"Coronation" Quotes from Famous Books
 ... and Bansept, a shoemaker, felt that their trade had become their duty, and practise it in England. Faure makes knives, Bansept makes boots. Greppo is a weaver, it was he who when a proscript made the coronation robe of Queen Victoria. Gloomy smile of Destiny. Noel Parfait is a proof-reader at Brussels; Agricol Perdiguier, called Avignonnais-la-Vertu, has girded on his leathern apron, and is a cabinet-maker at Antwerp. Yesterday these ...
— The History of a Crime - The Testimony of an Eye-Witness • Victor Hugo
... at large gave very generous recognition, not only to the spirit and temper, but to the results of an extraordinarily effective, and, indeed, epoch-making Movement. At the instance of King Edward VII The General was officially invited to be present at the Coronation ceremony in 1902. Nothing could have marked more significantly than this single fact the completeness of the change of public feeling; and when, in 1905, William Booth went on a progress through England, he was welcomed in state by the Mayors and ...
— The Authoritative Life of General William Booth • George Scott Railton
... the demand for her coronation was impossible to resist. All Sweden wished to see a ruling queen, who might marry and have children to succeed her through the royal line of her great father. Christina consented to be crowned, but she absolutely ...
— Famous Affinities of History, Vol 1-4, Complete - The Romance of Devotion • Lyndon Orr
... professedly, only made by nuns for the service of the Church, and the term nuns' work has been the designation of lace in many places to a very modern date. Venice was famed for point, Genoa for pillow laces. English Parliamentary records have statutes on the subject of Venice laces; at the coronation of Richard III., fringes of Venice and mantle laces of gold and ...
— The Atlantic Monthly, Volume 18, No. 107, September, 1866 • Various
... struck at once, in the central bay, over the door, where you see the Coronation of Mary as Queen of Heaven, a favourite subject in art from very early times, and the dominant idea of Mary's church. You see Mary on the left, seated on her throne; on the right, seated on a precisely similar throne, is Christ, Who holds up His right hand apparently to bless, since ...
— Mont-Saint-Michel and Chartres • Henry Adams
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