author was perhaps a little hampered by that circumstance. Bligh asked that it should be dedicated to him, but "the honour was declined."* (* Flinders' Papers.) The book was produced under the direction of a committee appointed ...
— The Life of Captain Matthew Flinders • Ernest Scott
... hours. The school reference librarian gives the lesson. For the eighth grade we consider the make-up of the book—the title-page in detail, the importance of noting the author, the significance of place and date and copyright, the origin of the dedication, the use of contents and index. This is followed by a description of bookmaking, folding, sewing and binding, illustrated by books pulled to pieces for the purpose. The lesson closes with remarks ...
— Library Work with Children • Alice I. Hazeltine
... the National Liberal Club, Willie Crampton discussing the care and management of the stomach over a specially hygienic lemonade, and Dr. Tumpany in his aggressive frock-coat pegging out a sort of copyright in Socialism, were the centre and wings of the angelic side. It was nonsense. But how was I to put the truth ...
— The New Machiavelli • Herbert George Wells
... compliment was irresistible, and for seven years the author of The Task wrote the mortuary verses for All Saints', Northampton. Amusement, not profit, was Cowper's aim; he rather rashly gave away his copyright to his publisher, and his success does not seem to have brought him money in a direct way, but it brought him a pension of 300 pounds in the end. In the meantime it brought him presents, and among them an annual gift ...
— Cowper • Goldwin Smith
... and the libraries have already got it, and he is quite right, for nearly three thousand copies have been sold at 27s.! There is no longer the high profit to be made on books there formerly was, as the rascals abroad pirate the good ones, and in the present state of copyright there is no help: we can, however, keep the American editions out of the Colonies, ...
— Letters to his mother, Ann Borrow - and Other Correspondents • George Borrow
... thing happened. I know that I am infringing copyright in making that statement, but it so exactly suits the occurrence, that perhaps Mr Rider Haggard will not object. It was a ...
— The Gold Bat • P. G. Wodehouse
... American writer has won the same sort of recognition abroad or esteem at home as became his early in life. And he has lost very little ground, so far as we can judge by the appeal to figures. The copyright on his works ran out long since, and a great many editions of Irving, cheap and costly, complete and incomplete, have been issued from many sources. Yet his original publishers are now selling, year ...
— Washington Irving • Henry W. Boynton
... through correspondence school methods. Both the author and publisher of HOME TAXIDERMY FOR PLEASURE AND PROFIT, are indeed glad to publish the entire course as used by Mr. Baumgartel, including diagrams, figures, etc., as same together with copyright was conveyed to A. ...
— Home Taxidermy for Pleasure and Profit • Albert B. Farnham
... A new copyright series of Girl Scouts stories by an author of wide experience in Scouts' craft, as Director of ...
— Betty Vivian - A Story of Haddo Court School • L. T. Meade
... was produced from Astounding Science Fiction, August, 1950. Extensive research did not uncover any evidence that the copyright on this ...
— Last Enemy • Henry Beam Piper
... the vast and lamentable change that has since taken place, may be obtained from the consideration of a few facts connected with the manufacture of books in the closing years of the last century. The copyright laws not extending to Ireland, all books published in England might there be reprinted, and accordingly we find that all the principal English law reports of the day, very many of the earlier ones, and many of the best treatises, as well as the principal novels, ...
— The trade, domestic and foreign • Henry Charles Carey
... enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. The facts show just the contrary. No sooner was it in the hands of ...
— Don Quixote • Miguel de Cervantes Saavedra
... few months Murray, who was thereafter proud to be Irving's publisher, undertook the publication of the two volumes of the "Sketch-Book," and also of the "Knickerbocker" history, which Mr. Lockhart had just been warmly praising in "Blackwood's." Indeed, he bought the copyright of the "Sketch-Book" for two hundred pounds. The time for the publisher's complaisance had arrived sooner even than Scott predicted in one of his kindly letters to ...
— Washington Irving • Charles Dudley Warner
... to the studio to watch Velasquez work. There was always a chair for him, and the King even had an easel and sets of brushes and palette with which he played at painting. Pacheco, who had come up to Madrid and buzzed around encroaching on the Samuel Pepys copyright, has said that the King was a skilled painter. But this statement was for publication during the ...
— Little Journeys to the Homes of the Great, Volume 6 - Subtitle: Little Journeys to the Homes of Eminent Artists • Elbert Hubbard
... good as his word. When Charles called again, at the end of a week, he received twenty guineas for the copyright of the volume. He was quite satisfied, and it gave him much pleasure to transmit the money to Isabella. Jane told him, in her answer, that she had considered the money as disposed of before it arrived, as both she and Isabella thought that the expenses of the latter's ...
— Principle and Practice - The Orphan Family • Harriet Martineau
... to claim him as a compatriot through his mother, and a nautical drama from his pen—The Ocean Wolf, or the Channel Outlaw—was performed at New York with acclamation. He had some squabbles with American publishers concerning copyright, and was clever enough to secure two thousand two hundred and fifty dollars from Messrs Carey & Hart for his forthcoming Diary in America and The Phantom Ship, which latter first appeared in the New Monthly, 1837 ...
— Peter Simple and The Three Cutters, Vol. 1-2 • Frederick Marryat
... idea for years, and is only thinking about applying it in some practical way or making a book of it. But the attempt is a failure—those ears give it away. For intellectual pursuits the kangaroo is not fitted. But he can jump; and the disconsolate grasshopper, whose hind-leg copyright the kangaroo has infringed, is far behind the record. It is, in fact, reported of an educated West Indian that, visiting New South Wales and encountering his first kangaroo, he sat down immediately to write an essay on the ...
— The Strand Magazine, Volume V, Issue 29, May 1893 - An Illustrated Monthly • Various
... is false. Eternal vigilance is the price of holding a trench. Either side is cudgelling its brains day and night to spring some new trick on the other. If one side succeeds with a trick, the other immediately adopts it. No international copyright in strategy is recognized. We rushed out of the mess hall into the firing-trench, where we found the men on the alert, rifles laid on the spot where the Germans were supposed to have ...
— My Year of the War • Frederick Palmer
... Little Book of Western Verse." Copyright, 1889, by Eugene Field. By permission of Charles Scribner's ...
— The New McGuffey Fourth Reader • William H. McGuffey
... term of years. He was followed by Hannah Adams, the Massachusetts writer, Jedediah Morse, the geographer, and others. Instead of granting such petitions by individual bills, as the State Legislatures had done, Congress enacted a general copyright law which gave to any applicant exclusive control of his writings ...
— The United States of America Part I • Ediwn Erle Sparks
... ridicule the old view that the actor, Will Shakspere (if, by miracle, he were the author of the plays), could have left them to take their fortunes. They are asked, what did other playwrights do in that age? They often parted with their whole copyright to the actors of this or that company, or to Henslowe. The new owners could alter the plays at will, and were notoriously anxious to keep them out of print, lest other companies should act them. As Mr. Greenwood writes, {231a} "Such, ...
— Shakespeare, Bacon and the Great Unknown • Andrew Lang
... Old as the Creation: now a piracy a parte post is common enough; but a piracy a parte ante, and by three centuries, would (according to our old English phrase[5]) drive a coach-and-six through any copyright act that man born of woman could frame. 2dly, it is quite contrary to the evidence on Joanna's trial; for Southey's "Joan" of A. Dom. 1796 (Cottle, Bristol), tells the doctors, amongst other secrets, that she never in her life attended—1st, Mass; nor 2d, the Sacramental table; nor ...
— Miscellaneous Essays • Thomas de Quincey
... facts that the library of the Capitol has twice been destroyed or damaged by fire, its daily increasing value, and its importance as a place of deposit of books under the law relating to copyright makes manifest the necessity of prompt action to insure ...
— A Compilation of the Messages and Papers of the Presidents - Section 3 (of 3) of Volume 8: Grover Cleveland, First Term. • Grover Cleveland
... work is fully protected under the copyright laws of the United States. All persons are warned against making any ...
— The True Story of Our National Calamity of Flood, Fire and Tornado • Logan Marshall
... bestowed as much care and labor upon it as if it could have added to his reputation. He worked with greater pleasure and some anticipation of success at his novel of "Wenderholme," the first volume of which had been sent to Mr. Blackwood, who agreed to give L200 for the copyright. Here are some passages from his letter, which of course was very welcome. After a ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al
... anxious to have published an edition of all her writings, including "Idomen," before leaving New York, and she authorized me to offer gratuitously her copyrights to an eminent publishing house for that purpose. In the existing condition of the copyright laws, which should have been entitled acts for the discouragement of a native literature, she was not surprised that the offer was declined, though indignant that the reason assigned should have been that ...
— Graham's Magazine Vol XXXIII No. 2 August 1848 • Various
... made on the title and copyright pages of those contributing to each book, the Committee nevertheless felt that a group list of co-operating firms would ...
— Books Before Typography - Typographic Technical Series for Apprentices #49 • Frederick W. Hamilton
... have enjoyed this book, you will be glad to know that there are many others just as well written, just as interesting, to be had in the Chelsea House Popular Copyright Novels. ...
— The Coyote - A Western Story • James Roberts
... Smithsonian Institution to the Library of Congress. He introduced a joint resolution to extend the privileges of the Library to a larger class of public officers. He reported back and recommended the passage of a copyright bill for securing to the Library copies of all books, pamphlets, maps, etc., published in the ...
— The Life, Public Services and Select Speeches of Rutherford B. Hayes • James Quay Howard
... sermons.... I have always wondered why so much is written on the doctrines and principles of Christianity and on good living, when we have it done long ago in a few books which we all refer to as our authority." And this is good: "I wish Euclid could have secured a perpetual copyright. It might have helped the finances ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... me with the task of editing this volume, one sheet was already printed and a considerable portion of the book was in type. Under his agreement with the owners of the copyright, he was bound to reproduce the text and notes, etc., originally prepared by Mr. David Lewis without any change, so that my duty was confined to reading the proofs and verifying the quotations. This translation of the Life of ...
— The Life of St. Teresa of Jesus • Teresa of Avila
... Preussen is now far enough from mutiny; subdued, with all its Kalksteins, into a respectful silence, not lightly using the right even of petition, or submissive remonstrance, which it may still have. Nor, except on the score of parliamentary eloquence and newspaper copyright, does it appear that Preussen has ...
— History Of Friedrich II. of Prussia, Volume IV. (of XXI.) - Frederick The Great—Friedrich's Apprenticeship, First Stage—1713-1728 • Thomas Carlyle
... Smith and the editors of the Outlook for "The Haughty Aspen;" and the editors of Good Housekeeping Magazine, Little, Brown & Company and Mrs. Velma Swanston Howard for her translation of "The Legend of the Christmas Rose," by Selma Lagerloef, taken from Good Housekeeping Magazine, copyright, 1907. Copyright, 1910, by Little, ...
— Christmas in Legend and Story - A Book for Boys and Girls • Elva S. Smith
... village saloon. He had always liked to read, and had piles of literature in his attic room which was good, because it was cheap. Very few people know that cheap literature is very likely to be good, because it is old and unprotected by copyright. He had Emerson, Thoreau, a John B. Alden edition of Chambers' Encyclopedia of English Literature, some Franklin Square editions of standard poets in paper covers, and a few Ruskins and Carlyles—all read to rags. He talked the ...
— The Brown Mouse • Herbert Quick
... my agreement—not an extravagant reward for a great deal of labour. As a matter of fact, but four hundred and fifty sold, so the net proceeds of the venture amounted to ten pounds only, and forty surplus copies of the book, which I bored my friends by presenting to them. But as the copyright of the work reverted to me at the expiration of a year, I cannot grumble at this result. The reader may think that it was mercenary of me to consider my first book from this financial point of view, but to be frank, though the story interested me much in its writing, and I had a sneaking ...
— The Idler Magazine, Volume III, April 1893 - An Illustrated Monthly • Various
... giver. How happy, then, was the life of Jean Ingelow, since what she received from the sale of a hundred thousand copies of her poems, and fifty thousand of her prose works, she spent largely in charity; one unique charity being a "copyright" dinner three times a week to twelve poor persons just discharged from the neighboring hospitals! Nor was any one made happier by it than ...
— Cheerfulness as a Life Power • Orison Swett Marden
... well known, Dickens married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for the Morning ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... works, extremely popular here; and if you have received no remuneration for it, you are not justly dealt by, as I am sure its sale has been very considerable, and very profitable. [Mrs. Jameson was, undoubtedly, one of the greatest sufferers by the want of an author's copyright in America: her works were all republished there; and her laborious literary career, her careful research and painstaking industry, together with her restricted means and the many claims upon them, made it a peculiar hardship, in her case, to be deprived of the just reward of the toil ...
— Records of Later Life • Frances Anne Kemble
... Stowe expected for her disinterested labor, but it suits the world's notion of the fitness of things that this was not altogether wanting. For the millions of copies of Uncle Tom scattered over the world the author could expect nothing, but in her own country her copyright yielded her a moderate return that lifted her out of poverty and enabled her to pursue her philanthropic and literary career. Four months after the publication of the book Professor Stowe was in the publisher's office, and Mr. Jewett asked him how much he expected to receive. "I hope," said ...
— The Martin Luther King, Jr. Day, 1995, Memorial Issue • Various
... the publishers, Houghton Mifflin Company, for the use of selections from the copyright books of Mrs. Agassiz and Professor Shaler; these and all other obligations are, I trust, indicated in the proper places by footnotes. I owe a special debt of gratitude to Professor Burt G. Wilder for his ...
— Louis Agassiz as a Teacher • Lane Cooper
... series of more or less connected stories, however, has been the most cherished of all my labours, covering, as it has done, so many years, and being the accepted of my anxious judgment out of a much larger gathering, so many numbers of which are retired to the seclusion of copyright, while reserved from publication. In passing, I need hardly say that the "Pontiac" of this book is an imaginary place, and has no association with the ...
— The Judgment House • Gilbert Parker
... stories following are taken from Mrs. Henderson's Andersen's Best Fairy Tales. (Copyright. Rand McNally & Co.) This little book contains thirteen stories in a very simple translation and also an excellent story of Andersen's life in a form most attractive to children. "The Princess and the Pea" is a story for the story's sake. The humor, perhaps slightly satirical, is based upon ...
— Children's Literature - A Textbook of Sources for Teachers and Teacher-Training Classes • Charles Madison Curry
... teachers may claim original methods of combining these ingredients. Has a reporter any right to make such ideas appear as her own, without due credit to the authors? Whether this sort of work is done in newspapers, or appears in book form, or whether it is in direct violation of copyright laws or not, it is at least discourteous. Poems are sometimes stolen, but the literature ...
— The Writer, Volume VI, April 1892. - A Monthly Magazine to Interest and Help All Literary Workers • Various
... of a silly and an incapable in the eyes of Smollett's old Scotch friends. But to maintain such a position—to keep the bailiffs from the door from year's end to year's end—was a truly Herculean task in days when a newspaper "rate" of remuneration or a well-wearing copyright did not so much as exist, and when Reviews sweated their writers at the rate of a guinea per sheet of thirty-two pages. Smollett was continually having recourse to loans. He produced the eight (or six or seven) hundred a year he required by sheer hard writing, turning out his ...
— Travels Through France and Italy • Tobias Smollett
... miss," he said. "And, besides, mine is copyright—Jolly Jack Jenkins. I make a fiver a week ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill
... prepared for the purpose [see chapter on Things needed (9) and Library Bureau catalog], a card for each book—and a book is a book although in several volumes—write the author's surname (if the book is anonymous write first the title), given name or names, if known, title, date of copyright, date of publication, call-number, and such other data as seem desirable. The price, for example, may be put here, and the size, indicating this by a letter. [See Cole size card in chapter on Things needed (9) and in Library Bureau catalog.] Arrange these cards alphabetically, ...
— A Library Primer • John Cotton Dana
... opticians. The Stationers have a noteworthy history, which has been graphically told by Mr. C. R. Rivington, and celebrated their five-hundredth birthday four years ago. For an account of their powers, privileges, and the story of their copyright register, I must refer the curious reader to Mr. Rivington's book, or to my larger history of The City Companies of London and their ...
— Memorials of Old London - Volume I • Various
... arising from a system of copyright are obvious. It is desirable that we should have a supply of good books: we cannot have such a supply unless men of letters are liberally remunerated; and the least objectionable way of remunerating them is by means of copyright. You cannot depend for literary instruction ...
— English: Composition and Literature • W. F. (William Franklin) Webster
... Horace Lorimer Copyright, 1906, by D. Appleton and Company Entered at Stationer's Hall, London ...
— The False Gods • George Horace Lorimer
... The owners of the copyright of this volume sanction the issue of this edition as a paper-covered book, to be sold at fifty cents; but, while not wishing to interfere with any purchaser binding his own copy, they do not sanction placing on the ...
— In Connection with the De Willoughby Claim • Frances Hodgson Burnett
... I said, with a smile. "I'll respect your copyright. I'll give you a royalty on what I get ...
— The Water Ghost and Others • John Kendrick Bangs
... I simply sent back to you, unaltered and nothing crossed out, as all the various readings are admirably suitable, and henceforth I leave it to your good pleasure to decide about the publishing. (In Russia Hofmeister's German copyright holds good, does it not? . ...
— Letters of Franz Liszt, Volume 2: "From Rome to the End" • Franz Liszt; letters collected by La Mara and translated
... published in Scribner's Magazine during the past year, and "The Lady of the Pool," both protected by American copyright, are here printed for the first time in book form. The four other stories appeared without their author's consent or knowledge, with their titles changed beyond recognition, and combined with other unauthorized material, in a small volume printed ...
— Comedies of Courtship • Anthony Hope
... charge that has been brought against him of servility in accepting it. He points out that it was only after the invention of printing that literature became a money-making profession, and that, as there was no copyright law at Rome to prevent books being pirated, patrons had to take the place that publishers hold, or should hold, nowadays. The Roman patron, in fact, kept the Roman poet alive, and we fancy that many of our modern bards rather regret the old system. ...
— Reviews • Oscar Wilde
... securing to authors, composers, and artists copyright privileges in this country in return for reciprocal rights abroad is one that may justly challenge your attention. It is true that conventions will be necessary for fully accomplishing this result; but until Congress shall ...
— State of the Union Addresses of Chester A. Arthur • Chester A. Arthur
... the reviews so great, that their progress to oblivion, notwithstanding the merit which I was quite sure they possessed, seemed ordained to be as rapid as it was certain. I had given thirty guineas for the copyright, as detailed in the preceding letters; but the heavy sale induced me at length, to part with, at a loss, the largest proportion of the impression of five hundred, to Mr. Arch, a London bookseller. After this transaction had occurred, ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle
... carefully-selected List of Copyright Works. Specially suitable for Gift-book, Lending Library, ...
— Hunter's Marjory - A Story for Girls • Margaret Bruce Clarke
... object of a generous competition between rival Universities. In Utopia, any author has the option either of publishing his works through the public bookseller as a private speculation, or, if he is of sufficient merit, of accepting a University endowment and conceding his copyright to the University press. All sorts of grants in the hands of committees of the most varied constitution, supplemented these academic resources, and ensured that no possible contributor to the wide flow of the Utopian mind slipped into neglect. Apart from those who engaged mainly ...
— A Modern Utopia • H. G. Wells
... ignore it any more, I would issue another volume. The first was a red book, succeeded by a dark blue volume, after which I published a green book, all of which were kindly received by the American people, and, under the present yielding system of international copyright, greedily snapped up by some ...
— Remarks • Bill Nye
... petition read in the United States Senate on February 2, 1837? The booksellers, magazine, periodical and newspaper publishers have before succeeded in defeating one copyright bill. They now bestir themselves again; the United States Senate consigns the petition to the archives; and the piracy goes on as industriously ...
— History of the Great American Fortunes, Vol. I - Conditions in Settlement and Colonial Times • Myers Gustavus
... that something definite will be done by the special committee of the Authors Society which has been appointed with the view of extending the law of copyright so as to secure the author's undoubted property in ...
— Punch, or the London Charivari, Vol. 146, May 20, 1914 • Various
... character of the late Commander Slidell Mackenzie, but observe simply that no one can read Mr. Cooper's volume upon the battle of Lake Erie and retain a very profound respect for that person's sagacity or sincerity. The proprietors of the copyright of Mr. Cooper's abridged Naval History offered it, without his knowledge, to John C. Spencer, then Secretary of the State of New-York, for the school libraries of which that officer had the selection. Mr. Spencer ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... fond of oysters, of children, dogs, and an international copyright. I remember his meeting me once on Broadway and he didn't recognize me. He never mentioned the incident afterward. It has been said that he was also fond of dress. I regret that I never asked him about this, though I recall the circumstance of my inquiring where ...
— Punchinello, Vol. 2., No. 32, November 5, 1870 • Various
... London with a volume of stories for the press, and sold the copyright to the Messrs. Simpkin Marshall & Co., for L70. The work appeared in December 1826, under the title of "Hollandtide Tales." It was well received. The style was original, graceful and easy. The three novels, which comprised the series, were interesting and free from the taint of grossness and immorality, ...
— Donahoe's Magazine, Volume 15, No. 1, January 1886 • Various
... just on the brink of the press, which we have had the interest to procure him subscription of a guinea a book to a tolerable number. I believe it may be worth L150 to him on the whole."[5] In addition to the subscriptions, Gay received from Lintott L43 for the copyright of the book, the copies of which were sold to the public at one shilling and sixpence each; and as, with humorous exaggeration, Arbuthnot wrote to Parnell: "Gay has got as much money by his 'Art of Walking the Streets' ...
— Life And Letters Of John Gay (1685-1732) • Lewis Melville
... which a Work is Published entirely for, and at the expense of the Author, who thus retains the Property of the Work; that in which the Publisher takes all or part of the risk, and divides the profit; and that in which the Publisher purchases the Copyright, and thus secures to himself the entire proceeds. The First of these is the basis on which many First Productions are Published; the Second, where a certain demand can be calculated upon; and the Third, where an Author has become so popular as ...
— The Author's Printing and Publishing Assistant • Frederick Saunders
... of the U.S. Copyright Act are of particular interest to the projected user community of this information. However, in order to have the convenience of access to the complete act available it is provided here in ...
— Copyright Law of the United States of America: - contained in Title 17 of the United States Code. • Library of Congress Copyright Office
... verra ceevil gin ye bring him when there's naethin' wrang," and Mrs. Macfadyen's face reflected another of Mr. Hopps's misadventures of which Hillocks held the copyright. ...
— Stories by English Authors: Scotland • Various
... of Miscellanies, the joint work of the four wits, appeared in June, 1727, and a third in March, 1728. A fourth, hastily got up, was published in 1732. They do not appear to have been successful. The copyright of the three volumes was sold for 225l., of which Arbuthnot and Gay received each 50l., whilst the remainder was shared between Pope and Swift; and Swift seems to have given his part, according to his custom, to the widow of a respectable Dublin bookseller. Pope's correspondence ...
— Alexander Pope - English Men of Letters Series • Leslie Stephen
... vaults, but somehow there's something peculiarly exhilarating in the knowledge that we are in the outer court of one of King Champagne's many palaces. Mem. Grand idea for a scene in a Drury Lane Pantomime. Visit to Palace of POPPIN THE FIRST, king of the Champagne country. Register copyright and suggest it ...
— Punch, Volume 101, September 19, 1891 • Francis Burnand
... hydrangeas—in French called Hortensias—among which little Loves were playing. The poor lover, to enable him to pay for the materials of the box, of which the panels were of malachite, had designed two candlesticks for Florent and Chanor, and sold them the copyright—two admirable pieces of work. ...
— Poor Relations • Honore de Balzac
... under special obligation to Mr. John P. Haines, editor of "Our Animal Friends," and president of the American Society for the Prevention of Cruelty to Animals, for publishing the contents of this chapter in his magazine in time to be included in this volume. Also for copyright privileges in connection with this and ...
— Birds of the Rockies • Leander Sylvester Keyser
... of the drama; and the drama was the department of polite literature in which a poet had the best chance of obtaining a subsistence by his pen. The sale of books was so small that a man of the greatest name could hardly expect more than a pittance for the copyright of the best performance. There cannot be a stronger instance than the fate of Dryden's last production, the Fables. That volume was published when he was universally admitted to be the chief of living English poets. It contains about ...
— The History of England from the Accession of James II. - Volume 1 (of 5) • Thomas Babington Macaulay
... "to promote the progress of science and useful arts, by securing, for a limited time, to authors and inventors, the exclusive right to their respective writings and discoveries. ''The utility of this power will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases ...
— The Federalist Papers
... to use copyright stories in this volume, the editor and publishers wish to make special acknowledgments to Messrs Allen & Unwin, Mr Arnold Bennett, Mr E.H. Blakeney, Sir George Douglas, Bart., Dr Greville MacDonald, Mr Arthur Machen, ...
— The Haunters & The Haunted - Ghost Stories And Tales Of The Supernatural • Various
... produced from Analog Science Fact & Fiction June 1962. Extensive research did not uncover any evidence that the U.S. copyright on this publication ...
— The Sound of Silence • Barbara Constant
... I own the copyright," retorted Shirley, "this is one of the chapters of my life that isn't going to be typewritten, much less the subject ...
— The Voice on the Wire • Eustace Hale Ball
... into silence of a modified kind, merely whistling in a soft way his original copyright tune. As the travellers had never seen Kempenfeldt Bay before, they admired it very much, and forgot their little misunderstanding, while arm in arm they leaned over the bulwarks, and quoted little snatches ...
— Two Knapsacks - A Novel of Canadian Summer Life • John Campbell
... English book world, but L5 in Dutch currency presses heavily on the budget of a Dutch translation, of which only some hundred or so copies can be sold at a retail price of not quite five shillings, and is an almost prohibitive price to pay for the copyright of a novel which is only used as the feuilleton of a local paper with an edition of under a thousand copies a week. As a fact, many Dutch publishers pay royalties to their foreign colleagues as soon as the publication is important ...
— Dutch Life in Town and Country • P. M. Hough
... of providing for the preservation and growth of the Library of Congress is also one of national importance. As the depository of all copyright publications and records, this library has outgrown the provisions for its accommodation; and the erection, on such site as the judgment of Congress may approve, of a fireproof library building, to preserve the treasures and enlarge the usefulness of this valuable collection, is recommended. ...
— Messages and Papers of Rutherford B. Hayes - A Compilation of the Messages and Papers of the Presidents • James D. Richardson
... original owner, because a transcript is the offspring of the original work. Putnam, to whom I am indebted for this story, says: "As far as I have been able to ascertain, this is the first instance which occurs in the history of European literature of a contention for a copyright." The conflict for this copyright afterwards developed into a civil war. The copy of the Latin Psalter "was enshrined in the base of a portable altar as the national relic of the O'Donnell clan," and was preserved by that family for thirteen hundred years. It was placed ...
— A Short History of Monks and Monasteries • Alfred Wesley Wishart
... any more, I would issue another volume. The first was a red book, succeeded by a dark blue volume, after which I published a green book, all of which were kindly received by the American people, and, under the present yielding system of international copyright, greedily snapped up by ...
— Remarks • Bill Nye
... fifth Appendix was added by Einstein at the time of the fifteenth re-printing of this book; and as a result is still under copyright restrictions so cannot be added without the permission of ...
— Relativity: The Special and General Theory • Albert Einstein
... Love," published in Scribner's Magazine during the past year, and "The Lady of the Pool," both protected by American copyright, are here printed for the first time in book form. The four other stories appeared without their author's consent or knowledge, with their titles changed beyond recognition, and combined with other unauthorized material, in a small volume printed by an American firm. They are here given for the ...
— Comedies of Courtship • Anthony Hope
... steals gags and points bodily—can be pursued and punished under the copyright law, but the chooser is a kind of sneak thief who works gags and points around to escape taking criminal chances, making his material just enough different to evade the law. A chooser damages the originator of the material without himself getting very far. No one likes a chooser; ...
— Writing for Vaudeville • Brett Page
... perceive further,' said Mr. Snyder, growing sarcastic, 'that in case Mr. Onions Winter chooses to copyright the book in America, you are to have half-royalties on all copies sold over there. Now about America,' Mark continued after an impressive pause, at the same time opening a drawer and dramatically producing several paper-covered volumes therefrom. 'See this—and this—and ...
— A Great Man - A Frolic • Arnold Bennett
... of oysters, of children, dogs, and an international copyright. I remember his meeting me once on Broadway and he didn't recognize me. He never mentioned the incident afterward. It has been said that he was also fond of dress. I regret that I never asked him about this, though I recall the circumstance of my inquiring where he had his vests ...
— Punchinello, Vol. 2., No. 32, November 5, 1870 • Various
... at his cigar in the National Liberal Club, Willie Crampton discussing the care and management of the stomach over a specially hygienic lemonade, and Dr. Tumpany in his aggressive frock-coat pegging out a sort of copyright in Socialism, were the centre and wings of the angelic side. It was nonsense. But how was I to put the ...
— The New Machiavelli • Herbert George Wells
... these fugitive pieces were collected into a volume, the copyright of which was sold to one Macrone for L100, who published them under the first and best known title, "Sketches by Boz." The familiar story of "Pickwick," its early conception and its final publication, is well known. Its first publication (in ...
— Dickens' London • Francis Miltoun
... May. In 1819 Dr. Worcester began the publication of The Friends of Peace, a small quarterly magazine, a large part of the contents of which he wrote himself. After the first number, having obtained the assistance of several wealthy Friends, he relinquished the copyright; and the numbers were republished in several parts of the country, thus obtaining a wide circulation. He devoted himself almost wholly to this publication and the advocacy of the cause of peace until 1829, when he relinquished its editorship. ...
— Unitarianism in America • George Willis Cooke
... professional and amateur, are reserved in the United States, Great Britain, and all countries of the Copyright Union, by the author. Performances are forbidden and right ...
— Three Wonder Plays • Lady I. A. Gregory
... another has a coarser edition of it for 18 cents, in all thoroughfares.—What to do with my sealed parcel of manuscripts and proofs? No bookseller would in these perilous circumstances offer a dollar for my precious parcel. I inquired of the lawyers whether I could not by a copyright protect my edition from piracy until an English copy arrived, and so secure a sale of a few weeks. They said, no; yet advised the taking a certificate of copyright, that we might try the case if we wished. After much consulting and balancing for a few hours, I decided to print, as heretofore, ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, 1834-1872, Vol II. • Thomas Carlyle and Ralph Waldo Emerson
... circulation among those who called themselves the author's friends, as was the custom of the age, before he found a patron and a publisher.[6] The publisher was got at last in Francisco Robles, the King's printer, to whom the copyright was sold for ten years.[7] The patron appeared in the person of the Duque de Bejar, a nobleman described by a writer of that age—Cristobal de Mesa—as himself both a poet and a valiant soldier. The choice was not ...
— The Great Events by Famous Historians, Vol. 1-20 • Various
... given you, you somehow manage to succeed, to become wildly popular, you will still have reserved to yourself, by this ingenious clause, a chance of ineffable pecuniary failure. A plan generally approved of is to sell your entire copyright in your book for a very small sum. You want the ready money, and perhaps you are not very hopeful. But, when your book is in all men's hands, when you are daily reviled by the small fry of paragraphers, when the publisher is clearing a thousand a year ...
— How to Fail in Literature • Andrew Lang
... and his connection with York Street Independent Chapel, I am indebted to Mr F. Herbert Stead, Warden of "The Robert Browning Settlement," Walworth. I thank Messrs Smith, Elder and Co., as representing Mr R. Barrett Browning, for permission to make such quotations as I have ventured to make from copyright letters. I thank the general Editor of this series, the Rev. D. Macfadyen, for ...
— Robert Browning • Edward Dowden
... leading critics of this part of the State, that I think of having them printed in a volume. I am going to the city for that purpose. My mother has given her consent. I wish to ask you several business questions. Shall I part with the copyright for a downright sum of money, which I understand some prefer doing, or publish on shares, or take a percentage on the sales? These, I believe, are the different ways taken ...
— The Autocrat of the Breakfast-Table • Oliver Wendell Holmes, Sr. (The Physician and Poet not the Jurist)
... written nearer thirty than twenty novels, of which at least half were much above the average and some quite capital.[26] Moreover, it is a noteworthy thing, and contrary to some critical explanations, that, as his works drop out of copyright and are reprinted in cheap editions, they appear to be recovering very considerable popularity. This fact would seem to show that the manners, speech, etc., represented in them have a certain standard quality which does not—like the manner, speech, etc., of novels such as those ...
— The English Novel • George Saintsbury
... by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... American continent, what would be the result of his visit, he came and passed like the wild Simoom. Soon after his return to England an edict came, forbidding in the British provinces of America publications containing reprints of English works. Of the deeper matters connected with the copyright question I know not, but this I do know, that our long winter nights seemed doubly long and drear, with nothing to read but dark details of horrid murder, or deadly doings of Rebeccaite and Chartist. As yet, ...
— Sketches And Tales Illustrative Of Life In The Backwoods Of New Brunswick • Mrs. F. Beavan
... speculator preferred cyanide of potassium. But if "mere self-interest" comprises fraudulent balance-sheets, it cannot claim any support from political economy. When Carlyle drew up a petition to the House of Commons for amending the law of copyright, he was guided by self- interest, but it was not a counsel of despair. The City Companies, says Froude, "are all which now remain of a vast organisation which once penetrated the entire trading life of England—an organisation set ...
— The Life of Froude • Herbert Paul
... course of this session, a bill for securing to authors, in certain cases, the benefit of international copyright passed the legislature, and which enabled her majesty in council to direct that the authors of books published abroad shall have a copyright here, provided there be a reciprocal protection in favour of this country ...
— The History of England in Three Volumes, Vol.III. - From George III. to Victoria • E. Farr and E. H. Nolan
... negotiations; but most and very eager to have the property of your works at almost any price. If you have not heard it from Cottle, why, you may hear it from me, that is, the arrangement of Cottle's affairs in London. The whole and total copyright of your "Joan," and the first volume of your poems (exclusive of what Longman had before given), was taken by him at three hundred and seventy pounds. You are a strong swimmer, and have borne up poor Joey with all his leaden weights about ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... brought forward a copyright bill; Mr. Foster, of Alabama, has introduced a bill to abolish the passport system—leaving ...
— A Rebel War Clerk's Diary at the Confederate States Capital • John Beauchamp Jones
... The copyright of the poem, which was purchased by Mr. Murray for 600l., he presented, in the most delicate and unostentatious manner, to Mr. Dallas[46], saying, at the same time, that he "never would receive money for his writings;"—a resolution, the mixed result of generosity and pride, which he afterwards ...
— Life of Lord Byron, Vol. II - With His Letters and Journals • Thomas Moore
... acquaintance of the great publisher Hachette, a granddaughter of whom was another of the trio. He had left his manuscript at the publishing-house, and after some time was informed that the firm would be happy to publish it, and to pay him in cash for the copyright eight hundred francs—an offer with which he closed immediately. A week or so later he was visited, to his astonishment, by the great publisher in person. "Sir," began the latter, "it is often said that publishers don't know how to read, and I myself know some ...
— Lippincott's Magazine, Vol. 22, September, 1878 • Various
... of the old Company of London Stationers, incorporated in 1557, who enjoyed till the Copyright Act of 1842 the sole right of having registered at their offices every pamphlet, book, and ballad published in the kingdom. Although no longer compulsory, the practice of entering books at Stationers' Hall is still found useful for copyright purposes. The register-rolls of books ...
— The Nuttall Encyclopaedia - Being a Concise and Comprehensive Dictionary of General Knowledge • Edited by Rev. James Wood
... the spirited imagination which a young writer always displays in the scheming of a first plot—he had not been spoiled, thought old Daddy Doguereau. He had made up his mind to give a thousand francs for The Archer of Charles IX.; he would buy the copyright out and out, and bind Lucien by an engagement for several books, but when he came to look at the house, the old fox ...
— A Distinguished Provincial at Paris • Honore de Balzac
... as if it could have added to his reputation. He worked with greater pleasure and some anticipation of success at his novel of "Wenderholme," the first volume of which had been sent to Mr. Blackwood, who agreed to give L200 for the copyright. Here are some passages from his letter, which of course was very welcome. After ...
— Philip Gilbert Hamerton • Philip Gilbert Hamerton et al
... well-known line, by an original setting for an old saw, or by a new and unlooked-for analogy, the stamp of the borrower is put upon the goods he borrows, and he becomes part owner. Plagiarism is a crime only where writing is a trade; expression need never be bound by the law of copyright while it follows thought, for thought, as some great thinker has observed, is free. The words were once Shakespeare's; if only you can feel them as he did, they are yours now no less than his. The best quotations, ...
— Style • Walter Raleigh
... fishing-tackle in Scott's cabinet. Tilneys, Thorpes, and Morlands consigned apparently to eternal oblivion! But when four novels of steadily increasing success had given the writer some confidence in herself, she wished to recover the copyright of this early work. One of her brothers undertook the negotiation. He found the purchaser very willing to receive back his money, and to resign all claim to the copyright. When the bargain was concluded and the money paid, but not till then, the negotiator had the satisfaction of informing ...
— Memoir of Jane Austen • James Edward Austen-Leigh
... however, remained in the old country until the summer of 1653, occupied with the business of his mission, with legal studies, taking the degree of doctor of laws at he University of Leyden, and with the preparation of his Beschryvinge van Nieus- Nederlant. The States General gave him a copyright for it in May, 1653, but the first edition was not published till 1655. In that year the author died, leaving to his widow his estate, or "colonie," which he called Colendonck. The name of Yonkers, where it ...
— Narrative of New Netherland • J. F. Jameson, Editor
... the late Commander Slidell Mackenzie, but observe simply that no one can read Mr. Cooper's volume upon the battle of Lake Erie and retain a very profound respect for that person's sagacity or sincerity. The proprietors of the copyright of Mr. Cooper's abridged Naval History offered it, without his knowledge, to John C. Spencer, then Secretary of the State of New-York, for the school libraries of which that officer had the selection. Mr. Spencer replied with ...
— The International Monthly, Volume 3, No. 1, April, 1851 • Various
... probably originally a series of columns in a newspaper or a magazine like Harper's, as the chapters on weddings in the different seasons refer to how the fashions have changed since the last one—by the original copyright, 1884, though the book version appeared in 1887. Notable features among the usual: how to dance the German, or Cotillon; remarks and four chapters on English, French, or others in contrast to American customs, making it a ...
— Manners and Social Usages • Mrs. John M. E. W. Sherwood
... Association voted in 1903 that it was desirable to establish a new appellate court to sit at Washington and take cognizance of patent and copyright cases. Such a measure would tend to relieve the Supreme Court of the United States of any undue pressure of business, and promote both uniformity and promptitude of decision in a class of actions in which ...
— The American Judiciary • Simeon E. Baldwin, LLD
... work was completed, Finian discovered it, and at once claimed the copy of his book as also his. The matter was submitted to an umpire, who gave the famous decision: "Unto every cow her calf; unto every book its copy"—the copy belonged to the owner of the book. This early decision of copyright was by no means acceptable to the student Colum. He disputed its justice, and the quarrel spread till it resulted in a battle. The discredit attaching to the whole episode resulted in the banishment of Colum, who sailed away northward and eastward ...
— Ireland, Historic and Picturesque • Charles Johnston
... equalled—no other than Ottocar—that particular friend, who, in the prologue, tried to get a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no wonder, ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... Watteau ever try historical subjects? And as for Greuze, you know that his heads will fetch 1,000L., 1,500L., 2,000L.—as much as a Sevres "cabaret" of Rose du Barri. If cost price is to be your criterion of worth, what shall we say to that little receipt for 10L. for the copyright of "Paradise Lost," which used to hang in old Mr. Rogers's room? When living painters, as frequently happens in our days, see their pictures sold at auctions for four or five times the sums which they originally ...
— Roundabout Papers • William Makepeace Thackeray
... you, miss," he said. "And, besides, mine is copyright—Jolly Jack Jenkins. I make a fiver a ...
— The Grey Wig: Stories and Novelettes • Israel Zangwill
... place suggests the mention of another crying abuse connected with this subject. In the year 1811 or 1810 came under parliamentary notice and revision the law of copyright. In some excellent pamphlets drawn forth by the occasion, from Mr. Duppa, for instance, and several others, the whole subject was well probed, and many aspects, little noticed by the public, were exposed of that extreme injustice attached to the law as it then stood. The several monopolies ...
— Autobiographic Sketches • Thomas de Quincey
... books roughly bound in boards, the sides covered with paper. On the reverse of the title pages, two bear a copyright entry in the year 1836; the others were entered in 1837. They are the earliest editions of McGuffey's Eclectic Readers that have been found in a search lasting ...
— A History of the McGuffey Readers • Henry H. Vail
... by Archibald Constable and Company in 1893 being out of print but still in demand, Mr. Humphrey Milford, the present owner of the copyright, has requested me to revise the book and bring ...
— Rambles and Recollections of an Indian Official • William Sleeman
... dollars advance copyright for a book I sold to a publisher." The glory had not yet faded from the ...
— Henry James, Jr. • William Dean Howells
... at Berne in September, on the invitation of the Swiss Government. The envoy of the United States attended as a delegate, but refrained from committing this Government to the results, even by signing the recommendatory protocol adopted. The interesting and important subject of international copyright has been before you for several years. Action is certainly desirable to effect the object in view; and while there may be question as to the relative advantage of treating it by legislation or by specific treaty, the matured ...
— A Compilation of the Messages and Papers of the Presidents - Section 3 (of 3) of Volume 8: Grover Cleveland, First Term. • Grover Cleveland
... with a smile. "I'll respect your copyright. I'll give you a royalty on what I get for ...
— The Water Ghost and Others • John Kendrick Bangs
... of the copyright owners, we are enabled this year for the first time to include three works which have hitherto not been obtainable in this ...
— Mr. Edward Arnold's New and Popular Books, December, 1901 • Edward Arnold
... Each morning every part knows what every other part is thinking, contemplating, or doing. A discovery in a German laboratory is being demonstrated in San Francisco within twenty-four hours. A book written in South Africa is published by simultaneous copyright in every English-speaking country, and on the following day is in the hands of the translators. The death of an obscure missionary in China, or of a whisky smuggler in the South Seas, is served up, the world over, with the ...
— Revolution and Other Essays • Jack London
... Mrs. F. Kelley Wischnewetzky, and published in the following year in New York. The American edition being as good as exhausted, and having never been extensively circulated on this side of the Atlantic, the present English copyright edition is brought out with the full consent ...
— The Condition of the Working-Class in England in 1844 - with a Preface written in 1892 • Frederick Engels
... appeared in Germany in 1825, and another in Paris in 1828 ('Les Contes Irlandais, precedes d'une introduction par M. P. A. Dufau'), but it was not until 1834 that Murray published them in a condensed form in his 'Family Library,' the copyright of which edition, as revised by the author, was purchased of Murray by the late Mr. Tegg, and is now published by his son. In October, 1826, Croker was introduced to Sir Walter Scott at Lockhart's in Pall Mall. Sir Walter recorded the interview thus:—"At breakfast ...
— A Walk from London to Fulham • Thomas Crofton Croker
... Published entirely for, and at the expense of the Author, who thus retains the Property of the Work; that in which the Publisher takes all or part of the risk, and divides the profit; and that in which the Publisher purchases the Copyright, and thus secures to himself the entire proceeds. The First of these is the basis on which many First Productions are Published; the Second, where a certain demand can be calculated upon; and the Third, where an Author has become so popular as ...
— The Author's Printing and Publishing Assistant • Frederick Saunders
... sensation than any book since 'Jane Eyre'; but probably she is a little or a good deal too emphatic in her representation of the matter. At any rate, she advises that the sheets of any future book be sent to Moxon, and such an arrangement made that a copyright may be secured in England as well as here. Could this be done with the Wonder-Book? And do you think it would be worth while? I must see the proof-sheets of this book. It is a cursed bore; for I want to be done with it from this moment. Can't you arrange it so that two or three or more sheets ...
— Yesterdays with Authors • James T. Fields
... Magazine quoted in Chapters V-IX are inserted by express permission of the publishers, the Century Company. Acknowledgment is due, also, to the publishers of the Overland Monthly for courtesy in permitting the use of copyright material; and to D. Appleton & Co. for permission to insert ...
— History of California • Helen Elliott Bandini
... Robert Southey, Vol. I. This, the first volume of a new edition, which will be comprised in eight instead of fifteen volumes—cost twenty-eight instead of seventy-five shillings, and yet contain additional plates and matter,—is the new issue of Bohn's Standard Library.—The Laws of Artistic Copyright and their Defects, by D. R. Blaine, Esq. A little volume well calculated to instruct artists, sculptors, engravers, printsellers, &c., so that they may clearly understand their rights, their remedies for the infringement of those rights, and the proper ...
— Notes and Queries, Number 214, December 3, 1853 • Various
... printer, of the other parte," is among the curiosities of our literary history. The curiosity consists not so much in the illustrious name appended (not in autograph) to the deed, as in the contrast between the present fame of the book, and the waste-paper price at which the copyright is being valued. The author received 5 l. down, was to receive a second 5 l. when the first edition should be sold, a third 5 l. when the second, and a fourth 5 l., when the third edition should be gone. Milton lived to receive the second 5 l., and no more, 10 l. in all, for Paradise ...
— Milton • Mark Pattison
... former condition of abject dependence unless for a fortunate occurrence. This was no less than his being appointed joint-proprietor and editor of the newspaper by a wealthy individual, who, noticing the abilities of the young shopman, purchased the copyright with the view of placing the management entirely ...
— The Modern Scottish Minstrel, Volumes I-VI. - The Songs of Scotland of the Past Half Century • Various
... sent up to me, till I wrung my hands because it was too late to insert them in "Red Pottage."[1] For they all fitted Mr. Gresley like a glove, and I should certainly have used them if it had been possible. For, as has been well said, "There is no copyright in platitudes." They are part of our goodly heritage. And though people like Mr. Gresley and my academic prig Wentworth have in one sense made a particular field of platitude their own, by exercising themselves ...
— The Lowest Rung - Together with The Hand on the Latch, St. Luke's Summer and The Understudy • Mary Cholmondeley
... time too that Haydn opened a correspondence with William Forster of London, who had added to his business of violin-maker that of a music-seller and publisher. Forster entered into an agreement with him for the English copyright of his compositions, and between 1781 and 1787 he published eighty-two symphonies, twenty-four quartets, twenty-four solos, duets and trios, and the "Seven Last Words," of which we have yet to speak. Nothing of the Forster ...
— Haydn • J. Cuthbert Hadden
... now clamors for the same thing, and I do not know but I shall have to gratify him and others at the risk of injury to this my vulgar hope of dollars,—that innate idea of the American mind. This I shall settle in a few days. No copyright can be secured here for an English book unless it contain original matter: But my moments are going, and I can only promise to write you quickly, at home and at leisure, for I have just been reading the History again with many, many thoughts, and I revere, ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson
... it appeared that the author was Robert Paltock of Clement's Inn, and that he received for the copyright 20L., twelve copies of the book, and "the cuts of the first impression"(proof impressions of the illustrations). The writer's name shows him to have been, like his hero, of Cornish origin; but the authors of the admirable and exhaustive "Bibliotheca ...
— Life And Adventures Of Peter Wilkins, Vol. I. (of II.) • Robert Paltock
... from a copy in the Fisk University Library Negro Collection Copyright (C)1969 Mnemosyne Publishing Co., Inc. Miami, Florida Library of Congress ...
— Political Recollections - 1840 to 1872 • George W. Julian
... carefully between sarcastic wit, which laughs at, and humor, which laughs with. In a book bearing the copyright date of 1849, the writer distinguishes between the two, in ...
— Essentials in Conducting • Karl Wilson Gehrkens
... these I have added the best tales scattered elsewhere. By this means I hope I have put together a volume, containing both the best, and the best known folk-tales of the Celts. I have only been enabled to do this by the courtesy of those who owned the copyright of these stories. Lady Wilde has kindly granted me the use of her effective version of "The Horned Women;" and I have specially to thank Messrs. Macmillan for right to use Kennedy's "Legendary Fictions," and Messrs. Sampson Low & Co., for the ...
— Celtic Fairy Tales • Joseph Jacobs (coll. & ed.)
... a brief outline, in faultless English, of your religious, political and police court convictions, your views on Mr. LLOYD GEORGE, and any ideas you may have about the Law of Copyright. ...
— Punch, Or The London Charivari, Vol. 146., January 14, 1914 • Various
... Provision Respecting Copyright Preface Chapter 1 - Subject Matter and Scope of Copyright Chapter 2 - Copyright Ownership and Transfer Chapter 3 - Duration of Copyright Chapter 4 - Copyright Notice, Deposit, and Registration Chapter 5 - Copyright Infringement and Remedies ...
— Copyright Law of the United States of America and Related Laws Contained in Title 17 of the United States Code, Circular 92 • Library of Congress. Copyright Office.
... Garfield, and a sentimental application that made the Vicar wince. He went on to point out, not unimpressively, that Armageddon ("as you, sir, have so aptly and so strikingly termed it") had actually broken upon the world. Farmer Best, flattered by this acknowledgment of copyright ...
— Nicky-Nan, Reservist • Arthur Thomas Quiller-Couch (Q)
... the Manchester Guardian have kindly allowed me to make use of their copyright in the letters written by me to that newspaper during the first half of the year. The substance of the letters has been reproduced in the hope that home-staying folk may find in them something of the atmosphere that surrounds the collision of armed forces. It is a strange and rude atmosphere; ...
— The Relief of Mafeking • Filson Young
... such difficulties in tempering down even the most chivalrous pride, than the necessity to which he found himself reduced in 1816, not only of departing from his resolution never to profit by the sale of his works, but of accepting a sum of money, for copyright, from his publisher, which he had for some time persisted in refusing for himself, and, in the full sincerity of his generous heart, had destined ...
— Life of Lord Byron, With His Letters And Journals, Vol. 5 (of 6) • (Lord Byron) George Gordon Byron
... in order come the great libraries of a nation, such as the British Museum. These are supplied by means of the Copyright Law, but the librarians are not from this cause exonerated from the troubles attendant on the formation of a library. There are old books and privately printed and foreign books to be bought, and it is necessary that the most catholic ...
— How to Form a Library, 2nd ed • H. B. Wheatley
... Publishers have endeavored to give full credit to every author quoted, and to accompany every citation with ample notice of copyright ownership. At the close of the work it is their purpose to express in a more formal way their sense of obligation to the many publishers who have so courteously given permission for this use of their property, and whose rights ...
— Library of the World's Best Literature, Ancient and Modern, Vol. 1 • Charles Dudley Warner
... the present, going, as he informed me, on an errand of mercy for his stomach. The magazine aboard ship being of dubious character, he had prevailed on himself to supply his concern with a limited number of first-class cereals with his own imprimatur,—copyright and profits to be in his own hands. As some consolation for his absence, I was favored with a brief oral treatise on Fats, considered both dietetically and ethically, with an appendix, somewhat a la Liebig, on the nature, use, and effects ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... copyright" guarantees that "The Young Visiters" is the unaided effort in fiction of an authoress of nine years. "Effort," however, is an absurd word to use, as you may see by studying the triumphant countenance of the child herself, which is here reproduced as ...
— The Young Visiters or, Mr. Salteena's Plan • Daisy Ashford
... in the United States and offered advice during a lively discussion of this subject. But uncertainty remains concerning the price of copyright in a digital medium, because a solution remains to be worked out concerning management and synthesis of copyrighted and out-of-copyright pieces ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... the theatre simply and solely for his own particular benefit, and with brutal disregard of other interests. He first insinuated himself as a collaborator in various ballets, plays, and vaudevilles; then he waited till the author wanted money and bought up the other half of the copyright. These after-pieces and vaudevilles, always added to successful plays, brought him in a daily harvest of gold coins. He trafficked by proxy in tickets, allotting a certain number to himself, as the manager's share, till he took in this way a tithe of the receipts. And Gaudissart had other ...
— Cousin Pons • Honore de Balzac
... for 2000 copies of his History,' and the whole of the profits of that book. Morland's History of the Evangelical Churches of Piemont, which appeared in the following year, was therefore a State publication the copyright of which was made over to the author. More munificent still was the reward of the services of MEADOWS in Portugal. His special mission having been successfully accomplished, and ordinary consular duty in Lisbon having been put into good hands, he too had returned to London, ...
— The Life of John Milton, Volume 5 (of 7), 1654-1660 • David Masson
... This impression grew as I watched the attitude of the countess toward her husband. What must a wife think of such a husband's views of marriage when she is the mother of thirteen of his children? What must she think of insincerity when he refuses to copyright his books because he thinks it wrong to take money for teaching, yet permits her to copyright them and draw the royalties for the support ...
— Abroad with the Jimmies • Lilian Bell
... from me to promise 6000 copies, he proposes they shall have the copyright forever. I will see their ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart
... (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0
... residence to the house of Peter Whitmer, who, with his sons, David, John, and Peter, Jr., lived at Fayette, Seneca County, New York, the Whitmers promising his board free and their assistance in the work of translation. There, Smith says, they resided "until the translation was finished and the copyright secured." ...
— The Story of the Mormons: • William Alexander Linn
... married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... to Bok's plans arose from the soreness generated by the absence of copyright laws between the United States and Great Britain and Europe. The editor, who had been publishing a series of musical compositions, solicited the aid of Sir Arthur Sullivan. But it so happened that Sir Arthur's most famous composition, "The ...
— The Americanization of Edward Bok - The Autobiography of a Dutch Boy Fifty Years After • Edward William Bok (1863-1930)
... and tone reminding me of some beautiful verses in a book of poems I had recently read, called "Love-Letters of a Violinist," in which the poet [FOOTNOTE: Author of the equally beautiful idyl, "Gladys the Singer," included in the new American copyright edition just issued.] talks of his "loved Amati," and says: "I prayed my prayer. I wove into ...
— A Romance of Two Worlds • Marie Corelli
... all over with such phrases as "protection of property," "outraged majesty of the law," and "scum of civilization"— expressions which had been used so continuously by Mr. O'Flaherty, that he had come to think that he had a copyright in them, and loudly accused the London papers of plagiarism if he happened to see them in ...
— The Firm of Girdlestone • Arthur Conan Doyle
... Cowper should have done it. The author of "John Gilpin," and the "Retired Cat," would have put La Fontaine into every chimney-corner which resounds with the Anglo-Saxon tongue.... To you who have so generously enabled me to publish this work with so great advantages, and without selling the copyright for the promise of a song, I return my heartfelt thanks. A hatchet-faced, spectacled, threadbare stranger knocked at your doors, with a prospectus, unbacked by "the trade," soliciting your subscription to a costly edition of a mere translation. ...
— The Fables of La Fontaine - A New Edition, With Notes • Jean de La Fontaine
... lecture must, I think, have been his best. What he says about Sterne is true. His observations on literary men, and their social obligations and individual duties, seem to me also true and full of mental and moral vigour. . . . The International Copyright Meeting seems to have had but a barren result, judging from the report in the Literary Gazette. I cannot see that Sir E. Bulwer and the rest DID anything; nor can I well see what it is in their power to do. The argument brought forward about the damage accruing to American ...
— The Life of Charlotte Bronte • Elizabeth Cleghorn Gaskell
... to thank the contributors to this volume, and also their publishers, for the permission to reproduce copyright work. Special thanks are due to Mr. Richard Blakeborough, who has placed Yorkshiremen under a debt, by the great service which he has rendered in recovering much of the traditional poetry of Yorkshire and in giving it the permanence of the printed page. In compiling the so-called ...
— Yorkshire Dialect Poems • F.W. Moorman
... to receive, is robust like his body, and will not accept shackles. The propaganda should be of the best productions of the highest intellects, independent of creed and party. A practical difficulty arises from the copyrights; you cannot reprint a book of which the copyright still exists without injury to the original publisher and the author. But there are many hundred books of the very best order of which the copyright has expired, and which can be reprinted without injury to any one. Then there are the books which it may be presumed would be compiled on purpose ...
— The Life of the Fields • Richard Jefferies
... to relinquish possession; we part from a person or from something thought of with some sense of companionship; a traveler parts from his friends; he maybe said also to part from his native shore; a man parts with an estate, a horse, a copyright; part with may be applied to a person thought of in any sense as a possession; an employer parts with a clerk or servant; but part with is sometimes used by good writers as meaning simply ...
— English Synonyms and Antonyms - With Notes on the Correct Use of Prepositions • James Champlin Fernald
... From "Reminiscences of a Journalist." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884. Mr. Congdon was, for many years, under Horace Greeley, a leading editorial writer for the ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey
... His salary was at first L40, and he was passing rich on it; and it was soon raised to L79. We need trouble no further as to whether on such wages he was poor or rich: he evidently considered himself well-to-do. In fact, even in those days, when copyright practically did not exist, he continually made respectable sums by his compositions, and after he had been twice to England, ever the Hesperides' Garden of the German musician, he was a wealthy man, and was thankful for ...
— Haydn • John F. Runciman
... "Common Sense". Thus Paine was as lucky in his time of publication as in his choice of a subject. All contemporaries admit that the pamphlet produced a prodigious effect. Paine himself says,—"The success it met with was beyond anything since the invention of printing. I gave the copyright up to every State in the Union, and the demand ran to not less than one hundred thousand copies." The authorship was attributed to Dr. Franklin, to Samuel Adams, ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various
... contents proved to be a MS. play, by a young lady of New York, who kindly requested me to read and correct it, equip it with prologue and epilogue, procure for it a favorable reception from the manager of Drury Lane, and make Murray or Constable bleed handsomely for the copyright; and on inspecting the cover, I found that I had been charged five pounds odd for the postage. This was bad enough—but there was no help, so I groaned and submitted. A fortnight or so after, another packet, of not less formidable bulk, arrived, ...
— Memoirs of the Life of Sir Walter Scott, Volume V (of 10) • John Gibson Lockhart
... to public opinion, and signed the bills which made appropriations for the improvement of harbors and rivers, for the continuation of the Cumberland road, for the encouragement of the culture of the vine and olive, and for granting an extended copyright to authors. It was only during his second term that his hostility to tariffs became a passion,—not from any well-defined views of political economy, for which he had no adequate intellectual training, but because ...
— Beacon Lights of History, Volume XII • John Lord
... and in June of that year he sustained a severe bereavement by the death of his wife. Continuing his studies in the science of language, he published his Philological Grammar in 1854, drawing examples from more than sixty languages. For the copyright of this erudite work he received L5. The second series of dialect poems, Hwomely Rhymes, appeared in 1859 (2nd ed. 1863). Hwomely Rhymes contained some of his best-known pieces, and in the year of its publication he first began to give readings from his works. As their reputation grew he ...
— Encyclopaedia Britannica, 11th Edition, Volume 3, Part 1, Slice 3 - "Banks" to "Bassoon" • Various
... emendations which the editor "would not hesitate to adopt it he should ever find an ancient MS. to confirm them" and a final leaf with colophon and anchor. The Scholia, 24 unnumbered leaves, have a separate title, with notice of copyright granted by Paul III. (the fourth pope to grant this privilege) and the Venetian senate; colophon and anchor repeated on last leaf. Italic letter, 30 lines to the page, five-line spaces with guide-letters left for initials. Renouard, ...
— Catalogue of the William Loring Andrews Collection of Early Books in the Library of Yale University • Anonymous
... pains with the text of A Voyage to Terra Australis. It was never meant to be a book for popular reading, though there is no lack of entertainment in it. It was a semi-official publication, in which the Admiralty claimed and retained copyright, and its author was perhaps a little hampered by that circumstance. Bligh asked that it should be dedicated to him, but "the honour was declined."* (* Flinders' Papers.) The book was produced under the direction of a committee appointed ...
— The Life of Captain Matthew Flinders • Ernest Scott
... brought him for sale, they had not been performed at the theatres nor Vauxhall, nor any other place, and Johnson would not print them." "The Thompsons, however, of St. Paul's Churchyard, published six ballads for me, which sold at three-halfpence a-piece, and for the copyright of which they generously gave me three guineas." Though we may not feel disposed to apply the term "generous" to a payment of half-a-guinea for a Dibdin ballad, yet in all probability we are indebted to the Thompsons for ...
— The Violin - Its Famous Makers and Their Imitators • George Hart
... little probability I know of remuneration from the sale) he purchased the poems, and the typographical elegance by which he endeavoured to recommend them, (or)—the liberal assistance which he afforded me, by the purchase of the copyright with little probability of remuneration from the sale of ...
— The Complete Poetical Works of Samuel Taylor Coleridge - Vol I and II • Samuel Taylor Coleridge
... of the best stories ever written by Harry Castlemon. But few of these titles have ever been published in low-priced editions, many of them are copyright titles which will not be found in any other publisher's list. We now offer them in this new low-priced edition. The books are printed on an excellent quality of paper, and have an entirely new and handsome cover design, with new style colored inlay on front cover, and stamped in ink. 12mo. Cloth. ...
— The Brighton Boys in the Radio Service • James R. Driscoll
... run of the Illustrated Midlands News, to which I had been a frequent contributor of verse, the late Richard Gowing, then editor of the School Board Chronicle, had officiated as Mr Joseph Hatton's assistant editor. He had just acquired the copyright in the Gentleman's Magazine, and I bethought me that here lay my opportunity. I took the article to him, and after turning the manuscript pages swiftly over, he decided to accept it. It ran, I think, to two and thirty pages, and I received his cheque for ten shillings ...
— Recollections • David Christie Murray
... you will read the copyright essay, you will discover that Judge Douglas himself says, a controversy between the American Colonies and the Government of Great Britain began on the slavery question in 1699, and continued from that time until the Revolution; and, while ...
— Abraham Lincoln, A History, Volume 2 • John George Nicolay and John Hay
... not talk, who were not more than three months old, and trained the nurses to work on his principles and by his methods. This will hardly be done in this country, at least at present; but to supply the place of such a class, a lady of Boston has prepared and published, under copyright, Froebel's First Gift, consisting of six soft balls of the three primary and the three secondary colors, which are sold in a box, with a little manual for mothers, in which the true principle and plan ...
— Atlantic Monthly, Vol. 10, No. 61, November, 1862 • Various
... father's Phantastes, my reasons are three. The first is to rescue the work from an edition illustrated without the author's sanction, and so unsuitably that all lovers of the book must have experienced some real grief in turning its pages. With the copyright I secured also the whole of that edition and turned ...
— Phantastes - A Faerie Romance for Men and Women • George MacDonald
... of impinging on Mr. Young's copyright that prevents me reprinting the graphic ballad of The Wanderer and the prologue of The Strollers, which reads like a page from the prelude to some Old-World miracle play. The setting of these things is frequently antique, but the thought ...
— Ponkapog Papers • Thomas Bailey Aldrich
... given the copyright to Allestry, the Royal Society's printer, Sylva brought no pecuniary profit to its author; and indirectly it was the cause of disappointment to him. How this came about may be seen from the following ...
— Sylva, Vol. 1 (of 2) - Or A Discourse of Forest Trees • John Evelyn
... From a letter written in 1789 and addrest to Mrs. Morris of Philadelphia. Copyright, ...
— The Best of the World's Classics, Restricted to Prose, Vol. IX (of X) - America - I • Various
... Mifflin Company The Riverside Press Cambridge Copyright, 1912 and 1913, by the Atlantic Monthly Company Copyright, 1913, by John Muir All Rights Reserved Including the Right to Reproduce This Book or Parts Thereof in Any Form Published March 1913 Fourteenth Impression The Riverside Press Cambridge . Massachusetts Printed ...
— The Story of My Boyhood and Youth • John Muir
... Sense" was published anonymously and without copyright, and was circulated at bare cost, Paine never received anything for the work, save the twenty-five hundred dollars voted to ...
— Little Journeys to the Homes of the Great, Volume 9 - Subtitle: Little Journeys to the Homes of Great Reformers • Elbert Hubbard
... acknowledgment to author and publisher for the use of Dr. George M. Price's valuable articles on sanitation. The following extracts are taken from Dr. Price's "Handbook on Sanitation," published by John Wiley & Son, and are covered by copyright. ...
— The Home Medical Library, Volume V (of VI) • Various
... | | | | Extensive search has failed to find any evidence that the | | U.S. copyright of this publication has been ...
— Unwise Child • Gordon Randall Garrett
... Pultock received twenty pounds, twelve copies of the work, and 'the cuts of the first impression,' that is, a set of proof impressions of the fanciful engravings that professed to illustrate the first edition, as the price of the entire copyright. This curious document was sold to John Wilks, Esq., M.P. on the ...
— Notes and Queries, Number 62, January 4, 1851 • Various
... weak in this manner, not so much for their own good as the good of the race. The state already puts literary property into a class apart by limiting its duration. At a certain point, which varies in different circumstances, copyright expires. It is possible for an author, whose fame comes late, to be present as a row of dainty volumes in half the comfortable homes in the world, while his grandchildren beg their bread. The author's blood is sacrificed to the need the whole world has of cheap access to his work. And since ...
— Mankind in the Making • H. G. Wells
... if you're going to lead the people. Nobody is so blind to the future as practical politicians and business men." He stopped, smiling quizzically. "But you're the orator of the family. I don't want to infringe on your copyright. Only you have the personality to be a real leader. Get started right. Remember that America faces forward, and that we're going to move with seven ...
— The Vision Spendid • William MacLeod Raine
... as simple and inexpensive as it is tasty," prescribes The Complete Manual of Cookery, p. 48, "take one cup of thick molasses—" But why should I infringe a copyright when the culinary reader may acquire the whole range of kitchen lore by expending eighty-nine cents plus postage on 39 T 337? Banneker had faithfully followed the prescribed instructions. The result had certainly been simple and inexpensive; presumably it would ...
— Success - A Novel • Samuel Hopkins Adams
... of recitations from a text in princely halls was ending or ended; the age of a reading public was begun. The earlier condition of the jongleur who was his own poet, and carefully guarded his copyright in spite of all temptations to permit the copying of his MS., is regarded by Sir Richard Jebb as quite a possible feature of early Greece. He thinks that there was "no wide circulation of writings by numerous copies for a reading public" before the end of the fifth ...
— Homer and His Age • Andrew Lang
... Lowell's Biglow Papers. Trumbull wrote his poem as a "weapon of warfare." The first part of M'Fingal passed through some forty editions, many of them printed without the author's consent. This fact is said to have led Connecticut to pass a copyright law in 1783, and to have thus constituted a landmark in ...
— History of American Literature • Reuben Post Halleck
... Williams, as they will call him, continually cropping out; but a conscientious man would not swear to one line of it, and I do not think Shakspeare would be justified in suing the French author for compensation under the National Copyright-Act. I speak of Shakspeare as existing, because it is my belief he does, in ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various
... exhilarating in the knowledge that we are in the outer court of one of King Champagne's many palaces. Mem. Grand idea for a scene in a Drury Lane Pantomime. Visit to Palace of POPPIN THE FIRST, king of the Champagne country. Register copyright and suggest ...
— Punch, Volume 101, September 19, 1891 • Francis Burnand
... much annoyed by the expression of that sentiment that he has constantly, I believe, in almost all his speeches since it was uttered, been referring to it. I find he alluded to it in his speech here, as well as in the copyright essay. I do not now enter upon this for the purpose of making an elaborate argument to show that we were right in the expression of that sentiment. In other words, I shall not stop to say all that might properly be said upon this point, but I only ask your attention to it for the ...
— The Papers And Writings Of Abraham Lincoln, Complete - Constitutional Edition • Abraham Lincoln
... strange thing happened. I know that I am infringing copyright in making that statement, but it so exactly suits the occurrence, that perhaps Mr Rider Haggard will not object. It was a ...
— The Gold Bat • P. G. Wodehouse
... "Miss Portia has a copyright on that. But before you begin, I'd like to know if the newspapers have it straight as far as they ...
— The Grafters • Francis Lynde
... made at BookLab. Inc. in compliance with copyright law. The paper meets the requirements of ANSI/NISO ...
— The Declaration of the Rights of Man and of Citizens • Georg Jellinek
... "Lyrical Ballads," was so slow, and the severity of most of the reviews so great, that their progress to oblivion, notwithstanding the merit which I was quite sure they possessed, seemed ordained to be as rapid as it was certain. I had given thirty guineas for the copyright, as detailed in the preceding letters; but the heavy sale induced me at length, to part with, at a loss, the largest proportion of the impression of five hundred, to Mr. Arch, a London bookseller. After this transaction ...
— Reminiscences of Samuel Taylor Coleridge and Robert Southey • Joseph Cottle
... magazine under the name of "Dorothea," and afterwards in book form as "Dolly." For reasons not necessary to state here, all control over the book had passed from my hands. It has been for some time out of print; but, having at last obtained control of the copyright, I have made such corrections as seemed advisable, given it the name I originally intended for it, and now issue it through ...
— Vagabondia - 1884 • Frances Hodgson Burnett
... U. S. seems to make as free with the reputations of English authors, as the northern with their copyright. The name of the South Carolina newspaper, which, with so much confirmatory evidence, ascribed The Calm to Shelley, is not given. If it was the Southern Literary Messenger, the editor has been at it again. The following began to appear in the English ...
— Notes and Queries, Number 234, April 22, 1854 • Various
... with prompt interest, "who is this barbaric and regal creature in whose train I find you? Do you assert any claim of copyright—or prior discovery, or is it a clear field ...
— A Pagan of the Hills • Charles Neville Buck
... reaction from Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its publications ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... from "Astounding Stories" December 1931. Extensive research did not uncover any evidence that the U.S. copyright on this ...
— The Infra-Medians • Sewell Peaslee Wright
... "Our Animal Friends," and president of the American Society for the Prevention of Cruelty to Animals, for publishing the contents of this chapter in his magazine in time to be included in this volume. Also for copyright privileges in connection ...
— Birds of the Rockies • Leander Sylvester Keyser
... Switzerland." By special arrangement with, and by permission of, the publishers, L.C. Page & Co. Copyright, 1894.] ...
— Seeing Europe with Famous Authors, Volume VI • Various
... therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own ...
— The Gorgon's Head - (From: "A Wonder-Book For Girls and Boys") • Nathaniel Hawthorne
... accompanied them. The book, a handsome folio, appears to have been immediately successful, for in the following year a second edition was called for. This was a precise reprint of the 1856 edition; but, unhappily, the delicate plates already began to exhibit signs of wear. The copyright (which had not been retained by Mr. Ruskin, but remained the property of Messrs. E. Gambart & Co.) then passed to Messrs. Day & Son, who, after producing the third edition of 1859, in turn disposed of it to Mr. T. J. Allman. ...
— The Harbours of England • John Ruskin
... gratitude to Mildred Archer and to Gopi Krishna Kanoria for valued criticism and advice, to Messrs. Faber and Faber, the Harvill Press, Messrs. Macmillan, the Oxford University Press, the Phoenix House and Messrs. Sidgwick and Jackson for permitting me to quote passages from works still copyright, to Professor J. Brough for an informative note on Bhanu Datta's Rasamanjari and to all those owners of collections who have either allowed me to reproduce pictures in their possession or have kindly supplied me ...
— The Loves of Krishna in Indian Painting and Poetry • W. G. Archer
... May, 1751. The sum for the tickets delivered for the 18th April came to six hundred pounds; that for May, nine hundred and twenty-five guineas. The "London Magazine" of that month says there were eight hundred coaches and chairs. Handel presented this hospital with the copyright of the "Messiah." The performances alone during Handel's life time enriched the hospital ...
— Sketch of Handel and Beethoven • Thomas Hanly Ball
... exacted by local officials on goods in transit through their territories); confirmed the right of American citizens to trade, reside, travel, and own property in China; extended to China the United States' copyright laws; gained a promise from the Chinese Government to establish a patent office in which the inventions of United States' citizens may be protected; and made valuable regulations regarding trade-marks, mining concessions, ...
— An Inevitable Awakening • ARTHUR JUDSON BROWN
... Copyright, (C), 1962, by Murray Leinster. All rights reserved. Published by arrangement with the author. ...
— Talents, Incorporated • William Fitzgerald Jenkins
... implies that the CIA approved, endorsed, or authorized such use. If you have any questions about your intended use, you should consult with legal counsel. Further information on The World Factbook's use is described on the Contributors and Copyright Information page. As a courtesy, please cite The ...
— The 2003 CIA World Factbook • United States. Central Intelligence Agency
... matter to the decision of the public, since we cannot be umpires in our own cause, we proceed to detail such circumstances attending the writing and publication of our little work, as may literally meet the wishes of the present proprietor of the copyright, who has applied to us for a gossiping Preface. Were we disposed to be grave and didactic, which is as foreign to our mood as it was twenty years ago, we might draw the attention of the reader, in a fine sententious paragraph, to the trifles ...
— Rejected Addresses: or, The New Theatrum Poetarum • James and Horace Smith
... known, Dickens married Miss Catherine Hogarth when he was only twenty-four. He had just published his Sketches by Boz, the copyright of which he sold for one hundred pounds, and was beginning the Pickwick Papers. About this time his publisher brought N. P. Willis down to Furnival's Inn to see the man whom Willis called "a young paragraphist for the Morning Chronicle." Willis ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... part of the U. S. seems to make as free with the reputations of English authors, as the northern with their copyright. The name of the South Carolina newspaper, which, with so much confirmatory evidence, ascribed The Calm to Shelley, is not given. If it was the Southern Literary Messenger, the editor has been at it again. The following began to appear ...
— Notes and Queries, Number 234, April 22, 1854 • Various
... ashamed. It was translated into English, in 1885, by an American lady, Mrs. F. Kelley Wischnewetzky, and published in the following year in New York. The American edition being as good as exhausted, and having never been extensively circulated on this side of the Atlantic, the present English copyright edition is brought out with the full consent of ...
— The Condition of the Working-Class in England in 1844 - with a Preface written in 1892 • Frederick Engels
... this period (February, 1806) at work upon a farce, to be called "Mr. H.;" from which he says, "if it has a 'good run' I shall get two hundred pounds, and I hope one hundred pounds for the copyright." "Mr. H." (which rested solely upon the absurdity of a name, which after all was not irresistibly absurd) was accepted at the theatre, but unfortunately it had not "a good run." It failed, not quite undeservedly perhaps, ...
— Charles Lamb • Barry Cornwall
... Curtin, and to these I have added the best tales scattered elsewhere. By this means I hope I have put together a volume, containing both the best, and the best known folk-tales of the Celts. I have only been enabled to do this by the courtesy of those who owned the copyright of these stories. Lady Wilde has kindly granted me the use of her effective version of "The Horned Women;" and I have specially to thank Messrs. Macmillan for right to use Kennedy's "Legendary Fictions," and Messrs. Sampson Low & Co., for the use of ...
— Celtic Fairy Tales • Joseph Jacobs (coll. & ed.)
... edition of the letters, and sent the American Publishing Co. a challenge in the shape of an advance notice of their publication. Clemens hurried back to San Francisco from the East, and soon convinced the proprietors of the 'Alta California' of the authenticity of his copyright. The paper-covered edition was then ...
— Mark Twain • Archibald Henderson
... it. There are two Dutch translations going forward.' Letters of Boswell, p. 145. It met with a rapid sale. A third edition was called for within a year. Dilly, the publisher, must have done very well by it, as he purchased the copyright for one hundred guineas. Ib, p. 103. 'Pray read the new account of Corsica,' wrote Horace Walpole to Gray on Feb. 18, 1768 (Letters, v. 85). 'The author is a strange being, and has a rage of knowing everybody that ever was talked of. He forced himself ...
— Life Of Johnson, Vol. 2 • Boswell
... expenses of his long and tedious journey must have been heavy; and the gold-yielding vein of literary popularity, which he had for three years been working, had already begun to show signs of exhaustion. Tristram Shandy had lost its first vogue; and the fifth and sixth volumes, the copyright of which he does not seem to have disposed of, ...
— Sterne • H.D. Traill
... catalog], a card for each book—and a book is a book although in several volumes—write the author's surname (if the book is anonymous write first the title), given name or names, if known, title, date of copyright, date of publication, call-number, and such other data as seem desirable. The price, for example, may be put here, and the size, indicating this by a letter. [See Cole size card in chapter on Things needed (9) and in Library Bureau catalog.] Arrange these cards alphabetically, ...
— A Library Primer • John Cotton Dana
... his works) that he must absolutely take into consideration the size of the orchestra, which at grand concerts amounted to 700 performers. The Society only stipulated for the exclusive right to the work for one year, and did not purchase the copyright; they undertook the gratuity for the poem also, so they were obliged to consult their pecuniary resources, and informed the composer that they were prepared to give him 200 gold ducats for the use of the ...
— Beethoven's Letters 1790-1826, Volume 1 of 2 • Lady Wallace
... the Articles of the Copyright Convention of the Pan-American Republics and the United States, August ...
— The Training of a Public Speaker • Grenville Kleiser
... copyrighted, to prevent its republication elsewhere, and the copyright, like those of all the other works prepared for the Supreme Council, has been assigned to Trustees for that Body. Whatever profits may accrue from it will be devoted to ...
— Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry • Albert Pike
... little Loves were playing. The poor lover, to enable him to pay for the materials of the box, of which the panels were of malachite, had designed two candlesticks for Florent and Chanor, and sold them the copyright—two admirable pieces of work. ...
— Poor Relations • Honore de Balzac
... vision if you're going to lead the people. Nobody is so blind to the future as practical politicians and business men." He stopped, smiling quizzically. "But you're the orator of the family. I don't want to infringe on your copyright. Only you have the personality to be a real leader. Get started right. Remember that America faces forward, and that we're going to move with seven league boots to ...
— The Vision Spendid • William MacLeod Raine
... unacquainted with their almost invincible objection to single volumes of low price, especially when tendered by writers who have acquired no previous name, we little anticipated that they would refuse to publish our 'Rejected Addresses,' even although we asked nothing for the copyright. Such, however, proved to be the case. Our manuscript was perused and returned to us by several of the most eminent publishers. Well do we remember betaking ourselves to one of the craft in Bond-street, ...
— The Humourous Poetry of the English Language • James Parton
... nor was this necessary in order to give examples of the best that has been done in the short story in a humorous vein in American literature. Probably all types of the short story of humor are included here, at any rate. Not only copyright restrictions but in a measure my own opinion have combined to exclude anything by Joel Chandler Harris—Uncle Remus—from the collection. Harris is primarily—in his best work—a humorist, and only secondarily ...
— The Best American Humorous Short Stories • Various
... schooner in the stocks, which he has laid and built himself, and even hopes to finish. Mr. M'Callum and I did not meet, but, like gallant troubadours, corresponded in verse. I hope he will not consider it a breach of copyright if I give here a specimen of his muse. He and Bishop Dordillon are the two European ...
— In the South Seas • Robert Louis Stevenson
... is indisposed to similar negotiations; but most and very eager to have the property of your works at almost any price. If you have not heard it from Cottle, why, you may hear it from me, that is, the arrangement of Cottle's affairs in London. The whole and total copyright of your "Joan," and the first volume of your poems (exclusive of what Longman had before given), was taken by him at three hundred and seventy pounds. You are a strong swimmer, and have borne up poor ...
— A Letter Book - Selected with an Introduction on the History and Art of Letter-Writing • George Saintsbury
... disinterested profession than any other, requiring no fees for the professors. OLIVET presented his elaborate edition of Cicero to the world, requiring no other remuneration than its glory. MILTON did not compose his immortal work for his trivial copyright;[A] and LINNAEUS sold his labours for a single ducat. The Abbe MABLY, the author of many political and moral works, lived on little, and would accept only a few presentation copies from the booksellers. But, since we have become a nation of book-collectors, and since there exists, as Mr. ...
— Literary Character of Men of Genius - Drawn from Their Own Feelings and Confessions • Isaac D'Israeli
... were susceptible to influence by the privileged interests, and were almost or quite as hostile to manliness as they were to unrefined vice—and were much more hostile to it than to the typical shortcomings of wealth and refinement. They favored Civil Service Reform; they favored copyright laws, and the removal of the tariff on works of art; they favored all the proper (and even more strongly all the improper) movements for international peace and arbitration; in short, they favored all good, and ...
— Theodore Roosevelt - An Autobiography by Theodore Roosevelt • Theodore Roosevelt
... Britisher named Prof. Bridger has been infringing my copyright by proclaiming, as an original discovery, that kissing is an excellent tonic and will cure dyspepsia. When the o'erbusy bacteriologists first announced that osculation was a dangerous pastime, that divers and sundry varieties of bacteria hopped blithely back and forth ...
— Volume 1 of Brann The Iconoclast • William Cowper Brann
... protected by the copyright law, all requirements of which have been complied with. In its present printed form it is dedicated to the reading public only, and no performance of it, either professional or amateur, may be given without ...
— The Climbers - A Play in Four Acts • Clyde Fitch
... drama; and the drama was the department of polite literature in which a poet had the best chance of obtaining a subsistence by his pen. The sale of books was so small that a man of the greatest name could hardly expect more than a pittance for the copyright of the best performance. There cannot be a stronger instance than the fate of Dryden's last production, the Fables. That volume was published when he was universally admitted to be the chief of living English ...
— The History of England from the Accession of James II. - Volume 1 (of 5) • Thomas Babington Macaulay
... from the 1963 book publication of the story. Extensive research did not uncover any evidence that the copyright on this publication ...
— The Impossibles • Gordon Randall Garrett
... Paine was as lucky in his time of publication as in his choice of a subject. All contemporaries admit that the pamphlet produced a prodigious effect. Paine himself says,—"The success it met with was beyond anything since the invention of printing. I gave the copyright up to every State in the Union, and the demand ran to not less than one hundred thousand copies." The authorship was attributed to Dr. Franklin, to Samuel Adams, and to ...
— Atlantic Monthly, Vol. 4, No. 25, November, 1859 • Various
... contested the rights of Italian librettists to borrow their plots from French plays. When "Lucrezia Borgia," composed for Milan in 1834, was produced at Paris in 1840, the French poet instituted a suit for an infringement of copyright. He gained his action, and "Lucrezia Borgia" became "La Rinegata," Pope Alexander the Sixth's Italians being metamorphosed ...
— Great Italian and French Composers • George T. Ferris
... the Children's Hour, by Carolyn Sherwin Bailey and Clara M. Lewis. Copyright by the Milton ...
— Good Stories For Great Holidays - Arranged for Story-Telling and Reading Aloud and for the - Children's Own Reading • Frances Jenkins Olcott
... Russell's most popular songs. He sold the copyright for L3, and shortly afterwards learnt that the publisher had to keep thirty-nine presses at work on it night and day to ...
— Charles Dickens and Music • James T. Lightwood
... and Other Poems," by Henry van Dyke, copyright, 1909, by Charles Scribner's Sons. By permission of ...
— America First - Patriotic Readings • Various
... one user's printout from the next. 2. A similar printout generated (typically on multiple pages of fan-fold paper) from user-specified text, e.g., by a program such as Unix's 'banner({1,6})'. 3. On interactive software, a first screen containing a logo and/or author credits and/or a copyright notice. ...
— The Jargon File, Version 4.0.0
... Tour Through the Pyrenees." By special arrangement with, and by permission of, the publishers, Henry Holt & Co. Copyright, 1873.] ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... was added by Einstein at the time of the fifteenth re-printing of this book; and as a result is still under copyright restrictions so cannot be added without ...
— Relativity: The Special and General Theory • Albert Einstein
... precious relics, till death relaxed her grasp, when the auctioneer's hammer made short work of the painter's remains, even to his maul-stick. But to live? There were seventy-two plates, with the copyright secured to her for twenty years by Act of Parliament. These were hers absolutely under her husband's will. Here at least was subsistence; indeed, the sale of prints from the plates produced, for sometime, a respectable ...
— Art in England - Notes and Studies • Dutton Cook
... the Creation: now a piracy a parte post is common enough; but a piracy a parte ante, and by three centuries, would (according to our old English phrase[5]) drive a coach-and-six through any copyright act that man born of woman could frame. 2dly, it is quite contrary to the evidence on Joanna's trial; for Southey's "Joan" of A. Dom. 1796 (Cottle, Bristol), tells the doctors, amongst other secrets, that she never in her ...
— Miscellaneous Essays • Thomas de Quincey
... Today Barrie gave a copyright performance of "The Little Minister" which Maude Adams is to play in the States. It was advertised by a single bill in front of the Haymarket Theater and the price of admission was five guineas. We took in fifteen guineas, the audience ...
— Adventures and Letters • Richard Harding Davis
... not a little injustice was done to English authors by the pirating of their books, without recompense, while the copyright still lived. It was after I went to America, though I had heard Ruskin lecture at Oxford, that I first read Fors Clavigera and Sesame and Lilies in Lovell's Library, at five-pence a volume, and, about the same time, Tolstoi's War and Peace in the Franklin Square Library, ...
— The Twentieth Century American - Being a Comparative Study of the Peoples of the Two Great - Anglo-Saxon Nations • H. Perry Robinson
... rights, both professional and amateur, are reserved in the United States, Great Britain, and all countries of the Copyright Union, by the author. Performances are forbidden and right ...
— Three Wonder Plays • Lady I. A. Gregory
... the colony. They are much better solved, as they arise, by a conference with the Agent for the Colonies, or, as has been done in the case of Canada, by allowing the government of the colony to take a part in the negotiations, and to settle its own terms. Fisheries, copyright, and even customs' duties, are instances in point. This is a process which will have to be carried further. Each large colony will have relations to foreign countries more and more distant from those ...
— Critical Miscellanies (Vol. 3 of 3) - Essay 9: The Expansion of England • John Morley
... him. The truth is that their original proposal was made to him, not by him to them, the price named being fifteen guineas a letter. He asked permission to duplicate the arrangement with some New York periodical, so as to secure an American copyright. This they refused. I read the correspondence at the time. "Our aim," they said, "in making the engagement, had reference to our own circulation in the United States, ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... old notions fudge And bend our conscience to our dealing, The Ten Commandments will not budge And stealing will continue stealing. Motto of American Copyright League, 1885. ...
— The World's Best Poetry — Volume 10 • Various
... referring to a topic in which I and all others of my class on both sides of the water are equally interested—equally interested, there is no difference between us, I would beg leave to whisper in your ear two words: INTERNATIONAL COPYRIGHT. I use them in no sordid sense, believe me, and those who know me best, best know that. For myself, I would rather that my children, coming after me, trudged in the mud, and knew by the general feeling of society that their father ...
— Speeches: Literary and Social • Charles Dickens
... care as long as scandal's its own copyright? Do you know, my dear father refused a peerage because he felt it meant putting ...
— Waste - A Tragedy, In Four Acts • Granville Barker
... fully protected under the copyright laws of the United States, is subject to royalty, and any one presenting the play without the consent of the author or his agents, will be liable to penalty under the law. All applications for amateur performances ...
— Dolly Reforming Herself - A Comedy in Four Acts • Henry Arthur Jones
... the front in France. It was the splendid work of these gallant fellows and thousands more like them—British, French, and Americans—that kept the supremacy of the air in the hands of the Allies. (Canadian Official Photo, copyright ...
— America's War for Humanity • Thomas Herbert Russell
... punctually paid until the old lady's demise in 1854. Buisson the tailor, Dablin, Madame Delannoy, and the rest of the creditors, one after the other, were reimbursed the sums they had also advanced, the profits on unexhausted copyright aiding largely in the liberation of the estate. Before Eve's own death, every centime of debt ...
— Balzac • Frederick Lawton
... not going to reveal all the clues to you now; partly because I might be infringing the copyright of another, partly because I have forgotten them. But the idea roughly is that if a man holds his cigar between his finger and thumb, he is courageous and kind to animals (or whatever it may be), and if he holds it between his first and second fingers he is impulsive but yet considerate ...
— Not that it Matters • A. A. Milne
... heard of the visit of the wise men of the east to his cradle, or of Herod's massacre of the innocents, or of the star which guided those wise men to the birthplace of the little king of the Jews. That star is the sole property of Matthew, and the other evangelists took care not to infringe his copyright. Indeed, it is surprising how well they did with the remnants he ...
— Flowers of Freethought - (Second Series) • George W. Foote
... renown. The prize committee, on the ground that none of the competing pieces reached the high standard of excellence contemplated, withheld the $500, and Keller's work received merely the compliment of being judged worth presentation. The artist had his copyright, but he remained a ...
— The Story of the Hymns and Tunes • Theron Brown and Hezekiah Butterworth
... the chief relaxation and delight of those sad later years. When he died, he had contributed to Thomson's work sixty songs, but of these only six had then appeared, as only one half-volume of Thomson's work had then been published. Burns had given Thomson the copyright of all the sixty songs; but as soon as a posthumous edition of the poet's works was proposed, Thomson returned all the songs to the poet's family, to be included in the forthcoming edition, along with (p. 154) the interesting letters which had accompanied ...
— Robert Burns • Principal Shairp
... every part knows what every other part is thinking, contemplating, or doing. A discovery in a German laboratory is being demonstrated in San Francisco within twenty-four hours. A book written in South Africa is published by simultaneous copyright in every English-speaking country, and on the following day is in the hands of the translators. The death of an obscure missionary in China, or of a whisky smuggler in the South Seas, is served up, the world over, with the morning toast. The wheat output ...
— Revolution and Other Essays • Jack London
... that time, and of the vast and lamentable change that has since taken place, may be obtained from the consideration of a few facts connected with the manufacture of books in the closing years of the last century. The copyright laws not extending to Ireland, all books published in England might there be reprinted, and accordingly we find that all the principal English law reports of the day, very many of the earlier ones, and ...
— The trade, domestic and foreign • Henry Charles Carey
... bears will be. So I make, on duty bent, My last will and testament, Giving to my Bearcamp friends All my traps and odds and ends. First, on Mr. Whittier, That old bedstead I confer, Whereupon, to vex his life, Adam dreamed himself a wife. I give Miss Ford the copyright Of these verses I indite, To be sung, when I am gone, To the tune the cow died on. On Miss Lansing I bestow Tall Diana's hunting bow; Where it is I cannot tell— But if found 't will suit her well. I bequeath ...
— Whittier-land - A Handbook of North Essex • Samuel T. Pickard
... document it appeared that the author was Robert Paltock of Clement's Inn, and that he received for the copyright 20L., twelve copies of the book, and "the cuts of the first impression"(proof impressions of the illustrations). The writer's name shows him to have been, like his hero, of Cornish origin; but the authors of the admirable and exhaustive ...
— Life And Adventures Of Peter Wilkins, Vol. I. (of II.) • Robert Paltock
... lesson from the recent victory. Her white hands pointed him to glory that lay beyond a prolonged martyrdom; she spoke of stakes and flaming pyres; she spread the adjectives thickly on her finest tartines, and decorated them with a variety of her most pompous epithets. It was an infringement of the copyright of the passages of declamation that disfigure Corinne; but Louise grew so much the greater in her own eyes as she talked, that she loved the Benjamin who inspired her eloquence the more for it. She counseled ...
— Two Poets - Lost Illusions Part I • Honore de Balzac
... work as the Puritan allegory. They both came out quietly and made little noise at first. But the Pilgrim's Progress got at once {180} into circulation, and not even a single copy of the first edition remains. Milton, too—who received 10 pounds for the copyright of Paradise Lost—seemingly found that "fit audience though few" for which he prayed, as his poem reached its second impression in five years (1672). Dryden visited him in his retirement and asked leave to turn it into rime and put it on the stage as an opera. "Ay," said ...
— Brief History of English and American Literature • Henry A. Beers
... the library. The teacher accompanies them, and they come in school hours. The school reference librarian gives the lesson. For the eighth grade we consider the make-up of the book—the title-page in detail, the importance of noting the author, the significance of place and date and copyright, the origin of the dedication, the use of contents and index. This is followed by a description of bookmaking, folding, sewing and binding, illustrated by books pulled to pieces for the purpose. The lesson closes with remarks on the ...
— Library Work with Children • Alice I. Hazeltine
... All, alas! were now in a great measure so written. "Ivanhoe," "The Monastery," "The Abbot," and "Kenilworth" were all published between December 1819 and January 1821, Constable & Co. giving five thousand guineas for the remaining copyright of them, Scott clearing ten thousand before the bargain was completed; and before the "Fortunes of Nigel" issued from the press Scott had exchanged instruments and received his bookseller's bills for no less than four "works of fiction," not one ...
— On the Old Road, Vol. 2 (of 2) - A Collection of Miscellaneous Essays and Articles on Art and Literature • John Ruskin
... received from Andrew Millar L1000 for the copyright of Amelia. But the reception of the new novel, after the first rush for copies, seems to have done little credit either to the brains or to the heart of the public. And in the month following Amelia's appearance, Fielding satirises the comments of ...
— Henry Fielding: A Memoir • G. M. Godden
... to Washington to try to get a decent copyright law passed, a representative took him out ...
— Toaster's Handbook - Jokes, Stories, and Quotations • Peggy Edmund & Harold W. Williams, compilers
... unwieldy, and the very object of this volume as a book of ready reference would not have been achieved. But the difficulty has been to define the exact meaning of a pirate and of a buccaneer. In the dictionary a pirate is defined as "a sea-robber, marauder, one who infringes another's copyright"; while a buccaneer is described as "a sea-robber, a pirate, especially of the Spanish-American coasts." This seems explicit, but a pirate was not a pirate from the cradle to the gallows. He usually began his life at sea as an honest mariner in the merchant service. He ...
— The Pirates' Who's Who - Giving Particulars Of The Lives and Deaths Of The Pirates And Buccaneers • Philip Gosse
... painful and wasted Ecce Homo ever painted by some old German painter. His voice was very weak, and I was astonished at the animation with which he talked; evidently his mind had wholly survived his body.' He wished to give my mother the copyright of all his works, made out lists how to arrange them, and gave her carte-blanche to cut out what she pleased, and was especially eager that she should do a prose translation of his songs against her ...
— Letters from Egypt • Lucie Duff Gordon
... that invention ought to be encouraged and protected bore fruit in this same year in patent and copyright laws, which became the foundation of our present system. The same good fortune befell the recommendation for a uniform rule for naturalization, and the law of 1790 was quietly enacted, no one then imagining ...
— George Washington, Vol. II • Henry Cabot Lodge
... on the theory that any alarm is false. Eternal vigilance is the price of holding a trench. Either side is cudgelling its brains day and night to spring some new trick on the other. If one side succeeds with a trick, the other immediately adopts it. No international copyright in strategy is recognized. We rushed out of the mess hall into the firing-trench, where we found the men on the alert, rifles laid on the spot where the Germans were supposed to ...
— My Year of the War • Frederick Palmer
... influence have grown steadily since his death in 1850. Crabbe's reputation was apparently at its height in 1819, for it was then, on occasion of his publishing his Tales of the Hall, that Mr. John Murray paid him three thousand pounds for the copyright of this work, and its predecessors. But after that date Crabbe's popularity may be said to have continuously declined. Other poets, with other and more purely poetical gifts, arose to claim men's attention. Besides Wordsworth, as already pointed out, Scott, Byron, Coleridge, ...
— Crabbe, (George) - English Men of Letters Series • Alfred Ainger
... of brief Notes on Science, Engineering, Automobiles, etc. A special Department on Patents is published every second or third number. This contains descriptions and illustrations of interesting and novel inventions, Personal Notes about inventors and Legal Decisions in Patent, Trade-mark and Copyright cases, etc., digested in a popular and readable style. Inquiries in regard to physics, hydraulics, electricity, etc., are answered free of charge in our "Notes and Queries Department." We have special correspondents in various parts ...
— Wholesale Price List of Newspapers and Periodicals • D. D. Cottrell's Subscription Agency
... in the section entitled, "Before" originally appeared in my first volume, "Merchants from Cathay" published by the Century Company. This volume is now out of print and I hold the copyright. The three poems following these originally appeared in my second volume, "The Falconer of God and Other Poems." For permission to reprint a few of the remaining poems I have to thank the editors of Reedy's ...
— Perpetual Light • William Rose Benet
... identifying the poet's house; he also warmly defends him from the charge that has been brought against him of servility in accepting it. He points out that it was only after the invention of printing that literature became a money-making profession, and that, as there was no copyright law at Rome to prevent books being pirated, patrons had to take the place that publishers hold, or should hold, nowadays. The Roman patron, in fact, kept the Roman poet alive, and we fancy that many of our modern bards rather regret the old system. Better, surely, ...
— Reviews • Oscar Wilde
... perceived the book should be thrown away, for time is precious. As a matter of fact, the author is cheating the reader as soon as he writes for the sake of filling up paper; because his pretext for writing is that he has something to impart. Writing for money and preservation of copyright are, at bottom, the ruin of literature. It is only the man who writes absolutely for the sake of the subject that writes anything worth writing. What an inestimable advantage it would be, if, in every branch of literature, there existed only a few ...
— Essays of Schopenhauer • Arthur Schopenhauer
... few more favorite authors with American girls than Mrs. L. T. Meade, whose copyright works can only be had from us. Essentially a writer for the home, with the loftiest aims and purest sentiments, Mrs. Meade's books possess the merit of utility as well as the means of amusement. They are girls' books—written for girls, and fitted ...
— The Boat Club - or, The Bunkers of Rippleton • Oliver Optic
... Haughty Aspen;" and the editors of Good Housekeeping Magazine, Little, Brown & Company and Mrs. Velma Swanston Howard for her translation of "The Legend of the Christmas Rose," by Selma Lagerloef, taken from Good Housekeeping Magazine, copyright, 1907. Copyright, 1910, ...
— Christmas in Legend and Story - A Book for Boys and Girls • Elva S. Smith
... title-page is succeeded by an anonymous address to the reader, at the foot of which occurs a peremptory warning to pilferers of dishes or parts thereof; in other words, to piratical invaders of the copyright of Monsieur Barba. There is a preface equally unclaimed by signatures or initials, but as it is in the singular number the two hommes de bouche can scarcely have written it; perchance it was M. Barba aforesaid, lord-proprietor of these not-to-be-touched treasures; but anyhow the writer ...
— Old Cookery Books and Ancient Cuisine • William Carew Hazlitt
... too that Haydn opened a correspondence with William Forster of London, who had added to his business of violin-maker that of a music-seller and publisher. Forster entered into an agreement with him for the English copyright of his compositions, and between 1781 and 1787 he published eighty-two symphonies, twenty-four quartets, twenty-four solos, duets and trios, and the "Seven Last Words," of which we have yet to speak. Nothing of the Forster ...
— Haydn • J. Cuthbert Hadden
... an article by Mr. Winsor in "The Narrative and Critical History of America," of which he was editor. By arrangement with the publishers, Houghton, Mifflin Co., Copyright 1889. For a long period Mr. Winsor was librarian of Harvard University. He wrote "From Cartier to Frontenac," "Christopher Columbus," "The Mississippi Basin," and made other ...
— Great Epochs in American History, Volume I. - Voyages Of Discovery And Early Explorations: 1000 A.D.-1682 • Various
... Quixote" lay on his hands some time before he could find a publisher bold enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received ...
— Don Quixote • Miguel de Cervantes Saavedra
... the doctrines and principles of Christianity and on good living, when we have it done long ago in a few books which we all refer to as our authority." And this is good: "I wish Euclid could have secured a perpetual copyright. It might have helped ...
— A Boswell of Baghdad - With Diversions • E. V. Lucas
... an evil which you can prevent: [1] it is a purpose to kill the reformation begun and increas- ing through the instructions of "Science and Health with Key to the Scriptures;" it encourages infringement of my copyright, and seeks again to "cast lots for his vesture,"—while [5] the perverter preserves in his own consciousness and teaching the name without the Spirit, the skeleton without the heart, the form without the comeliness, the sense without the ...
— Miscellaneous Writings, 1883-1896 • Mary Baker Eddy
... the blocks, which are said to be Bewick's first efforts to depict beasts and birds, undertaken at the request of the New castle printer, to illustrate a new edition of "Tommy Trip." As at this time copyright was unknown, and Newcastle or Glasgow pirated a London success (as New York did but lately), we must not be surprised to find that the text is said to be a reprint of a "Newbery" publication. But as Saint was called the Newbery of the North, possibly the Bewick edition was ...
— Children's Books and Their Illustrators • Gleeson White
... privilege to recognize. And it can hardly be necessary to say that the sympathies of Mr. Spencer, like those of Mill and Cochin, have been with the government and loyal people of the United States. And so we take especial pleasure in mentioning that a considerable interest in the American copyright of his writings has been secured to the author, and also, despite the facilities of reading-clubs and circulating-libraries, that they ...
— The Atlantic Monthly, Volume 13, No. 80, June, 1864 • Various
... to you, it is true; but the copyright is still mine. The copyright of letters that I wrote to you is mine; and I believe the law of copyright is the same with regard to hearts as ...
— The Farringdons • Ellen Thorneycroft Fowler
... printed in short measure (indented both sides) is taken from the American Standard Edition of the Revised Bible, copyright, 1901, by Thomas Nelson & Sons, ...
— The Social Principles of Jesus • Walter Rauschenbusch
... delayed ... delayed. He cut the plan up into scenes ... I mean into a list of scenes ... a sort of ground-map to work on—and there it lies. Nothing more was done. It all lies in one sheet—and I have offered to give up my copyright of idea in it—if he likes to use it alone—or I should not object to work it out alone on my own side, since it comes from me: only I will not consent now to a double work in it. There are objections—none, be it well understood, in Mr. Horne's disfavour,—for I think of him ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... the first edition of "The Golden Dog" (Le Chien d'Or) was brought out in the United States, entirely without my knowledge or sanction. Owing to the inadequacy of the then existing copyright laws, I have been powerless to prevent its continued publication, which I understand to have been a successful and profitable undertaking for all concerned, except the author, the book ...
— The Golden Dog - Le Chien d'Or • William Kirby
... publisher for the use of Dr. George M. Price's valuable articles on sanitation. The following extracts are taken from Dr. Price's "Handbook on Sanitation," published by John Wiley & Son, and are covered by copyright. ...
— The Home Medical Library, Volume V (of VI) • Various
... early portion of this chapter is selected, by kind permission of Dr. Henry Smith Williams, from his "History of the Art of Writing," Copyright, 1902 ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 12 (of 12) • S. Rappoport
... started on June 29, 1855, by the late Colonel Sleigh. It was a single sheet, and the price twopence. Colonel Sleigh failing to make it a success, Mr. Levy, the present chief proprietor of the paper, took the copyright as part security for money owed him by Colonel Sleigh. In Mr. Levy's hands the paper, reduced to a penny, became a great success. "It was," says Mr. Grant, in his "History of the Newspaper Press," "the first ...
— Old and New London - Volume I • Walter Thornbury
... right enough there, for it is good, but I have a copyright, which the young lady should have seen and respected. Will you make a correction in ...
— The Hilltop Boys on the River • Cyril Burleigh
... was Luther the most popular preacher of that day, but his books outsold all other authors. He gave his writings to whoever would print them, and asked for no copyright ...
— Little Journeys to the Homes of the Great, Volume 7 - Little Journeys to the Homes of Eminent Orators • Elbert Hubbard
... of The Christian Science Monitor for allowing him to reproduce some of the pictures drawn by Mr. L. Walker for the series of articles which appeared in that paper; to Mr. T. W. Tyrrell, Mr. Anthony J. Smith, and Mr. T. Fisher Unwin for the loan of photographs and pictures of which they own the copyright. ...
— The Inns and Taverns of "Pickwick" - With Some Observations on their Other Associations • B.W. Matz
... from the 1949 book A Martian Odyssey and Others by Stanley G. Weinbaum, pp. 1-27. Extensive research did not uncover any evidence that the U.S. copyright on ...
— A Martian Odyssey • Stanley Grauman Weinbaum
... entirely white, others tinted in bright colours, in accordance with the description given by Bernadette; the amiable and smiling face, the extremely long veil, the blue sash, and the golden roses on the feet, there being, however, some slight modification in each model so as to guarantee the copyright. And there was another flood of other religious objects: a hundred varieties of scapularies, a thousand different sorts of sacred pictures: fine engravings, large chromo-lithographs in glaring colours, submerged beneath a mass of smaller pictures, ...
— The Three Cities Trilogy, Complete - Lourdes, Rome and Paris • Emile Zola
... not, therefore, plead guilty to a sacrilege, in having sometimes shaped anew, as his fancy dictated, the forms that have been hallowed by an antiquity of two or three thousand years. No epoch of time can claim a copyright in these immortal fables. They seem never to have been made; and certainly, so long as man exists, they can never perish; but, by their indestructibility itself, they are legitimate subjects for every age to clothe with its own garniture of manners and sentiment, ...
— The Gorgon's Head - (From: "A Wonder-Book For Girls and Boys") • Nathaniel Hawthorne
... into their hands, and retained them as indecent publications. Burned them, I hope he meant, and so, I fear, will all holders of this notorious publication, for prices will advance, and Sir Richard will chuckle to think that indecency is a much better protection than international copyright. ...
— Supplemental Nights, Volume 6 • Richard F. Burton
... played pool in the village saloon. He had always liked to read, and had piles of literature in his attic room which was good, because it was cheap. Very few people know that cheap literature is very likely to be good, because it is old and unprotected by copyright. He had Emerson, Thoreau, a John B. Alden edition of Chambers' Encyclopedia of English Literature, some Franklin Square editions of standard poets in paper covers, and a few Ruskins and Carlyles—all read to rags. He talked the book English ...
— The Brown Mouse • Herbert Quick
... for the same thing, and I do not know but I shall have to gratify him and others at the risk of injury to this my vulgar hope of dollars,—that innate idea of the American mind. This I shall settle in a few days. No copyright can be secured here for an English book unless it contain original matter: But my moments are going, and I can only promise to write you quickly, at home and at leisure, for I have just been reading the History again with many, many thoughts, ...
— The Correspondence of Thomas Carlyle and Ralph Waldo Emerson, - 1834-1872, Vol. I • Thomas Carlyle and Ralph Waldo Emerson
... he did largely. I am in a position to write the biographies of Mr. Rowley, Mr. Rowley's father and mother, his Aunt Eliza, and the miller's dog; and nothing but pity for the reader, and some misgivings as to the law of copyright, prevail on me to ...
— St Ives • Robert Louis Stevenson
... efforts to console him. "There's nothing to snivel about, old man," he said repeatedly, with a tranquil smile. He then inquired if it was true that there were portraits of him in several of the papers, and was anxious to know if they were like him. He has executed his will, leaving the copyright of his manuscript, his sole assets, to his father, who has been in a comparatively humble position of life, but who will now be raised to a condition of affluence. The father has been interviewed, and stated to a reporter that he has been much gratified by ...
— Punch, Or The London Charivari, Vol. 99., November 29, 1890 • Various
... vigilance is the price of holding a trench. Either side is cudgelling its brains day and night to spring some new trick on the other. If one side succeeds with a trick, the other immediately adopts it. No international copyright in strategy is recognized. We rushed out of the mess hall into the firing-trench, where we found the men on the alert, rifles laid on the spot where the Germans were supposed to ...
— My Year of the War • Frederick Palmer
... under the copyright laws of the United States, is subject to royalty, and any one presenting the play without the consent of the author or his agents, will be liable to penalty under the law. All applications for amateur performances must be made to SAMUEL ...
— Dolly Reforming Herself - A Comedy in Four Acts • Henry Arthur Jones
... Lords below the bar and the strangers in the gallery joined. The excitement of the House was such that no other speaker could obtain a hearing; and the debate was adjourned. The ferment spread fast through the town. Within four and twenty hours, Sheridan was offered a thousand pounds for the copyright of the speech, if he would himself correct it for the press. The impression made by this remarkable display of eloquence on severe and experienced critics, whose discernment may be supposed to have been quickened by emulation, ...
— Critical and Historical Essays, Volume III (of 3) • Thomas Babington Macaulay
... thank Messrs. Houghton, Mifflin & Co., the Century Co., Roberts Brothers, and Charles Scribner's Sons, for permission to use and adapt some of their valuable copyright matter. ...
— New National Fourth Reader • Charles J. Barnes and J. Marshall Hawkes
... Weights and Measures Appendix F: Cross-Reference List of Country Data Codes Appendix G: Cross-Reference List of Hydrographic Codes Appendix H: Cross-Reference List of Geographic Names History Contributors and Copyright Information Purchase Information ...
— The 2000 CIA World Factbook • United States. Central Intelligence Agency.
... time before he could find a publisher bold enough to undertake a venture of so novel a character; and so little faith in it had Francisco Robles of Madrid, to whom at last he sold it, that he did not care to incur the expense of securing the copyright for Aragon or Portugal, contenting himself with that for Castile. The printing was finished in December, and the book came out with the new year, 1605. It is often said that "Don Quixote" was at first received coldly. ...
— Don Quixote • Miguel de Cervantes Saavedra
... of dearness by subdividing the cost, and then selling such copies as are still in decent condition at a large reduction. It is this state of things, due, in my opinion, principally to the present form of the law of copyright, which perhaps may have helped to make way for the satirical (and sometimes untrue) remark that in times of distress or pressure men make their first economies on their charities, and their second on ...
— On Books and the Housing of Them • William Ewart Gladstone
... annihilates space and time. Each morning every part knows what every other part is thinking, contemplating, or doing. A discovery in a German laboratory is being demonstrated in San Francisco within twenty-four hours. A book written in South Africa is published by simultaneous copyright in every English-speaking country, and on the following day is in the hands of the translators. The death of an obscure missionary in China, or of a whisky smuggler in the South Seas, is served up, the world over, with the morning toast. The wheat output of Argentine or the gold ...
— Revolution and Other Essays • Jack London
... of this chapter is selected, by kind permission of Dr. Henry Smith Williams, from his "History of the Art of Writing," Copyright, ...
— History Of Egypt From 330 B.C. To The Present Time, Volume 12 (of 12) • S. Rappoport
... were proud to claim him as a compatriot through his mother, and a nautical drama from his pen—The Ocean Wolf, or the Channel Outlaw—was performed at New York with acclamation. He had some squabbles with American publishers concerning copyright, and was clever enough to secure two thousand two hundred and fifty dollars from Messrs Carey & Hart for his forthcoming Diary in America and The Phantom Ship, which latter first appeared in the New Monthly, 1837 ...
— Peter Simple and The Three Cutters, Vol. 1-2 • Frederick Marryat
... this petition read in the United States Senate on February 2, 1837? The booksellers, magazine, periodical and newspaper publishers have before succeeded in defeating one copyright bill. They now bestir themselves again; the United States Senate consigns the petition to the archives; and the piracy goes on as ...
— History of the Great American Fortunes, Vol. I - Conditions in Settlement and Colonial Times • Myers Gustavus
... the only profit in a pecuniary sense that he ever obtained from any of his works was by the sale of what he called his Icosian Game. Some enterprising publisher, on the urgent representations of one of Hamilton's friends in London, bought the copyright of the Icosian Game for 25 pounds. Even this little speculation proved unfortunate for the purchaser, as the public could not be induced to take the ...
— Great Astronomers • R. S. Ball
... sanguine temper ran ahead of his labors. Feeling secure of success in England, he was anxious to forestall the piracy of the Irish press; for as yet, the Union not having taken place, the English law of copyright did not extend to the other side of the Irish Channel. He wrote, therefore, to his friends in Ireland, urging them to circulate his proposals for his contemplated work, and obtain subscriptions payable in advance; ...
— Oliver Goldsmith • Washington Irving
... library. The teacher accompanies them, and they come in school hours. The school reference librarian gives the lesson. For the eighth grade we consider the make-up of the book—the title-page in detail, the importance of noting the author, the significance of place and date and copyright, the origin of the dedication, the use of contents and index. This is followed by a description of bookmaking, folding, sewing and binding, illustrated by books pulled to pieces for the purpose. The lesson closes with remarks on the care of books. ...
— Library Work with Children • Alice I. Hazeltine
... credit of improvements in materially reducing the number of printings, and still maintaining excellence in results, was conceded to them by the Judges.—This company kindly permitted the author to use their copyright of the revised and most correct Bird's Eye View of the Exposition Grounds extant, which gives the readers a very adequate conception of that marvelous creation that—while existing only for such a brief period—has accomplished ...
— By Water to the Columbian Exposition • Johanna S. Wisthaler
... books, and making them the subject of family settlements for the provision of their wives and children! When Tonson, in 1739, obtained an injunction to restrain another bookseller from printing Milton's "Paradise Lost," he brought into court as a proof of his title an assignment of the original copyright, made over by the sublime poet in 1667, which was read. Milton received for this assignment the sum which we all know—Tonson and all his family and assignees rode in their carriages with the profits ...
— Calamities and Quarrels of Authors • Isaac D'Israeli
... "Reminiscences of a Journalist." By special arrangement with, and by permission of, the publishers, Houghton, Mifflin Co. Copyright, 1884. Mr. Congdon was, for many years, under Horace Greeley, a leading editorial writer for ...
— Seeing Europe with Famous Authors - Vol. II Great Britain And Ireland, Part Two • Francis W. Halsey
... unprofitable. He could sympathise with Gilbert Fenton much more keenly than that gentleman would have supposed possible; for a man suffering from this kind of affliction is apt to imagine that he has a copyright in that species of grief, and that no other man ever did or ever can experience a like calamity. The same manner of trouble may come to others, of course, but not with a similar intensity. Others will suffer ...
— Fenton's Quest • M. E. Braddon
... & Dunlap Publishers Made in the United States of America Grosset & Dunlap, Publishers, New York Copyright, ...
— The Story of a Plush Bear • Laura Lee Hope
... (C) 2003 Joseph E. Loewenstein, M.D. This Introduction to Nina Balatka is protected by copyright and/or other applicable law. Any use of the work other than as authorized in "The Legal Small Print" section (found at the end of ...
— Nina Balatka • Anthony Trollope
... literature. The intention is to publish uniformly the best of the decadent writings of various countries, done into English and consistently brought together for the first time. The volumes are all copyright, and are issued in a uniform binding—The Green Tree—designed ...
— Black Spirits and White - A Book of Ghost Stories • Ralph Adams Cram
... Victorian Liberalism to Collectivism which has perceptibly strengthened the State Churches. Yet the fact remains that whereas Byron's Cain, published a century ago, is a leading case on the point that there is no copyright in a blasphemous book, the Salvation Army might now include it among its publications without ...
— Preface to Androcles and the Lion - On the Prospects of Christianity • George Bernard Shaw
... and that, in fact, scarcely a single pattern of purely home invention is worked in a season. The manufacturers are, however, now roused from their lethargy, and great efforts are made to remedy the evil. Schools of design are established, and copyright of design has just been conferred by act of parliament. In some of our commercial towns, large rooms or galleries are opened to the mechanic, where he may study the beautiful and ideal from casts and models of the ...
— Blackwood's Edinburgh Magazine, No. 327 - Vol. 53, January, 1843 • Various
... gentleman had once advised him to write the particulars of it, and had promised him half-a-crown if he would do so. He had written some of them, but had never seen the gentleman again, so he did not get the half-crown; and now he would take sixpence for the copyright of his work. I gave him sixpence, and he drew out a manuscript from an inside pocket of his coat, and handed it to me. It was composed of small sheets of whitey-brown wrapping paper sewn together. ...
— The Book of the Bush • George Dunderdale
... he informed me, on an errand of mercy for his stomach. The magazine aboard ship being of dubious character, he had prevailed on himself to supply his concern with a limited number of first-class cereals with his own imprimatur,—copyright and profits to be in his own hands. As some consolation for his absence, I was favored with a brief oral treatise on Fats, considered both dietetically and ethically, with an appendix, somewhat a la Liebig, on the nature, use, and effects of ...
— The Atlantic Monthly, Volume 14, No. 85, November, 1864 • Various
... will scarcely be questioned. The copyright of authors has been solemnly adjudged, in Great Britain, to be a right of common law. The right to useful inventions seems with equal reason to belong to the inventors. The public good fully coincides in both cases with the claims of individuals. The States cannot separately ...
— The Federalist Papers • Alexander Hamilton, John Jay, and James Madison
... hindrance to each other. With regard to works published by the Society, they might reasonably expect to be supplied {372} with such as they should choose to possess, on the same terms as if they were the authors, or the owners of the copyright. These, however, are details which, with many others, must be settled by the managers; they are not mentioned as matters of primary ...
— Notes & Queries, No. 53. Saturday, November 2, 1850 • Various
... old; he was a Cambridge man, and intimate with Tennyson, Hallam, and other men of literary mark, and he was himself a minor poet, and warm in the cause of literature. During his parliamentary career, in 1837, he was instrumental in passing the copyright act. He had travelled in Greece and Italy in his twenties; was fond of society, and society of him. A more urbane and attractive English gentleman did not exist; everything that a civilized man could care for was at his disposal, and he made the most of his opportunities. His manners ...
— Hawthorne and His Circle • Julian Hawthorne
... connected with the best papers in London. "The Deemster" was sold for one hundred and fifty pounds (six hundred dollars), the serial rights having produced four hundred pounds (two thousand dollars). He would be glad to-day to purchase the copyright back for one thousand pounds. He had ...
— McClure's Magazine December, 1895 • Edited by Ida M. Tarbell
... our march about the pole would make such a sensation!" said Mrs. Jones. "Your North Pole March will make your fortune, Fred. You should immediately copyright and publish it. You could ...
— Doctor Jones' Picnic • S. E. Chapman
... will not now. It was delayed ... delayed. He cut the plan up into scenes ... I mean into a list of scenes ... a sort of ground-map to work on—and there it lies. Nothing more was done. It all lies in one sheet—and I have offered to give up my copyright of idea in it—if he likes to use it alone—or I should not object to work it out alone on my own side, since it comes from me: only I will not consent now to a double work in it. There are objections—none, be it well understood, in Mr. Horne's disfavour,—for I think of him as well at this moment, ...
— The Letters of Robert Browning and Elizabeth Barrett Barrett, Vol. 1 (of 2) 1845-1846 • Robert Browning and Elizabeth Barrett Barrett
... printed in boldface is taken from the American Standard Edition of the Revised Bible, copyright, 1901, by Thomas Nelson & Sons, and is ...
— The Gospel of Luke, An Exposition • Charles R. Erdman
... to be equalled—no other than Ottocar—that particular friend, who, in the prologue, tried to get a finis put to his mortal career. The jocose ruffians here enliven the scene—one by being cast into a dungeon for asking Ottocar (evidently the Colburn of his day), an exorbitant price for the copyright of a certain manuscript; the other, by calling the courtier a man of genius, and being taken into his service, as no doubt, "first robber." To support this character, a change of apparel is necessary: and no wonder, for ...
— Punch, or the London Charivari, Volume 1, Complete • Various
... my face. A neighbouring butcher presented me with a choice morsel of steak, not to eat but to wear; and I found it, if I may so express myself without infringing copyright, "grateful and comforting." My enemies had long since scooted, some of them, I had rejoiced to notice, with lame and halting steps. The mutilated kitten had been restored to its owner, a lady of ample bosom, who, carried beyond judgment ...
— Paul Kelver • Jerome Klapka, AKA Jerome K. Jerome
... A "copyright" in heads is a good suggestion, and coming from a publisher too! But apart from "traitors," there are others known to a caricaturist. The House of Commons at one time was rich in them. Some such works of art suffer in being translated. Indeed, what the poet "Ballyhooley" ...
— The Confessions of a Caricaturist, Vol. 1 (of 2) • Harry Furniss
... Haines, editor of "Our Animal Friends," and president of the American Society for the Prevention of Cruelty to Animals, for publishing the contents of this chapter in his magazine in time to be included in this volume. Also for copyright privileges in connection with this ...
— Birds of the Rockies • Leander Sylvester Keyser
... perseveringly followed up, led me very wide of your mark, and I was obliged to leave you quite unsatisfied on another point, about which, for one who is not an author, you seem to be singularly excited. To waive my astonishment at the Benthamism of the phrase, pray what is "International Copyright" to Godfrey, that he should weep for such a Hecuba? I should have been as little surprised, had you asked me to inquire the opinion of the Indians as to the best regimen for infants. A veritable author, suffering by ...
— Blackwood's Edinburgh Magazine, Volume 62, Number 385. November, 1847. • Various
... volumes. The One-volume edition will be printed from a new fount of Brevier Ancient type, on toned paper, and will be the most compact and readable edition of Shakespeare ever issued in a single volume. The PUBLISHERS are confident that no Copyright Editions of Shakespeare, of corresponding value and importance, have ever been offered to the ...
— Diary of the Besieged Resident in Paris • Henry Labouchere
... qualities, and his uncouth Johnsonian habits were probably the means of erecting a barrier between himself and more cultivated friends. Lockhart, in his life of Scott, speaks of Hogg as a "a true son of nature and genius," and this he undoubtedly was. One who had taught himself to write by copyright the letters of a printed book as he lay watching his flock on the hill side, and whose vivacious imagination, as his own brother informs us, disqualified him from study or research, was not likely while alive to make many close friends in the exclusive and polished circles which ...
— Western Worthies - A Gallery of Biographical and Critical Sketches of West - of Scotland Celebrities • J. Stephen Jeans
... no verra ceevil gin ye bring him when there's naethin' wrang," and Mrs. Macfadyen's face reflected another of Mr. Hopps's misadventures of which Hillocks held the copyright. ...
— Stories by English Authors: Scotland • Various
... been able to find out where the letters are or who has them. One thing is certain: the person who took advantage of Posh's ignorance will not be able to publish his ill-gotten gains in England so long as any copyright exists in the letters. For no letter of FitzGerald's can be published without the consent of Dr. Aldis Wright, and he is not the man to permit capital to be made out of sharp practice with his consent. ...
— Edward FitzGerald and "Posh" - "Herring Merchants" • James Blyth
... Mr. Harold Monro, of The Poetry Book Shop, for permission to include in this volume certain poems of which he possesses the copyright; also the editor of the "Nation" for ...
— Fairies and Fusiliers • Robert Graves
... in Lewis' 1994 Collected Poems. It is the first of Lewis' major published works to enter the public domain in the United States. Readers should be aware that in other countries it may still be under copyright protection. ...
— Spirits in Bondage • (AKA Clive Hamilton) C. S. Lewis
... Mr. Snyder, growing sarcastic, 'that in case Mr. Onions Winter chooses to copyright the book in America, you are to have half-royalties on all copies sold over there. Now about America,' Mark continued after an impressive pause, at the same time opening a drawer and dramatically producing several paper-covered volumes ...
— A Great Man - A Frolic • Arnold Bennett
... made the acquaintance of the great publisher Hachette, a granddaughter of whom was another of the trio. He had left his manuscript at the publishing-house, and after some time was informed that the firm would be happy to publish it, and to pay him in cash for the copyright eight hundred francs—an offer with which he closed immediately. A week or so later he was visited, to his astonishment, by the great publisher in person. "Sir," began the latter, "it is often said that publishers ...
— Lippincott's Magazine, Vol. 22, September, 1878 • Various
... affairs was old Werner. His salary was at first L40, and he was passing rich on it; and it was soon raised to L79. We need trouble no further as to whether on such wages he was poor or rich: he evidently considered himself well-to-do. In fact, even in those days, when copyright practically did not exist, he continually made respectable sums by his compositions, and after he had been twice to England, ever the Hesperides' Garden of the German musician, he was a wealthy man, and was thankful for it. He ...
— Haydn • John F. Runciman
... to reveal all the clues to you now; partly because I might be infringing the copyright of another, partly because I have forgotten them. But the idea roughly is that if a man holds his cigar between his finger and thumb, he is courageous and kind to animals (or whatever it may be), and if he holds ...
— Not that it Matters • A. A. Milne
... piracy from Tindal's Christianity as Old as the Creation: now a piracy a parte post is common enough; but a piracy a parte ante, and by three centuries, would (according to our old English phrase[5]) drive a coach-and-six through any copyright act that man born of woman could frame. 2dly, it is quite contrary to the evidence on Joanna's trial; for Southey's "Joan" of A. Dom. 1796 (Cottle, Bristol), tells the doctors, amongst other secrets, that she never in her life attended—1st, Mass; ...
— Miscellaneous Essays • Thomas de Quincey
... first and chiefly, to Mr. Clement K. Shorter who placed all his copyright material at my disposal; and to Mr. G.M. Williamson and Mr. Robert H. Dodd, of New York, for allowing me to draw so largely from the Poems of Emily Bronte, published by Messrs. Dodd, Mead, and Co. in 1902; also to Messrs. Hodder and Stoughton, the publishers of the Complete Poems of Emily Bronte, ...
— The Three Brontes • May Sinclair
... without art is simply a commodity; it may be exceedingly valuable to the consumer, very profitable to the producer, but it does not come within the domain of pure literature. It is said that some high legal authority on copyright thus cites a case: "One Moore had written a book which he called 'Irish Melodies,'" and so on. Now, as Aristotle defined the shipbuilder's art to be all of the ship but the wood, so the literary art displayed in Moore's Melodies was precisely ...
— The Atlantic Monthly, Volume 20, No. 122, December, 1867 • Various
... the English book world, but L5 in Dutch currency presses heavily on the budget of a Dutch translation, of which only some hundred or so copies can be sold at a retail price of not quite five shillings, and is an almost prohibitive price to pay for the copyright of a novel which is only used as the feuilleton of a local paper with an edition of under a thousand copies a week. As a fact, many Dutch publishers pay royalties to their foreign colleagues as soon as the publication is important enough to bear the expense; but the majority clearly will only ...
— Dutch Life in Town and Country • P. M. Hough
... original proposal was made to him, not by him to them, the price named being fifteen guineas a letter. He asked permission to duplicate the arrangement with some New York periodical, so as to secure an American copyright. This they refused. I read the correspondence at the time. "Our aim," they said, "in making the engagement, had reference to our own circulation in the United States, which ...
— Marse Henry, Complete - An Autobiography • Henry Watterson
... ESQ. N.B. The proprietorship of this Series is secured in all countries where the Copyright is protected. The authorities on which the History of St. Frances of Rome rests are ...
— The Life of St. Frances of Rome, and Others • Georgiana Fullerton
... become the object of a generous competition between rival Universities. In Utopia, any author has the option either of publishing his works through the public bookseller as a private speculation, or, if he is of sufficient merit, of accepting a University endowment and conceding his copyright to the University press. All sorts of grants in the hands of committees of the most varied constitution, supplemented these academic resources, and ensured that no possible contributor to the wide flow of the Utopian mind slipped ...
— A Modern Utopia • H. G. Wells
... by Katherine E. Wilkie. Copyright (C) 1961 by Scholastic Magazines, Inc. This Scholastic Book Services edition is published by arrangement ...
— Daniel Boone - Taming the Wilds • Katharine E. Wilkie
... Appendix was added by Einstein at the time of the fifteenth re-printing of this book; and as a result is still under copyright restrictions so cannot be added without ...
— Relativity: The Special and General Theory • Albert Einstein
... English, in 1885, by an American lady, Mrs. F. Kelley Wischnewetzky, and published in the following year in New York. The American edition being as good as exhausted, and having never been extensively circulated on this side of the Atlantic, the present English copyright edition is brought out with the full consent of all ...
— The Condition of the Working-Class in England in 1844 - with a Preface written in 1892 • Frederick Engels
... host, "I gave up my other business and devoted myself to the editing and publishing of the paper. At first, the chief pieces in it were selected from books and periodicals—any sources, in short, that were not copyright. I would get an anecdote from one book, and something else from another, anything interesting, in fact, from wherever I could pick it up; of course, now we have a large list of original contributors, but at first that was the way in which it was compiled. In the early days, naturally enough, its ...
— The Idler Magazine, Volume III, March 1893 - An Illustrated Monthly • Various
... property, and actually induced his unconscious victim to sell the property, unknown to the editor. When the bargain was concluded, the plot was discovered; but it was then too late, and the wily Director took possession of the copyright of the paper and the printing office on behalf of the company. The services of the editor, however, were not to be bought, he refused to barter away his independence, and retired—taking with him the respect of ...
— Railway Adventures and Anecdotes - extending over more than fifty years • Various
... China are foretold by the Government almanac published annually in Peking by a bureau of astrology attached to the Board of Rites. The almanac is a Government monopoly, and any infraction of its copyright is a penal offence. "It monopolises the management of the superstitions of the people, in regard to the fortunate or unlucky conjunctions of each day and hour. No one ventures to be without it, lest he be liable to the greatest ...
— An Australian in China - Being the Narrative of a Quiet Journey Across China to Burma • George Ernest Morrison
... first success of their publication occasioned any elation to the Essayists, and I cannot recollect any signs of it at the time. The Annual Report mentions that a substantial profit was realised on the first edition, and states that the authors had made over the copyright, "valued at about L200," to the Society; but these details are included in a paragraph headed "Publications," and the Essays are not mentioned in the general sketch of the work of ...
— The History of the Fabian Society • Edward R. Pease
... alas! My poor copyright too—into other hands pass; And my friend, the Head Devil of the "County Gazette" (The only Mecaenas I've ever had yet), He who set up in type my first juvenile lays, Is now see up by them for the rest of his days; And while Gods ...
— The Complete Poems of Sir Thomas Moore • Thomas Moore et al
... as his word. When Charles called again, at the end of a week, he received twenty guineas for the copyright of the volume. He was quite satisfied, and it gave him much pleasure to transmit the money to Isabella. Jane told him, in her answer, that she had considered the money as disposed of before it arrived, as ...
— Principle and Practice - The Orphan Family • Harriet Martineau
... to Mr. Heinemann, the owner of the copyright of Dykes Campbell's edition of Coleridge's Poetical Works (Macmillan & Co., 1893) for permission to use that text (one of the most carefully edited texts of any English poet) in this volume of selections. My aim, in making these selections, ...
— Poems of Coleridge • Coleridge, ed Arthur Symons
... law in the United States and offered advice during a lively discussion of this subject. But uncertainty remains concerning the price of copyright in a digital medium, because a solution remains to be worked out concerning management and synthesis of copyrighted and out-of-copyright pieces ...
— LOC WORKSHOP ON ELECTRONIC TEXTS • James Daly
... in modern play-writing has not been included in this volume. Because of copyright complications the works of Mr. Masefield, Mr. Shaw, Mr. Drinkwater, and Sir James Barrie are not here represented. The plays by these writers that seem best fitted to use by teachers and pupils in high schools, together ...
— The Atlantic Book of Modern Plays • Various
... amusing to know that Victor Hugo contested the rights of Italian librettists to borrow their plots from French plays. When "Lucrezia Borgia," composed for Milan in 1834, was produced at Paris in 1840, the French poet instituted a suit for an infringement of copyright. He gained his action, and "Lucrezia Borgia" became "La Rinegata," Pope Alexander the Sixth's Italians being metamorphosed ...
— Great Italian and French Composers • George T. Ferris
... time was kept in suspense by the scantiness of his funds. This threatening obstacle, however, disappeared when his friend the pianoforte-maker and publisher, Camille Pleyel, paid him 2,000 francs for the copyright of the Preludes, Op. 28. Chopin remarked of this transaction to Gutmann, or in his hearing: "I sold the Preludes to Pleyel because he liked them [parcequ'il les aimait]." And Pleyel exclaimed on one occasion: "These are my Preludes [Ce sont mes Preludes]." Gutmann thought that Pleyel, ...
— Frederick Chopin as a Man and Musician - Volume 1-2, Complete • Frederick Niecks
... idea that nature has any cunning devices by which she may hide seeds away where they will remain "almost imperishable" for ages, is not entirely new with Professor Marsh, nor is it any suggestion that would be protected by copyright. In finding the winds, birds, quadrupeds, and other assumed agencies of distribution improbable, he seeks, with Dr. Dwight, for "the seeds of an ancient vegetation," and, finding none by actual observation, concludes that nature has some occult, ...
— Life: Its True Genesis • R. W. Wright
... Notice b. Circular 15: Renewal of Copyright c. Circular 15t: Extension of Copyright Terms d. Circular 22: Highlights of Copyright Amendments Contained in the Uruguay Round Agreements Act (URAA) e. ...
— Supplementary Copyright Statutes • Library of Congress. Copyright Office.
... field, for as early as 1622 the Coranto, or journal of "current" foreign news, appeared. In 1641, on the eve of the civil war, the Diurnall of domestic news was issued. In 1643, when Parliament appointed a licenser, who gave copyright protection to the "catchword" or newspaper title, journalists became a "recognized body." "Newsbooks" and especially "newsletters" grew in popularity. Only a few years after the Restoration, there appeared The London Gazette, which has been continued ...
— Halleck's New English Literature • Reuben P. Halleck
... Die Woche have taken offense at the words "Copyright by ..." (in English) and demand that this English formula be rendered hereafter in German. This desire, springing from patriotic motives, is easily understood, but unfortunately cannot be carried out for the form "Copyright by ..." is demanded by ...
— New York Times Current History; The European War, Vol 2, No. 5, August, 1915 • Various
... small, and his eyes dark and piercing. "He was," writes Mr Gabriel Neil, who enjoyed his friendship, "of plain simple manners, with a well-cultivated mind; he loved debate, and took pleasure in good-humoured controversy." The copyright of "The Course of Time" continues to produce emolument ...
— The Modern Scottish Minstrel, Volume IV. - The Songs of Scotland of the Past Half Century • Various
... San Francisco, without permission, had dramatized "The Gilded Age," and that it was being played by John T. Raymond, an actor of much power. Mark Twain had himself planned to dramatize the character of Colonel Sellers and had taken out dramatic copyright. He promptly stopped the California production, then wrote the dramatist a friendly letter, and presently bought the play of him, and set in to rewrite it. It proved a great success. Raymond played it for several years. Colonel ...
— The Boys' Life of Mark Twain • Albert Bigelow Paine
... to acquire the information, for the saleswoman is polite and the prices fit my purse. America is going to war, and Catholic boys are being drafted to be trained for battle; so for ten cents I obtain a firmly bound little pamphlet called "God's Armor, a Prayer Book for Soldiers." It is marked "Copyright by the G.R.C. Central-Verein," and bears the "Nihil Obstat" of the "Censor Theolog." and the "Imprimatur" of "Johannes Josephus, Archiepiscopus Sti. Ludovici"—which last you may at first fail to recognize as a well-known city on the Mississippi ...
— The Profits of Religion, Fifth Edition • Upton Sinclair
... "A Tour Through the Pyrenees." By special arrangement with, and by permission of, the publishers, Henry Holt & Co. Copyright, 1873.] ...
— Seeing Europe with Famous Authors, Volume 4 (of 10) • Various
... talk, who were not more than three months old, and trained the nurses to work on his principles and by his methods. This will hardly be done in this country, at least at present; but to supply the place of such a class, a lady of Boston has prepared and published, under copyright, Froebel's First Gift, consisting of six soft balls of the three primary and the three secondary colors, which are sold in a box, with a little manual for mothers, in which the true principle and plan ...
— Atlantic Monthly, Vol. 10, No. 61, November, 1862 • Various
... fully protected by the copyright law, all requirements of which have been complied with. In its present printed form it is dedicated to the reading public only, and no performance of it, either professional or amateur, may be given without the written permission of the owner of the acting rights, who ...
— The Climbers - A Play in Four Acts • Clyde Fitch
... Page & Company All Rights Reserved Copyright, 1922, by Talbot Mundy, and the Ridgway Company Printed in the United States at the Country Life Press, Garden ...
— Caves of Terror • Talbot Mundy
... one concerned in the book trade to assume the risk of bringing out "The Spy." That had to be taken by the author himself. In the case of this novel, we know positively that Cooper was not only the owner of the copyright, but of all the edition; that he gave (p. 066) directions as to the terms on which the work was to be furnished to the booksellers, while the publishers, Wiley & Halsted, had no direct interest in it, and received ...
— James Fenimore Cooper - American Men of Letters • Thomas R. Lounsbury
... soon exhausted, and the call for the "Book of Nonsense" continuing, I added a considerable number of subjects to those previously-published, and having caused the whole to be carefully reproduced in woodcuts by Messrs. Dalzell, I disposed of the copyright to Messrs. Routledge and Warne, by whom the volume was published in ...
— Nonsense Books • Edward Lear
... to "permission", "copyright" and similar are from the original text. They are retained solely ...
— Dramatized Rhythm Plays - Mother Goose and Traditional • John N. Richards
... by G. W. Dillingham Company All rights reserved The author reserves all stage rights, which includes moving pictures. Any infringement of copyright will be dealt ...
— You Should Worry Says John Henry • George V. Hobart
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