"Animate" Quotes from Famous Books
 ... work, the cattle fed widely in the meadows, and the Great Road itself was alive with a hundred varied sorts of activity. Light winds stirred the tree-tops and rippled in the new grass; and from the thickets I heard the blackbirds crying. Everything animate and inanimate, that morning, seemed to have its own clear voice and to cry out at me for my interest, or curiosity, or sympathy. Under such circumstances it could not have been long—nor was it long—before I came plump upon the first of a series ...
— The Friendly Road - New Adventures in Contentment • (AKA David Grayson) Ray Stannard Baker
... a stronger hold on us than bygone life. Therefore, returning to the vast Throne-room, we animate it with one scene it witnessed on an April night in 1508. Duke Guidobaldo had died at Fossombrone, repeating to his friends around his ...
— Sketches and Studies in Italy and Greece, Second Series • John Addington Symonds
... achieved some hundreds of verses. None of these pleased him, though to me they seemed very like his master's. I can see him now, standing on his hearth-rug, holding his MS. close to his short-sighted eyes, declaiming the verses and trying, with many angular gestures of his left hand, to animate them—a tall, broad, raw-boned fellow, with long brown hair flung back from his forehead, and a very shabby suit of clothes. Because of his clothes and his socialism, and his habit of offering beer to a ...
— And Even Now - Essays • Max Beerbohm
... man of ten thousand blessings, the sustainer of his life and health and happiness. With some the worship was purely and wholly material—the sun was viewed as a huge mass of fiery matter, uninformed by any animate life, unintelligent, impersonal; but with others, sun-worship was something higher than this: the orb of day was regarded as informed by a good, wise, bright, beneficent Spirit, which lived in it, and worked through it, and ...
— Ancient Egypt • George Rawlinson
... manifestations. They are the side scenes and the background of a story that has yet to be written. That story will have the interest not only of the collision of private passions and efforts, but of the great ideas and principles which characterize and animate a nation. It will discriminate between what is accidental and what is permanent, between what is realistic and what is real, between what is sentimental and what is sentiment. It will show us not only what we are, but what we are to be; not only what to avoid, but what to ...
— Confessions and Criticisms • Julian Hawthorne
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