"Bas-relief" Quotes from Famous Books
... that had denuded the conservatories of Newcastle and Richmond; the fireplace was a bank of roses, and the walls were festooned in evergreens. Nor should we overlook a profile of the father of his country in white carnations on a green background, with all the effect of a marble bas-relief,—a fitting embellishment for the balcony,—done by the florist from Allen's design and under ... — A Hoosier Chronicle • Meredith Nicholson
... represented, were originally marked by indented outlines and coloured. In most cases these outlines were of such depth, and the object they circumscribed so far rounded and marked out in its leading parts, as to form a species of work intermediate between intaglio and bas-relief. In other cases we see an advance upon this: the raised spaces between the figures being chiselled off, and the figures themselves appropriately tinted, a painted bas-relief was produced. The restored Assyrian architecture at Sydenham exhibits this style of art ... — Essays: Scientific, Political, & Speculative, Vol. I • Herbert Spencer
... bas-reliefs represents two soldiers of the Swiss guard, the next a Turk and a Slav tilting at each other, and then comes a scroll entwined round a thistle, and inscribed with this enigmatical motto: "Giane le sur ou rien." In the third bas-relief a couple of passionate Italians are winding up a gambling dispute with a hand-to-hand combat, in the course of which table, cards, and dice have got cantered over; the fourth presenting us with two French knights, armed cap—pie, ... — Facts About Champagne and Other Sparkling Wines • Henry Vizetelly
... previously heard) is responsible for that. This Association was founded, according to the printed advertisement, by a brief of Pope Gregory Sixteenth, on the 17th of January 1832: according to a coloured bas-relief, it seems to have been founded, sometime other, by the Virgin giving one rosary to Saint Dominic, and the Infant Saviour giving another to Saint Catharine of Siena. Pope Gregory is not so imposing, but he is nearer hand. I ... — An Inland Voyage • Robert Louis Stevenson
... end of the square the musicians stood on a stone platform above the dancers. Like the musicians in a bas-relief they were flattened side by side against a wall, the fife-players with lifted arms and inflated cheeks, the drummers pounding frantically on long earthenware drums shaped like enormous hour-glasses and painted in ... — In Morocco • Edith Wharton
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