"Facade" Quotes from Famous Books
 ... an elevation of the stage, drawn on the same sheet to twice the scale of the general plan, the stage was four feet six inches above the floor of the pit. This elevation exhibits the surprising feature of a classic facade, Palladian in treatment, on the stage of what so far we have regarded as a late modification of a playhouse of Shakespeare's day. Evidently Inigo Jones contemplated the erection of a permanent architectural proscenium, as the ancients called it, of the type, though far more modest, both ...
— Shakespearean Playhouses - A History of English Theatres from the Beginnings to the Restoration • Joseph Quincy Adams
... had sung turned the boat's prow toward the shore, and Lady Holme saw a large, lonely house confronting them on the nearer bank of the lake. It stood apart. For a long distance on either side of it there was no other habitation. The flat, yellow facade rose out of the water. Behind was a dim tangle of densely-growing trees rising up on the steep mountain side towards the grey sky. Lady Holme could not yet see details. The boat was still too far out upon the lake. Nor would she have been able to note details if she had seen them. Only a sort of ...
— The Woman With The Fan • Robert Hichens
... features and suggestions of the canon, which must play a prominent part in all faithful attempts to describe it. There are huge, truncated towers, vast, horizontal mouldings; there is the semblance of balustrades on the summit of a noble facade. In one of the immense halls we saw, on an elevated platform, the outlines of three enormous chairs, fifty feet or more high, and behind and above them the suggestion of three more chairs in partial ruin. Indeed, there is such an opulence of architectural forms in this divine ...
— Time and Change • John Burroughs
... occupied by statues of the great creators and interpreters of the drama in every age and country. The finest Concord granite, from the best quarries in New Hampshire, is the material used in the entire facade, as well as in the Sixth Avenue side.... The glittering granite mass, exquisitely poised, adorned with rich and appropriate carving, statuary, columns, pilasters, and arches, and capped by the springing French roof, fringed with its shapely balustrades, offers an imposing and majestic aspect, ...
— Great Fortunes, and How They Were Made • James D. McCabe, Jr.
... in the direction of nineteenth-century Banstead, a vast green structure, different in character from any I had hitherto seen. It was larger than the largest of the palaces or ruins I knew, and the facade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain. This difference in aspect suggested a difference in use, and I ...
— The Time Machine • H. G. (Herbert George) Wells
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