"Gallimaufry" Quotes from Famous Books
 ... is represented as executed by Julio Romano, an Italian painter of the 16th century, that a puritan sings psalms to hornpipes, and, to crown all, that messengers are sent to consult the oracle of Apollo, at Delphi, which is represented as an island! All this jumble, this gallimaufry, I say, does not impair the spiritual worth of the play. As an Art-product, it invites a rectified attitude toward the ...
— Introduction to Robert Browning • Hiram Corson
... seemed to match him—things appealing to the sense that he appealed to. A tarnished French mirror, a strip of faded carpet, some rows of battered, tattered books, a few cups and saucers that had erst been riveted and erst been dusted—all these, in a gallimaufry of other languid odds and ends, seen through this mud-splashed window, silently echoed the silent misery of the horse. They were remembering Zion. They had been beautiful once, and expensive, and well cared for, and admired, ...
— Yet Again • Max Beerbohm
... brother of much promise who sailed upon the Cygnet.... Ah! you perceive that such converse in her presence is not gentle nor seemly." He took Damaris's hand; it was quite cold. "Sweet lady," he said, in a low voice, "come with me from out this gallimaufry." He bent nearer, so that none but she could hear. "I will tell you all. It fits not with the dignity of your sorrow that you ...
— Sir Mortimer • Mary Johnston
... "Gentlemen, this lady had a brother of much promise who sailed upon the Cygnet.... Ah! you perceive that such converse in her presence is not gentle nor seemly." He took Damaris's hand; it was quite cold. "Sweet lady," he said, in a low voice, "come with me from out this gallimaufry." He bent nearer, so that none but she could hear. "I will tell you all. It fits not with the dignity of your sorrow that you should ...
— Sir Mortimer • Mary Johnston
... anarchy of small curls was her chevelure, a dark upland of misrule, every hair asserting its rights over a not discreditable brow. For the rest, her features were not at all original. They seemed to have been derived rather from a gallimaufry of familiar models. From Madame la Marquise de Saint-Ouen came the shapely tilt of the nose. The mouth was a mere replica of Cupid's bow, lacquered scarlet and strung with the littlest pearls. No apple-tree, no wall of ...
— Zuleika Dobson - or, An Oxford Love Story • Max Beerbohm |
