"Portrayer" Quotes from Famous Books
 ... "monarchical and religious" enormities; while the Marquis d'Esgrignon, on the other hand, found heresies and revolutionary doctrines in every issue. No matter to what extremes the organs of this or that opinion may go, they will never go quite far enough to please the purists on their own side; even as the portrayer of this magnificent personage is pretty certain to be accused of exaggeration, whereas he has done his best to soften down some of the cruder tones and dim the more startling tints ...
— The Jealousies of a Country Town • Honore de Balzac
... As a portrayer of female character the author of 'Fiesco' has clearly made some progress since his first lame attempt in 'The Robbers', but the improvement is by no means dazzling. Both Leonora and Julia are singular creatures, and their unaccountableness ...
— The Life and Works of Friedrich Schiller • Calvin Thomas
... find that Omar Khayyam is the—ah—generally accepted version of the poet's name," said the portrayer of Lord Finchley, adding beneath his ...
— The Little Warrior - (U.K. Title: Jill the Reckless) • P. G. Wodehouse
... already found a true portrayer and historian. Private enterprise, as is not unfrequently the case, has outstripped Government patronage in the performance of its task. In the unpretending volumes of George Catlin we find the most complete ethnological monograph ever given to the ...
— Bruin - The Grand Bear Hunt • Mayne Reid
... Revolution and died in poverty. Instead of these graceful masters of the false pastoral taste of the decaying century, a robust group of military painters arises, Vernet, Charlet, Gericault, and later Raffet, most brutal, but most candid portrayer of the armies of the Republic. The false classical style, inherited from the period of Louis XVI, is metamorphosed by David and Gros, becomes inflated, declamatory, vapid, and wooden. David's immense picture, the most insistent canvas now hanging in the Louvre, ...
— The French Revolution - A Short History • R. M. Johnston
... nature: on this the poet builds; he calls up from their hidden abysses that dread of the unknown, that presage of a dark side of nature, and a world of spirits, which philosophy now imagines it has altogether exploded. In this manner he is in some degree both the portrayer and the philosopher of superstition; that is, not the philosopher who denies and turns it into ridicule, but, what is still more difficult, who distinctly exhibits its origin in apparently irrational ...
— Lectures on Dramatic Art - and Literature • August Wilhelm Schlegel trans John Black
... progress by its contribution to the elevation of the social tone. For indeed, life follows art. It is art that exerts this powerful influence upon life which it may lead to loftier heights or drag down to the moral abyss. The artist is not merely the portrayer of existing types; he is the inspirer of those ideal types which human life should recognize as its pattern, its model to be followed and ultimately achieved. The world needs ideal and poetic art to minister to the ...
— Italy, the Magic Land • Lilian Whiting
... Instead of these graceful masters of the false pastoral taste of the decaying century, a robust group of military painters arises, Vernet, Charlet, Gericault, and later Raffet, most brutal, but most candid portrayer of the armies of the Republic. The false classical style, inherited from the period of Louis XVI, is metamorphosed by David and Gros, becomes inflated, declamatory, vapid, and wooden. David's immense picture, the most insistent ...
— The French Revolution - A Short History • R. M. Johnston
... Johnson tedious, it was no doubt partly due to his inability to reconcile himself to Johnson's table manners. It can hardly be denied that he was unnaturally sensitive to surface impressions. He was a great observer of manners, but not a great portrayer of character. He knew men in their absurd actions rather than in their motives—even their absurd motives. He never admits us into the springs of action in his portraits as Saint-Simon does. He was too studied a believer in the puppetry of men and women to make them more ...
— The Art of Letters • Robert Lynd |
