"Main line" Quotes from Famous Books
 ... hundred, and his heart choked with a feeling of despair even as he pulled the trigger for his first shot. He had seen the effect of Olaf's shot, and following the Swede's instructions aimed for his man in the nearest group behind the main line. He did not instantly see the result, as a puff of smoke shut out his vision, but a moment later, aiming again, he saw a dark blotch left in the snow. From his end of the crevice Olaf had seen the man go down, and he grunted his ...
— The Golden Snare • James Oliver Curwood
... for you! The kid was runnin' true to form and stickin' to the main line. No side issues for him! Pop might be a big man, and all that; but his size didn't cut much ice alongside of the new-shoes prospect. Things was beginnin' to look squally, and Mrs. Piddie's mouth corners was saggin' some, when ...
— Torchy • Sewell Ford
... are of very great promise. Commencing in latitude 39 deg. 30 min. (see Mattoon on the Branch, and Assumption on the Main Line), the Company owns thousands of acres well adapted to the perfection of this fibre. A settler having a family of young children, can turn their youthful labor to a most profitable account in the growth ...
— The Continental Monthly, Vol. 4, No. 5, November, 1863 • Various
... Tamar by a great bridge to Saltash in Cornwall. Branches serve Torquay and other seaside resorts of the south coast; and among other branches are those from Taunton to Barnstaple and from Plymouth northward to Tavistock and Launceston. The main line of the London & South-Western railway between Exeter and Plymouth skirts the north and west of Dartmoor by Okehampton and Tavistock. A branch from Yeoford serves Barnstaple, Ilfracombe, Bideford and Torrington, while the Lynton & Barnstaple and the Bideford, Westward Ho & Appledore lines ...
— Encyclopaedia Britannica, 11th Edition, Volume 8, Slice 3 - "Destructors" to "Diameter" • Various
... in many of Van Dyck's works. There is a tradition that the original was Rubens's gift to the painter when he set out for Italy. Van Dyck has built his picture on a diagonal plan, such as the older painter Rubens often used. The main line of the composition runs from the head of the man in the upper left corner, to the beggar in the lower right corner. The lifted sword and the falling mantle form the connecting lines across ...
— Van Dyck - A Collection Of Fifteen Pictures And A Portrait Of The - Painter With Introduction And Interpretation • Estelle M. Hurll
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