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Staccato   /stəkˈɑtˌoʊ/   Listen
adjective
Staccato  adj.  
1.
(Mus.) Disconnected; separated; distinct; a direction to perform the notes of a passage in a short, distinct, and pointed manner. It is opposed to legato, and often indicated by heavy accents written over or under the notes, or by dots when the performance is to be less distinct and emphatic.
2.
Expressed in a brief, pointed manner. "Staccato and peremptory (literary criticism)."





Collaborative International Dictionary of English 0.48


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"Staccato" Quotes from Famous Books



... hear now the quick staccato chug-chug of the engine. Slowly Norton's aeroplane, this time really equipped with the gyroscope, rose from the field and circled over toward us. Craig frantically signalled to him to come down, but of course Norton could not have seen him in the crowd. As for the crowd, they looked ...
— The Silent Bullet • Arthur B. Reeve
... in the padded seclusion of the president's inner office, while two blocks away swelled a storm, whose echoes only reached them in the sharp staccato of the ticker in the corner as it vomited a strip of white paper. Wimperley stood there, the strip slipping between his fingers, while selling orders began to pour in to Philadelphia, and the price of Consolidated crumbled like dust. He could visualize ...
— The Rapids • Alan Sullivan
... the overtopping elevator went up alongside—from small buyers who found themselves being driven out of the market with the flat warehouses. But these voices were drowned in the swish of grain in the chutes and the staccato of the elevator engines—lost in the larger exigencies of the wheat. The railway company held to their promises and the tall grain boxes reared their castor tops against ...
— Deep Furrows • Hopkins Moorhouse
... on the frozen Severn, there came faint yells, followed by the staccato of revolver and rifle shots. Just as suddenly, all the life in the factory came to a dead stop, as everyone listened for more shots by which to make sure of the direction. Three minutes later, the ...
— The Wilderness Trail • Frank Williams
... and variations in C, from the Sonata in G, opus 14, are easy and pleasing. The theme itself affords a very pretty contrast between the staccato of the first period and the close legato of the second period. Then the sweetness of it is relieved by the strong syncopations which break it up, toward the end (measures 17 and 18). The first variation has the melody in the tenor, unchanged ...
— The Masters and their Music - A series of illustrative programs with biographical, - esthetical, and critical annotations • W. S. B. Mathews


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