"Water-colour" Quotes from Famous Books
 ... cumeelfo pretended not to notice it. But Sophy could also accompany her own songs, such as, "Will you love me then as now?" and "I'd rather be a daisy," with much feeling. She was clever, too, with the water-colour brush, and to her we owe that picture of " H.M.S. Calypso in a Storm," which hangs to this day over the ...
— The Astonishing History of Troy Town • Sir Arthur Thomas Quiller-Couch
... o'clock next morning in a small book-lined parlour in a little house which stood in a quiet street in the neighbourhood of Westbourne Grove. Over the mantelpiece, amongst other odds and ends of pictures and photographs, hung a water-colour drawing of Braden Medworth—and to him presently entered an old, silver-haired clergyman whom he at once took to be Braden Medworth's former vicar, and who glanced inquisitively at his visitor and then at the card which Bryce ...
— The Paradise Mystery • J. S. Fletcher
... with rapid strokes of the brush lightly laid on with a delicate touch. Notice that green of the trees shot through with red tones, penetrated with quivering air, and the vaporous light of autumn. Notice the delicate water-colour effect of thick oil, the general smoothness of the canvas, the relief of this pouch or hood; notice the full modelling of the little faces with their glances in the confused outlines of the eye and their smiles ...
— Great Pictures, As Seen and Described by Famous Writers • Esther Singleton
... carefully shut the door, opened a desk full of drawers and pigeon-holes, and brought forth a bit of cardboard with a shy air. He had never shown it to his family, and doubtless would not have shown it now if he had not been growing old and soft and sentimental. It was a prim and niggling little water-colour drawing of English Redford—a flat facade, with swallows as big as condors flying over the roofs, and dogs that could never have got through any doorway gambolling on the lawn in front. A tiny 'Mary Carey' in one corner was just, and ...
— Sisters • Ada Cambridge
... of our moderns—Stanfield in particular—seem naturally web-footed; but the real Triton of the sea, as he was Titan of the earth, is Turner. To our own eyes, in this respect, he stands indebted to the engraver; for we do not remember a single sea-piece by Turner, in water-colour or oil, in which the water is liquid. What it is like, in the picture of the Slave-ship, which is considered one of his very finest productions, we defy any one to tell. We are led to guess it is meant for water, by the strange fish that take their pastime. A ...
— Blackwood's Edinburgh Magazine, No. CCCXXXVI. October, 1843. Vol. LIV. • Various
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