"Terpsichore" Quotes from Famous Books
 ... were already billed with an early announcement of the marvels of the Pageant of Terpsichore, which was to occur at the Albert Hall, under the superintendence of the greatest modern English painters, in aid of a fund for soldiers disabled by deafness. The performers were all ladies of the upper world, ladies bearing names for the most part as familiar ...
— The Pretty Lady • Arnold E. Bennett
... Sophie, is it? She is only known as Miss Cornelis. She is a beauty, a perfect prodigy, she plays at sight on several instruments, dances like Terpsichore, speaks English, French, and Italian equally well—in a word, she is really wonderful. She has a governess and a maid. Unfortunately, she is rather short for her ...
— The Memoires of Casanova, Complete • Jacques Casanova de Seingalt
... fresh breeze wafted the ship on. And soon they saw a fair island, Anthemoessa, where the clear-voiced Sirens, daughters of Achelous, used to beguile with their sweet songs whoever cast anchor there, and then destroy him. Them lovely Terpsichore, one of the Muses, bare, united with Achelous; and once they tended Demeter's noble daughter still unwed, and sang to her in chorus; and at that time they were fashioned in part like birds and in part like maidens to behold. And ever on the watch from their place of prospect with its fair haven, ...
— The Argonautica • Apollonius Rhodius
... comprises the following: Two Italian oratorios; nineteen English oratorios; five Te Deums; six psalms; twenty anthems; three German operas; one English opera; thirty-nine Italian operas; two Italian serenatas, two English serenatas; one Italian intermezzo, "Terpsichore"; four odes; twenty-four chamber duets; ninety-four cantatas; seven French songs; thirty-three concertos; nineteen English songs; sixteen Italian ...
— A Popular History of the Art of Music - From the Earliest Times Until the Present • W. S. B. Mathews
... that they were neither tragical nor comical, Clio that they were not historical, Urania that they were not sublime in conception, Polymnia that they had no stately or simple charm in execution, and Terpsichore, who had joined with Melpomene in admiring the opera, found nothing in the novel which she could own and bless. Fleeting passages, remote and slight fragments, were pleasing to them all, like the oases of a Sahara, or the sites of high civilization on the earth; but the whole world ...
— Atlantic Monthly Volume 6, No. 34, August, 1860 • Various
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