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Gold leaf   /goʊld lif/   Listen
noun
Gold  n.  
1.
(Chem.) A metallic element of atomic number 79, constituting the most precious metal used as a common commercial medium of exchange. It has a characteristic yellow color, is one of the heaviest substances known (specific gravity 19.32), is soft, and very malleable and ductile. It is quite unalterable by heat (melting point 1064.4° C), moisture, and most corrosive agents, and therefore well suited for its use in coin and jewelry. Symbol Au (Aurum). Atomic weight 196.97. Note: Native gold contains usually eight to ten per cent of silver, but often much more. As the amount of silver increases, the color becomes whiter and the specific gravity lower. Gold is very widely disseminated, as in the sands of many rivers, but in very small quantity. It usually occurs in quartz veins (gold quartz), in slate and metamorphic rocks, or in sand and alluvial soil, resulting from the disintegration of such rocks. It also occurs associated with other metallic substances, as in auriferous pyrites, and is combined with tellurium in the minerals petzite, calaverite, sylvanite, etc. Pure gold is too soft for ordinary use, and is hardened by alloying with silver and copper, the latter giving a characteristic reddish tinge. (See Carat.) Gold also finds use in gold foil, in the pigment purple of Cassius, and in the chloride, which is used as a toning agent in photography.
2.
Money; riches; wealth. "For me, the gold of France did not seduce."
3.
A yellow color, like that of the metal; as, a flower tipped with gold.
4.
Figuratively, something precious or pure; as, hearts of gold.
Age of gold. See Golden age, under Golden.
Dutch gold, Fool's gold, Gold dust, etc. See under Dutch, Dust, etc.
Gold amalgam, a mineral, found in Columbia and California, composed of gold and mercury.
Gold beater, one whose occupation is to beat gold into gold leaf.
Gold beater's skin, the prepared outside membrane of the large intestine of the ox, used for separating the leaves of metal during the process of gold-beating.
Gold beetle (Zool.), any small gold-colored beetle of the family Chrysomelidae; called also golden beetle.
Gold blocking, printing with gold leaf, as upon a book cover, by means of an engraved block.
Gold cloth. See Cloth of gold, under Cloth.
Gold Coast, a part of the coast of Guinea, in West Africa.
Gold cradle. (Mining) See Cradle, n., 7.
Gold diggings, the places, or region, where gold is found by digging in sand and gravel from which it is separated by washing.
Gold end, a fragment of broken gold or jewelry.
Gold-end man.
(a)
A buyer of old gold or jewelry.
(b)
A goldsmith's apprentice.
(c)
An itinerant jeweler. "I know him not: he looks like a gold-end man."
Gold fever, a popular mania for gold hunting.
Gold field, a region in which are deposits of gold.
Gold finder.
(a)
One who finds gold.
(b)
One who empties privies. (Obs. & Low)
Gold flower, a composite plant with dry and persistent yellow radiating involucral scales, the Helichrysum Stoechas of Southern Europe. There are many South African species of the same genus.
Gold foil, thin sheets of gold, as used by dentists and others. See Gold leaf.
Gold knobs or Gold knoppes (Bot.), buttercups.
Gold lace, a kind of lace, made of gold thread.
Gold latten, a thin plate of gold or gilded metal.
Gold leaf, gold beaten into a film of extreme thinness, and used for gilding, etc. It is much thinner than gold foil.
Gold lode (Mining), a gold vein.
Gold mine, a place where gold is obtained by mining operations, as distinguished from diggings, where it is extracted by washing. Cf. Gold diggings (above).
Gold nugget, a lump of gold as found in gold mining or digging; called also a pepito.
Gold paint. See Gold shell.
Gold pheasant, or Golden pheasant. (Zool.) See under Pheasant.
Gold plate, a general name for vessels, dishes, cups, spoons, etc., made of gold.
Gold of pleasure. (Bot.) A plant of the genus Camelina, bearing yellow flowers. C. sativa is sometimes cultivated for the oil of its seeds.
Gold shell.
(a)
A composition of powdered gold or gold leaf, ground up with gum water and spread on shells, for artists' use; called also gold paint.
(b)
(Zool.) A bivalve shell (Anomia glabra) of the Atlantic coast; called also jingle shell and silver shell. See Anomia.
Gold size, a composition used in applying gold leaf.
Gold solder, a kind of solder, often containing twelve parts of gold, two of silver, and four of copper.
Gold stick, the colonel of a regiment of English lifeguards, who attends his sovereign on state occasions; so called from the gilt rod presented to him by the sovereign when he receives his commission as colonel of the regiment. (Eng.)
Gold thread.
(a)
A thread formed by twisting flatted gold over a thread of silk, with a wheel and iron bobbins; spun gold.
(b)
(Bot.) A small evergreen plant (Coptis trifolia), so called from its fibrous yellow roots. It is common in marshy places in the United States.
Gold tissue, a tissue fabric interwoven with gold thread.
Gold tooling, the fixing of gold leaf by a hot tool upon book covers, or the ornamental impression so made.
Gold washings, places where gold found in gravel is separated from lighter material by washing.
Gold worm, a glowworm. (Obs.)
Jeweler's gold, an alloy containing three parts of gold to one of copper.
Mosaic gold. See under Mosaic.






Collaborative International Dictionary of English 0.48








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"Gold leaf" Quotes from Famous Books



... globule of metallic mercury. Compounds of mercury can be most completely reduced by a mixture of neutral oxalate of potassa and cyanide of potassium. If the substance under examination contains such a small quantity of mercury that it cannot be distinguished by volatilization, a strip of gold leaf may be attached to an iron wire, and introduced during the experiment in the glass tube. The smallest trace of mercury will whiten the gold ...
— A System of Instruction in the Practical Use of the Blowpipe • Anonymous

... square of twenty or more buildings, built of teak, painted red, and covered originally with gold leaf. The roofs have layers of upturned eaves, and the buildings are richly decorated with colored ornamentation, while the worn gilding and faded reds are blended in the peculiar shading which time alone can give. There are many audience rooms, ...
— Travels in the Far East • Ellen Mary Hayes Peck

... of nature, are sometimes seen upon the ballustrades of bridges, and in their temples, where the niches are filled with gigantic gods of baked clay, sometimes painted with gaudy colours, and sometimes plastered over with gold leaf, or covered with a coat of varnish. They are as little able to model as to draw the human figure with any degree of correctness. In the whole empire there is not a statue, a hewn pillar, or a column that deserves to be mentioned. Large four-sided blocks of ...
— Travels in China, Containing Descriptions, Observations, and Comparisons, Made and Collected in the Course of a Short Residence at the Imperial Palace of Yuen-Min-Yuen, and on a Subsequent Journey thr • John Barrow

... amore. Concentration is one of Chopin's principal characteristics, and the sonata favors diffuseness. Too much thematic beating out is the bane of the sonata. A few bars of gold are worth more than many square yards of gold leaf; and Chopin's bars are solid gold. Moreover, there is no organic unity between the different parts of the sonata, whatever may have been said to the contrary. The essentially artificial character of the sonata is neatly illustrated by a simile used by Dr. Hanslick in speaking of Chopin. "This ...
— Chopin and Other Musical Essays • Henry T. Finck

... the winter-cherry; and, when people went to look at it closelier, every skin contained a bright new Cremnitz ducat. Some fifty came to perfection; a good many, that had been nipt by the frost, were mere thin gold leaf. The oddest thing of all was that the ducats were always markt—for they took good care not to root up the beautiful weed—with the date of the year in which they ripened. Of late a wish has been entertained, if it were but possible, to graft ...
— The Old Man of the Mountain, The Lovecharm and Pietro of Abano - Tales from the German of Tieck • Ludwig Tieck


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